Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.
WHAT: When former CIA agent Robert McCall (Denzel Washington) saves a young prostitute (Chloe Grace Moretz) from her abusive, mob-connected pimp, the Russian mafia sends in a specialist (Marton Csokas) to track down the men responsible. But after it’s revealed that the seemingly ordinary McCall acted alone, the Russians plan to make an example out of him, unaware of who they’re dealing with.
WHY: Very loosely based on the 1980s TV series of the same name, “The Equalizer” is probably the closest that Denzel Washington will ever get to playing a superhero – a one-man army who takes down his opponents with such Bourne-like precision that he knows exactly how long it will take before he even throws the first punch. While director Antoine Fuqua obsesses a little too much over McCall’s methodical habits, when he just lets Denzel be Denzel, kicking ass and taking names with the poise and gravitas that he brings to each role, the film is all the better for it. Washington could read the dictionary and it would probably be riveting, so it goes without saying that he elevates the material here as well, even if he doesn’t get much help from the supporting cast. With that said, you don’t go to a movie like “The Equalizer” for the story or the acting, and Fuqua is well aware of this, populating the film with some excellent action sequences and unexpected moments of brutal violence on both sides. It’s hardly groundbreaking stuff compared to Fuqua and Washington’s last collaboration (“Training Day”), but it’s a slick crowd-pleaser that provides the escapist entertainment of any good action flick.
EXTRAS: The Blu-ray release includes an audio commentary/behind-the-scenes featurette with director Antoine Fuqua and star Denzel Washington, as well as additional featurettes on bringing the TV series to the big screen, the fight choreography and stunts, and profiles on Fuqua, Washington and Chloe Grace Moretz.
FINAL VERDICT: RENT
WHAT: A group of Sudanese refugees – orphans of the civil war that ravaged their country in the 1980s – are given the chance at a better life when they’re relocated to the United States, aided by an employment counselor (Reese Witherspoon) that takes a personal interest in them.
WHY: “The Good Lie” isn’t the first movie to be made about African immigrants escaping the horrors of their homeland, and it won’t be the last, which is exactly why you shouldn’t waste your time on such a mediocre film when there are much better options available. Though it boasts an A-list actress in Reese Witherspoon, she’s far from the headlining star that Warner Bros. would lead you to believe, instead focusing on the Sudanese refugees (specifically Arnold Oceng’s Mamere) as they struggle to adapt to life in Missouri. It’s a refreshing departure from the typical “white savior” movie, but that doesn’t prevent it from devolving into a generic fish-out-of-water story that appears to have been made using the Disney Guide to Inspirational Family Dramas. “The Good Lie” isn’t a bad film, but it’s not a particularly memorable one either, so safe and vanilla with its dramatization of real-life events that it lacks any genuine surprise. And in the end, the movie gets so caught up trying to hit all the usual beats of a feel-good drama that it forgets to give you anything to actually feel good about.
EXTRAS: There’s a making-of featurette and some deleted scenes.
FINAL VERDICT: SKIP