10 Greatest Comments Appearing Below Rolling Stone’s “Steve Perry vs. Sarah Silverman” Article

If you haven’t seen the article in question yet, you can find it right here, but to get the gist, here’s the opening paragraph:

In an interview with Playboy set to hit newsstands tomorrow, comedian Sarah Silverman responds to questions about her provocative brand of humor by telling a story about how “the onetime lead singer of a very popular band from the 1980s” came up to her after a show and said, “You’re my favorite comedian. You have the best nigger jokes.” Silverman didn’t outright name Journey’s Steve Perry, but she added, “I’ll just say this: After that, I stopped believin’,” a poke at the band’s classic “Don’t Stop Believin’.”

It’s kind of a non-event, really, since the combination of knowing Sarah Silverman’s sense of humor and reading Steve Perry’s reaction to her comments make it seem pretty likely that she’s having a laugh by taking an approximation of something he said and making it into a punchline of questionable comedic value (your mileage, of course, may vary), but try telling that to the members of the Steve Perry street team, who have come out in force in the Comments section of the article.

Here, then, are ten of my favorite reactions…and, yes, they are all 100% real.

1. “I refuse to believe that Mr. Perry is the same type of low-life as John Mayer who would carelessly use such a disgusting word.”

2. “What bullshit! I don’t believe he even talked to that slut puppy! Neal (Schon) and (Jonathan) Cain probably paid her to say that because they know Perry’s working on his new cd! What a bunch of lowlifes!”

3. “WELL I DON’T BELIEVE A WORD THAT TRAILER TRASH SARAH SAYS. I’D LIKE FOR HER TO USE THE NI WORD IN FRONT OF WHOOPI. WHY DIDN’T SHE USE IT WHEN SHE WAS ON THE VIEW? STEVE’S IDOL IS SAM COOKE HELLO IF HE WAS PREJUDICE HE WOULDN’T SAY SAM COOKE IS HIS HERO MORE LESS. WHY COMEDIANS FEEL THEY HAVE USE BAD WORDS TO GET LAUGHS IS BEYOND ME. SHE COULD OF SAID BLK PEOPLE INSTEAD OF THE N WORD GROW UP SARAH.”

4. “I work in the mental health field and so I know how people perceive what they want and misconstrue to make themselves powerful. I find her humor cheap, condescending and pathetic. Steve Perry can’t even enjoy a comedian act without someone trying to shit on his image. LEAVE HIM ALONE! I get so tired of people triangulating in the name of fame at other’s expense.”

5. “First and foremost, I do not think that Racial and Ethnic slurs have a place in Comedy PERIOD. My interpretation of Silverman is nothing more than a Skank! Furthermore, I also have been a fan of Steve Perry for 30 years or more. I HAVE been to concerts and he is a total gentleman at all times, with more class than any other Lead Singer I have ever seen. I also wish to challenge what RS is saying that Mr. Perry actually said to defend himself. I doubt he would say as much as RS is saying, or go into detail about the experience. This is just disgusting rubbish that belongs in the dump along with Sarah Silverman. Listen to Steve’s beautiful Voice and weigh the talent. I don’t have to tell you which side the scale is going to weigh heavy. RS, write something good for a change. You used do some great articles. This is definitely way below your standards.”

6. “This is SUCH BULL!! Steven is one of the kindest, most gentle spirits on the planet and would NEVER say the “N-word”!!!! That bitch lied!”

7. “Steve is very classy and SEXY guy! I don’t believe he said this in a million years! Steve is friends with Randy Jackson, so why would anyone agree with that so called comedian?”

8. “SARAH SILVERMAN , I WILL NEVER WATCH U ON T.V AGAIN..THIS IS SO-UNCOOL”TO USE JENNIFER ANNISTON’S WORDS”.. STEVE PERRY IS WAY TO POPULAR FOR U TO JAM ON..AND REALLY U JUST AREN’T THAT FUNNY..TO BE HONEST, EVEN IF ROBIN WILLIAMS OR RICHARD PRYOR SAID IT , I WOULD BE PISSED..AND U CAN’T EVEN TOUCH THEM AS A COMEDIAN.”

9. “First Sarah is a total B. Get a life! I guess your name hasn’t come up often so you have to create a total lie about “The Voice.” Like one comment said he was going to come out with an album and now this will scare him away. He’ll hide for another ten years!! Thank you!!Some people (Sarah) have nothing better to do in their lives than make up lies about the nicest people! All she does is make up horrible jokes but they shouldn’t be called jokes because they SUCK ASS!!! Anyways she’s racist herself. Yeah it’s fun and jokes but what do we really now? She just might hate us all! Also Steve Perry is the greatest voice ever! That is why they call him the voice! And his idol is Sam Cook! for heaven sakes he’s black! Now why would a guy who loves Sam Cook be racist!?!? And maybe Neal Schon paid her to say it all. I can believe that after all Neal and Steve aren’t great friends right now. Sarah is just making this up. She thinks it’s a funny and cute joke. Well let me tell you something it’s not funny or freaking cute!! Also why would someone falsely accuse another just for a laugh!! She’s an F*** Bitch!!!Lastly Sarah get a freaking life!! Stop making fun of people just because. Steve I believe you all the way! You’re the best singer and also will be. And you’ll also be the nicest and most charming guy ever!! And again I believe you!! Steve Perry is right and Sarah Bitch is wrong to Hell!!!!!!!!!!!!!!!!!!!!”

