30 Sexiest TV Actresses of 2013
Television has always been home to a parade of beautiful actresses, and with the explosion of cable TV and now Netflix, the roles have even become sexier over the years. Here are some of our favorites from 2013:
This sexy brunette oozes sex appeal, and she was perfect as the sexually liberated Virginia Johnson in the new Showtime series “Masters of Sex.” She certainly wasn’t shy about showing off her impressive body as her character dove into her work researching how the female body responded during sex. This was by far the sexiest new show on television this year which shouldn’t be a surprise given the subject matter, and we saw a parade of lovely actresses disrobing as Virginia Johnson and Dr. William Masters began their study, though some of the best scenes took place when the two of them took part in their own study. “Masters of Sex” has established itself as one of the best shows on television as this period drama pulls the curtain on an era where most conversations about sex were taboo, and the show works mostly due to Caplan and costar Michael Sheen as Masters. Check out our interview with Lizzy from 2010.
Photo courtesy of Showtime by Michael Desmond
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Posted in: Entertainment, Television
Tags: actresses, Addison Timlin, Alison Brie, Amanda Setton, celebrities, celebrity babes, Daenerys Targaryen, Elena Satine, Elisha Cuthbert, Emilia Clarke, Emmy Rossum, Gillian Jacobs, Heléne Yorke, Ivana Milicevic, January Jones, Jennifer Love Hewitt, Jurnee Smollett-Bell, Kaley Cuoco, Kate Mara, Keri Russell, Lauren Cohan, Lili Simmons, Lindsey Gort, Lizzy Kaplan, Maggie Grace, Meagan Good, Meghan Markle, Minka Kelly, Olga Kurylenko, Olivia Munn, Sarah Shahi, sexiest actresses on TV, sexiest television actresses, Shiri Appleby, Sofia Vergara, Zooey Deschanel
2013 Year End Movie Review: Jason Zingale
If you haven’t been to the movie theater over the past few months, you’d be forgiven for thinking that 2013 wasn’t a very good year for film. In fact, my own year-end list was looking pretty suspect before October, but as is usually the case, the awards season blitz was jam-packed with enough great movies to fill more than the customary ten spots. That made compiling this year’s best-of list a little more challenging than in years past, especially with so many popular choices relegated to honorable mentions or missing entirely. With that said, after much deliberating, flip-flopping and even revisiting certain films, the following represents what I believe to be the best of 2013.
Best Movies of 2013
It’s been six years since Alfonso Cuarón’s last feature film – the criminally underrated “Children of Men” – but his outer space survival thriller was well worth the wait. “Gravity” is the kind of movie that will likely change the way films are made in the future. From the stunning, single-take opening sequence that lasts more than 12 minutes, to the numerous set pieces throughout, “Gravity” is such a technical marvel that it looks like Cuarón shot the whole damn thing in space. Though the story is ridiculously simple, not a single second of its 91-minute runtime is wasted, extracting so much suspense from the film’s terrifying setup that the brief injections of comedy (courtesy of George Clooney’s easygoing astronaut) are a welcome reprieve from the almost unrelenting intensity. Sandra Bullock delivers one of the best performances of her career as the rookie astronaut caught up in a seemingly impossible situation, but the real star of “Gravity” is Cuarón himself, and he deserves every bit of praise for creating what can only be described as pure movie magic.
David O. Russell has always been a quality filmmaker, but he’s quickly becoming a force to be reckoned with thanks to movies like “The Fighter,” “Silver Linings Playbook” and this farcical con-artist caper. Loosely based on the ABSCAM scandal of the late ‘70s, “American Hustle” is immensely entertaining, impeccably structured and features top-notch acting from the entire cast. Forty pounds heavier and rocking the most elaborate comb-over you’ve ever seen, Christian Bale gives a wonderfully nuanced performance as the straight man of the bunch. His co-stars aren’t quite as committed physically, but they’re just as good. Amy Adams oozes sexiness as Bale’s cunning partner in crime, scene stealer Jennifer Lawrence is an absolute riot as his unpredictable wife, and Bradley Cooper is hilarious as the short-tempered FBI agent in charge of the sting. The whole film is a lot funnier than you’d expect due to Russell and Eric Singer’s darkly comic script, and though some have argued that it’s too long, the characters are so richly developed and crackling with personality that I would have gladly spent another hour in their messed-up world.
