Author: Bullz-Eye Staff (Page 281 of 302)

Diane Kruger visits the GQ photo booth

Funny story: Quentin Tarantino didn’t originally want to cast Diane Kruger as German movie star turned spy Bridget von Hammersmark in his WWII epic “Inglourious Basterds” because he didn’t believe she was really German. After finally convincing him otherwise, Kruger was awarded the role, delivering one of the film’s finer performances in the process – somewhat surprising considering she was so forgettable in films like “Troy” and “National Treasure.” We’re not the only ones who think so, either, as GQ‘s Devin Gordon is more than willing to admit in his latest piece on the former model.

Kruger recently visited the GQ studio for a photo shoot to promote her latest role alongside Liam Neeson in the action thriller, “Unknown,” and along with the sexy pic above (in addition to several sexier and more playful shots of the actress in animal fur and leopard print on the website), Kruger spoke briefly about the “Inglourious Basterds” incident and what it’s like working with Neeson. Click over to the article for more.

HS TV 101: 12 Great Shows Set In or Around High School

High school: it’s a rite of passage we all must endure. Some of us weep when it’s over, others can’t wait to say goodbye forever, but for better or worse, it’s an experience that we’ll remember for the rest of our lives. The same goes for some of the many TV series that have been set in high school. Here at Bullz-Eye, we’ve polled our writers for their favorite shows within the genre, and the end result is, not unlike high school itself, a mixture of both comedy and drama.

12. Life As We Know It (ABC, 2004 – 2005): Lasting only 11 episodes before ABC unceremoniously yanked it from the air, “Life As We Know It” premiered during perhaps the most cancel-happy era in television. Developed by two of the producers of “Freaks and Geeks” (maybe the writing was already on the wall), the series may have ultimately been undone by poor ratings, but the Parents Television Council’s campaign against the show’s sexual themes certainly didn’t help. Then again, when you green light a series based on a controversial young-adult novel called “Doing It” that follows the exploits of a trio of best friends (Sean Faris, Jon Foster and Chris Lowell) navigating the highs and lows of adolescence, you can hardly pretend to be surprised when its characters discuss sex on a fairly regular basis.

Featuring a great cast of young up-and-comers that also included Missy Peregrym and Kelly Osbourne (yes, that Kelly Osbourne, who’s never been cuter than she was here), “Life As We Know It” certainly wasn’t perfect by any means, but it easily outshined similar shows like “Dawson’s Creek” and “The O.C.,” particularly in its handling of its adult characters. The series wasn’t without the usual high school clichés, but the writers never shied away from edgier material, either – like a student having a secret affair with his teacher or a star jock dealing with performance issues – resulting in a smart, sweet and incredibly honest look at how sex changes everything. – Jason Zingale

 

11. Welcome Back, Kotter (ABC, 1975 – 1979): Despite suffering through remedial classes and acting far more rebellious than was deemed socially acceptable, Gabe Kotter (played by the suspiciously similarly-named Gabe Kaplan) still somehow managed to graduate from James Buchanan High School, but who would have thought that the dreams that were his ticket out would lead him back there? (John Sebastian did, of course, but that’s not really relevant to this discussion.) With his teacher certification tucked into his back pocket, Kotter returns to his alma mater and takes on the challenge of trying to educate the new generation of remedial students. Oh, sure, their names have all changed since he hung around – now they’re called Vinnie Barbarino (John Travolta), Arnold Horshack (Ron Palillo), Freddie “Boom-Boom” Washington (Lawrence Hilton-Jacobs), and Juan Epstein (Robert Hegyes) – but they’re still “sweathogs” all the way.

Most would likely agree that “Welcome Back, Kotter” was at its best when it was still the original four Sweathogs, i.e. before Travolta slipped away from television, put on a white suit, and found big-screen success on the dance floor, but even at its funniest, few would probably describe it as the most realistic look into high school life.

“I don’t think anyone was trying to replicate the high school experience so much as they were trying to service those particular characters and write stories about them,” said Mark Evanier, who served as a story editor for the show. “If you could get a good joke out of it, great…though there were times I think we settled for a decent catch-phrase.”

While the words “up your nose with a rubber hose” lend credence to Evanier’s theory, the Marx-Brothers-inspired chemistry between the Sweathogs helps their slapstick shenanigans hold up nonetheless. And, besides, who needs realism when you’ve got Gabe Kaplan doing Groucho? – Will Harris

 

10. Glee (Fox, 2009 – present): Is it telling that one of the most popular current shows on TV came it at only the #10 spot? If nothing else, maybe it proves we here at Bullz-Eye aren’t prone to fads. Except that maybe we are, as “Glee” has made it onto our TV Power Rankings lists time and again since its debut. But this list isn’t about what entertains us in the broader sense; it’s about great high school shows. As entertaining as “Glee” can be, it has almost nothing real to say about the high school experience, and in fact most of the high school kids I know find it to be pretty nonsensical.

