Hey, kids, remember “The Goode Family”? You don’t…? Boy, that’s funny. You’d think you’d remember an animated series created under the watchful eye of Mike Judge, the man behind “Beavis & Butthead” and “King of the Hill,” not to mention such cult-classic films as “Office Space,” “Idiocracy,” and “Extract.”
Oh, wait, I know why you don’t remember it: because it only ran for 13 episodes in the summer of 2009 before ABC axed it.
Thankfully, however, the fine folks at Shout Factory have come through for “Goode Family” fans in the same way they’ve come through for fans of so many other too-quickly-canceled series over the years, offering up a complete-series set which features all of the episodes, including audio commentary from executive producers John Altschuler and Dave Krinsky on several of them, as well as deleted scenes and premises for unproduced episodes. Even better, the aforementioned Mr. Altschuler was kind enough to spend a few minutes on the phone with Bullz-Eye to discuss the series, not to mention some of the other projects he’s worked on over the course of his career.
John Altschuler: So, Will, what can I do you for?
Bullz-Eye: Well, sir, I do this TV column for Bullz-Eye, I’ve more or less got carte blanche to cover what I want, and, dammit, I want to cover the DVD release of The Goode Family: The Complete Series.
JA: [Laughs.] Well, great…I hope!
BE: It is absolutely great. I was a fan for the all-too-few episodes that aired, so it’s been nice not only to revisit the series as a whole but also to listen to the commentaries that you and Dave recorded for the set.
JA: Excellent, excellent. Well, I can’t stand the sound of my own voice, personally, but I hope it wasn’t too bad for you.
BE: No, no, not painful at all.
JA: Well, good!
BE: So to begin at the beginning, as it were, you and Dave actually knew each other well before you first met up with Mike Judge on “King of the Hill.”
JA: That’s right. Dave Krinsky and I go back to…we went to the University of North Carolina together and moved out to L.A…wow, back in ’87! And we just did movies and TV for, y’know, forever, and got hired on “King of the Hill” in its first season, and that’s how we met Mike Judge.
Features a “Troy & Abed in the Morning” coffee cup (“With a generous capacity of 15 ounces, refills are not needed!”), a Warhol-inspired Troy & Abed poster, a t-shirt featuring the Greendale Seven in video game form. and a plush Human Being…which, if you’re not already a fan of the show, probably warrants a bit of explanation. Per the NBC online store, “The Greendale Community Human Being plush mascot reflects the diversity of Greendale and our species by being nothing at all. Now you can have your own creepy version!” If that doesn’t sound like the icing on a delicious “Community” cake, then…well, uh, you’re probably not the target demo. But maybe you know someone who is, so keep it in mind just in case. ($50.00)
Described as “perhaps the greatest Dexter usable collectable out there,” what you get is a set of sunglasses with white frames spattered in blood, stored in a wooden case which, not coincidentally, looks quite a bit like Dexter’s “trophy case.” The case also includes blood slides and a syringe. Move fast, though: it’s a limited edition set – there are only 500 units being produced, and each wooden case is individually numbered. ($149.95)
It’s true. I really do. I’ve been a major proponent of the MOD (Made on Demand) format for DVDs ever since I first heard about the idea in the context of movies – “Want an obscure film from our vault released on DVD? We’ll print copies on an as-ordered basis!” – but when they started moving into doing the same thing for TV series, I practically lost my mind. Mind you, they eased into television, first offering up a bunch of TV movies, then miniseries, then a couple of more recent series that didn’t have massive fanbases, like “The Eleventh Hour” and “Dark Blue.” Soon, however, they started to delve into their back catalog of Hanna-Barbera series…and that’s when things really started getting interesting for me.
Throughout the ’70s, I was an obsessive watcher of cartoons: before and after school, Saturday mornings, even the occasional Sunday morning series. (Anyone remember “These Are The Days”?) As Warner Archive has begun to reissue the series that I watched in my youth but, in most cases, haven’t seen since, I’ve all but drooled at the prospect of getting to revisit them. Now that I have, I thought I’d shine the spotlight on the top 10 releases that have resulted in the most flashbacks for me:
Be delightfully miserable with the Addams Family as they take to the road in their Victorian-styled RV for spooktacular cross-country quests only they can conjure. From Nashville to New Orleans, New Mexico and Hawaii, these peculiar parents – Gomez and Morticia – treat their family to misadventures, including outwitting a band of gold thieves, freeing the animals from New York’s Central Park Zoo and racing a horse in the Kentucky Derby. They even win a piece of the moon and with Uncle Fester’s rocket, the trip will be a blast! You may remember them as “altogether ooky,” but the spirit of this family is contagious!
Although the “Addams Family” movies resulted in an animated series in the early ’90s, a lot of people don’t realize that there’d already been one back in the early ’70s. I remembered that I’d watched it as a kid, but I hadn’t seen it in years. Indeed, my only truly concrete memory of the ’70s animated version of the Addams Family came from when they appeared on an episode of “The New Scooby-Doo Movies.” Unfortunately, although John Astin, Carolyn Jones, Jackie Coogan, and Ted Cassidy contributed to the Addams’ “Scooby-Doo” appearance, they’re nowhere to be found on this set. This is the sort of disappointment you never really get over as you’re watching it, but at the same time, if you’re a fan of “The Addams Family” in general, then it still makes for relatively enjoyable viewing.
Buzz Conroy is a heroic boy-genius who builds the powerful robot Frankenstein Jr. When the Ghastly Genie, the Junk Man and other evildoers get up to their old tricks, “Frankie” and his young creator crank into action. The crime fighting coalition continues with the Impossibles, a group of superheroes disguised as a beatnik rock group. At the direction of “Big D,” Multi Man, Coil Man and Fluid Man make hot-rockin’ musical justice thwarting thieves and corralling crooks with their transformative powers.
This remains one of the oddest – and therefore coolest – series ever to have emerged from Hanna-Barbera. There would seem to be little doubt that the Frankenstein Jr. / Buzz Conroy relationship was inspired at least in some part by Gigantor, the famous space-age robot who was under the command of Jimmy Sparks, but hearing Ted Cassidy’s voice come booming out of Frankie made it rather easy to dismiss the derivative nature of the premise. As for the Impossibles, I remain mystified as to why a series about a rock band who doubled as superheroes neither lasted very long nor made any sort of dent on the pop charts. Somebody at Hanna-Barbera really dropped the ball on that one, that’s all I can say.
One cold, wet night three lost teens – Skip, April and Augie plus Elmo their dog – stumbled inside a spooky old house hoping to get warm. The dusty clock showed the wrong time, so these helpful kids reset the clock hands. A gong rang out, followed by a voice: It’s the Spirit of 1776, even, at your service! Much to their surprise was the friendly ghost Mudsy and his mischievous ghost cat Boo. Antics abound when this motley group hits the road, cracking cases and thwarting crooks, pirates, ghosts and all kinds of strange characters.
For my part, when I think of the Funky Phantom, I think of the fact that, when the amusement park Kings Dominion used to be Hanna-Barbera-themed, we also used to end up parking in the Funky Phantom lot. Also, I always remember that Micky Dolenz of the Monkees did one of the voices on the show (Skip). Funnily enough, though, it wasn’t until years later that I actually saw my first episode of the show, by which point I’d already long since associated it with fond memories of childhood, anyway. Having revisited it, it’s still a fun little show, following the same general formula as “Scooby-Doo,” but with the twist of doing the ghost-hunting with an actual ghost.