10 Greatest Comments Appearing Below Rolling Stone’s “Steve Perry vs. Sarah Silverman” Article

If you haven’t seen the article in question yet, you can find it right here, but to get the gist, here’s the opening paragraph:

In an interview with Playboy set to hit newsstands tomorrow, comedian Sarah Silverman responds to questions about her provocative brand of humor by telling a story about how “the onetime lead singer of a very popular band from the 1980s” came up to her after a show and said, “You’re my favorite comedian. You have the best nigger jokes.” Silverman didn’t outright name Journey’s Steve Perry, but she added, “I’ll just say this: After that, I stopped believin’,” a poke at the band’s classic “Don’t Stop Believin’.”

It’s kind of a non-event, really, since the combination of knowing Sarah Silverman’s sense of humor and reading Steve Perry’s reaction to her comments make it seem pretty likely that she’s having a laugh by taking an approximation of something he said and making it into a punchline of questionable comedic value (your mileage, of course, may vary), but try telling that to the members of the Steve Perry street team, who have come out in force in the Comments section of the article.

Here, then, are ten of my favorite reactions…and, yes, they are all 100% real.

1. “I refuse to believe that Mr. Perry is the same type of low-life as John Mayer who would carelessly use such a disgusting word.”

2. “What bullshit! I don’t believe he even talked to that slut puppy! Neal (Schon) and (Jonathan) Cain probably paid her to say that because they know Perry’s working on his new cd! What a bunch of lowlifes!”


4. “I work in the mental health field and so I know how people perceive what they want and misconstrue to make themselves powerful. I find her humor cheap, condescending and pathetic. Steve Perry can’t even enjoy a comedian act without someone trying to shit on his image. LEAVE HIM ALONE! I get so tired of people triangulating in the name of fame at other’s expense.”

5. “First and foremost, I do not think that Racial and Ethnic slurs have a place in Comedy PERIOD. My interpretation of Silverman is nothing more than a Skank! Furthermore, I also have been a fan of Steve Perry for 30 years or more. I HAVE been to concerts and he is a total gentleman at all times, with more class than any other Lead Singer I have ever seen. I also wish to challenge what RS is saying that Mr. Perry actually said to defend himself. I doubt he would say as much as RS is saying, or go into detail about the experience. This is just disgusting rubbish that belongs in the dump along with Sarah Silverman. Listen to Steve’s beautiful Voice and weigh the talent. I don’t have to tell you which side the scale is going to weigh heavy. RS, write something good for a change. You used do some great articles. This is definitely way below your standards.”

6. “This is SUCH BULL!! Steven is one of the kindest, most gentle spirits on the planet and would NEVER say the “N-word”!!!! That bitch lied!”

7. “Steve is very classy and SEXY guy! I don’t believe he said this in a million years! Steve is friends with Randy Jackson, so why would anyone agree with that so called comedian?”


9. “First Sarah is a total B. Get a life! I guess your name hasn’t come up often so you have to create a total lie about “The Voice.” Like one comment said he was going to come out with an album and now this will scare him away. He’ll hide for another ten years!! Thank you!!Some people (Sarah) have nothing better to do in their lives than make up lies about the nicest people! All she does is make up horrible jokes but they shouldn’t be called jokes because they SUCK ASS!!! Anyways she’s racist herself. Yeah it’s fun and jokes but what do we really now? She just might hate us all! Also Steve Perry is the greatest voice ever! That is why they call him the voice! And his idol is Sam Cook! for heaven sakes he’s black! Now why would a guy who loves Sam Cook be racist!?!? And maybe Neal Schon paid her to say it all. I can believe that after all Neal and Steve aren’t great friends right now. Sarah is just making this up. She thinks it’s a funny and cute joke. Well let me tell you something it’s not funny or freaking cute!! Also why would someone falsely accuse another just for a laugh!! She’s an F*** Bitch!!!Lastly Sarah get a freaking life!! Stop making fun of people just because. Steve I believe you all the way! You’re the best singer and also will be. And you’ll also be the nicest and most charming guy ever!! And again I believe you!! Steve Perry is right and Sarah Bitch is wrong to Hell!!!!!!!!!!!!!!!!!!!!”

10. “I believe Steve Perry over that no-talent-horse-faced-unfunny woman any day…and where is all the outcry over John Mayers racial slurs in Playboy??? The kid is a no-talent racist who will be dead of a drug or alcohol overdose in 5 years or less… Peace…”


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Blu Tuesday: Avengers: Age of Ultron, Entourage and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Avengers: Age of Ultron”

WHAT: After retrieving Loki’s scepter from Hydra, Tony Stark (Robert Downey Jr.) and Bruce Banner (Mark Ruffalo) attempt to use its power to produce an army of A.I. robots that can protect the world from any threat. But instead, they create Ultron (James Spader), a maniacal robot hell-bent on destroying the Avengers and remaking the world in his image with the help of a pair of super-powered twins (Aaron Taylor-Johnson and Elizabeth Olsen) who have a personal grudge against Stark.