The one area that it seems to excel in as far as capturing the high school experience is in its ability to play romantic musical chairs with its cast of teenage characters. These kids are fickle, and the only guarantee that seems to come with a relationship on “Glee” is that sooner or later it’s going to end. Some props should probably also be given for their attempt to zero in on the bullying issue that so seems to afflict kids today, but “Glee” chose to unfortunately treat the topic with kid gloves rather than say something truly meaningful. None of this is to say that “Glee” isn’t one hell of an entertaining series, because it is, but anyone looking for something a little deeper would do best to dust off their old DVD of “The Breakfast Club.” – Ross Ruediger

 

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Hot video of Olivia Wilde from Flaunt Magazine

Check out this incredibly sexy video of Olivia Wilde provided courtesy of Flaunt Magazine and presented by Diesel. This visually stunning video was shot at the Bright White Underground Exhibit and directed by Yutsai, and it features a moving depiction of the amazing photo shoot of Olivia that was taken for Flaunt Issue 112.

Consistently Inconsistent: The highs and lows of Nicolas Cage

Depending on the movie in question, Nicolas Cage is either one of the best actors of his generation or a no-talent nutjob who was lucky enough to have a famous director for an uncle. While most actors experience their share of highs and lows throughout the course of their careers, Cage’s filmography is like a game of Russian roulette – you never know what to expect. Granted, he’s never been known for his subtlety, but even at his most outrageous, there’s always a chance that he can make a movie better.

More often than not, however, it just winds up as part of some hilarious video montage for our enjoyment. Even stranger is the way that it seems to happen in cycles. These last two years have seen the actor at the top of his game with memorable roles in “Kick-Ass” and “Bad Lieutenant: Port of New Orleans,” while 2011 promises to deliver some surefire duds with “Season of the Witch” and “Drive Angry.” It seemed like the perfect opportunity for the Bullz-Eye staff to put together a list of his best and worst performances, but with so many to choose from, it was a lot harder than we thought.

The HIGHS

“Adaptation” (2002)

Charlie Kaufman has written some of the most original movies of the last decade, but “Adaptation” is probably his best thanks to an incredible (and surprisingly reserved) performance from Nicolas Cage, who plays a fictionalized version of the screenwriter as he struggles to finish the script for the very film that the audience is watching. It’s all very meta like Kaufman’s other movies, but what separates it from the rest is seeing Cage tackle a character that’s so far off from anything he’s done before. Donning a balding wig and carrying a few extra pounds, Cage is just oozing desperation as the sweaty, neurotic loner. What makes the performance even more impressive is that he does it twice – also playing Charlie’s fabricated twin brother, Donald, who represents the real-life Kaufman’s problems with the Hollywood system. Though they’re physically identical, Donald is the complete opposite of his brother – a happy-go-lucky ladies man who’s able to knock out a million-dollar script on his first try. It’s a remarkable feat for an actor who tends to get a little out of control at times, and whether or not director Spike Jonze had anything to do with keeping him on a short leash, it’s what ultimately makes the role one of his absolute best. – Jason Zingale

 

“Leaving Las Vegas” (1995)

Preparing to make the film version of the late John O’Brien’s novel of boozy suicide, Nicolas Cage told Roger Ebert that he watched all the great Hollywood portrayals of alcoholics. The actor made sure that Ben Sanderson was different from all of them because he is different. To Ben, death is not an inconvenient outcome of gargantuan liquor consumption, it’s a key ingredient in the cocktail. As he calmly tells Sera, his slightly less damaged prostitute love (Elisabeth Shue), his plan is to drink himself to death in a city where last call never arrives. Neither Ben, nor Mike Figgis’s movie, has any interest in 12 Steps, rehab, or anything else that might extend his life. The film is an unapologetically romantic love story but not a redemption story in the usual sense, nor does Cage sell alcoholism short. From Ben romping through a supermarket liquor section in the brilliant first shot to his hyper-dramatic, gross overtures to random women, assorted humiliations, and the brutal, bluntly sexual and heartbreaking final scene with Shue, Cage shows us both the temporary fun of drunkenness and that his grief-destroyed ex-family man is suffering from a gruesome illness. We are also aware of the enormous sweetness and pain that would attract Sera, despite the obvious drawbacks of loving a suicidal drunk, and that Ben, like Cage, is a born manic entertainer. – Bob Westal

 

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Beers for the holidays

Goose Island Christmas Ale

There are all kinds of drinks that make the holidays special and more enjoyable, but for many of us a good beer will always do the trick. Our beer aficionado Mike Barkacs put together a list of 5 holiday beers to consider as you stock up for the holiday weekend. His favorite is Corsendonk Christmas Ale:

I love Belgian beer any time of the year, so I had to have one on the list. I could have easily had five. The Corsendonk fits the Christmas beer mold perfectly. It is big, malty and complex. Just tons of flavor from every direction, but nicely balanced, as you’d expect from these guys. There is fruit, spice, grain and a healthy kick of alcohol. My only quibble, and it is minor, is there is maybe a touch too much anise in it for my licorice hating taste buds. Otherwise, it’s close to perfect. They spice it up, but there is so much more going on in this beer, that all the spice doesn’t feel overblown.

Whatever your preference, drink up, be safe and enjoy your holiday!

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