Category: Television (Page 65 of 84)

Sons of Anarchy 4.14 – To Be, Act 2

December 6, 2011 / Jason Zingale

In last week’s recap, I proposed that the only reason Romeo could have for telling Jax that Otto didn’t sell out the club was that he knew something SAMCRO didn’t, and as it just so happens, that something turned out to be pretty big. Shortly after Lincoln and his men set up surveillance on the Sons, Romeo and Luis roll into camp to announce that they’ve been working with the CIA and are shutting down the RICO investigation. I had a feeling this might be the case back when Lincoln was discussing Luis’ history with the Mexican military, but I had completely forgotten about it since then, mainly because it seemed a bit far-fetched at the time. And it still does, to be honest, even if this wouldn’t be the first time that the government has sided with the bad guys for the greater good. They’re essentially bankrolling the Galindo cartel so that they come out on top, because “whoever controls the drugs controls the politics,” and in order for that to happen, they need SAMCRO’s deal with the IRA to go through unimpeded.

Of course, nothing is ever that easy in the world of “Sons of Anarchy,” and although the Irish Kings seem open to working with the cartel, they’re only willing to do it with Clay as the intermediary. That puts Jax in a bit of a bind, who openly admits to Romeo that the club is already way over its head on this whole cartel business. Though he didn’t want to have to bring Jax into the loop on their CIA connections, Romeo’s hand was forced by the prospect of losing the IRA gun deal, so he explains to Jax that if the deal goes bust, the RICO case will be reopened and the club will be destroyed. All in all, it was a pretty clever way of keeping Clay alive and ensuring Jax remains in Charming. I also found it interesting that Romeo never intended to hurt Tara, but was instead going to put her into protective custody. That at least explains why the kidnappers didn’t just shoot the both of them when Jax came to her rescue in the park.

I don’t think we’ve ever seen Jax more pissed off than when he went to go visit Clay at the hospital (except perhaps at the end of last week’s episode), because despite every bone in his body telling him to kill the traitorous bastard, he had to keep him alive for the sake of the club. It’s hard to imagine a show where Clay can co-exist alongside Jax, Opie, Tara and Gemma now that they all know the truth, but Jax really has no other choice. Though he’s stripping him of the President patch, Jax is allowing Clay to keep a seat at the table and his vote for the sake of appearances, but what will the Irish think when they realize he’s no longer in control of the club? And while Clay may wish that he was dead now, that’s not going to stop him from putting up a fight when he recovers.

Entertainment, Television

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The Light from the TV Shows: Exploring “Hidden City with Marcus Sakey”

November 30, 2011 / Will Harris

If Marcus Sakey’s name doesn’t mean anything to you…well, first of all, maybe don’t tell him. He’s a nice guy. I wouldn’t want you to hurt his feelings. But beyond that, it probably means that you need to pick up the pace when it comes to reading top-notch crime thrillers. His debut novel, 2007’s The Blade Itself, was featured as a New York Times Editor’s Pick was named by Esquire as one of the 5 Best Reads of the year, and he’s since enjoyed continued success with subsequent novels Good People, The Amateurs, and The Two Deaths of Daniel Hayes.

But we’re not here to talk about Sakey’s books. We’re here to talk about his TV show.

On December 6, the Travel Channel will debut “Hidden City with Marcus Sakey,” a series that will, over the course of its 12 episodes, explore 12 different cities around the United States – caveat: for these purposes, we’re treating the Florida Keys as one big city – by investigating some of the more sordid (or at least less than cheery) parts of their pasts. For example, in Boston, Sakey explores the history of the Boston Strangler. In Chicago, he looks into the infamous protest riot of 1968. Neither is the sort of thing that’d pop up on the cover of a tourism brochure, but it is the sort of thing that fascinates Sakey. I’ve had a chance to screen the first two episodes of the series, which, not coincidentally, find Sakey working his way through Chicago and Boston, and I found it to be highly enthralling viewing.

Okay, so maybe Sakey doesn’t have the eccentric intensity of, say, James Ellroy. (If you haven’t seen Ellroy’s series “L.A.: City of Demons,” I highly recommend it.) But you can sense Sakey’s fascination with the material he’s discussing and the people with whom he’s conversing, which goes a long way. Plus, c’mon, it’s the guy’s first time playing host. Give him a chance to grow into the role, huh? And, anyway, the end of his adventures in Chicago, one thing’s for sure: he’s up for anything if it’ll help him get a better handle on the discussion at hand…even if it involves being temporarily blinded.

