Month: August 2012 (Page 2 of 11)

The Light from the TV Shows: A Chat with Gary Lockwood (“The Lieutenant,” “Star Trek”)

Your frame of reference to the name “Gary Lockwood” depends heavily on what genres of TV and movies you tend to favor. For instance, if you’re a sci-fi guy like myself, then your instant reaction to hearing his name is either to think of “2001: A Space Odyssey” or, if you’re really geeky (and – shocker! – I am), to his lone episode of the original “Star Trek” series, where he played Gary Mitchell, Jim Kirk’s Starfleet Academy pal who failed to remember that with great power comes great responsibility and suffered the consequences. That one-off “Trek” appearance was actually Lockwood’s second time working with Gene Roddenberry, however, the first time having taken place a few years earlier when Lockwood starred in the short-lived series “The Lieutenant,” which has just been released on DVD by Warner Archive. Lockwood took a few minutes to chat with Bullz-Eye about his work with Roddenberry on both series, and he also touched on occasions in his career when he crossed paths with the likes of Stanley Kubrick and Arthur C. Clarke, Henry Fonda and Jimmy Stewart, and Elvis Presley.

Bullz-Eye: “The Lieutenant” wasn’t the last time you worked with Gene Roddenberry, but was it the first time you crossed paths with him?

Gary Lockwood: Yes, it was. They talked to me about doing this show, and Roddenberry was sitting there with the head of television at MGM, and that’s how I met him.

BE: That was your first time headlining a series, although, you’d at least had a little experience as a recurring character on “Follow the Sun.”

GL: Yeah, well, I was the third banana on “Follow the Sun,” but I ended up doing the most shows. It’s hard to talk about yourself, but…it’s not that difficult. [Laughs.] What I mean to say is that the audience ended up liking my character, so I did most of the episodes of the show.

BE: There’s a quote attributed to you about how being the star of a series is like being a jet pilot: you’ve got a lot of experts working behind the scenes to get the jet running, and then the pilot sits in the cockpit and makes it work.

GL: Yeah, at which point you either live or die. [Laughs.] You get the spoils, but you also get the losses. The reason I kind of make a joke about jet pilots is that you go to work and you don’t do anything, you just sit there in a chair and drink coffee and look at girls. And then they call you, and go over and fly in front of a camera for awhile, and then you sit down for awhile while everyone else does all the work. So I kind of thought it was a little bit like being a jet pilot.

BE: When you think back to the character of Lt. Bill Rice, what’s the first thing that leaps to mind?

GL: Well, I just played him. I mean, I was just an actor. Bill Rice is not somebody I would ever be or… [Trails off.] They did ask me once if I wanted to go to Annapolis, but I was a bit too much of a rogue for that kind of life. One of my best friends did go to Annapolis, but he resigned after about a year. He didn’t like the regiment. So it takes a certain kind of guy. It was very difficult for me to consider. I wouldn’t say I wanted to be like Bill Rice, but acting is all making believe, so you create a character and you just go there and play him. I think I’ve done that with every job I’ve ever had.

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Universal’s “Battleship” out on Blu-ray with extended Special Edition interactivity

Battleship

Universal Studios’ early summer action blockbuster “Battleship” hit Blu-ray on August 28th, and critic and fans alike are well in for a treat. Director Peter Berg, of “Hancock” and “The Kingdom” fame, helms this action–adventure experience with industry-standard mind blowing effects, thrilling battles and an all star cast with Liam Neeson, Rihanna and the lovely Brooklyn Decker as Samantha Shane. This action epic follows a young naval officer and his heroic crew as they launch an all out military showdown against a superior alien force with amazing results.

Bullz-Eye was recently invited to an exclusive Blu-ray preview in San Francisco at the legendary special effects studio that makes it all happen in this film, Industrial Light & Magic (ILM). Founded by George Lucas in 1975, ILM has set the standard for visual effects in film with a chain of classics including “Star Wars,” “E.T.,” “Indiana Jones” and “Pirates of the Caribbean,” to name just a few. ILM has played a key role in seven of the top-10 world-wide box office hits of all time.

