Category: Entertainment (Page 252 of 277)

Sons of Anarchy 4.6 – With an X

At the end of last week’s cliffhanger, it didn’t seem possible that Juice would be able to keep himself out of the crosshairs for much longer, but amazingly, he’s done just that, albeit at the cost of one of his biker brothers. Though the Sons and Mayans were quick to start blaming each other for the missing brick, the club came to the conclusion that the only people dumb enough to try stealing from them were the prospects. And after pretending to torture Miles in a failed attempt to scare Dirty Phil and Rat Boy into a confession (and, let’s be honest, have a little laugh in the process), they forced them to play a game of Russian roulette in order to prove their commitment. Anyone watching had to know that there wasn’t actually a bullet in the gun, and that was part of the problem, because although they both passed the test, it didn’t get the club any closer to finding out who took the cocaine.

With time running out until Romeo’s arrival, Clay decides that he has no other choice but to condemn the pair to death and try and save face with the cartel. But Juice, who doesn’t exactly want their blood on his conscience, suggests that they give the prospects one last chance to return the brick with no questions asked. If it shows up, they’ll be kicked out of the club, but at least they’ll still be alive. That gives Juice just enough time to run out into the woods, grab a sample for Roosevelt, and take the brick back to the warehouse… or so he thinks. Instead, he runs into Miles, who quickly puts two and two together and realizes that Juice is the thief. The ensuing chaos led to one of the series’ biggest “holy shit” moments yet, with Juice getting a hold of Miles’ gun and shooting him clean through the face. And now that everyone thinks Miles was the one responsible, Juice has been given yet another lifeline.

But how much longer can this realistically go on? Though the club was a little surprised that it was Miles who stole the cocaine, they don’t seem to be putting too much thought into why he might have done it. Chibs, on the other hand, is the only one who’s even remotely suspicious of the whole situation, especially after the way Juice was acting around him all day. Their conversation about the prohibition of color in SAMCRO must have come across as pretty random to Chibs, and I wouldn’t be surprised if he started sniffing around Juice’s personal life. Those two appear to have a stronger friendship with each other than most guys in the club, so Chibs will undoubtedly want to do everything he can to get Juice out of trouble before the rest of SAMCRO finds out. The whole thing still feels a bit contrived to me, and even more so after Chibs admitted that many of the club’s rules were pretty outdated. After all, if one of its own members doesn’t even agree with certain by-laws, then surely there’s room for some change.

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A Chat with Nick Swardson

It would be fair to say that the comedy of Nick Swardson is an acquired taste, as anyone who’s seen his films, including “Grandma’s Boy” and “Bucky Larson: Born to Be a Star,” or his TV series, “Nick Swardson’s Pretend Time,” can tell you. With the latter now back in Comedy Central’s Wednesday night line-up for its second season, Swardson took a few minutes to chat with Bullz-Eye about what we can expect from Season 2 of “Pretend Time,” what he thinks of his lack of critical love, and more.

Bullz-Eye: To start off by kind of stating the obvious, I’m sure you’re psyched about your show returning for a second season.

Nick Swardson: Yeah, I am. I’m really excited, ‘cause I feel like, no matter what happens, this is the show I wanted to make.

BE: So what are the origins of “Nick Swardson’s Pretend Time,” anyway? Did you pitch them the idea, or did they come to you with the idea?

NS: My friend Tom (Gianas) actually pitched me the idea. He created “Human Giant” and ran that show on MTV, and he did “Tenacious D” on HBO. He’s an old friend of mine. He directed “Gay Robot,” this original pilot that I did years ago. He’s really, really brilliant, and he came to me with this idea. I’ve always wanted to do sketch comedy, and I trust Tom a lot, so I was, like, “All right, let’s do it.” And we just jumped into the show. We pitched it to the network, and they bought it off the pitch. We didn’t even get a pilot. They ordered six episodes. Which was kind of good and bad. I kind of wish we had a pilot, because it was kind of a tricky show to make. (Laughs) We didn’t really have that trial by fire. We were just kind of thrown into the volcano.

