Category: News (Page 28 of 37)

The Light from the TV Shows: 12 Shows to Look Forward to in 2012

December 29, 2011 / Will Harris

Just as 2011 is sure to end in a few days, 2012 is equally likely to follow on its heels, which means that the January TCA tour is right around the corner. As such, yours truly is about to be bombarded with the best and worst that the midseason has to offer…and, fortunately, there’s a lot more of the former than the latter. Indeed, there are a couple of shows that the broadcast networks have been unjustly sitting on for almost six months, even though they’re a damned sight better than most of the dreck we got back in September. (Stand up, please, “The Playboy Club.” Or, you know, pick the program of your choice. That one’s just easiest ’cause it was the first to go.) Much as last week found me offering up 11 shows, give or take, that I was sorry to bid adieu to in 2011, this week I’ve pulled together a list of 12 shows that I’m looking forward to checking out in 2012. Keep in mind, however, that I’m basing my excitement either on a rough cut of a pilot or, in some cases, merely on the hopefulness I get when I read about the show. Yes, this does often come back to bite me in the ass, but such is the life of a TV critic. If I’m wrong, I’ll roll with the punches. In the meantime, though, these are my personal picks for what’s looking good in the new year…

The Firm (NBC)

So sayeth the network: Based on the best-selling novel by world-renowned author John Grisham, “The Firm” is a new drama series that continues the story of attorney Mitchell McDeere (Josh Lucas), who, as a young associate 10 years earlier, had brought down the prestigious Memphis law firm of Bendini, Lambert & Locke, which had been operating as a front for the Chicago mob. After a difficult decade, which included a stay in the Federal Witness Protection Program, McDeere and his family now emerge from isolation to reclaim their lives and their future — only to find that past dangers are still lurking and new threats are everywhere. Abby McDeere (Molly Parker), Mitch’s supportive, smart and resourceful wife, who had helped her husband expose Bendini, Lambert & Locke, is excited to start a new life in Washington, D.C., as a school teacher and mom to their daughter, Claire (Natasha Calis). Ray McDeere (Callum Keith Rennie) is Mitch’s charming, yet volatile, older brother whose work as an investigator in Mitch’s office is uniquely informed by his past stretch in prison for manslaughter. Despite a gritty past that stands in stark contrast to that of his Harvard-grad brother, Ray shares one key quality with Mitch – a loyalty that is unbreakable. Tammy Hemphill (Juliette Lewis) is Mitch’s feisty, sexy receptionist whose work life is made all the more tumultuous by her on-again, off-again relationship with Ray. With a personality as arresting as her ever-changing hair color, Tammy is leery when Mitch accepts a deal to partner with a top law practice, as she’s not cut out for the conservative culture of a white-shoe firm.

My take: I literally only just got the pilot episode this morning, so I haven’t had a chance to check it out yet, but the combination of Lucas, Parker, and Lewis has me very intrigued, and the fact that Grisham himself is part of the mix makes me hopeful about the possibilities of where this series could go if it’s given the chance. That’s a big “if,” though, because this isn’t the first time a Grisham novel has made the jump to the small screen. Anyone remember “The Client,” with JoBeth Williams and John Heard? It’s become so obscure that there’s neither a Wikipedia page for it nor even a clip from it on YouTube. Let’s hope “The Firm” gets a better go of it than that.

(Premiere date: January 8, 9 PM; regular 10 PM timeslot begins January 12)

Entertainment, News, Television

Alcatraz Anjelica Huston Benedict Cumberbatch Bruce Greenwood Cheech Marin Claudia Bassols Comic Men Danny Glover Debra Messing Dennis Farina Don Cheadle Dustin Hoffman GCB House of Lies J.J. Abrams Jack Davenport John Grisham Jon Heder Jorge Garcia Josh Lucas Juliette Lewis Katharine McPhee Kevin Smith Kiefer Sutherland Kristen Bell Luck Martin Freeman Masterpiece Molly Parker Napoleon Dynamite Nick Notle Rob Schneider Robert Forster Sam Neill Sherlock Smash The Firm The Light from the TV Shows The River Touch Will Harris ¡Rob!

The Light from the TV Shows: 11 Series (give or take) That Should’ve Survived 2011

December 21, 2011 / Will Harris

As 2011 rapidly winds to a close, it’s easy to fall back on lists as a way to fill columns – indeed, as a TV critic, it’s my God-given right – but HBO’s announcement this week that it was cleaning house and cancelling “Hung,” “Bored to Death,” and “How to Make It in America” served to convince me that I needed to discuss a number of now-defunct series that lost their bid for continued existence during the course of this year. I’m not talking about shows like “Friday Night Lights,” which had an end-game in sight and wrapped on their own terms. I’m talking about series that effectively had the rug ripped out from under their feet. Believe me, there were a bunch…and I’m still kind of pissed about quite a few of them.

