Category: News (Page 18 of 37)

The Light from the TV Shows: A Chat with Jonathan Banks (“Breaking Bad”)

You may or may not know this, but…Jonathan Banks is basically just as awesome as the character he plays on “Breaking Bad.” True story. I know this to be true because he proved it handily when he gave my daughter the chance to interview him in the midst of an interview he and I were doing for the Onion AV Club.

Funnily enough, though, while he and I clearly built a bit of a bond as a result of his conversation with myself and my daughter, we’d never actually met until earlier this month, when he attended the Television Critics Association Awards with some of his fellow “Breaking Bad” cast and crew members. I was giddy when I spotted him at the event, and I strolled over and said, “You and I have never met, but you’ve chatted with my daughter…”

His jaw dropped, and he said, “Son of a bitch.” Then a smile appeared on his face, he stuck out his hand, and he said, “How are you, brother? And how’s that little girl of yours doing? Oh, man, it is so good to finally meet you. Is your wife here? I need to say ‘hello’ to her, too!”

Yep. Jonathan Banks is awesome. Indeed, he’s so awesome that, although I couldn’t imagine he wouldn’t be up for doing a quick interview in the wake of Mike’s storyline coming to a conclusion on “Breaking Bad,” I still felt obliged to go through the proper channels to chat with him. As such, I sent a formal request to his manager, even as I admitted, “I realize there’s a pretty strong chance that he’s just going to say, ‘Well, if he knows how to get in touch with me, then tell him to get in touch with me, for chrissakes, but even so.”

Within 24 hours, I had a direct email from Mr. Banks, simply saying, “Call anytime.” And when I asked if he had a preferred time, explaining that I’d have an empty house from 8:30 AM EST onward because of my wife and daughter heading out to get their hair done, he said to call him at 8:30 AM EST…which was a little surprising, given that I knew he lived in California, but damned if he didn’t answer the phone right away.

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HP Previews Three New Touchscreen Laptops

Hewlett-Packard (HP) previewed a number of exciting new products on the evening of Tuesday, August 27, most of which will be available in December of this year or January of next year. Unfortunately, there is a non-disclosure agreement in place until Thursday, September 20, for many of these products, so tune in on that day to find out more. For now, though, let’s take a look at three impressive new laptops offered by HP.

The HP Spectre TouchSmart Ultrabook is a sleek, stylish, 4.77 pound notebook with a 15.6-inch screen featuring edge-to-edge glass. It is a multitouch touchscreen device that also features a fully functioning keyboard and a full array of ports, including Gigabit Ethernet, USB 3.0, and HDMI. It is also HP’s first notebook to feature Intel Thunderbolt technology, a new technology similar to FireWire, but not based on it. Also used by Apple, Intel Thunderbolt allows for high-speed connectivity and daisy chaining of multiple devices. The slightly smaller HP ENVY TouchSmart Ultrabook 4 features a 14-inch multitouch HD display with a backlit keyboard and a subwoofer featuring Beats Audio. It delivers up to eight hours of battery life and, like the Spectre Ultrabook, is expected to be available in the United States in December, with a starting price of $1,399.

The HP ENVY x2 takes the touchscreen and keyboard synergy of these devices to a whole new level. The ENVY x2 is a tablet and a laptop at the same time, with a detachable 11.6-inch diagonal HD touch display featuring IPS technology. It has a sleek aluminum finish and an innovative hinge system with magnets that smoothly guide the tablet portion into place with the keyboard, which, when opened, wedges up from the table or other surface on which it rests, providing a more convenient angle for typing. The ENVY x2 features Beats Audio, NFC technology and an optional stylus, as well as two different types of cameras for its two different operational modes: an HD webcam on the front and an 8.0 megapixel camera on the back. It is also expected to be available in December.

With these and other devices previewed recently, HP continues to move in the direction of thinner, lighter laptops without sacrificing its many innovative features. Don’t forget to check back with us on September 20 to see what other exciting new products HP has in store.

The Light from the TV Shows: A Chat with Gary Lockwood (“The Lieutenant,” “Star Trek”)

Your frame of reference to the name “Gary Lockwood” depends heavily on what genres of TV and movies you tend to favor. For instance, if you’re a sci-fi guy like myself, then your instant reaction to hearing his name is either to think of “2001: A Space Odyssey” or, if you’re really geeky (and – shocker! – I am), to his lone episode of the original “Star Trek” series, where he played Gary Mitchell, Jim Kirk’s Starfleet Academy pal who failed to remember that with great power comes great responsibility and suffered the consequences. That one-off “Trek” appearance was actually Lockwood’s second time working with Gene Roddenberry, however, the first time having taken place a few years earlier when Lockwood starred in the short-lived series “The Lieutenant,” which has just been released on DVD by Warner Archive. Lockwood took a few minutes to chat with Bullz-Eye about his work with Roddenberry on both series, and he also touched on occasions in his career when he crossed paths with the likes of Stanley Kubrick and Arthur C. Clarke, Henry Fonda and Jimmy Stewart, and Elvis Presley.

Bullz-Eye: “The Lieutenant” wasn’t the last time you worked with Gene Roddenberry, but was it the first time you crossed paths with him?

Gary Lockwood: Yes, it was. They talked to me about doing this show, and Roddenberry was sitting there with the head of television at MGM, and that’s how I met him.

BE: That was your first time headlining a series, although, you’d at least had a little experience as a recurring character on “Follow the Sun.”

