A truly smart and well-written sex comedy is a thing of beauty and not an everyday occurrence — rare in the past and rarer still in the present. Indeed, my film-besotted compatriots and I had relatively modest hopes for Melvin Frank’s 1968 near-farce, “Buono Sera, Mrs Campbell,” at this year’s TCM Fest. For the most part, we were expecting an entertaining but possibly rather routine 1960s romp and were there largely to check out its legendary star. That would be Italian bombshell-turned photographer and sculptor Gina Lollobrigida, a rather amazing woman on numerous counts who, at 88, still has a few thoughts on her mind and an innately humorous sensibility. The movie, much to our delight, turned out to be nearly as extraordinary as its star.
It’s the story of an Italian single mother who finds herself suddenly in the embarrassing position of reuniting with three men from her war-torn past, any one of whom has pretty much an equal shot of being the father of her now grown-up daughter in those days well before the arrival of easy DNA testing. If the setup sounds familiar, it’s because the plot was appropriated — without credit, so far as I can tell — for the jukebox musical and film, “Mamma Mia.” The difference is that this version is funny, enjoyable and occasionally quite witty and heartfelt.
For my liquid tribute, I thought something with a certain diversity of ingredients that might have been consumed in both Italy and the U.S. was apt. Also, since the cast mixed actors known more for conventional light comedy and drama with burlesque-trained comic Phil Silvers and true thespian wildcards like Shelly Winters and Telly Savalas, a hodgepodge of ingredients seemed appropriate.
Andy Samberg, Jorma Taccone, Akiva Schaffer, Sarah Silverman, Tim Meadows, Chris Redd
Akiva Schaffer & Jorma Taccone
Following the 2007 oddball comedy “Hot Rod,” audiences were eager to see what The Lonely Island – the comedy trio comprised of Andy Samberg, Jorma Taccone and Akiva Schaffer – would cook up next. But while the group found great success with their ongoing series of “SNL” Digital Shorts and Grammy-nominated albums, it’s taken nearly a decade for them to return to the big screen. Their latest film, “Popstar: Never Stop Never Stopping,” is a funny but flawed “Behind the Music”-style mockumentary that, although it aims to match the comic genius of Rob Reiner’s similarly themed cult classic “This Is Spinal Tap,” doesn’t quite reach the same heights.
Samberg stars as pop superstar Conner4Real, a former member of the hip-hop group the Style Boyz who launched a successful solo career after falling out with lyricist/childhood friend Lawrence (Schaffer). The group’s other member, Owen (Taccone), decided to stick by Conner’s side as his official DJ, watching from the background as Conner rose to the top of the music world with his debut album Thriller, Also. But when Conner agrees to film a documentary centered on the release of his upcoming sophomore effort, the cameras are there to capture his meltdown when the album spectacularly flops (Rolling Stone gives it a poop emoji out of four stars) and his celebrity lifestyle is threatened. Desperate to win back the public’s affection, Conner implements a number of increasingly silly gimmicks into his concert tour with disastrous results while his new opening act, rising talent Hunter the Hungry (Chris Redd), begins to upstage him.
Summer blockbuster season rolls on as June brings sequels to previous box office successes, a few new comedies, and a couple of films that look to start franchises of their own. For those that like large explosions and massive battles, there’s a lot to offer this month. There’s less on hand for those that prefer smaller fare, but you’ll still find a couple movies worth seeking out in June. All this and a farting corpse film that will tug at your heart strings!
“Teenage Mutant Ninja Turtles: Out of the Shadows”
Who: Megan Fox, Will Arnett, Stephen Amell, Tyler Perry and Laura Linney What: The Turtles return to save the city from a dangerous threat. When: June 3rd Why: The first “Teenage Mutant Ninja Turtles” film under producer Michael Bay was a big hit with families and even a few die-hard TMNT fans. Those nostalgia-based fanatics get to relive the cartoon on the big screen in this outing that finds the ultimate mash-up quartet finally facing off against the likes of Krang, Bebop and Rocksteady. Gonzo casting like Tyler Perry as the scientist that eventually becomes a bug man may point to this film being a bit more interesting than its precursor, and hey, Megan Fox is always fun to watch.
“Popstar: Never Stop Never Stopping”
Who: Andy Samberg, Imogen Poots, Bill Hader and Sarah Silverman What: When it becomes clear that his solo album is a failure, a former boy band member does everything in his power to maintain his celebrity status. When: June 3rd Why: With two cult favorite comedies under their belts, directors Akiva Schaffer (“Hot Rod”) and Jorma Taccone (“MacGruber”) – two-thirds of the comedy music group The Lonely Island, along with Andy Samberg – are back to deliver what may be the “This Is Spinal Tap” for the social media generation. Samberg is great at playing blustery buffoons with big egos, and this film looks to skew all manner of elements of both pop music and celebrity culture. Plus, it involves Samberg fighting another old guy, this time in the form of Martin Sheen. What’s not to like?
If you’re a man who relies on your strength, endurance and mobility to make a living, getting injured can be more than just a blow to your physical well-being, but your mental state as well. In fact, it’s a nightmare. The more severe an injury is, the more work has to be done to get back to your old self. Depending on the extent of the injuries, this could also mean time off from work and limited activity. And, of course, no one wants that.
Ultimately, the best thing you can do is allow yourself enough time to really heal. Not just physically, but mentally as well. Many men try and mask the emotion of dealing with an injury and instead begin to rely on things like alcohol and prescribed medications to get past it.
James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Oscar Isaac, Rose Byrne, Sophie Turner, Tye Sheridan, Kodi Smit-McPhee, Evan Peters, Olivia Munn
In 2000, director Bryan Singer launched the X-Men franchise (on a shoestring budget by today’s superhero movie standards), helping to pave the way for future comic book films. While the director’s first installment doesn’t completely hold up, especially in the visual effects department, it was a good example of how less can be more; the characters were more thrilling than the action. 16 years later, Singer’s third sequel “X-Men: Apocalypse” comes from the “more is more” school of thought, and though it’s his biggest X-Men film to date, it’s also his most disappointing.
The fifth sequel in the series takes place ten years after the events of “X-Men: Days of Future Past” (although none of the characters have aged a day). Long before any of that happened, mutants ruled the world. En Sabah Nur, who sees himself as a God, is on his last days. As he prepares to take over one of his devoted follower’s (Oscar Isaac) bodies, he’s betrayed by the humans. His four (mutant) horseman do everything they can to protect him from the attack, and as a result, his body is left safely guarded underneath a demolished pyramid.
In 1983, En Sabah Nur awakens and is horrified by what the humans have done with his world. The powerful mutant believes the planet must be cleansed, and he recruits four new horsemen – Magneto (Michael Fassbender), Psylocke (Olivia Munn), Storm (Alexandra Shipp) and Angel (Ben Hardy) – to assist him in building a new world. Only Charles Xavier (James McAvoy) and his young mutant students, including Cyclops (Tye Sheridan) and Jean Grey (Sophie Turner), can prevent En Sabah Nur and the four horsemen from destroying the planet.