WHY: The first “Avengers” was so much fun that it didn’t seem possible that “Age of Ultron” could be a disappointment, and yet it’s hard not to feel somewhat unsatisfied by the final product. Though it’s a decidedly darker and grittier entry that gives its characters actual problems to deal with, some are more successful than others. It makes sense that the three Avengers who have yet to receive their own solo movies – Hawkeye, Black Widow and Bruce Banner/Hulk – are treated the best in terms of development, but it comes at the cost of other characters, particularly Thor, who gets saddled with a pointless subplot involving the Infinity Stones. Newcomers Quicksilver and Scarlet Witch are also given little time to make an impression, and though James Spader is perfectly cast as Ultron, the robot isn’t a very engaging villain. The buffet of characters can be a tad overwhelming, but director Joss Whedon juggles the large ensemble and overstuffed action scenes incredibly well, creating memorable moments within each sequence that are filled with classic Whedon banter. In fact, while it’s arguably one of the studio’s weaker entries to date, “Age of Ultron” is still a mostly enjoyable installment that sets the stage for the future of the Marvel Cinematic Universe. With that said, I don’t envy the task ahead for the Russo brothers, because if this film proves anything, it’s that the upcoming two-part finale is going to be an even more daunting proposition than it originally appeared.

EXTRAS: In addition to an audio commentary by writer/director Joss Whedon, there are four featurettes – covering production, location shooting around the globe, the Marvel Cinematic Universe and the Infinity Stones – as well as deleted scenes and a gag reel.



WHAT: Freshly divorced and raring to get back to work, Vincent Chase (Adrian Grenier) agrees to star in Ari Gold’s (Jeremy Piven) first movie as studio head under one condition: he also wants to direct it. But when the film goes over budget and Vince asks for more money, the financier’s son (Haley Joel Osment) begins to interfere with the production, pushing Ari to the breaking point as he tries to protect Vince’s vision and his job.

WHY: “Entourage” has always operated as a larger-than-life helping of male wish fulfillment, but while creator Doug Ellin was no doubt seduced by the lure of going even bigger for the film version, it’s refreshing to see that, for the most part, the movie is just more of the same. It’s like a supersized episode of the HBO show, not to mention a welcome return to the lighter, more playful tone of the earlier years that made it so popular. Admittedly, the movie doesn’t hit as many high notes as the series delivered at its very best, but fans of the show will like it regardless, and it might even convince some non-fans to go back and watch it from the start. More than anything else, though, “Entourage” is a fitting farewell to a series that never really felt like it got the ending it deserved, and Ellin embraces that second chance with so much fan service that it occasionally gets in the way of the story. The movie tries too hard to please everyone, resulting in a messy narrative, but it’s also sensationalized, fizzy fun, and as fans of the TV series know only too well, that’s all that counts.

EXTRAS: There’s a making-of featurette, a roundtable discussion with writer/director Doug Ellin and the cast, a behind-the-scenes look at Vincent Chase’s movie-within-the-movie, some deleted scenes and a gag reel.


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Drink of the Week: The Brojito Mojito

the Brojito Mojito It’s probably not the focus of your weekend plans, but you might be interested to know that this Sunday is National Rum Day. I wound up getting a few pitches for rum-based cocktails for the day, but the makers of Shellback Silver Rum got to me first with a pretty interesting variation on possibly the most popular of all rum drinks (as well as the usual free bottle in the mail). It’s a pretty good way to show off their light rum, an intriguingly vanilla-forward entry in the very crowded silver rum arena.

The Brojito Mojito differs from the classic Mojito in two ways.First, there’s the addition of a-little-goes-a-long-way anise flavored liqueurs to the mix, and, second, it adds, well, more — more lime juice, more simple syrup, even more mint leaves. In fact, while there’s nothing overtly bro-ish about Shellback’s Mojito variant, it’s definitely a drink that goes big and refuses to go home. The emphasis on excess actually made me think of a key scene from the tough-guy movie classic “Key Largo,” in which bad-guy gangster Edward G. Robinson admits to basically just wanting “more.”

Still, there’s nothing at all nefarious about the Brojito Mojito and it’s probably not fair to compare it to the fascistic criminal from John Huston’s enjoyably overheated film noir. It’s a tasty and fun variation on a drink with a great many variations. If more isn’t always more, it’s often very nice indeed.

The Brojito Mojito

2 ounces Shellback Silver Rum
1 ounce fresh lime juice
1 ounce simple syrup
1/2 ounce absinthe or Herbsaint
2 ounces soda water
10-15 mint leaves

Start with a highball/collins glass and add the mint leaves. I personally get impatient counting out ten to fifteen mint leaves and therefore prefer to think of it variously as either a “bunch” of mint leaves or perhaps a “buttload of mint leaves.” Muddle them very lightly — you don’t want to bring out of the bitterness that over-muddling can result in. A light tap or two will suffice.

Next, add all the liquid ingredients and stir. Then add plenty of ice and stir some more. Prepare for one big mojito.