BE: You have a pretty vocal fanbase. I presume you’ve gotten some advice, either helpful or otherwise, as far as where to take the show in its second season.

NS: Yeah, it’s been interesting, because people didn’t really know what to expect from the show. My fans were kind of, like, “Well, wait, what is it? Is it stand-up? I don’t understand what it is.” They were kind of confused. Obviously, comedy’s subjective, and people either bought the show or they didn’t. (Laughs) But the people who got it, they loved it.

BE: So is Season 2 along the same lines as Season 1, or do you think you’ve kind of fleshed it out a bit more as far as what you want from the show?

NS: Um… (Long pause) I mean, it’s more aggressive. Like, there’s some really crazy stuff. (Laughs) It’s really aggressive. But we’ve kind of counterbalanced this season with doing more of a live element and more storytelling than stand-up.

BE: How much flexibility do you have with Comedy Central as far as your vision for the show? Has there been any point when they were, like, “Uh, can you dial it back a bit?”

NS: Uh, yeah. (Laughs) At the beginning, they were, like, “This is way too aggressive.” But that’s the whole point of having and doing a show. Why not make it the most aggressive thing you can do? I just didn’t want to play it safe. I wanted to just throw it against the wall, and hopefully it works. Hopefully people will dig it.

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Breaking Bad 4.13 – Lily of the Valley

In last week’s blog, I wrote of Walt sitting poolside, “We see a man who’s spinning both his firearm and his wheels, waiting to figure out how little future he has left. When the pistol spins toward one of the potted plants, however, it’s clear that Walt has gotten an idea.” If only I’d recognized that plant as a Lily of the Valley, I could’ve been a hero among my peers. Damn my insufficient knowledge of botany! Damn it all to hell!

Ahem.

When we first see Walt this evening, he’s making a mad dash through the parking garage to remove the bomb from the underside of Gus’s car, which he promptly carries into the hospital and up to the waiting area. It’s an unabashedly slapstick moment when the magnet on the bomb sticks to the elevator door, followed by a hilarious back-and-forth between Walt and Jesse about the decision to bring the bomb with him (“What, was I supposed to leave it on his car?”), but things get serious immediately thereafter, with the ABQ police showing up and requesting an audience with Jesse about his statement. As the boys with badges walk away with Mr. Pinkman, Walt looks positively pale. Is it just from being in close proximity to the cops?

The conversation between Jesse and his new friends is predictably tense. “We’re just talking.” “So if I get tired of talking, I can get up and leave?” Sure, that’s how it always works. Jesse’s being seriously grilled over the fact that he offered up a very specific poison as what was causing Brock’s illness. His explanation? “I musta seen it on ‘House’ or something.” Awesome. Time to call Saul, but there’s so much shredding going on that his secretary can’t hear the phone when he calls…or when Walt calls, for that matter, as we discover when he busts through the bottom pane of the front door in a desperate effort to find Saul. It’s an unexpectedly hilarious scene between Walt and H.T. (as Saul dubbed her last week), particularly when Walt is initially completely oblivious to the fact that the $20K pricetag for the repairs ain’t nothing to do with repairs. Okay, so it was a little slapstick-y when Walt left the office the same way he came in, but that didn’t keep me from laughing, anyway.

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A Chat with Annie Ilonzeh (“Charlie’s Angels”)

Annie Ilonzeh and Minka Kelly and Racheal Taylor in Charlie's Angels

“Charlie’s Angels,” ABC’s 2011 take on the classic chicks-kicking-ass concept, hasn’t exactly been setting the ratings on fire during its first few weeks on the air, but that’s not for lack of extremely dedicated actresses in the show’s cast. Take, for instance, Annie Ilonzeh, who plays Kate Prince on the series, starring opposite Minka Kelly and Rachael Taylor. Bullz-Eye had the chance to chat with the “General Hospital” alumnus just as “Angels” was about to take flight, and her enthusiasm and excitement about the series and her role proved decidedly infectious.

