10 Greatest Comments Appearing Below Rolling Stone’s “Steve Perry vs. Sarah Silverman” Article

If you haven’t seen the article in question yet, you can find it right here, but to get the gist, here’s the opening paragraph:

In an interview with Playboy set to hit newsstands tomorrow, comedian Sarah Silverman responds to questions about her provocative brand of humor by telling a story about how “the onetime lead singer of a very popular band from the 1980s” came up to her after a show and said, “You’re my favorite comedian. You have the best nigger jokes.” Silverman didn’t outright name Journey’s Steve Perry, but she added, “I’ll just say this: After that, I stopped believin’,” a poke at the band’s classic “Don’t Stop Believin’.”

It’s kind of a non-event, really, since the combination of knowing Sarah Silverman’s sense of humor and reading Steve Perry’s reaction to her comments make it seem pretty likely that she’s having a laugh by taking an approximation of something he said and making it into a punchline of questionable comedic value (your mileage, of course, may vary), but try telling that to the members of the Steve Perry street team, who have come out in force in the Comments section of the article.

Here, then, are ten of my favorite reactions…and, yes, they are all 100% real.

1. “I refuse to believe that Mr. Perry is the same type of low-life as John Mayer who would carelessly use such a disgusting word.”

2. “What bullshit! I don’t believe he even talked to that slut puppy! Neal (Schon) and (Jonathan) Cain probably paid her to say that because they know Perry’s working on his new cd! What a bunch of lowlifes!”

3. “WELL I DON’T BELIEVE A WORD THAT TRAILER TRASH SARAH SAYS. I’D LIKE FOR HER TO USE THE NI WORD IN FRONT OF WHOOPI. WHY DIDN’T SHE USE IT WHEN SHE WAS ON THE VIEW? STEVE’S IDOL IS SAM COOKE HELLO IF HE WAS PREJUDICE HE WOULDN’T SAY SAM COOKE IS HIS HERO MORE LESS. WHY COMEDIANS FEEL THEY HAVE USE BAD WORDS TO GET LAUGHS IS BEYOND ME. SHE COULD OF SAID BLK PEOPLE INSTEAD OF THE N WORD GROW UP SARAH.”

4. “I work in the mental health field and so I know how people perceive what they want and misconstrue to make themselves powerful. I find her humor cheap, condescending and pathetic. Steve Perry can’t even enjoy a comedian act without someone trying to shit on his image. LEAVE HIM ALONE! I get so tired of people triangulating in the name of fame at other’s expense.”

5. “First and foremost, I do not think that Racial and Ethnic slurs have a place in Comedy PERIOD. My interpretation of Silverman is nothing more than a Skank! Furthermore, I also have been a fan of Steve Perry for 30 years or more. I HAVE been to concerts and he is a total gentleman at all times, with more class than any other Lead Singer I have ever seen. I also wish to challenge what RS is saying that Mr. Perry actually said to defend himself. I doubt he would say as much as RS is saying, or go into detail about the experience. This is just disgusting rubbish that belongs in the dump along with Sarah Silverman. Listen to Steve’s beautiful Voice and weigh the talent. I don’t have to tell you which side the scale is going to weigh heavy. RS, write something good for a change. You used do some great articles. This is definitely way below your standards.”

6. “This is SUCH BULL!! Steven is one of the kindest, most gentle spirits on the planet and would NEVER say the “N-word”!!!! That bitch lied!”

7. “Steve is very classy and SEXY guy! I don’t believe he said this in a million years! Steve is friends with Randy Jackson, so why would anyone agree with that so called comedian?”

8. “SARAH SILVERMAN , I WILL NEVER WATCH U ON T.V AGAIN..THIS IS SO-UNCOOL”TO USE JENNIFER ANNISTON’S WORDS”.. STEVE PERRY IS WAY TO POPULAR FOR U TO JAM ON..AND REALLY U JUST AREN’T THAT FUNNY..TO BE HONEST, EVEN IF ROBIN WILLIAMS OR RICHARD PRYOR SAID IT , I WOULD BE PISSED..AND U CAN’T EVEN TOUCH THEM AS A COMEDIAN.”