Upon arriving at the impressive ILM production campus on the former grounds of the U.S. Army Presidio complex near the Golden Gate Bridge, we were escorted to the preview screening of the Blu-ray release of “Battleship.” Here, in arguably the best screening room in the world for special effect films, we watched the film along with the new bonus features exclusive to the Blu-ray release. These included a remarkable “Visual Effects of Battleship” feature, featuring the ground breaking water simulation programs and the cutting edge motion capture effects where ILM pushes the boundaries to bring the aliens to life. The fascinating “behind the scenes” footage here is techie heaven!

Even more unique is the innovative Second Screen feature, which provides an interactive viewing experience that lets you control, interact with and explore “Battleship” with your networked tablet or computer, all in synchronization with the movie on the television screen . . . very cutting edge! With “flick view,” you can interact with the movie by moving content from your tablet to the television screen during the film and compare storyboards, animatics and other exciting content by “flicking” them from tablet to TV screen, by gesturing fingers upward on the tablet. Far out! The “Battleship” box set has more ways to store, collect, download and feature the film, including a Blu-ray disc, a DVD disc, a digital copy for downloading and the innovative UltraViolet version, where you can collect your movies on a “cloud” for instant streaming and downloading anywhere, any time on computers, tablets and smart phones.

After the screening, we were taken through the impressive production compound and grounds with its many iconic models and props of some of the greatest films of our era. You can see some of these props in the slideshow above. Members of the press were then treated to a green screen immersion of ourselves in the climatic “Battleship” deck scene, where an alien gets blown off the ship by main cannons on deck. It was wild! Here’s the clip they created with me in the scene and you can see the green screen setup in the first photo above.

Some of the individuals who brought this action-adventure film to life were members of the top special effect team with ILM. Grady Cofer and Pablo Helman acted as Visual Effects Supervisor and Second Unit Director, respectively. These two skilled craftsman have an amazing wealth of experience behind them, with epic sci-fi and action films to there credit including “Star Wars,” “Indiana Jones,” “Star Trek,” “Pirates of the Caribbean,” “Bourne Supremacy,” “Terminator 3,” “Men in Black,” “War of the Worlds,” “Titanic,” “Apollo 13” and more. During our time with them, they both described their personal influences and their approach to this film, as well as thoughtful tips on how budding graphics designers and visual programmers may break into this world of computer visual effects. We also spoke with Animation and Digital Supervisors Glen McIntosh and Willi Geiger. They described their breakthrough animation techniques for the fluid “water” effects, with blasts of water particles expelled onscreen with breathtaking realism.

The extra features in the Blu-ray set are absolutely worthy of a film with these incredible special effects. The Second Screen feature definitely stands out and the entire package will keep you entertained hour after hour.

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First Drive: 2013 Hyundai Santa Fe

2013 Hyundai Santa Fe

The folks at Hyundai are so proud of the new turbo engine in their all-new 2013 Santa Fe that they invited us to test drive the redesigned vehicle in the thin air around Park City Utah at 8,500 feet above sea level. The altitude provided a real test for the crossover’s performance and it passed with flying colors.

The third-generation Santa Fe comes in two versions, with a five-passenger Sport model that we tested along with a longer wheelbase seven-passenger model with three-rows. The Sport model arrives in showrooms in this month and the seven-passenger model will arrive in January 2013.

Exterior

Hyundai keeps putting out great-looking vehicles and the Santa Fe is no exception. With the new Santa Fe, Hyundai continues to implement its “Fluidic Sculpture” design principles that have given Hyundai vehicles a bold and distinctive look. Specifically, the Santa Fe features a new design concept called Storm Edge, which captures the strong and dynamic images created by nature during the formation of a storm. This design language works well on the new Santa Fe as you can see from the photos of the Sport model. The vehicle looks great from all angles. The seven-passenger version looks very similar, though some of the lines like the rear side windows are softened in the larger model.