Bullz-Eye: So I checked out both of the episodes on the screener yesterday…

Marcus Sakey: Oh, cool! What did you think?

BE: A lot of fun, to say the least.

MS: Beautiful! Thanks, man, I appreciate it.

BE: In fact, I went on Facebook right after I watched it and said that my eyes were burning just watching the Chicago episode.

MS: [Laughs.] Yeah, I think part of the reason I ended up hosting this was that my friend and producer felt that I was dumb enough to get pepper-sprayed.

BE: It’s a good selling point.

MS: [Laughs.] Yeah. Sometimes not being that smart has its advantages.

Entertainment, Interviews, News, Television, Travel

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Sons of Anarchy 4.13 – To Be, Act 1

November 29, 2011 / Jason Zingale

After last week’s cliffhanger left many wondering if Clay was dead, tonight’s episode was quick to clarify things by confirming that, while he was definitely wounded, Opie hadn’t succeeded in killing him. (Surely a shot to the head or the heart would have been the way to go, but then there wouldn’t be a need for a two-part season finale.) Of course, Opie could have easily finished the job if Jax hadn’t shot him in the hand, but at that point in time, Clay was still innocent until proven guilty in his mind, despite Opie’s insistence that we was telling the truth. Jax wasn’t ready to buy into that theory just yet, and promised Opie that he would get to the bottom of Piney’s murder, to which Opie mockingly replied, “Just what I need. Another promise.”

It probably wasn’t the best idea for Jax to pin the shooting on “some black guys,” but no one could have expected that Tig would take the news so personally. I can understand why he feels like it might be his fault after turning his back on Clay, but to just retaliate on the Niners like that without any proof they were even responsible was really stupid. Tig was lucky to get out of that situation alive, because you can be sure that’s not the last we’re going to see of the Niners. Though Laroy made it out in one piece, his wife/girlfriend/someone important was killed in the initial attack, and two more of his men died in the ensuing chase. Geez, just when all the gangs in Charming we’re starting to play nice with one another and Tig had to go and mess it up.

Meanwhile, Gemma looks like she’s finally done protecting Clay (either that, or she just wants to be on the winning side) and decides to open up to Tara about all the horrible things that Clay has done lately. It was obviously just a ploy to make her feel guilty about using John Teller’s letters as leverage, but it worked, because Tara gave Gemma the key to the storage unit where they were hiding all along. After reading through the letters, however, Gemma took out the ones that implicated her and Unser and handed the rest over to Jax, which ultimately led to her spilling the beans on years of secrets – from Clay’s initial attempt to kill JT by sending him into a Mayan ambush, to rigging his bike to crash, to shooting Piney in the cabin and even putting out the hit on Tara.

Entertainment, Television

Clay Morrow Gemma Teller Jax Teller John Teller Opie SAMCRO Sons of Anarchy Sons of Anarchy blog Sons of Anarchy season finale Sons of Anarchy season four Tara Knowles

Is “The Walking Dead” losing its way?

November 25, 2011 / Jeff Morgan

I went into season two of AMC’s “The Walking Dead” thinking it would be a slam dunk. How could it be anything but? The first season, at just six episodes, was one of the most intriguing pieces of television I’ve seen in years. Most of its allure was the pacing. Every episode had moments of pure calm that were invariably interrupted by drooling hordes of zombies. But the zombies didn’t carry the show. The characters did most of the work, which is exactly what a good zombie show needs. We need to care about the characters so that the inevitable losses have some consequence, a task the writers of the show met head-on. All of this is to say that my expectations, high as they were, were based on the merit of the first season.

Season two started well. The survivors from last season had decided to leave Atlanta and head for Fort Benning. They hit a roadblock on the way out of town, which included a brush with a shuffling horde of zombies. We saw a pair of walkers dispatched, the first with a screwdriver through the eye, the second with a quick stab to the brainstem. It was a perfect re-introduction to the gruesome, post-apocalyptic world I loved in season one.

While creative zombie-killing is great, it isn’t enough to carry the show. There has to be some sort of plot. For season one, it was getting into Atlanta and the CDC with the hope of finding more survivors. In season two we have Fort Benning, again with the hope of finding survivors. It’s a fine plot, though it does get quickly derailed when Sophia, one of the children in the group, is chased into the woods and later disappears. Sophia’s disappearance would have been fine had it been contained to just an episode or two, but it has utterly consumed the show. Continue reading »

Television

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The Light from the TV Shows: ’60s and ’70s Saturday Mornings Made to Order

November 23, 2011 / Will Harris

I love Warner Archive.