11. Medium (CBS)

After seven seasons on the air and surviving a switch between networks (from NBC to CBS), it’s hard to say that “Medium” didn’t live a good, long life. With that said, however, the show had continued to find new ways to keep things interesting, and with the trio of DuBois daughters growing up and getting their own storylines almost as often as their mom. As such, Allison, Joe, and the gang could’ve easily kept going for another few seasons without any complaints from me.

10. Outsourced (NBC)

Am I going to try to defend my enjoyment of this show? No, I am not, because there’s no point in wasting your time or mine. You may not have thought it was very funny, and if you didn’t, that would be your right. I, however, did. And I still miss it.

9. Law & Order: Los Angeles (NBC)

There’s nothing I dislike more than a series that doesn’t know when to leave good enough alone, and for my part, I don’t know why they felt the need to change the formula and kick Skeet Ulrich‘s character to the curb. Sorry, did I say “curb”? I meant “grave,” of course. Not that there’s anything wrong with giving an actor of Alfred Molina’s caliber a more substantial role, but to do so in midseason can’t have pleased the existing viewership very much. Truth be told, I’d rather they’d just kept the original “Law & Order” around, but in its absence, this was a nice substitute, and it sucks that it never had a chance to really spread its wings.

8. The Event (NBC) / V (ABC)

When it comes to casualties in the alien-invasion field, I can accept the cancellation of “V” a bit more than that of “The Event,” if only because it was a minor surprise that it made it to a second season in the first place. And if I’m to be honest, I’m not really surprised that NBC couldn’t be bothered to give “The Event” a shot at a sophomore year, since they probably figured it’d only let them down the way “Heroes” did. But whereas “Heroes” really dropped the ball in its second year, I felt like “The Event” had a better chance of upping the ante. Guess I’ll never know for sure.

Entertainment, News, Television

2 Broke Girls ABC ABC Family Alfred Molina Andre Braugher Beth Behrs Bill Irwin Blue Bloods Bored to Death Buffy the Vampire Slayer CBS Detroit 1-8-7 Fox Friday Night Lights FX HBO Heroes Holt McCallany How to Make It in America Hung James McDaniel Jason Biggs Judy Greer Kat Dennings Law & Order: Los Angeles Lennie James Lights Out Mad Love Medium Men of a Certain Age Michael Imperioli NBC Norm MacDonald Outsourced Ray Romano Sarah Chalke Scott Bakula Skeet Ulrich Sports Night with Norm MacDonald Stacey Keach The Chicago Code The Event The Nine Lives of Chloe King TNT Traffic Light Tyler Labine V

DVD Review: The Love We Make

December 21, 2011 / Will Harris

Although described on its cover as “a chronicle of Paul McCartney’s cathartic journey through New York City in the aftermath of 9/11,” one doesn’t necessarily see a great deal of catharsis going on in “The Love We Make,” which originally aired on Showtime earlier this year. Granted, it’s easily arguable that the effects are internal, but the truth of the matter is that the majority of what we see can best be classified in two ways: the bits where McCartney hangs out with famous people, and the bits where average Americans are beside themselves about the fact that they’ve just had a close encounter with an actual, honest to God Beatle.

There’s nothing intrinsically wrong with either of these things: it’s kind of amusing to see someone walking down the street and suddenly realize that they’re looking at Paul McCartney, and, truth be told, it’s also entertaining to be a fly on the wall when celebrities are in conversation with each other, particularly if – as is the case here – they slip into a casual familiarity that’s rarely on display when they’re being interviewed. But the film’s co-director, Albert Maysles, suggests that McCartney’s intent with “The Love You Make” was to use music to bring relief to those who were impacted by the 9/11 attacks and honor those who lost their lives in their efforts to save lives, and while that’s fair enough, the end result would be a lot more entertaining if it wasn’t presented in such a pretentious fashion. I mean, a photo of the State of Liberty on the cover? Really, Paul…? No one’s trying to suggest that you didn’t have good intentions by sticking around NYC in the wake of the attacks and trying to raise people’s spirits, but c’mon…

Although “The Love We Make” isn’t nearly as profound as its presentation tries to make you think it is, McCartney fans will still enjoy the film if they take it simply as – Beatles reference utterly intentional – a day in the life of their hero. We see him practice with his band and watch him do a few interviews, including an appearance on Howard Stern’s show. (Pre-interview, he encounters fellow Stern guest Ozzy Osbourne for what is, amazingly enough, the first meeting between the two rock icons; post-interview, McCartney seems shocked that Stern asked him if he’d ever had sex with a black woman, confirming conclusively that, although he may have been aware of Stern, he clearly hadn’t listened to him very much.) Later, we see Sir Paul dismiss a passerby who tries to get plane fare out of him and watch him get annoyed by autograph seekers who refuse to stop following his limo. There’s also a great moment when McCartney is clearly in no way as excited to hear about the Beatles cover band The Fab Faux as one of its members, Will Lee, is to tell him about it.