Interior

The interior of the Santa Fe is very roomy and comfortable, and the model we drove was loaded with features, including a Panoramic sunroof, heated steering wheel, heated rear seats and manual rear side window sunshades, power driver seat with four-way lumbar control and front passenger seats, and sliding and reclining second row seating with 40:20:40 folding seat back. All of the controls were conveniently positioned and were easy to use. On the safety front, the Santa Fe has seven standard airbags, including driver’s knee airbag. I sat in the back seat and there’s plenty of room.

You definitely feel like you’re driving a crossover as you’re sitting a little higher than a car but not as high as an SUV. The overall driving experience will likely appeal to both drivers in a family with a nice blend of comfort and handling.

Performance

We had the opportunity to drive the 2.0L Turbo AWD version of the five-passenger Sport model through the mountain roads surrounding Park City. Performance of any vehicle declines in high altitude settings, but the power and performance of the Santa Fe turbos were very impressive. The Santa Fe easily accelerated as we climbed the mountain roads and handled the curves nicely. The overall handling was fine given that we pushed the vehicle pretty hard, so family buyers will be more than happy with the overall performance.

The Santa Fe Sport has two four-cylinder options, with the Theta II 2.4-liter Gasoline Direct Injection (GDI) engine that achieves 190 horsepower with an estimated 33 mpg EPA on the highway, which is the highest of any CUV/SUV equipped with an automatic transmission. We drove vehicles with the high-output Theta II 2.0-liter turbocharged GDI engine that achieves 264 horsepower with an estimated 31 mpg (FWD A/T) on the highway. A Lambda II 3.3-liter GDI V6 engine with 290 horsepower is available on the larger wheelbase Santa Fe.

Hyundai has emphasized weight savings across all of their new models in order to achieve the gas mileage numbers, and the new Santa Fe is 266 lbs. lighter than the 2012 model. The engineers accomplish this with the use of high tensile steel, as the new Santa Fe features a high tensile steel ratio of 37.7% vs. 7.8% for outgoing model along with improved torsional stiffness by 15.7%.

Overview

Like every automaker, Hyundai is eager to service the market of young families, and the Santa Fe is a huge key to their strategy of targeting what they call “core families.” Buyers in this segment are interest in practical vehicles but also want cool styling as well. Hyundai has achieved a nice mix of these aspects in the new Santa Fe with very competitive pricing, and we recommend adding this to your test drive list.

Breaking Bad 5.07: Say My Name

SPOILER WARNING: This post will appear every Monday following a new episode of “Breaking Bad.” It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects and events that have occurred up to and including the episode discussed are fair game. 

Classic Coke

In my post for last week’s episode, “Buyout,” I concocted a theory that Walt’s plan (“everybody wins”) would have something to do with creating some kind of fake or ersatz meth. It was based on a few small clues: Hank’s comparison of Miracle Whip and mayonnaise, a news report about a kelp-based caviar knock-off, and Jesse’s comment about “truth in advertising, yo.” Well, it turns out I was part right, which is pretty good for a show as unpredictable as “Breaking Bad.”

See, it wasn’t Walt making the knock-off, it was Declan, the big-time meth dealer the guys met with. Declan and his crew have been aping Walt’s product for some time. They switched to a P2P cook and even started using blue food coloring to make their customers think they had the real deal. But in reality, they were only getting a product that was 70 percent pure, nothing compared to Walter’s 99.1 percent. “It’s grade school tee-ball versus the New York Yankees,” Walt explains, “yours is some tepid off-brand cola. What I’m making is classic Coke.” Incredulous, Declan replies that all he has to do is kill Walt right there, and poof, no more competition, no more Coke. It’s only Walt asking if he “really wants to live in a world without Coca-cola” that stops him. Originally, Declan wanted to buy all that methylamine to put Heisenberg out of business. Instead, he ended up buying major stock.

