Jason Mewes has been around the block enough times that he’s easily identifiable even when he’s not standing next to his onscreen hetero life mate, Kevin Smith, but the two are teaming up again to serve as judges on this week’s episode of TBS’s “King of the Geeks,” which airs 2/7 at 10 PM. Bullz-Eye talked to Mewes for a few minutes about his TV obsessions, his new gig, one of his old gigs, and an old gig that may yet be a new gig again. Confused? Read on and you’ll figure it out.
Bullz-Eye: When one of your most famous characters is turned into part of a superhero duo with their own comic book (Bluntman & Chronic), you’ve got pretty good geek credentials, but what is it about you, Jason Mewes, that makes you a geek?
Jason Mewes: Um, I would say…I could be considered a geek in the sense of my love of TV shows, comics, and action figures. I collect action figures, I collect Legos, I have a Batman pillowcase and sheet set, and, y’know, I play video games all day: “Call of Duty,” “Black Ops,” “Lego Batman 2: DC SuperHeroes”… And I guess a love of technology. I mean, I don’t know why I’m obsessed with technology, and some of it I don’t know how to use, but I want it. I have an iMac that I’ve had for a couple of years, but now they’ve got that new iMac and I want to go get it. I haven’t, but I want to, even though mine’s perfectly fine, because the new one’s all sleek and slim and amazing. I have the newest iPad, the oldest iPad, and when the iPad Mini comes out, I want to get that. So I don’t know, I guess I’d just say that my love of technology, games, comics, toys, all that…I don’t know if that makes me a child or a nerd. [Laughs.]
BE: How was the experience of being a judge on “King of the Nerds”?
JM: It was awesome. What they talked about, the content and the debating of each topic, was awesome, not to mention getting to sit there as a judge, but also the hosts (Robert Carradine and Curtis Armstrong)…I mean, “Revenge of the Nerds” was one of my favorite movies growing up. I know the whole song. [Starts singing.] “Clap your hands, everybody / And everybody clap your hands!” That was my favorite. And to be able to meet Lewis and Booger…that was a treat. So combining the stuff that they talked about and that we got to judge them and the hosts, it was amazing.
BE: Not to divulge any spoilers, but were there any contestants who, when you saw them on the show, struck you as being potential Kings?
JM: Um, you know… [Hesitates.] There’s a lot of great people on the show, so…I don’t know which one’ll be the King. And I don’t really want to give anything away, because they get kicked off…well, they don’t get kicked off, but they leave the show. But…I don’t know, there was a young lady there, I’ll say that, who was really passionate and was really on her stuff. She knew what she was talking about. So we’ll see what happens.
If you don’t know that Kevin Smith has a tendency to get a little geeky with his pop-culture pursuits, then I can only presume that the sentence you’re reading at this very moment is the first time you’ve ever heard of Kevin Smith. Seriously, the man’s all about geek culture, and he’s not afraid to liberally pepper the dialogue of his films with comic book and sci-fi references…and by “liberally pepper,” I mean that, as often as not, you’re knee deep in the stuff. As such, it really shouldn’t surprise anyone that his latest endeavor finds him serving as the executive producer of a new AMC reality series – their first in the genre – called…
The series takes place in Jay and Silent Bob’s Secret Stash, the comic shop Smith owns in Red Bank, NJ, and revolves around the guys who work there – Walt Flanagan, Bryan Johnson, Michael Zapcic, and Ming Chen – as they go through their daily routine, much of which…at least for the purposes of the series, anyway…will involve the people who bring items into the store in hopes of selling them.
Yes, that’s right, go ahead and figure on every review of “Comic Book Men” featuring some reference to the series being like “Pawn Stars,” except geekier. This is in no way an inaccurate comparison. In fact, to hear Smith tell it, his pitch for the series actually involved the words, “Let’s do ‘Pawn Stars’ in a comic book store.” But, look, I’m just gonna tell you outright: that sentence alone would’ve been enough to get me to sign up for a season pass on TiVo, and having now actually watched a rough cut of the first episode, I see no reason to backpedal on that theory. Not only do we see some pretty cool shit coming into the store – like, say, a still-boxed Six Million Dollar Man figure with bionic “scope” eye – but there’s a lot of incredibly geeky conversation, too, like the guys’ deepest superhero crushes. (For the record, mine was always Tigra. Just sayin’.)
By the way, speaking of Smith, you probably noticed that I didn’t mention his name as one of the guys who works at the Secret Stash. This, of course, is because he’s got better things (relatively speaking) to do with his time. Don’t worry, though: he’s still in every episode, since the goings-on in the store end up being discussed on the group’s podcast, of which Smith is a part, and the recording sessions have been filmed and are spliced into the proceedings.
Given that NBC’s new series, “Parenthood,” was inspired by the 1989 Ron Howard film of the same name, it was hard to resist the opportunity to take a look back at some other programs which originated on the silver screen. Obviously, Hollywood has never been afraid to recycle its properties – because, y’know, it’s just so much easier – but when you’ve got a good (and familiar) premise and you’ve got writers who know how to build on it, then why not take advantage of it? Not every film deserves to be turned into a television series, a fact which is borne out by this list of 15 such shows that never got past the pilot stage (and sometimes it worked just as badly in reverse, as you can see here), but looking back on the television landscape and seeing what classic series have emerged as a result, it’s hard to complain.
First up, a list of our 20 favorite series inspired by movies. You’ll likely disagree with some of our choices, but…well, frankly, you always disagree with some of our choices, and we’ve learned to live with that.