I have to admit I’m not in love with the name but, beyond that, this is a pretty decent not-so-little beverage with a nice kick. It’s a bit on the sweet side, but it’s balanced by the addition of  the very strong, somewhat bitter anise flavors of an absinthe, or the somewhat milder variation of Herbsaint (marketed as substitute absinthe, back when absinthe was illegal,). I leaned slightly towards the absinthe simply because, with an entire ounce of simple syrup and a relatively sweet base spirit, the Brojito Mojito is plenty sweet enough and needs as much counterpoint as it can get.

Finally, regular readers might notice that I didn’t include an option for using superfine sugar in place of simple syrup. That’s because — and I have no idea why this should be — the result simply didn’t taste very good. Don’t ask me why. The ways of cocktails, like the ways of men, are mysterious.


The Low-Down on the Open Championship Prize Money

Now that the Open Championship has come to an end, there has been a lot of buzz around the historic prize money offered to its winner: Zach Johnson. The wind may have temporarily delayed play during the tournament, but that didn’t stop Johnson from going on to win having beat Louis Oosthuizen and Marc Leishman after the three were tied on 15-under-par in a four-hole play-off. Speaking to the press after winning the tournament, Johnson said: “I feel blessed to be the champion. I feel honoured to be part of the history of this game. Humbling and surreal are two words that come to my mind.”

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Blu Tuesday: Ex Machina, It Follows and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Ex Machina”

WHAT: Caleb (Domhnall Gleeson), a young programmer at an Internet search engine, thinks that he’s just won an office-wide lottery to spend a week with the company’s reclusive but brilliant CEO, Nathan (Oscar Isaac), at his remote home/research facility in Alaska. But Nathan has other plans for him – namely, to enlist Caleb’s assistance in conducting a Turing test on his newest creation, an incredibly lifelike robot named Ava (Alicia Vikander), in order to determine whether the artificial intelligence can pass as human.

WHY: Screenwriter Alex Garland has worked almost exclusively in the science fiction genre, so it comes as no surprise that his directorial debut occupies a similar space, this time focusing on the decades-old debate of artificial intelligence. Making a movie about A.I. isn’t exactly a novel premise, but Garland excels at putting a fresh spin on familiar material, and he doesn’t disappoint with “Ex Machina,” which draws inspiration from other genre classics like “2001: A Space Odyssey” and “Frankenstein.” Garland’s film is intelligent science fiction operating at a very high level. The movie hits on some pretty big concepts without ever alienating the audience, and the sci-fi elements feel authentic despite being years away from creating such technology. The visual effects are also quite impressive, but they never overshadow the story by drawing too much attention to Ava’s beautiful but simplistic design. Though the film moves at a fairly slow pace, meandering towards its crackerjack ending via Caleb’s sessions with Ava and his post-meeting debriefings with Nathan, it’s never boring, and that’s to the immense credit of Garland’s clever script and some excellent performances. Anyone who’s seen Garland’s previous movies knows he can write, but with “Ex Machina,” he announces himself as a talented director who can not only spin a good yarn on the page, but on the screen as well.

EXTRAS: There’s a five-part making-of featurette, as well as eight additional behind-the-scenes vignettes and a Q&A with the cast and crew from SXSW.


“It Follows”

WHAT: Teenage suburbanite Jay (Maika Monroe) has just learned she’s been infected with a curse where the victim is ruthlessly stalked by a slow-walking entity that can assume the form of anyone. Nobody else can see it, but if it catches you, it’ll kill you, and the only way to get rid of it is by having sex with someone else and passing it on – at least until it kills that person and works its way back down the chain. Trapped in a constant state of fear, Jay must rely on the help of her friends to stop the monster from claiming any more lives.

WHY: Considering the role that sex has played in the horror genre throughout the years, it’s surprising that the supernatural STD angle hasn’t been done before, because it’s a really clever idea. Though the “sex equals death” rule isn’t as prominent in modern horror movies that defy those decades-old tropes, “It Follows” is very much a retro homage to ‘70s and ‘80s genre classics, from the “Halloween”-esque synth score, to the striking similarities to “Nightmare on Elm Street,” both in Jay’s perpetual helplessness and the film’s dreamlike atmosphere. But while “It Follows” has its merits as an innovative piece of filmmaking, the movie isn’t without its problems, beginning with writer/director David Robert Mitchell’s complete disinterest in digging any further into the mythology and logistics of the curse. Additionally, the acting is amateurish and the pacing could be a lot tighter. The characters spend too much time just sitting around waiting for something to happen, and although it’s initially effective in creating an ominous mood, it gets to the point where you wish they’d be a bit more proactive. The same goes for the movie itself, because despite its terrifying premise, “It Follows” is much scarier in concept than execution.

EXTRAS: There’s an audio commentary with film critics Eric D. Snider, Britt Hayes, Samuel D. Zimmerman, Alison Nastasi and Eric Vespe that’s hosted by Scott Weinberg, as well as an interview with film composer Richard Vreeland, aka Disasterpeace.


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