Richard Curtis has written and directed some of the greatest romantic comedies of the past two decades, so it should come as no surprise that his latest movie follows in the same footsteps. Curtis’ films have always been about much more than the superficial meet-cute between boy and girl, and “About Time” is no different, aiming for something a lot deeper and more emotionally rewarding than the typical rom-com. Breakout star Domhnall Gleeson and Rachel McAdams have some fantastic chemistry, but it’s the relationship between Gleeson and Bill Nighy (playing the world’s coolest dad) that best serves the story’s central themes and leaves a more lasting impression, especially for anyone who’s ever lost a member of their family. Equally charming, funny and touching, “About Time” is classic Richard Curtis, through and through. And if the rumors about it being his directorial swan song are true, Curtis can take comfort in knowing that he went out on top, because this is not only his most mature and personal work to date, but it’s just a really beautiful film.
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Posted in: Entertainment, Movies
Tags: 12 Years a Slave, 2013 Year End Movies, About Time, American Hustle, best films of 2013, best movies of 2013, Blue is the Warmest Color, Captain Phillips, Don Jon, Drug War, Gravity, Her, Inside Llewyn Davis, Philomena, Stoker, The Hobbit: The Desolation of Smaug, The Hunger Games: Catching Fire, The Secret Life of Walter Mitty, The Way Way Back, The Wolf of Wall Street, The World's End, What Maisie Knew, World War Z
Product Review: Roots of Fight Tyson ’88 Hoodie
In the last 30 years, there hasn’t been a heavyweight boxer as good as Mike Tyson. Arguably the greatest heavyweight of all-time, the 5-10 Tyson, with just a 71-inch reach, routinely knocked out opponents that were five inches taller and a quarter of his own bodyweight heavier.
After his 38-second knockout win over Lou Savarese in 2000, Tyson uttered potentially the greatest quote in boxing history. “My style is impetuous, my defense is impregnable, and I’m just ferocious.”
And it wasn’t just about his success in the ring. The brand of Mike Tyson has experienced the crossover appeal that no other boxer, outside of Muhammad Ali, can lay claim to.
If you grew up in the ’80s or early ’90s, you spent hours engaging the likes of Soda Popinski and Mr. Sandman in the Nintendo tour de force “Mike Tyson’s Punch-Out.” At his peak, “Kid Dynamite” was one of the most popular athletes in the world and still is to this day, thanks to his one-man show, “The Undisputed Truth.”
Even eight years after his final bout, Tyson’s legacy as a fighter and as a brand are both as impregnable as ever.
Roots of Fight pays tribute to the rich history of martial arts, boxing and MMA, and connects the history with images of iconic fighters like Mike Tyson, Muhammad Ali, Helio Gracie and Bruce Lee in its clothing collection.
And we aren’t talking Affliction, Silver Star or any other weird fighting apparel that gives a nod to the strip mall jiu-jitsu black belt ethos that permeates the modern fight landscape.
Roots of Fight is all substance, no flash and dash. If Affliction is for the twenty-somethings who still haven’t learned humility is where it’s at, Roots of Fight is the quiet man whose presence alone controls the room.
