Bullz-Eye interviews NBA legend Rick Barry on his career, Ektio shoes and what’s wrong with the NBA

Rick-Barry-NBA-Interview

We recently had the chance to talk with NBA legend Rick Barry, and it was fantastic! After the interview, I went out and shot 1,000 free throws and made 999 of ‘em!

Inducted into the Naismith Memorial Basketball Hall of Fame in 1987, Barry won an ABA title in 1969, an NBA title in 1975, was named the NBA Rookie of the Year in 1966, and was named the All-Star Game MVP in 1967. He’s the only player to ever lead the NCAA, ABA and NBA in scoring for an individual season. Check out the ridiculous numbers he put up.

Your performance in the 1966-67 All-Star Game is one of the greatest single game performances ever. You dropped 38 points and led your West squad to a victory over an Eastern Conference team that featured Wilt Chamberlain, Oscar Robertson, Bill Russell and was coached by Red Auerbach. And you did it when you were just 22 years old. What are your memories of that game?

It was a remarkable game. You look back and see how many players who played in that game were named to the 50 Greatest NBA Players team. In addition to who you mentioned, they had Jerry Lucas and Hal Greer as well. We had Nate Thurmond, Elgin Baylor and Jerry West; it was a remarkable array of talent. I got the MVP, but in all honesty, I’ve always thought the NBA All-Star Game should have a Most Outstanding Player (MOP) and a Most Valuable Player (MVP). In this case, I would’ve won MOP for a great offensive output, but the MVP was Nate Thurmond and how he helped negate that incredible front line of the Eastern All-Stars.

The other thing that is amazing is it may be the only NBA All-Star Game ever where a coach got thrown out! Red Auerbach actually got thrown out of the game! That would never happen now because competition has changed. When I go to the All-Star Game now, fans go to be entertained; it’s entertainment. There’s not super competition. As a purest, and someone who loves the game, I’m always hoping it’s going to be close in the fourth quarter because then they play really serious and pride will come out and they want to win. Otherwise, the stuff that they’re doing now isn’t true competition. For us, the winning team got a $2,000 dollar bonus; two grand to me was almost one-seventh of my salary! That’s a lot of money in those days. Now, it’s irrelevant. So our games were incredibly competitive.

What happened to the true sharpshooters; guys like you and Chris Mullin?

I think Chris was more of a shooter than I was. I was more of a scorer; I found ways to score. I got better as a shooter as my game progressed. There’s still some amazing shooters out there. Like Ray Allen. Guys like that are shooting 40% from beyond the arc and that’s an amazing shot; it truly is. The NBA three-point shot is from a long way out. What you’re not seeing today is guys playing and utilizing the mid-range game like we used to. Now, it’s either inside post-up dunk or three point shot. I think they’re missing the boat in that regard. It’s fun to watch a team do that, which is why I like to watch San Antonio. Gregg Popovich does such a great job coaching his team to play the way I always thought the game should be played. Tough defense, move the ball around, set screens, force the defense to make decisions.

How did all of your sons who played professional basketball become such great shooters? And did you ever think that one of your kids would have a Slam Dunk Champion trophy in their possession?

To be honest, I was hoping one of my boys would be good enough to play division I college basketball, or to even play basketball if they wanted to, to get a scholarship. I have five now, four in the NBA. To have three of them has never been done before and who knows what’s going to happen with my youngest son. At this stage, he’s probably more skilled than the other guys. As far as becoming great shooters, having the confidence to make the shot when you have to is the key. And repetition, repetition, repetition. That’s a matter of putting the time and effort into it. But you also have technique, a pattern that you do. Whatever your routine is, you do it every single time, like with free throws.

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The Light from the TV Shows: ’60s and ’70s Saturday Mornings Made to Order

I love Warner Archive.

It’s true. I really do. I’ve been a major proponent of the MOD (Made on Demand) format for DVDs ever since I first heard about the idea in the context of movies – “Want an obscure film from our vault released on DVD? We’ll print copies on an as-ordered basis!” – but when they started moving into doing the same thing for TV series, I practically lost my mind. Mind you, they eased into television, first offering up a bunch of TV movies, then miniseries, then a couple of more recent series that didn’t have massive fanbases, like “The Eleventh Hour” and “Dark Blue.” Soon, however, they started to delve into their back catalog of Hanna-Barbera series…and that’s when things really started getting interesting for me.