All this is directly related to another revelation from last week’s episode, that Walt’s motivations are not quite so noble as they once were. He is no longer the guy who got a bad rap his whole life, up to and including getting lung cancer, struggling to obtain some sort of safety net for his family ($737,000 to be exact). That is, assuming he ever was. Nowadays it’s about being Heisenberg, “the best meth cook in America.” It’s about the “empire business,” and proving to everyone that looked down at him that he really is superior.

This notion was given further credence when Jesse showed up to get his share of the money. Prior to that point, Walt had simply brushed Jesse aside each time he brought up that he, like Mike, would be getting out of the meth business. When it comes down to it, and Jesse (finally) sticks to his guns, Walt is entirely unable to understand why he would want to quit. “Being the best at something is a rare thing,” Walt says, “You don’t just toss something like that away.” But Jesse doesn’t care about being the best, or all the money he stands to make. He even walks away from the $5 million he’s owed, and still it simply does not register with Walt that anyone could not care about the things that motivate him. Heisenberg is always calm and collected because things always go his way. For him, “it’s all there, black and white, clear as crystal.” He’s an emotionless meth-making machine. But as Jesse turns his back, Heisenberg’s robotic calm evaporates, only instead of printing error messages and beeping “does not compute,” he screams “If you leave you get nothing! [You lose! Good day sir!]”

When Todd becomes Walt’s new cooking partner, it’s clear that all is not well in the Kingdom of Heisenberg. However, Todd’s willingness to learn (studying his notes during a break) and refusing to discuss his cut of the money until he’s earned it pleases Walt. At the very least he’s got someone with similar ambitions, and who’s already proven that he will do whatever is necessary to succeed (like, you know, shooting an innocent child). “I don’t need you to be Antoine Lavoisier,” Walt says, “What I do need is your full attention. Listen and apply yourself.” Of course, Todd was never going to get a reference to an 18th century scientist (“the father of modern chemistry”), which just goes to show that Walt’s words weren’t meant to reassure anyone but himself.

The End of Ehrmantraut

I’ll say it again, this entire season (and series) has been about the transformation of mild-mannered Walter White into criminal mastermind Heisenberg. There’s just one problem with this scenario though: the first episode of the season showed what appeared to be a subdued Walter returning from exile in New Hampshire to buy an M60 in a Denny’s. Heisenberg’s little “say my name” tirade was his apex, his “high-water mark.” Killing Mike was the first move in the opposite direction, “the place where the wave broke and rolled back.”

When Walt tells Jesse that no one else needs to get hurt because they are now in control of their business, Jesse responds with “You keep saying that and it’s bullshit every time.” And how correct he was. Almost directly after letting those words drip out of his mouth, Walter up and kills Mike essentially for hurting his feelings. Walter has left more than a couple bodies in his wake as he rose to the top, but this is the first one that was entirely without purpose. Walt’s decision to kill Mike was made based on pure emotion, the exact pride and ego Mike had just finished scolding him about.

Just after firing the killing shot, Walt had a look on his face that we haven’t seen in a while. It was one of fear, of surprise. It represented a lack of understanding. For the first time in a while, things didn’t go exactly according to Heisenberg’s plans. After working so hard for so long to be “in control,” he couldn’t even control himself. Walt follows Mike down to the river, and immediately recognizes that the whole thing could have been avoided, as he could have gotten the names of Mike’s “guys” from Lydia. Mike responds, “shut the fuck up and let me die in peace.” A badass ending for a badass character.

The fact is Walt can still get the names from Lydia, and he will, based on the sneak peek into next week’s episode, the last of the summer. To save himself, Walt needs to do something about the guys in jail, and I’d be willing to bet Todd’s “prison connections” are going to come back into play.

Watch the cast and crew go inside “Say My Name” below and follow the writer on Twitter @NateKreichman.

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