Category: Entertainment (Page 201 of 277)

App of the Week: Devil’s Attorney

October 14, 2012 / Matt Byrd

Developer:
Senri AB

Compatible with:
Android Devices

Requires:
Android 2.3 or up

Price:
$3.00

Available here

“If there were no bad people, there would be no good lawyers.” – Charles Dickens

You may find this quote close to fictional lawyer Max McMann’s heart, if not on a plaque somewhere in his seedy office or written for keepsake to tuck away in his cheap suit. He’s the start of the new app “Devil’s Attorney”, and he is not necessarily a bad man, just a damn good lawyer.

“Devil’s Attorney” is an app similar in concept to the successful DS lawyer series, “Phoenix Wright”. The twist here is that you don’t play a crusader of justice, so much as a chaser of ambulances, as it’s pretty clear that McMann became a lawyer for the specific purpose of making a lot of money, as his clients are almost exclusively of the guilty persuasion (though he would strongly advise they do not make a similar plea in court).

The game is made up of over 50 cases where the player, as Max, has to out maneuver the prosecution and their witnesses. The court scenes are broken down into rounds, and you are given a certain amount of action points to spend on maneuvers like Cross Examination, Epic Speech, Mesmerize, and of course the always useful Tamper With Evidence. You’re trying to use your actions to “defeat” witnesses, and the evidence itself, by draining their hit points (call it “character assassination”) and taking them out of the game, making this very much like a traditional RPG. Once you run out of action points, your round is over and you have to weather the prosecutions attacks.

Appropriately, it’s not so much about the case as it is about the tactics. You have to manage your action points well as you often either focus your efforts on one witness or evidence piece at a time, or spread the damage throughout. Win a case, and you’re rewarded with cold hard cash, which can be used to purchase new suits or furniture for your apartment, which in turn grants new abilities or enhancements to your current ones. So you could, for instance, swagger into your next case wearing a feathered pimp hat, zebra suit and monocle, while wielding a hammer for extra evidence tampering abilities.

The key to the entire game is its humor, which is strangely (yet successfully) rooted pretty firmly in 80’s pop culture. The actual court room mechanics works okay, but if it wasn’t for the insane amount of fun this game is having with everything from the bizarre cases, to the gut busting humorous dialogue, and the gaudy swag that doubles as upgrades, this might be a completely forgettable game. Instead it is that aspect that drives you to keep playing (and enjoying this game) until the final case is closed. It is a rare feature in a video game where you get to play the bad guy, and it is truly a welcome change of pace to be able to speak on behalf of some of the worst criminals imaginable all in the pursuit of the mighty dollar.

The constant amount of artistic style and comedy on display in “Devil’s Attorney” is a true joy. It’s a morally objectionable game that isn’t trying to be offensive, and instead milks a demented concept for all the black humor and enjoyment it is worth. I do wish the game were a bit longer, but what’s here is solid gold.

As your attorney I advise you to buy this game right away as well as check out the incredible 80’s style intro below. Afterwards, I don’t think I’ll hear any objections to this being the app of the week.

Entertainment

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007 One by One – Dr. No

October 12, 2012 / Bob Westal

The girls, the gadgets, the stylish violence and absurd deeds of derring-do… It’s no wonder that the handsome and ruthlessly heroic James Bond has been an icon of masculine wish fulfillment and feminine desire for 50 years. Harry Potter and “Twilight” films might sell more tickets at the moment, but Bond belongs to an elite group of internationally popular, impossible to kill, long-running heroes.

One thing that distinguishes Bond from your Superman, Batman and Sherlock Holmes types is that, with three quirky exceptions, the Bond character has been exclusively handled by the same small, family-owned production company which has maintained a tight creative grip on the franchise since the very first Bond movie. This has led to a remarkable degree of consistency, which can be a mixed blessing.

Keeping things fresh is surely a concern on the upcoming 23rd entry in the series, which was intelligently rebooted with 2006’s “Casino Royale,” but it’s been an issue since the Bond craze first kicked into overdrive with “Goldfinger” and “Thunderball” in the mid-sixties. In fact, there’s something enjoyably ritualistic about the Bond films, which repeat the same elements with just enough variation to keep fans returning film after film, even as they might grumble that the series hasn’t been the same since Sean Connery stopped playing Bond. Without the Bond girls, the amazing stunts, the pre-credit sequence and elaborate credits, and especially the theme, Bond just wouldn’t be Bond.