9. “First Sarah is a total B. Get a life! I guess your name hasn’t come up often so you have to create a total lie about “The Voice.” Like one comment said he was going to come out with an album and now this will scare him away. He’ll hide for another ten years!! Thank you!!Some people (Sarah) have nothing better to do in their lives than make up lies about the nicest people! All she does is make up horrible jokes but they shouldn’t be called jokes because they SUCK ASS!!! Anyways she’s racist herself. Yeah it’s fun and jokes but what do we really now? She just might hate us all! Also Steve Perry is the greatest voice ever! That is why they call him the voice! And his idol is Sam Cook! for heaven sakes he’s black! Now why would a guy who loves Sam Cook be racist!?!? And maybe Neal Schon paid her to say it all. I can believe that after all Neal and Steve aren’t great friends right now. Sarah is just making this up. She thinks it’s a funny and cute joke. Well let me tell you something it’s not funny or freaking cute!! Also why would someone falsely accuse another just for a laugh!! She’s an F*** Bitch!!!Lastly Sarah get a freaking life!! Stop making fun of people just because. Steve I believe you all the way! You’re the best singer and also will be. And you’ll also be the nicest and most charming guy ever!! And again I believe you!! Steve Perry is right and Sarah Bitch is wrong to Hell!!!!!!!!!!!!!!!!!!!!”

10. “I believe Steve Perry over that no-talent-horse-faced-unfunny woman any day…and where is all the outcry over John Mayers racial slurs in Playboy??? The kid is a no-talent racist who will be dead of a drug or alcohol overdose in 5 years or less… Peace…”

  

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2015 Mother’s Day Gift Guide

There’s nothing a mother appreciates more than then you put some thought into their gift. You can never go wrong with classics like flowers or chocolates, but something more personal is usually better. Whether you’re buying for your mom, your wife or another important woman in your life, think about their interests and what would best bring a smile to their face.

Some moms also love gadgets that make their lives easier, so keep that in mind as well. Here are just a few suggestions to get you started.

Vivitar LifeCam

lifecam

For mothers with an active or busy lifestyle, the new Vivitar LifeCam ensures they’ll never miss another important moment again. It’s a wearable camcorder that boasts 1920x1080p HD video quality, a fixed lens with a 160-degree field of view, and the ability to capture photos and record live or time-lapsed video. The device is about 3 inches long, so it’s small enough to carry around without worrying about losing it, and comes with seven different accessory mounts for hands-free recording. There’s a head mount and bike mount for adventure-seekers who partake in outdoor activities like mountain climbing, snowboarding and cycling; a tripod mount for getting more professional shots; a clip mount for wearing it on the go; and suction, magnet and desktop mounts for a variety of everyday uses. In addition to a MicroSD card slot for saving your photos and videos, the LifeCam includes an HDMI port for HDTV playback and connects via a built-in iOS and Android app to sync, view and share your media on any mobile device.

Soundfreaq Sound Rise Speaker

We loved this compact, minimalistic wireless bedroom speaker so much that after testing it, we promptly unplugged our current iHome unit and replaced it with the Soundfreaq Sound Rise. Featuring Bluetooth 4.0 connectivity and a USB power port in the back for charging, this cube-shaped speaker also operates as a dual alarm clock with weekday/weekend settings, as well as an FM radio with the option for six presets. That means you can wake up to whatever your connected device may be streaming (like iTunes music or Pandora), your favorite FM radio station or the built-in chime sound. Though the audio quality won’t blow you away, it’s more than adequate for everyday use, while the simple design fits nicely with just about any décor. The Sound Rise is available in black and wood tone, but there’s also a limited edition floral print appropriately called Flower Freaq that most women will absolutely love.

soundfreaq

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Blu Tuesday: The Gambler, Inherent Vice and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Gambler”

WHAT: After falling into debt with a pair of dangerous men, college English professor and degenerate gambler Jim Bennett (Mark Wahlberg) is given seven days to pay or else. When his mother (Jessica Lange) gives him the money to clear his debt, only to blow it at the casino instead, Jim is put in a precarious position when one of the loan sharks (Michael K. Williams) threatens the lives of his two students.