GL: Yeah, well, I was the third banana on “Follow the Sun,” but I ended up doing the most shows. It’s hard to talk about yourself, but…it’s not that difficult. [Laughs.] What I mean to say is that the audience ended up liking my character, so I did most of the episodes of the show.

BE: There’s a quote attributed to you about how being the star of a series is like being a jet pilot: you’ve got a lot of experts working behind the scenes to get the jet running, and then the pilot sits in the cockpit and makes it work.

GL: Yeah, at which point you either live or die. [Laughs.] You get the spoils, but you also get the losses. The reason I kind of make a joke about jet pilots is that you go to work and you don’t do anything, you just sit there in a chair and drink coffee and look at girls. And then they call you, and go over and fly in front of a camera for awhile, and then you sit down for awhile while everyone else does all the work. So I kind of thought it was a little bit like being a jet pilot.

BE: When you think back to the character of Lt. Bill Rice, what’s the first thing that leaps to mind?

GL: Well, I just played him. I mean, I was just an actor. Bill Rice is not somebody I would ever be or… [Trails off.] They did ask me once if I wanted to go to Annapolis, but I was a bit too much of a rogue for that kind of life. One of my best friends did go to Annapolis, but he resigned after about a year. He didn’t like the regiment. So it takes a certain kind of guy. It was very difficult for me to consider. I wouldn’t say I wanted to be like Bill Rice, but acting is all making believe, so you create a character and you just go there and play him. I think I’ve done that with every job I’ve ever had.

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The Lyricist Lounge Presents Pete Rock vs. DJ Premier in New York’s East River Park

Last night at Manhattan’s East River Park, the legendary Lyricist Lounge continued their 20th anniversary celebration with a free show featuring two of Hip-Hop’s all-time greatest producers and deejays, Pete Rock and DJ Premier. Hosted by Lyricist Lounge founders Danny Castro and Ant Marshall, the show was dubbed “Pete Rock vs. DJ Premier,” though it was really less a battle than a collaborative showcase. Castro began the show by schooling the audience on a bit of trivia about the East River Park bandshell, which is where the finale of the 1983 Hip-Hop classic “Wild Style” was filmed.

Pete Rock and Premo opened their shared set with a tribute to Rock’s cousin, the late, great Heavy D, taking turns spinning some of his best-loved jams, including the classic “Nuttin’ But Love.” The evening was heavy on R.I.P. shout outs to some of the great musicians of the past, including a medley of Rick James songs like “Give It to Me Baby” and “Mary Jane,” a brief medley of the Jackson 5 hits “I Want You Back” and “ABC,” and a much more extended medley of the James Brown classics “The Payback,” “Soul Power,” “Make It Funky,” and “Sex Machine.” Along with cuts from Al Green, Kool & the Gang, the Commodores and more, Premo and Rock’s set felt like a miniature history lesson in black music, continuing into the rest of the evening.

Promising to soon go head to head with some of their own original beats, the two deejays first segued into the Hip-Hop portion of the evening with some ’80s favorites like Afrika Bambaataa‘s “Planet Rock,” MC Lyte‘s “Survival of the Fittest,” Audio Two‘s “Top Billin’,” Eric B. & Rakim‘s “Move the Crowd,” and Biz Markie‘s “Nobody Beats the Biz.” When Premo spun the Boogie Down Productions battle classic “The Bridge is Over,” a diss track aimed partly at Marley Marl (a huge influence on both Rock and Premo), Rock observed, “It’s even hard to hear at a distance, ’cause those are my people.”

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The Light from the TV Shows: A Chat with Gordon Ramsay (“Hell’s Kitchen”)

Given the number of restaurants in his empire (as it were), Gordon Ramsay would be a very busy man even if he didn’t have a TV series. As it happens, however, he actually has four of them: “Hell’s Kitchen,” “Kitchen Nightmares,” “Masterchef,” and, most recently, “Hotel Hell.” With less than a 10-minute window available for a chat after his appearance at the Television Critics Association press tour last month, Chef Ramsay and I didn’t have a chance to get terribly in-depth about any topic for Bullz-Eye, but I was able to get a little bit of insight into how he transitioned from the soccer field to the kitchen, how he handles himself behind the camera, and how long his “Hell’s Kitchen” winners tend to stick around his restaurants.

Bullz-Eye: The first thing I must tell you is that I have a seven-year-old daughter who says she’s pretty sure that she can cook scallops better than some of your contestants on this go-round of “Hell’s Kitchen.”

Gordon Ramsay: So has my daughter. [Laughs.] I have three daughters – 10, 11, and 13 – and Megan, the oldest, said, “Daddy, I can cook scallops better than any of your sous-chefs on ‘Hell’s Kitchen.’” So it gets a little bit embarrassing. But, you know, it’s not the one portion, it’s cooking for an entire restaurant that gets them, because it’s down to the timing. No one can prepare you better for that service than experience. You can’t just walk into it. You’ve got to be prepped big-time. So I suppose the big frustration at home, with everyone saying, “I can do better than that,” is because they’re looking at one portion. Yet the most important thing is cooking the scallops perfectly across the entire night.

BE: To start at the very beginning, I understand you were actually on your way to a career in football – by which I mean soccer, of course – at one point.

GR: Yeah, wow, a long time ago now. Yeah, you’re right, but, I mean, what do you do? Do you sit there and get bitter and think ‘it could’ve been’ or ‘it may have been’ or ‘what happens if,’ or do you get on with it? So I picked myself up. Mom and Dad were going through a real shitty divorce at the time, so it was sort of getting out of one big negativity spot and following your second dream. I think everybody deserves a second chance in life, and nobody’s perfect, so with head down…

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