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The Light from the TV Shows: Chatting with Lara Pulver about ‘Fleming,’ ‘Da Vinci’s Demons,’ and more

Lara Pulver made her first TV appearance in 2009, but she’s quickly racked up a list of credits that’d impress just about any TV viewer, including roles on Robin Hood, True Blood, MI-5, Sherlock, Skins, and Da Vinci’s Demons. In addition to popping up briefly in the current run of Sherlock and returning to Da Vinci’s Demons for its upcoming sophomore season, Pulver can also be found in BBC America’s new limited-series event, Fleming, playing Ann Charteris, the woman who – 62-year-old spoiler alert! – eventually went on to be Mrs. Ian Fleming. Bullz-Eye was fortunate enough to chat with Pulver at the Television Critics Association winter press tour in Pasadena, and we asked her about all of the aforementioned small-screen roles while also touching on her film work with Idris Elba, Michael Sheen, and Tom Cruise.

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Bullz-Eye: So how much did you know about Ian Fleming’s life before you signed on to this project?

Lara Pulver: As a Brit, I knew his novels, I knew he was behind the Bond franchise, but I knew nothing about the man.

BE: How surprised were you to learn about him?

LP: I found him fascinating. Like, from a psychoanalytic point of view. His relationship with his mom, the depressive arrogance, his ego when it came to women, his failure as a man when it came to finding an occupation, finding his niche in life… And yet he never really lived long enough to find out the true success of what we now celebrate as 50 years of Bond as a franchise. So I found it fascinating.

BE: Were you a Bond fan going in?

LP: It’s definitely in British arts and culture history. It’s on TV at Christmas. There’s always a Bond movie. And it’s quite fascinating how they’ve been able to reinvent to make it so current 50 years on.

BE: Were you familiar enough with the franchise to recognize the bits and pieces of it that turned up in his real life?

LP: Yeah, and it’s also so interesting, having done Fleming, to see a Bond movie now. That’s even more interesting.

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The Light from the TV Shows: Great Quotes from the January 2012 TCA Press Tour

Now that I’m back from the January 2012 TCA Press Tour, I’m very, very tired…and, trust me, if you knew how much work I’d done during the course of the tour – January 3 – 15 – then you’d understand why I’m so very, very tired. I tried to attend as many of the panel coverage of the next six months of television as I possibly, but given that I was bouncing between one-on-one interviews throughout the day and trying to round up a few more every night, I’m not going to pretend that I was able to attend them all. I attended enough of them, however, that it doesn’t take a great deal of effort to produce a collection of my favorites quotes of the tour. That’s not to say this is all of them, mostly because some of the panels (like, say, “Archer”) were very much of the you-had-to-be-there variety, but it’s enough to give you an idea just how entertaining the last two weeks have been.

Tiring as hell, but definitely entertaining.

“When (Johnny Carson and I) talked, after 12 years of writing him, in 2002 he finally actually called me, and I thought it was a joke when on the PA it said “Peter, Johnny Carson on 601.” And he said, “Peter, it’s Johnny Carson. I want to tell you, you write a damn fine letter, but I’m not going to participate in anything on my life because, you know what? I don’t give a shit.” He said, “One day something may get done, and you know what? You’re probably the guy to do it. But it will never happen while I’m alive. I’ve done everything I’ve wanted to do. I’ve said anything I want to say. There is nothing more.”director Peter Jones on trying to secure an interview with Johnny Carson for the long-gestating “American Masters: Johnny Carson”

To be honest, it’s one of two minutes in a 90 minute episode, and it’s pre the 9 o’clock BBC watershed. There is nothing that you see. It’s very suggestive. It’s very clever camerawork, and it’s just a character device. It’s not about nudity being displayed in ‘Sherlock.’ She’s a dominatrix. Nudity is nothing to her, but it was no mean feat for me to shoot it being naked for eight hours in just a pair of Louboutin shoes. (It) was a challenge…and one I’ve never met before.”Laura Pulver on her nude scene in “Sherlock II”

One of the things that is amazing is to look back at a song that is so inevitable, like ‘Over The Rainbow.’ That’s like a folk tune. We all know it so well. And I discovered that (songwriter) Yip Harburg was having trouble coming up with an idea for the words that proceeded ‘rainbow.’ ‘Somewhere beyond the rainbow.’ ‘Somewhere near to the rainbow.’ It just didn’t feel right. And then he came up with ‘somewhere over the rainbow’ because, as a lyricist, he realized that the ‘o’ sound sang well, and it was a pleasing for a singer. And, technically, it worked right, and it gave him the right setting for the word ‘rainbow.’ ‘Somewhere over the rainbow.’ And then I discovered that, the end of that song, they were having trouble with it.