WHY: Rupert Wyatt’s “The Gambler” is a curious beast. It’s based on a film that’s just obscure enough that a remake wouldn’t ruffle too many feathers, yet is well-regarded by those who have seen it. In other words, the 1974 original starring James Caan isn’t exactly holy ground, but there’s not much to improve on either, which makes this Mark Wahlberg vanity project feel every bit as irrelevant as the story it’s trying to tell. Wahlberg’s character is such a miserable asshole that it’s very difficult to identify with him, despite some punchy dialogue from writer William Monahan, and to make matters worse, the actor is terribly miscast in the role. At least the gambling scenes are handled with style and verve, dripping in tension and absolutely painful to watch. But while the movie does a great job of illustrating Jim’s self-destructive nature, it never digs any deeper into the root of the problem, which makes it seem fairly hollow as a result. “The Gambler” had all the right ingredients – a great cast, a talented director and source material that’s already proven to work – but it’s a disappointing misfire that fails to capitalize on its intriguing premise.

EXTRAS: There’s a collection of featurettes covering the production process (including the differences between the 1974 original and Rupert Wyatt’s remake, location shooting and costumes), as well as six deleted scenes.

FINAL VERDICT: RENT

“Inherent Vice”

WHAT: Pothead private investigator Doc Sportello (Joaquin Phoenix) investigates the disappearance of his free-spirited ex-girlfriend (Katherine Waterson) and her real estate mogul boyfriend, Mickey (Eric Roberts), which may be connected to a series of other cases involving a presumed-dead musician (Owen Wilson), the murder of one of Mickey’s bodyguards and a mysterious Indo-Chinese drug syndicate called the Golden Fang.

WHY: After years of toying with my patience, Paul Thomas Anderson has finally made a movie that’s almost impossible to defend. Fans of the director will make excuses for the film’s myriad problems anyway, but the fact that they find it necessary at all only confirms what a giant mess “Inherent Vice” really is. Based on the 2009 novel by Thomas Pynchon, the so-called inherent vice of Anderson’s slacker noir is the narrative itself. It’s as if the movie, like many of its characters, is in a constant state of a drug-addled high, unable to remain focused or make sense of anything that’s going on. And while that may be the film’s big joke, it’s not a very funny one. It feels complicated for the sake of being complicated, eventually becoming so mired in all the twists and pointless subplots that it doesn’t even know what it’s about anymore. Even worse than the gaps in logic is the punishingly long runtime, which is filled with dense, drawn-out conversations that go nowhere except lead to another similarly long-winded exchange. Joaquin Phoenix nearly holds the whole thing together with his amusingly daffy performance, but he’s the only bright spot in a movie that really should have been a lot more enjoyable.

EXTRAS: There’s a deleted scene and some fluffy promotional material, but that’s all.

FINAL VERDICT: SKIP

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Blu Tuesday: Nightcrawler, Laggies and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Nightcrawler”

WHAT: When he witnesses a freelance cameraman filming a car accident one night, go-getter Louis Bloom (Jake Gyllenhaal) believes that he’s found his calling. After trading some stolen loot to a pawn shop in exchange for a camcorder and police scanner, Louis hits the ground running, eventually selling his first footage to sleazy news director Nina Romina (Rene Russo). But once Louis gets a taste of success, he’ll do whatever it takes to get the best shot, even if that means crossing lines that aren’t meant to be crossed.