1. The Odd Couple (ABC, 1970 – 1975): Yeah, we know it’s technically a TV series inspired by a play, but it never would’ve been made if the movie version hadn’t been a success first. Believe it or not, Tony Randall actually wanted Mickey Rooney to play the Oscar Madison to his Felix Unger, due to the success they’d had together when they played the roles together on Broadway, but the series’ executive producer, Garry Marshall, fought for Jack Klugman and won.
Nice one, Garry: the chemistry between Randall as the fastidious Felix and Klugman as the slovenly Oscar proved so strong that it’s now hard to imagine anyone else playing either role. They also each won Emmy awards for their performances: Klugman won twice – in ’71 and ’73 – and Randall won in ’75, observing in his speech how he wished he had a job. (The show had since been canceled!)
Looking back at “The Odd Couple,” you may notice that the first season of the series looks notably different from the four seasons that followed. That’s because the decision was made to switch from single-camera to multi-camera, thereby giving the cast the opportunity to perform the show in front of a studio audience…not unlike a play, appropriately enough. No matter what season you happen upon, however, it’s still a TV classic. Sometimes it’s because of the guest stars (Oscar’s career as a sportswriter led to many an athlete being worked into the proceedings), sometimes it’s because of the situations the guys find themselves in (I’m thinking in particular of when Oscar invited Felix to be his partner on an episode of “Password”), but no matter what the scenario, it’s Randall and Klugman who bring home the laughs…so much so that, when you mention “The Odd Couple,” you immediately think of those two guys over Jack Lemmon and Walter Matthau. Now that’s what I call a successful movie-to-TV adaptation!
2. M*A*S*H (CBS, 1972 – 1983): In the grand scheme of TV shows made from feature films, surely there’s none more commercially and artistically successful than “M*A*S*H.” Based on the 1970 Robert Altman film of the same name (which in turn was based on the book by Richard Hooker), it was an unlikely candidate for a hit series, and yet that’s exactly what it ended up being. Both movie and TV show showcased the frustrations of the Vietnam War through the lens of a group of Army medics operating during the Korean War (or conflict, depending on to whom you talk). Even though the series’ highpoint was the first three seasons, which displayed a far more madcap, almost anarchic vibe, the TV-viewing public couldn’t get enough. The show, enduring numerous cast changes along the way, ran for a whopping 11 seasons, effectively lasting four times as long as the Korean War itself. The series finale in February of ‘83 was, until recently, the most watched TV event in U.S. history, but Super Bowl XLIV came along and smashed that record. – Ross Ruediger
3. Alice (CBS, 1976 – 1985): If ever there was an oddball movie on which to base a TV show, 1974’s “Alice Doesn’t Live Here Anymore,” directed by Martin Scorsese, was that movie. The relatively straightforward dramatic piece about a widowed mother of one struggling to make her way in the world was reimagined as a half-hour sitcom. By all counts, this series shouldn’t have made it past one season, and yet it lasted a mind-boggling nine years. Well, it’s really only mind-boggling to someone who hasn’t seen the show, because anyone who has, likely understands this sitcom’s place in TV history. Alice Hyatt (Linda Lavin), who in the series is divorced rather than widowed, travels across country with her son Tommy, seeking fame and fortune on L.A. as a singer, when her car breaks down in Phoenix. She’s forced to take a job at a local greasy spoon called Mel’s Diner owned by Mel Sharples (Vic Tayback, reprising his role from the film). There she finds friendship and zany antics amongst Mel’s employees and clientele. “Alice” was an ideal blue-collar premise for ‘70s TV viewers, particularly women, many of whom understood Alice all too well. The show also brought the catchphrase “Kiss my grits!” (thank you, Polly Holiday) to the table and its possible TV hasn’t recovered since. – Ross Ruediger
4. Logan’s Run (CBS, 1977 – 1978): It’s probably a little easier to buy into the idea of a “Logan’s Run” TV series when you realize that the author of the novel that inspired the film – William F. Nolan – actually wrote two sequel novels (“Logan’s World” and “Logan’s Search”) as well as a novelette (“Logan’s Return”), but as it happens, the series stands completely apart from Nolan’s written word. Starring Gregory Harrison as Logan, Heather Menzies as Jessica, and Donald Moffat as an android named REM, “Logan’s Run” sent its characters across post-apocalyptic America by hovercraft on a voyage to find Sanctuary. Given the era, the show was a relatively solid bit of sci-fi, thanks in no small part to having former “Star Trek” writer D.C. Fontana serving as the show’s story editor, but in a rather obnoxious move, Warner Brothers has released the complete series of “Logan’s Run” as iTunes downloads without making it available for purchase in a hard-copy form. Fingers crossed that the folks at Warner Archive will read this and take heed. Better to get a glorified DVD-R version that’s authorized and somewhat cleaned up than a crappy bootleg version.
5. The Paper Chase (CBS, 1978 – 1979 / Showtime, 1984 – 1986): James Bridges’ 1973 film version of John J. Osborn’s novel turned producer John Houseman, a film and theater legend but an unknown to the general public, into an Oscar-winning movie star at age 71. Later, Bridges, Osborn, and Houseman brought “The Paper Chase” to television with likable James Stephens starring as earnest law-student James Hart who, week by week, struggled with the enigmatic method and deep mind-games of the unapproachable Prof. Charles W. Kingsfield, Jr. The idea of a show about extremely intelligent young people learning how to think and reason at a high level was a novelty in 1978 — not that it’s commonplace today — and it was canceled after one season. However, such was the affection for the series that the show was successfully rerun on PBS. That led to a TV first: “The Paper Chase” went back into production in 1983 for premium cable’s Showtime with author Osborn’s involvement as well as most, but not all, of the initial cast. Not that anyone seemed to noticed: with Stephens and the charismatic, coldly witty Houseman on board, by the time Hart finally graduated, many viewers had no idea there had ever been a movie. – Bob Westal