“Yip Harburg and Harold Arlen, Arlen being the composer and Harburg being a lyricist, they were having trouble with the last line of the song. And they were working at Ira Gershwin’s house, and they couldn’t come up with the idea to end the whole thing. They’d gone through the whole song, and they couldn’t come up with the end. And they were working for hours at Ira Gershwin’s house, and he was tired, and he wanted to go to bed. So he said, ‘What about ‘Birds fly over the rainbow. So why can’t I?’ And they said, ‘Hey!’ And he gave him the idea, the whole end of it, and then he came up with this: ‘If happy little bluebirds fly beyond the rainbow, why, oh, why can’t I?’ And when Mr. Gershwin was alive, I said, ‘Ira, why did you meddle in somebody else’s songwriting?’ He said, ‘Because it was late and I wanted to get to bed.’” – Michael Feinstein on “American Songbook II”

“I had great Italian American family that were in the grocery business. And it was during the Depression, and we were all very, very poor. The whole country, the majority of the country was really, really poor, a lot worse than it is today. And so my father died when I was ten and my brother and sister and I would entertain my family because my family all my uncles and nephews and aunts and relatives they all would come over on a Sunday and make a circle around my brother, sister, and I. And they were so knocked out with trying to make my mom feel good because she had to work on a penny a dress to raise three children, and the whole family felt so much for her, but they wanted to show her how much they loved her children. And they treated me and my brother and my sister with so much love, and they I remember at a very early age, they said to me, ‘Look at the way he makes us feel good, you know, and he’s so happy, and he’s always doing something to make us feel good, and look at the way he paints flowers and all that.’ I remember very clearly saying, ‘This is who I am. My family is telling me that I sing and I paint,’ and they created a tremendous gift in my life to continue that, and each year it’s become stronger and stronger. I will never retire, and, you know, if my voice goes, I’m still going to paint. I just want to keep improving as I go on, and it’s just taught me what a beautiful life it is to be possessed with. It’s not that I want to do it. I have to do it. And it will always be that way. I will never retire.”Tony Bennett on the secret to his longevity

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The Light from the TV Shows: 12 Shows to Look Forward to in 2012

Just as 2011 is sure to end in a few days, 2012 is equally likely to follow on its heels, which means that the January TCA tour is right around the corner. As such, yours truly is about to be bombarded with the best and worst that the midseason has to offer…and, fortunately, there’s a lot more of the former than the latter. Indeed, there are a couple of shows that the broadcast networks have been unjustly sitting on for almost six months, even though they’re a damned sight better than most of the dreck we got back in September. (Stand up, please, “The Playboy Club.” Or, you know, pick the program of your choice. That one’s just easiest ’cause it was the first to go.) Much as last week found me offering up 11 shows, give or take, that I was sorry to bid adieu to in 2011, this week I’ve pulled together a list of 12 shows that I’m looking forward to checking out in 2012. Keep in mind, however, that I’m basing my excitement either on a rough cut of a pilot or, in some cases, merely on the hopefulness I get when I read about the show. Yes, this does often come back to bite me in the ass, but such is the life of a TV critic. If I’m wrong, I’ll roll with the punches. In the meantime, though, these are my personal picks for what’s looking good in the new year…

The Firm (NBC)

So sayeth the network: Based on the best-selling novel by world-renowned author John Grisham, “The Firm” is a new drama series that continues the story of attorney Mitchell McDeere (Josh Lucas), who, as a young associate 10 years earlier, had brought down the prestigious Memphis law firm of Bendini, Lambert & Locke, which had been operating as a front for the Chicago mob. After a difficult decade, which included a stay in the Federal Witness Protection Program, McDeere and his family now emerge from isolation to reclaim their lives and their future — only to find that past dangers are still lurking and new threats are everywhere. Abby McDeere (Molly Parker), Mitch’s supportive, smart and resourceful wife, who had helped her husband expose Bendini, Lambert & Locke, is excited to start a new life in Washington, D.C., as a school teacher and mom to their daughter, Claire (Natasha Calis). Ray McDeere (Callum Keith Rennie) is Mitch’s charming, yet volatile, older brother whose work as an investigator in Mitch’s office is uniquely informed by his past stretch in prison for manslaughter. Despite a gritty past that stands in stark contrast to that of his Harvard-grad brother, Ray shares one key quality with Mitch – a loyalty that is unbreakable. Tammy Hemphill (Juliette Lewis) is Mitch’s feisty, sexy receptionist whose work life is made all the more tumultuous by her on-again, off-again relationship with Ray. With a personality as arresting as her ever-changing hair color, Tammy is leery when Mitch accepts a deal to partner with a top law practice, as she’s not cut out for the conservative culture of a white-shoe firm.

My take: I literally only just got the pilot episode this morning, so I haven’t had a chance to check it out yet, but the combination of Lucas, Parker, and Lewis has me very intrigued, and the fact that Grisham himself is part of the mix makes me hopeful about the possibilities of where this series could go if it’s given the chance. That’s a big “if,” though, because this isn’t the first time a Grisham novel has made the jump to the small screen. Anyone remember “The Client,” with JoBeth Williams and John Heard? It’s become so obscure that there’s neither a Wikipedia page for it nor even a clip from it on YouTube. Let’s hope “The Firm” gets a better go of it than that.

(Premiere date: January 8, 9 PM; regular 10 PM timeslot begins January 12)

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