It’s true. I really do. I’ve been a major proponent of the MOD (Made on Demand) format for DVDs ever since I first heard about the idea in the context of movies – “Want an obscure film from our vault released on DVD? We’ll print copies on an as-ordered basis!” – but when they started moving into doing the same thing for TV series, I practically lost my mind. Mind you, they eased into television, first offering up a bunch of TV movies, then miniseries, then a couple of more recent series that didn’t have massive fanbases, like “The Eleventh Hour” and “Dark Blue.” Soon, however, they started to delve into their back catalog of Hanna-Barbera series…and that’s when things really started getting interesting for me.

Throughout the ’70s, I was an obsessive watcher of cartoons: before and after school, Saturday mornings, even the occasional Sunday morning series. (Anyone remember “These Are The Days”?) As Warner Archive has begun to reissue the series that I watched in my youth but, in most cases, haven’t seen since, I’ve all but drooled at the prospect of getting to revisit them. Now that I have, I thought I’d shine the spotlight on the top 10 releases that have resulted in the most flashbacks for me:

The Addams Family: The Complete Series

Be delightfully miserable with the Addams Family as they take to the road in their Victorian-styled RV for spooktacular cross-country quests only they can conjure. From Nashville to New Orleans, New Mexico and Hawaii, these peculiar parents – Gomez and Morticia – treat their family to misadventures, including outwitting a band of gold thieves, freeing the animals from New York’s Central Park Zoo and racing a horse in the Kentucky Derby. They even win a piece of the moon and with Uncle Fester’s rocket, the trip will be a blast! You may remember them as “altogether ooky,” but the spirit of this family is contagious!

Although the “Addams Family” movies resulted in an animated series in the early ’90s, a lot of people don’t realize that there’d already been one back in the early ’70s. I remembered that I’d watched it as a kid, but I hadn’t seen it in years. Indeed, my only truly concrete memory of the ’70s animated version of the Addams Family came from when they appeared on an episode of “The New Scooby-Doo Movies.” Unfortunately, although John Astin, Carolyn Jones, Jackie Coogan, and Ted Cassidy contributed to the Addams’ “Scooby-Doo” appearance, they’re nowhere to be found on this set. This is the sort of disappointment you never really get over as you’re watching it, but at the same time, if you’re a fan of “The Addams Family” in general, then it still makes for relatively enjoyable viewing.

Frankenstein Jr. and the Impossibles: The Complete Series

Buzz Conroy is a heroic boy-genius who builds the powerful robot Frankenstein Jr. When the Ghastly Genie, the Junk Man and other evildoers get up to their old tricks, “Frankie” and his young creator crank into action. The crime fighting coalition continues with the Impossibles, a group of superheroes disguised as a beatnik rock group. At the direction of “Big D,” Multi Man, Coil Man and Fluid Man make hot-rockin’ musical justice thwarting thieves and corralling crooks with their transformative powers.

This remains one of the oddest – and therefore coolest – series ever to have emerged from Hanna-Barbera. There would seem to be little doubt that the Frankenstein Jr. / Buzz Conroy relationship was inspired at least in some part by Gigantor, the famous space-age robot who was under the command of Jimmy Sparks, but hearing Ted Cassidy’s voice come booming out of Frankie made it rather easy to dismiss the derivative nature of the premise. As for the Impossibles, I remain mystified as to why a series about a rock band who doubled as superheroes neither lasted very long nor made any sort of dent on the pop charts. Somebody at Hanna-Barbera really dropped the ball on that one, that’s all I can say.

The Funky Phantom: The Complete Series

One cold, wet night three lost teens – Skip, April and Augie plus Elmo their dog – stumbled inside a spooky old house hoping to get warm. The dusty clock showed the wrong time, so these helpful kids reset the clock hands. A gong rang out, followed by a voice: It’s the Spirit of 1776, even, at your service! Much to their surprise was the friendly ghost Mudsy and his mischievous ghost cat Boo. Antics abound when this motley group hits the road, cracking cases and thwarting crooks, pirates, ghosts and all kinds of strange characters.

For my part, when I think of the Funky Phantom, I think of the fact that, when the amusement park Kings Dominion used to be Hanna-Barbera-themed, we also used to end up parking in the Funky Phantom lot. Also, I always remember that Micky Dolenz of the Monkees did one of the voices on the show (Skip). Funnily enough, though, it wasn’t until years later that I actually saw my first episode of the show, by which point I’d already long since associated it with fond memories of childhood, anyway. Having revisited it, it’s still a fun little show, following the same general formula as “Scooby-Doo,” but with the twist of doing the ghost-hunting with an actual ghost.