10. “I believe Steve Perry over that no-talent-horse-faced-unfunny woman any day…and where is all the outcry over John Mayers racial slurs in Playboy??? The kid is a no-talent racist who will be dead of a drug or alcohol overdose in 5 years or less… Peace…”

  

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Blu Tuesday: 22 Jump Street, Sin City and Into the Storm

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“22 Jump Street”

WHAT: When they humiliate the police department during their latest assignment, Jenko (Channing Tatum) and Schmidt (Jonah Hill) are sent back undercover, this time at a local city college to find the source of a new synthetic drug called WhyPhy. But when Jenko makes friends with the main suspect (Wyatt Russell), his relationship with Schmidt becomes strained as they split up to investigate different leads, which threatens to derail the entire mission.

WHY: For a while, it seemed like everything that Phil Lord and Christopher Miller touched turned to gold, adapting challenging source material into successful comedies with a flair for visual gags. But they haven’t had quite the same luck with sequels, as evidenced by recent films like “Cloudy with a Chance of Meatballs 2” and “22 Jump Street.” Striking the same self-mocking tone as the original, “22 Jump Street” skewers Hollywood’s formulaic sequels by openly acknowledging the rinse-and-repeat plotline and noticeably larger budget. Although it’s a clever approach that earns some laughs, it doesn’t change the fact that the film is still a complete retread from top to bottom. Lord and Miller inject the movie with the kind of silly, manic energy that’s become a touchstone in all their projects, but there aren’t enough truly laugh-out-loud moments, with many of the recurring jokes failing to hit their mark. Even when it starts to drag in the middle, however, there’s rarely a dull moment thanks to its two leads, especially Channing Tatum, who’s so funny as the dim-witted jock that he makes every scene more enjoyable. As a result, “22 Jump Street” isn’t entirely good or bad, but rather a perfectly mediocre comedy with just enough laughs to remind audiences what they loved about the first movie while failing to validate the need for a sequel.

EXTRAS: There’s a ridiculous amount of bonus material here, highlighted by 22 deleted scenes and an audio commentary by directors Phil Lord and Christopher Miller and stars Channing Tatum and Jonah Hill. Also included are four production featurettes, a collection of cast improvisations, Line-O-Ramas for five different scenes, a “Dramatic Interpretation” of the film and much more.

FINAL VERDICT: RENT

“Sin City: A Dame to Kill For”

WHAT: An anthology of intersecting stories set in Sin City. Private detective Dwight (Josh Brolin) is tricked into helping out his dangerous former lover (Eva Green); a young drifter (Joseph Gordon Levitt) faces the consequences of beating Senator Roark (Powers Boothe) at the poker table; and stripper Nancy (Jessica Alba) plots her revenge against the man responsible for the death of John Hartigan (Bruce Willis).

WHY: Robert Rodriguez has been talking about a “Sin City” sequel since the first film hit theaters, so what took so long for the prolific director to finally deliver on his promise? Your guess is as good as mine, especially when he wasted that time making garbage like “Shorts,” “Spy Kids 4” and two “Machete” movies. A lot has changed in those nine years, and whereas the original was pretty groundbreaking both visually and technically, the long-awaited follow-up feels stale in comparison. Though only two of the four stories featured are from Frank Miller’s graphic novels – the titular centerpiece “A Dame to Kill For” and the Marv-centric prelude “Just Another Saturday Night” – the best of the bunch (featuring Joseph Gordon-Levitt’s perpetually lucky gambler) is an original story written by Miller for the movie. Unfortunately, the other new segment is hands-down the weakest entry from either film, not only because Jessica Alba’s stripper is a complete bore, but because it makes a huge mess of the overarching continuity. In fact, the sequel as a whole isn’t nearly as captivating as its predecessor, and although it’s great to see Mickey Rourke reprise his role as the unstoppable brute Marv, “Sin City: A Dame to Kill For” lacks the wonder and excitement of experiencing something for the first time.

EXTRAS: The Blu-ray release includes a high-speed green screen version of the movie that lasts about 15 minutes, featurettes on the stunts and make-up effects, and some character profiles.

FINAL VERDICT: RENT

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Car Review: 2014 Lexus IS 250 F-Sport Convertible

lexus_is250_conv_1

When you have a sleek luxury coupe with a hardtop that transforms it into a convertible in 20 seconds, a choice of 204-hp or 306-hp V6 engines, F-SPORT Package with 18-inch wheels and tuned suspension and Lexus Enform multimedia and Mark Levinson audio, all you can do is say “bring it on.” We drove a 2014 Lexus IS 250 F-Sport Convertible in beautiful September weather in Northeast Ohio and the days all got just a little brighter!