Bullz-Eye: So have you just finished a long day of filming?

Annie Ilonzeh: Yes, I have! So I’m sorry that I’m a little late calling.

BE: That’s quite all right. You have a good excuse, so you’re fine.

AI: (Laughs) Literally, it was perfect timing. I’m really surprised that it worked out. But after looking at the schedule, I figured, “Okay, we’re not going to be working ‘til 10 or 11 tonight.”

BE: Well, I’m glad you were able to finish in time to talk. I was at the TCA tour when you did the panel for “Charlie’s Angels,” but you all rushed off immediately afterward, so you weren’t around to chat at the party that night.

AI: Yeah, they had us in and out of there so quick! It was, like, “Get out of here and go back to Miami!” “Okay, okay!” So we were there for the panel that morning, and then we had a 2 PM flight or something crazy like that.

BE: You play Kate Prince on the show, and the one-liner ABC gives you in the press release is that you’re “a Miami cop who fell from grace, losing both her career and her fiancé.” Is that all they gave you to work with when you first got the role? Or did they even tell you which Angel you were going to be playing?

AI: Oh, yeah, I auditioned specifically for her. And, yeah, that was kind of the gist of it. Actually, I don’t think the ex-fiancé thing was in the breakdown as of that time, as in when I first auditioned. But when I auditioned, I kind of felt like things were a bit rougher at that time. They were still figuring things out. (Hesitates) Well, no, because originally I’d heard that they’d tried to attempt this a year ago, so I guess they kind of had an idea of the character. I just didn’t know about the ex-fiancé part very clearly. But slowly, through the four month audition process(Laughs) …I learned more about her and figured her out more, which was good for me. It was a long process, which sucks for any actor, because you wrack your brain and you’re, like, “Well, they didn’t say this, but they did say this, and she looked at me this way,” and…well, whatever. You just start making things up in your head, and it just gets crazy. But throughout that process, it did help me figure her out more. And I got to see producers more, and they got to see more. So it all worked out.

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Sons of Anarchy 4.5 – Brick

Well, I guess that’s what I get for criticizing the show for having too much filler story in the last two episodes, because while tonight was the normal 60-minute offering, it felt a heckuva lot longer due to the fact that it was jam-packed with so much information. Oh yeah, and a pretty big bomb was dropped as well that pretty much guarantees you’ll never look at some characters the same way again. I’m talking, of course, about Clay’s confirmation that he was in fact responsible for John Teller’s death. Though he didn’t admit anything to Piney (who expressed his suspicions before threatening to show JT’s letters to the rest of the club if they continued to do business with the cartel), Clay immediately ran to Gemma with concerns about how they were going to cover it up.

“I had John Teller killed while I was bedding his wife. It doesn’t matter what the reason was. Jax finds that out, he cuts off my goddamn head, he sticks it on the reaper pole.”

Wow. I mean, it’s not like it was a theory that hadn’t been batted around before, but thinking he may be involved and knowing for certain are two very different things – especially when Gemma was in on it too. Or was she? That’s where the story gets a little interesting, because while she clearly had knowledge of Clay’s plot to kill Jax’s father, I think that she was given the same bogus reason as Unser. Clay apparently told him that JT’s weakness would bring violence to Charming, and though Unser believed it at the time, after breaking into Tara’s office to steal the letters, he realized that it was all just a lie. Clay didn’t like that JT was trying to get the club out of the gun business, and he killed him for it, dragging Gemma and Unser down into the dirt with him. To make matters even worse, Gemma thinks that the letters have been destroyed by Unser, but the originals are still out there, and the only way that Clay can ensure the truth never gets out is by killing the only people who know about them: Piney and Tara.

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