Is “The Love We Make” worth seeing? It is if you’re a fan of Paul McCartney. Even then, though, keep your expectations realistic. Just because the man has good intentions doesn’t mean that the end result is always going to be a career highlight…and if you don’t believe me, you need only listen to his song “Freedom,” which he offers up as the grand finale of his performance at the Concert for New York. God bless him for trying to raise everyone’s spirits, but the song’s pretty terrible.

Don’t worry, though: “The Love We Make” is better. At least a bit, anyway.

Entertainment, Movies, Music, News, Television

Albert Maysles Dan Rather Howard Stern Ozzy Osbourne Paul McCartney Showtime The Beatles The Fab Faux The Love We Make Will Lee

The Light from the TV Shows: “Impractical Jokers” and Other Hidden-Camera Shenanigans

December 14, 2011 / Will Harris

I’ve always been of the belief that a little bit of a hidden-camera series goes a long way, and TruTV’s latest addition to the popular genre – “Impractical Jokers” – doesn’t offer anything to change that particular rule of thumb. That’s not to say that the show isn’t in possession of a few funny moments here and there, though.

Brian “Q” Quinn, James “Murr” Murray, Joe Gatto, and Sal Vulcano have been friends since they were kids, and they’ve spent a lot of their long friendship challenging each other to do stupid stuff…or, at least, that’s how the press release for “Impractical Jokers” spins it, anyway. And, hey, it might even be true, given the way the guys react to and act around each other on the show. Each episode pits the pals against each other in a competition to see who can pull off the most outrageous foolishness, with one wearing an earpiece and going into some public situation (in the first episode, they work at a White Castle and a Costco as well as stand in the heart of Times Square answering questions and asking people to sign petitions) while the others throw them random things to say. If they actually have the balls to say them, then they get a point. No balls, no points.

It’s clear that they want to play up this whole friends-for-life angle amongst Q, Murr, Joe, and Sal, but I can tell you this right now: if they don’t tone down the audio on the other three while their buddy is busy making an ass of himself, I’ll only be tuning in whenever I get good word of mouth about a particular segment. It’s annoying as hell, and I don’t think I was even five minutes into the screener before I first thought, “Geez, these guys are obnoxious.” In their defense, if they weren’t so obnoxious, they almost certainly wouldn’t end up getting as many laughs. But I can barely hear my own laughter over their constant giggling.

Here’s a quick clip to tide you over until the show makes it debut on Dec. 15 with back-to-back episodes at 10 and 10:30 PM (EST / PST):

But, hey, let’s not pretend that “Impractical Jokers” are the first people to hide a camera and film crazy shenanigans. As long as I’m talking about these guys, the least I can do is offer up a few clips from some of the other shows that have helped blaze the trail for them.

Entertainment, Humor, News, Television

Candid Camera Girls Behaving Badly Impractical Jokers Punk'd Scare Tactics The Jamie Kennedy Experiment TruTV TV's Bloopers and Practical Jokes

A Chat with Thomas Jane, Rob Lowe and Jeremy Piven of “I Melt with You”

December 8, 2011 / Bob Westal

The stars of “I Melt with You” want you to know this: this film is no one’s idea of “product.” Opening in theaters this weekend in limited release after a run on VOD, it’s a movie made by guys who are clearly trying like crazy to do something that’s far from the current run of the mill — and also paying tribute to John Cassavetes’ 1970 masculine emota-fest, “Husbands.” Jeremy Piven calls it “an existential horror film,” and Rob Lowe calls it “impressionistic,” and that’s about as good and relatively flattering a description as any. The highly intense drama first screened at Sundance to a number of walk-outs, a matter which one of our speakers will address shortly.

Directed by Mark Pellington (“Arlington Road,” “U2 3-D”) and written by first-timer Glenn Porter, “I Melt with You” stars Rob Lowe, Thomas Jane, Jeremy Piven and Christian McKay (“Me and Orson Welles”) as four smart yet deeply stupid 40-something college buddies who reunite for drug and booze-laden fun in Northern California’s ultra-scenic Big Sur. Let’s just say that after way too much fun, things take a sharp and very unfortunate left turn. Despite the appearance of Carla Gugino as a sympathetic local constable and Sasha Grey as a Sasha-licious coed, as well as some great vintage punk rock, we are left to wonder if maybe these guys would have been a lot better off if they’d listened to Nancy Reagan back in the day and went the “just say no” route. Also, suicide pacts are never a good idea.

Bullz-Eye and a select group of other journalists were fortunate enough to meet with Jane, Lowe and Piven — three strong veteran talents known to just about everyone with access to a television screen, most recently for “Hung,” “Parks and Recreation” and “Entourage,” respectively. They discussed the film and, as much as we could manage, other things.

Entertainment, Interviews, Movies, News

Entourage movie I Melt with You I Melt with You interviews Jeremy Piven interview Rob Lowe interview Thomas Jane interview