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Posted in: Gear, Lifestyle, Stuff to Buy
Tags: boxing, Bruce Lee, Helio Gracie, Iron Mike, Kid Dynamite, Lou Savarese, Michael Spinks, Mike Tyson, Mike Tyson Lineal Champ, Mike Tyson's Punch-Out, MMA, Muhammad Ali, Product Review: Roots Of Fight “Tyson ’88” Hoodie, Roots Of Fight, Roots Of Fight “Tyson ’88” Hoodie, Undisputed Truth Mike Tyson, “Tyson ’88” Hoodie
Movie Review: “American Hustle”
Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, Jeremy Renner, Louis C.K, Michael Peña
David O. Russell
David O. Russell’s “American Hustle” opens with a title card that playfully states: “Some of this actually happened.” But considering that the movie was originally titled “American Bullshit” and is populated with characters who are bullshit specialists, it’s meant to be taken with a fairly large grain of salt. Loosely based on the ABSCAM scandal of the late ’70s and early ’80s, Russell has adapted what was an already outlandish story into a ’70s-styled farce filled with a flying circus of conmen, feds, politicians and casino mobsters. Immensely entertaining, impeccably structured and featuring excellent performances from its entire cast, “American Hustle” is one of the year’s absolute best films and a serious contender for every major award.
When we first meet Irving Rosenfeld (Christian Bale), he’s seen carefully assembling his elaborate comb over with a combination of a toupee, glue and lots of hairspray. But what the paunchy conman lacks in good looks, he makes up for with confidence and intellect, which is what’s made him so successful at ripping people off. Everything changes when he meets Sydney Prosser (Amy Adams), a former stripper who partners with Irving under the guise of a British businesswoman with royal connections named Lady Edith. Their business practically triples overnight, drawing the attention of ambitious FBI agent Richie DiMaso (Bradley Cooper), who catches the pair red-handed and forces them to work undercover for the bureau. Richie wants to make a name for himself by taking down some white-collar criminals, and his first target is Camden mayor Carmine Polito (Jeremy Renner), a family man so desperate to revitalize the New Jersey economy that he’s willing to get his hands a little dirty in the process. It quickly turns into a game of who’s conning who, and yet the one thing that threatens to bring the whole thing crashing down isn’t their mistrust in each other, but Irving’s unpredictable wife, Rosalyn (Jennifer Lawrence).
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Movie Review: “Saving Mr. Banks”
Emma Thompson, Tom Hanks, Colin Farrell, Paul Giamatti, Bradley Whitford, Jason Schwartzman, B.J. Novak
John Lee Hancock
The trailer for “Saving Mr. Banks” resembles the film only slightly more than “The Shining” resembles that fake trailer for the film that made the rounds 10 or so years ago. In the trailer, “Mr. Banks” looks light and fun, with a little playful back-and-forth between the frigid, overprotective writer and the movie executive who’s looking to turn her pet project into box office gold. Nora Ephron made this movie with Meg Ryan four or five times (twice with “Banks” star Tom Hanks, strangely enough), and we all know that it ends with the two finding some middle ground while learning to be more understanding of others.
Except that this movie isn’t even remotely like that. Instead, “Saving Mr. Banks” is a dark, painfully sad journey of a grown woman still looking to redeem her long-lost father, occasionally broken up by moments of levity. This makes for a more emotionally complex story, which is a nice surprise, but it doesn’t always make for a better story. The flashback timeline is informative, but the present day timeline is more interesting.
It is the year 1961, and P.L. Travers (a spot-on Emma Thompson) has been fielding calls from movie mogul Walt Disney (Tom Hanks) for 20 years about adapting her book “Mary Poppins” for the silver screen. Her answer has always been a steadfast ‘no,’ but when a financial adviser friend of hers reminds her that she’s almost out of money, Mrs. Travers agrees to fly to Los Angeles, meet with Walt, and consider the possibility of allowing Disney and his team to work their “magic” on her beloved Mary. From the beginning, though, Mrs. Travers has objections to their treatment of the material, and in flashback, we see why: as a young girl in rural Australia in the early 1900s, Mrs. Travers had a wonderful relationship with her father (Colin Farrell), an otherwise unreliable and occasionally foul-tempered drunk who nonetheless adored his eldest daughter “Ginty” and encouraged her to think creatively. She lost him at an early age, and she’s clearly still stinging from the loss, and the fact that Disney and his staff doesn’t understand what “Mary Poppins” means to her, in both a literal and figurative sense, infuriates her.
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