And so, we at Bullz-Eye will be looking at 007 film by film, with a special emphasis on those key ingredients in the Bond martini, both familiar and hopefully somewhat surprising, that have kept so many of us devoted to the series, movie after movie after movie, year after year after year. We’ll start at the beginning…

“Dr. No” (1962)

The Plot

James Bond, an MI6 spy with a “double O” designation which means he is both an investigator and an occasional assassin with a “license to kill,” is sent to investigate the murder of British operative and his secretary in Jamaica. The man behind it turns out to be a Chinese-German millionaire with an unhealthy interest in America’s space program and scores of expendable extras on his payroll. 007 gets his man, kills a few others, and makes a few new female friends.

Entertainment, Movies

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Weekly Web Series Review: China Illinois

October 11, 2012 / Ezra Stead

It is time once again to return to the twisted, hilarious and wildly original world of Brad Neely‘s “China Illinois,” home of the Professor Brothers and Baby Cakes. This time, let’s take a look at the four-part miniseries named after the fictional town, which brings the characters from those other two series together for one continuous storyline, a first for Neely which in turn spawned a full-length, actually animated series on Adult Swim.

“China Illinois” begins with gentle giant Mark “Baby” Cakes in his usual mode, telling stories to his diary in his customarily idiosyncratic way. “Dear diary,” he says, “today me and Dad tried to clean our insides out, with plant hairs, tree ejaculates, and leafy-weafs.” “Tree ejaculates” are, of course, Baby Cakes’ unique way of saying “fruit,” just one of many phrases this character has coined that should obviously become part of the standard English lexicon immediately, for the sake of a more interesting future. When the unsatisfying meal is done, Baby Cakes comes upon “a lonely little pursey, with a pink diary hanging out,” completely failing to notice the bloody car accident adjacent to the lost purse.

The plot thickens when it is revealed that the owner of the purse was a professor at the local community college Baby Cakes attends, and that she was in an unhappy relationship with the self-absorbed Professor Frank, who romantically proclaimed to her, “You’ll never want to be anything more than the thing I am in.” Like his forbidden romance with his Dad’s girlfriend in “Baby Cakes Diary #4,” Baby Cakes becomes furious with Frank’s poor treatment of his newfound beloved, only to ultimately reconcile his feelings in a typically strange way by the end of the series.

Both Baby Cakes and Professor Frank are prone to expressing themselves through song, which, along with Baby Cakes’ poetic wordplay, brings an odd poignancy to an otherwise silly and very funny series. It’s surprising that an animatic cartoon that refers to Helen Keller as “history’s most famous little caca-faced animal kid” can strike deeper chords about the meaning of life, but that is a special ability Neely shares with fellow crude animation genius Don Hertzfeldt, and it is what makes “China Illinois” such an enduring creation.

Entertainment, Humor, Videos

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The Light from the TV Shows: A Chat with Julian Jarrold (HBO’s “The Girl”)

October 10, 2012 / Will Harris

Given how much media attention has been drawn by the upcoming Alfred Hitchcock biopic starring Anthony Hopkins, it’s no wonder that some may see HBO’s upcoming movie, “The Girl,” which debuts on Oct. 20, to be a pretender to the throne. In fact, they’re both perfectly viable entities in their own right, each covering a different aspect of the director’s career. Hopkins will be playing Hitchcock as he’s in the throes of making “Psycho,” whereas “The Girl” finds Toby Jones’s version of Hitch as he’s obsessing over Tippi Hedren (played by Sienna Miller) during the filming of “The Birds” and “Marnie.” Bullz-Eye caught up with Julian Jarrold, director of “The Girl,” just before a panel for the film at the summer Television Critics Association press tour, during which time he chatted not only about his look into the darker side of Hitchcock but also some of the other films and television efforts he’s tackled in his career to date.

Bullz-Eye: How did “The Girl” land in your lap? Or did you go looking for “The Girl”?

Julian Jarrold: No, it was sent to me ages ago, and…it was a little bit more based around the making “The Birds” and “Marnie,” but obviously it was still an exploration of this relationship. The writer (Gwyneth Hughes) had done quite a lot of research and come over here and met Jim Brown, the assistant director, and Rita Riggs (wardrobe supervisor), and Tippi, obviously. So he’d kind of pieced together this sort of fascinating script, and I loved Hitchcock, but I didn’t know this at all, so it was a bit of a shock, actually, to read it. [Laughs.] I knew he was odd, but I didn’t know he was that odd. Yeah, it totally changed my view of Hitchcock. Actually, what was fascinating was…I knew “The Birds” and “Marnie” and “Vertigo,” and they’re strange films. You kind of wonder where they’re coming from. And then finding out about this story, you certainly go, “Ah, I see where he was coming from…and where his personal obsessions are and his attitude to women and everything.” So it sort of illuminated all that. Which was very interesting.