Throughout the ’70s, I was an obsessive watcher of cartoons: before and after school, Saturday mornings, even the occasional Sunday morning series. (Anyone remember “These Are The Days”?) As Warner Archive has begun to reissue the series that I watched in my youth but, in most cases, haven’t seen since, I’ve all but drooled at the prospect of getting to revisit them. Now that I have, I thought I’d shine the spotlight on the top 10 releases that have resulted in the most flashbacks for me:

The Addams Family: The Complete Series

Be delightfully miserable with the Addams Family as they take to the road in their Victorian-styled RV for spooktacular cross-country quests only they can conjure. From Nashville to New Orleans, New Mexico and Hawaii, these peculiar parents – Gomez and Morticia – treat their family to misadventures, including outwitting a band of gold thieves, freeing the animals from New York’s Central Park Zoo and racing a horse in the Kentucky Derby. They even win a piece of the moon and with Uncle Fester’s rocket, the trip will be a blast! You may remember them as “altogether ooky,” but the spirit of this family is contagious!

Although the “Addams Family” movies resulted in an animated series in the early ’90s, a lot of people don’t realize that there’d already been one back in the early ’70s. I remembered that I’d watched it as a kid, but I hadn’t seen it in years. Indeed, my only truly concrete memory of the ’70s animated version of the Addams Family came from when they appeared on an episode of “The New Scooby-Doo Movies.” Unfortunately, although John Astin, Carolyn Jones, Jackie Coogan, and Ted Cassidy contributed to the Addams’ “Scooby-Doo” appearance, they’re nowhere to be found on this set. This is the sort of disappointment you never really get over as you’re watching it, but at the same time, if you’re a fan of “The Addams Family” in general, then it still makes for relatively enjoyable viewing.

Frankenstein Jr. and the Impossibles: The Complete Series

Buzz Conroy is a heroic boy-genius who builds the powerful robot Frankenstein Jr. When the Ghastly Genie, the Junk Man and other evildoers get up to their old tricks, “Frankie” and his young creator crank into action. The crime fighting coalition continues with the Impossibles, a group of superheroes disguised as a beatnik rock group. At the direction of “Big D,” Multi Man, Coil Man and Fluid Man make hot-rockin’ musical justice thwarting thieves and corralling crooks with their transformative powers.

This remains one of the oddest – and therefore coolest – series ever to have emerged from Hanna-Barbera. There would seem to be little doubt that the Frankenstein Jr. / Buzz Conroy relationship was inspired at least in some part by Gigantor, the famous space-age robot who was under the command of Jimmy Sparks, but hearing Ted Cassidy’s voice come booming out of Frankie made it rather easy to dismiss the derivative nature of the premise. As for the Impossibles, I remain mystified as to why a series about a rock band who doubled as superheroes neither lasted very long nor made any sort of dent on the pop charts. Somebody at Hanna-Barbera really dropped the ball on that one, that’s all I can say.

The Funky Phantom: The Complete Series

One cold, wet night three lost teens – Skip, April and Augie plus Elmo their dog – stumbled inside a spooky old house hoping to get warm. The dusty clock showed the wrong time, so these helpful kids reset the clock hands. A gong rang out, followed by a voice: It’s the Spirit of 1776, even, at your service! Much to their surprise was the friendly ghost Mudsy and his mischievous ghost cat Boo. Antics abound when this motley group hits the road, cracking cases and thwarting crooks, pirates, ghosts and all kinds of strange characters.

For my part, when I think of the Funky Phantom, I think of the fact that, when the amusement park Kings Dominion used to be Hanna-Barbera-themed, we also used to end up parking in the Funky Phantom lot. Also, I always remember that Micky Dolenz of the Monkees did one of the voices on the show (Skip). Funnily enough, though, it wasn’t until years later that I actually saw my first episode of the show, by which point I’d already long since associated it with fond memories of childhood, anyway. Having revisited it, it’s still a fun little show, following the same general formula as “Scooby-Doo,” but with the twist of doing the ghost-hunting with an actual ghost.

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