WHY: Dan Gilroy’s “Nightcrawler” might just be the most frightening film of the 2014 – not in the scares it delivers (because there are none), but rather the chilling peek that it provides behind the curtain of a completely different kind of horror: local TV news. This isn’t the first time that subject has been satirized before in cinema, but “Nightcrawler” tells its darkly comic tale of immorality in the newsroom through the eyes of a Rupert Pupkin-esque antihero more terrifying than any masked killer. The cinematic influences are boundless in Gilroy’s directorial debut, but that hasn’t stopped him from producing a first-rate thriller highlighted by a career-best performance from Jake Gyllenhaal. The actor has been taking bigger risks lately with darker, more mature material, and Louis Bloom is the pinnacle of this career rebirth – a wickedly entrancing and transformative piece of acting that’s fully deserving of an Oscar nomination. Rene Russo is also really good as the Dr. Frankenstein to Gyllenhaal’s monster, feeding into his sociopathic tendencies with an equally amoral disposition, but the movie simply wouldn’t work without Gyllenhaal’s commanding performance, because it’s the quiet intensity he brings to the role that makes Bloom such a fascinating character.

EXTRAS: There’s an audio commentary by writer/director Dan Gilroy, producer Tony Gilroy and editor John Gilroy, as well as the making-of featurette “If It Bleeds, It Leads.”

FINAL VERDICT: BUY

“Laggies”

WHAT: After her high school sweetheart (Mark Webber) suddenly proposes after ten years of dating, slacker woman-child Megan (Keira Knightley) panics, running away for the week to collect her thoughts under the guise of a self-improvement seminar. Instead, Megan hides out in the home of her new 16-year-old friend, Annika (Chloe Grace Moretz), whose single father, Craig (Sam Rockwell), is more than a little bewildered by the whole situation.

WHY: Lynn Shelton loves a good awkward situation, and though the central plot of her latest movie isn’t as uncomfortable to watch as the ones in past films like “Humpday” and “Your Sister’s Sister,” the idea of a grown woman hanging out with a bunch of teenagers is nothing if not strange. Thankfully, “Laggies” finds the heart and humor in Megan’s newfound friendship instead of making it seem pathetic or creepy, and a large part of that is down to Keira Knightley’s charming performance. After spending nearly a decade starring almost exclusively in stuffy period dramas, it’s nice to see the actress mixing it up with more modern roles, because it gives her the chance to showcase another side of her personality. Knightley brings a childlike energy to Megan that makes her immensely likable, and she’s supported by a pair of solid performances from Chloe Grace Moretz and Sam Rockwell in good but unremarkable roles. “Laggies” is without a doubt Shelton’s most mainstream movie to date, albeit with a decidedly indie flair, and while it’s almost too sweet and innocent to leave much of a lasting impression, it’s also not a bad way to spend two hours.

EXTRAS: There’s an audio commentary by director Lynn Shelton, a pair of production featurettes and some deleted scenes.

FINAL VERDICT: RENT

“Kill the Messenger”

WHAT: While working as a Senior Investigative Reporter for the San Jose Mercury News, journalist Gary Webb (Jeremy Renner) uncovers a story about the CIA permitting the sale of cocaine in the U.S. to fund a rebellion in Nicaragua, unwittingly putting his career and family in danger when he becomes the target of a smear campaign.

WHY: Some actors may be hesitant about “selling out” by doing a big Hollywood blockbuster, but if successful, it can go a long way towards getting smaller, more personal films off the ground. Case in point: “Kill the Messenger,” a passion project for star/producer Jeremy Renner that probably wouldn’t have been made were it not for the actor’s involvement in a certain billion-dollar franchise. But while Gary Webb’s true-life story about the cost of seeking out the truth is certainly interesting enough to warrant the big screen treatment, the film is a pretty conventional political thriller that skates by on Renner’s strong performance. The supporting cast is also stacked with talent, including Mary Elizabeth Winstead, Oliver Platt and Michael Sheen, but with the exception of Rosemarie DeWitt as Gary’s wife, many of them are glorified cameos. The biggest problem with “Kill the Messenger” is that it’s a tale of two halves – the investigation and the backlash that Gary received as a result of his report – and while the former makes for some engaging viewing, the latter portion seems to poke more holes in the story than support it, despite a convenient piece of text at the end that confirms Gary’s findings were correct. Still, it’s a pretty humdrum ending for a story that so many people were passionate about telling.