EXTERIOR

The IS 250 C model cuts a sharp profile, which looks sharper still with the addition of the available F-SPORT package as tested. This package’s combination of sport-tuned suspension, F-SPORT 18-inch wheels, exclusive interior trim and aerodynamic body features give the IS C models a decidedly sporty stance, with enhanced agility to match. Additional F-SPORT Performance Accessories available for the IS C models include 19-inch forged alloy wheels, suspension and brake upgrades, air intake, exhaust systems and more.

Just 20 seconds separates coupe from convertible worlds in the 2014 Lexus IS C models. That’s how long it takes for the three-panel aluminum roof to lower once the driver has pushed the switch. The coupe’s retractable hardtop disappears beneath a locking panel, with no need for the driver to secure a tonneau cover or hold-down snaps. Constructed primarily of lightweight aluminum, the retractable hardtop features an automatic front lock assembly that provides the interior security not found in most soft-top convertibles. When the top is stowed, a lock assembly engages to keep the panel in a fixed, stable position. Lexus ensured smooth, low-noise roof operation by using a lightweight aluminum four-link design. The roof even closes quietly, thanks to a roof-speed brake system that slows the roof as it approaches the end of the closing operation.

When the IS C is equipped with the available Intuitive Park Assist (IPA), roof operation will stop if an obstacle that might interfere with operation is detected behind the car. The driver will get an audible warning, and a warning light illuminates in the instrument panel. This is a sight to see and guaranteed you’ll have folks that will want to see it open and close in awe! When the hardtop drops, this car becomes one of the most attention-getting vehicles we drove this year!

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Movie Review: “Dracula Untold”

Starring
Luke Evans, Dominic Cooper, Sarah Godon, Art Parkinson, Charles Dance
Director
Gary Shore

It seems like everyone is getting an origin story these days, so it was only a matter of time before Hollywood treated its original bad boy to one of his own. Unfortunately, the last thing that anyone needed was another film that tries to humanize a classic villain with a backstory explaining why they broke bad, especially one as iconic as Dracula. Whoever thought it was a good idea to turn the Prince of Darkness into a romantic hero clearly doesn’t understand the essence of the character, because it completely undermines everything that makes him so fascinating. There isn’t a whole lot of the Dracula we know and love in “Dracula Untold,” and although that means very little blood-sucking from the man himself, that hasn’t stopped director Gary Shore from sucking the fun out of cinema’s greatest villain.

Inspired by the real-life story of Vlad the Impaler (Luke Evans), who was taken hostage as a teenager and forced to fight for the Ottoman Empire, the movie picks up decades later after the Transylvanian prince has put down his sword in order to rule his people. But when Turkish sultan Mehmed (Dominic Cooper) demands 1,000 Transylvanian youths for his army – including Vlad’s only son, Ingeras (Art Parkinson) – Vlad refuses to submit, resulting in a Turkish retaliation that reduces Castle Dracula to a pile of rubble. Grossly outnumbered and desperate to protect his people, Vlad makes a deal with an ancient vampire (Charles Dance) who lives in the nearby mountains by drinking his blood in exchange for ultimate power. If Vlad can resist the overwhelming thirst for blood for three days, he’ll revert back to his mortal self, but of course, we already know that isn’t going to happen.

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Movie Review: “Alexander and the Terrible, Horrible, No Good, Very Bad Day”

Starring
Steve Carell, Jennifer Garner, Ed Oxenbould, Dylan Minnette, Kerris Dorsey, Bella Thorne, Megan Mullally
Director
Miguel Arteta

“Alexander and the Terrible, Horrible, No Good Very Bad Day” is not a good movie, but it’s a damn likable one. The dialogue is snappy, and the performances by the family members are spot-on (this movie does not work without Steve Carell), but the plotting is, well, bad. All characters outside of the family are gross stereotypes, seemingly because it’s easier to make an example of them that way. The pro-family vibe of the movie is so strong, though, that it makes the predictable storytelling easier to forgive.

Alexander Cooper (Ed Oxenbould) is about to turn 12, and per middle school protocol, he’s having an awful day. He wakes up with gum in his hair (sadly, one of only a few nods to the 1972 book on which the movie is based), and proceeds to get humiliated at a school-wide level via text bomb, and is crushed to discover that even his best friend is going to skip his birthday party the next day in order to attend the party of a much cooler kid. Alexander, convinced that he is all but invisible to his family and frustrated that they can’t relate to what he’s going through, wishes on a candle-lit cupcake at midnight on his birthday that they could know how it feels to be him for a day. From the moment they wake up the next morning, Alexander’s entire family experiences a “Liar Liar” form of karmic payback.

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