BE: Tippi Hedren is here at the TCA tour, so presumably she’s supportive of the film, but how interactive was she you were making it? Did you speak with her in advance?

JJ: Well, no. I mean, she obviously spoke at length with the writer, and Sienna met her. But she didn’t come on set. I think she read the script. It’s obviously difficult when someone’s making a film like this. How do you compute that? Because it’s 90 minutes revolving around her life. But she said she saw it recently, and she seemed to love it. She saw it with her kids, Melanie (Griffith) and everybody, and it seemed to go down okay. But it’s difficult. It must be a painful, difficult thing to look at. You know, she had such a complex relationship with Hitchcock. It was daunting, because you mustn’t judge that. I wanted to show the sunny side of the relationship, where there was a sort of optimism at the beginning and he was such a fantastic teacher, but then how it changed and darkened and was abusive, really.

Entertainment, Interviews, Movies, News, Television

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Bond Vehicles, in the Metallic Flesh, at Comic-Con

October 10, 2012 / Bob Westal

Imagine your humble writer as being like James Bond at the beginning of “From Russia With Love,” relaxing with a beverage and a special lady when suddenly the call came in from HQ. I was needed. There would be four vehicles featured in James Bond movies at Comic-Con and, as the guy who’s been working on an upcoming Bond movie series for these here pages at Bullz-Eye, I was just the man for the job.

Of course, this is completely misleading, but I thought I’d pump myself up a bit before we get started. Basically, what this is all about is promotion for the upcoming James Bond Blu-ray set of all 22 extent canonical Bond films (slobber, slobber!). With the help of the good people at the Ian Fleming Foundation, the folks at MGM/Fox were allowing Con-goers to line up for an opportunity to have their pictures taken with these various mean machines.

The only problem was, it’s not like a simple freelancer like me arrives at Comic-Con with a bevy of men’s magazine models and, alas, Bond Booth Babes weren’t in anyone’s budget, it appeared. The thought of forcing innocent readers to view repeated pictures of me in front of four of these machines seemed almost Blofeldian in its wrongness.

Instead, I did the natural thing at Comic-Con. With a little help from my photographin’ pal Rodney Reynaldo, I recruited some of the costumed denizens of the Con to provide the visual pizzazz that I thought I needed. Fortunately, we also have some additional photos.

And so we begin at the beginning….

The Q Boat — This number was featured in the Thames boat chase sequence from 1999’s “The World is Not Enough.” In the film, Bond (as portrayed by Pierce Brosnan) appropriates the boat to give chase to a bad guy who has committed a dastardly murder at a party, though the fact that the event was in honor of good ol’ Q’s retirement adds a slightly ironic note.

I’m not quite sure what kind of note our anime-inspired friends provided, but there they are, along with a shot from the movie, in our gallery. And, yes, you can’t see the front of the vehicle from the shot on the floor of the San Diego Convention Center, but get a load of this shot of the vehicle in action from the movie.

The Ground Parahawk — This snow vehicle also turned up in one of the action sequences in the 1999 Bond opus.

What, you don’t remember Fred and Wilma Flintstone posing in front of it? Well, here’s how it looked in its more natural state.

The Jaguar XKR

The coolness factor went up considerably with the first of two actual cars, this one from 2002’s “Die Another Day.” To be honest, as far as I can find out without having the movie handy, it appears that Mr. Bond never actually drove this car. Instead, he was nearly done in by it, as suave bad guy Zao (Rick Yune) tried his best to deprive 007 of his license to live.

Of course, if Spider-Man and Spider-Girl had been along for the ride, things might have gone a bit differently. Or not.

The Aston Martin V8 Vantage Volante

It would have been way too much to expect the original and greatest James Bond supercar, the Aston Martin DB5 from 1964’s “Goldfinger” (AKA the most famous car in the world). Still, we got close enough for Comic-Con with the amazing Aston Martin V8 from 1977’s “The Living Daylights,” one of two Bond outings starring Timothy Dalton.

It might not have been as famous as the original Bond car with its built-in machine guns and ejector seat but, at least in terms of numbers, it out-gadgetted the original. The Volante in the film came come complete with, among other features, guided missiles, tire-slashing lasers, and a self-destruct capability in case everything went to hell in a hand basket.

It was our determination that only James Bond himself was cool enough to stand in front of an Aston Martin of this caliber. Since we didn’t happen to spot him wandering the convention floor, this one stands alone.