EXTRAS: The Blu-ray release includes an audio commentary by director Michael Cuesta, 10 minutes of deleted scenes, and a trio of short featurettes on the cast, filming in Georgia and real-life drug trafficker “Freeway Ricky” Ross, played by Michael K. Williams in the movie.

FINAL VERDICT: RENT

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Drink of the Week: Nolet’s Negroni (modified)

Nolet's Negroni (Modified).Gin gets plenty of respect among cocktail aficionados — certainly more than vodka — but it’s still mainly thought of as a something best enjoyed in some kind of mixed drink, whether it’s as unvarnished as a very dry martini, a bit more gussied up as an Aviation, or in a gin and tonic, the arguable king of highballs. Unlike whiskey, brandy, tequila, and even poor, maligned vodka, almost no one drinks gin by the shot or the snifter and while premium gins abound, super-premium gins are rare birds indeed.

Still, with a price point of about $50.00 for a 750 ml bottle, Nolet’s Dry Gin is staking out a claim at the upper end of the mass gin market with a product that justifies its higher price with a flavor profile you won’t find anywhere else. I know this because I got a free bottle in the mail and I’ve been having a great deal of fun trying out this product in a number of classic drinks. Nolet’s has a fruity, spicy flavor that is noticeably light on juniper — the botanical that pretty much defines the taste and aroma of gin in the minds of most drinkers, whether they know it or not.

I’ve grown to like it in gin, but juniper has always been a fairly tough sell with me. (I still greatly prefer Irish or English Breakfast tea to juniper-heavy Earl Grey.) So, I think Nolet’s is a dandy change of pace, high price point notwithstanding. I’ve found it makes a fascinating martini (use a lemon twist) and a really terrific G&T (3 parts tonic to one part gin). Finally, they have a very nice variation on one of my very favorite gin cocktail classics created by New York bartender John McCarthy, even if I couldn’t resist tweaking it slightly.

Nolet’s Negroni

1 1/2 ounces Nolet’s Dry Gin Silver
1 ounce Campari
1 ounce sweet vermouth (Carpano Antica or Noilly Pratt or…?)
1 dash grapefruit bitters
1-2 ounces soda water (optional addition, see below)
1 orange slice (highly desirable garnish)

Mr. McCarthy’s original recipe calls for simply building this drink in a rocks glass with ice and an orange slice garnish. With plenty of stirring, this is a decent drink, though on the heavy side for my taste. On the other hand, I found myself liking this drink immensely simply by making one of two small adjustments.

First, you can serve it up — i.e., shaken with ice and strained into a cocktail glass — as I suggested was best with the original Negroni cocktail some time ago. You can also go crazy and simply follow McCarthy’s original recipe augmented with an additional bit of soda water for a boozier Negroni/Americano hybrid. You might want to use a double rocks glass to prevent overflow.

****

The main difference between Nolet’s Negroni and the original is the inclusion of grapefruit bitters. Usually, the inclusion of Campari in any drink is considered bitters enough. Moreover, McCarthy’s original recipe specifies Carpano Antica sweet vermouth, which has a chocolatey, bitter undercurrent. Nevertheless, I think adding the bitters works just fine in a beveridge that can still come off a bit syrupy.

At the same time, I found I actually rather enjoyed my modified versions of this drink even more when I substituted Noilly Pratt sweet vermouth with its simpler, sweeter flavor that actually needs those grapefruit bitters to keep things grown-up. It’s entirely possible Martini or Cinzano would work well, too. Go with your mood, I say.

 

  

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