The Light from the TV Shows: A Chat with Titus Welliver (‘Bosch’)

There are so many things that you might know Titus Welliver from that we simply don’t have the time or space to list them all – although you can hit up his IMDb listing if you really want the full monty – but, for example, even just limiting it to shows that are currently on the air that’s he’s popped up in, you’ve got NCIS, Supernatural, Sons of Anarchy, Suits, The Good Wife, CSI: Criminal Scene Investigation, Grimm, White Collar, and Marvel’s Agents of SHIELD. At the moment, though, Welliver has high hopes that he’ll have a full-time gig on his hands in the near future…but that’s going to be up to audiences to decide.

If you’re a fan of author Michael Connelly, then you’ll most likely recognize the name “Hieronymus Bosch” as belonging to someone other than a Dutch painter: he’s a character in more than a few of Connelly’s novels – you may know him better as Harry – and now he’s making the jump to the small screen…or, more specifically, to Amazon…with Welliver playing the part in a new pilot. If it proves successful amongst viewers, then Bosch will go to series, and if not…well, let’s not even consider that possibility, because I’ve seen the pilot, and it’s pretty damned good.

In fact, it’s so good that you really ought to go watch it right now, which you can do by clicking right here. After you’re done, though, be sure to come back, because I had a chance to talk with Welliver about working on the project in some detail, and before we wrapped up, we also had a bit of time to chat about his experiences on one of his earlier TV projects as well. (Hint: he worked with David Milch on the series.)

bosch

Bullz-Eye: I’m sure you’ve gone on record elsewhere about the origins of how you came aboard the project in the first place, but as I haven’t heard them, how did you end up in the mix to play Harry Bosch?

Titus Welliver: Well, I read the script and…it was sort of a funny situation, because I was trying to meet with the producers and Michael Connelly, because I read the script and I went crazy for it and just felt like I so desperately wanted to play this character. But I was shooting Transformers 4, and a lot of different locations and a very long shoot, and sometimes it was a little bit like being in the military – in, like, special operations – where, literally, I’d get a call saying, “We need you here, now!” [Laughs.] So there were, like, three attempted meetings, and I was really getting nervous about it because, y’know, at a certain point they kind of go, “Well, as much as we’d really like to meet with you, we’ve gotta get going!”

So when I did finally get to sit down and meet with Michael Connelly and Erik Overmyer and Jim McKay and Henrik Bastin and Pieter Jan Brugge and the whole clan, it was one of those things where I walked into the room and sat down, and within five minutes… I already knew that I wanted to play the character and I loved the script, but just the energy – for lack of a better word – coming from this group, I thought, “I have to do this. My God, I really have to do it!” And that’s not always the case, y’know? Sometimes you can love material but there’s personality conflicts or whatever, you just have a gut feeling about something. But I knew from the second I got in there, “I want to work with these people.” So in that way, it was great. And I feel very blessed that I’ve been given the opportunity.

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A Chat with Stuart Paul, creator of DC / WildStorm’s “Ides of Blood”

Fact: real men read comics.

I’m sure some would still try to argue this point, but in a world where it seems like just about every comic-inspired movie finds itself atop the box office on its week of release, it’s hard to pretend that comics are strictly the domain of the geeks and the nerds. (Would that this transition could’ve occurred when I was still in high school.)

As such, Bullz-Eye is going to try to tackle more stories from the medium…and when I was sent a copy of “Ides of Blood,” a new series from DC / WildStorm which is – at least according to the press release – not entirely unlike a blend of “True Blood” and “Rome,” it certainly seemed like something that our readership might be interested in learning more about.

God bless DC’s publicity department: they quickly put me in touch with series creator Stuart Paul, who gladly answered a few questions for us about his own introduction to comic books, the origins of “Ides of Blood,” his semi-controversial decision to have characters in ancient Rome use modern colloquialisms, which of DC’s stable of superheroes he’d like to take a shot at writing, and much much more.

Since I’ve seen the phrase “new to comic books” used in conjunction with your history of writing for the medium, what’s your personal background with comics? And don’t be shy: if your memory stretches back that far, feel free to offer up the very first comic you remember buying.

My childhood experience with comics was pretty limited. Other than reading the occasional issue of Moon Knight or X-Men at my friend’s house, the only comics I personally bought were “Star Trek” comics—mostly “Next Generation” and some of the original crew that took place in the post-”Wrath of Khan” time period. It wasn’t until college that my girlfriend reintroduced me to comics through Sandman. Once I realized there were comics for adults out there, I started reading them more and more. Initially, I stuck with the superstars—Neil Gaiman, Alan Moore, Brian K. Vaughan, Garth Ennis. I was kind of a Vertigo whore at first. I guess I still kind of am, but not as much. I have to hear a lot of good buzz about something before I’ll invest in a whole series like Walking Dead, but I’ve definitely branched out. Once I discovered Urasawa’s Pluto, I started getting into manga more. Right now, I’ve got 20th Century Boys, Basilisk and Lone Wolf and Cub to read. I also went through a period of reading a lot of DC superheroes. Jeph Loeb’s Batman stuff is my favorite. Sometimes I’ll still read X-Men, but it’s pretty rare for me to read superheroes these days. My favorite series right now is probably Okko. I think Archaia is doing some of the most creative and well-made comics today. Also, Chew is the only series I read on a monthly basis. Everything else is TPB’s, although the iPad is kind of changing that.

There’s been much talk about how fans of both “True Blood” and “Rome” will find much to enjoy in Ides of Blood. Is that combination what led to the concept for this series? If not, what were its origins, and how do you feel about those points of comparison?

No, neither show existed when I originally came up with the idea and wrote the first draft. I mean, I don’t have a problem with people using those as points of reference. It’s an effective shorthand, but it’s the type of thing you’d bring up in a Hollywood pitch meeting. The problem is that you don’t necessarily know what connotations those shows have for the reader and also, they’re such current references that it makes the comic sound like it’s just trying to exploit the zeitgeist. I mean, if you said it’s “Gladiator” meets… well, actually, “Dracula” might have too much baggage attached to the name, so I guess “True Blood” probably is a good descriptor. The point is, I don’t mind the comparison, but I do think it has as much potential to put-off readers as it does to draw them in. Anyway, the concept for the series came out of boredom. I don’t really like vampires, so it started as a challenge to myself to figure out what I’d have to do to make vampires interesting to me. Julius Caesar just popped into my head.

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