If you like this, check out “Portlandia” on IFC.
Category: Entertainment (Page 161 of 277)
Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.
“Dead Man Down”
WHAT: After she’s horribly injured in a drunk driving accident, French immigrant Beatrice (Noomi Rapace) seduces and then blackmails a professional killer named Victor (Colin Farrell) into exacting revenge in her name. What she doesn’t realize, however, is that Victor is also the victim of an unforgivable crime who’s spent the past two years plotting his own vengeance.
WHY: After making a name for himself with the Swedish-language adaptation of “The Girl with the Dragon Tattoo,” it was only a matter of time before Hollywood came calling for director Niels Arden Opev. But despite a solid cast and a bigger budget, “Dead Man Down” falls disappointingly short of its potential. There’s nothing about this crime thriller that’s even remotely suspenseful, and that’s due in part to some pretty dull characters and a general lack of focus. The subplot revolving around Rapace’s disfigured woman doesn’t add much to the main story, and although it’s nice to see the actress reuniting with her “Dragon Tattoo” director, Rapace’s performance pales in comparison to her award-winning turn as Lisbeth Salander. Terrence Howard and Dominic Cooper fare a little better in supporting roles, but it’s not quite enough to save the movie from mediocrity. Then again, considering “Dead Man Down” was produced by WWE Studios (who have yet to make one good film), that’s not too surprising.
EXTRAS: The Blu-ray release boasts a trio of behind-the-scenes featurettes on the film’s production, cinematography and stunts. It’s not much, but it’s better than nothing.
FINAL VERDICT: SKIP
“Spring Breakers”
WHAT: After four college girls rob a restaurant in order to fund their spring break vacation, the quartet’s hard-partying ways land them in prison. But when they’re bailed out by a charismatic drug and arms dealer named Alien (James Franco), the girls are introduced to a criminal lifestyle that’s far more dangerous than they could ever imagine.
WHY: Harmony Korine’s neon-tinged commentary on American youth culture has its fair share of admirers, but I’m definitely not one of them. Though I understand what the director was trying to accomplish with his satirical deconstruction of the typical spring break mindset (a heightened reality where there are no consequences for your actions), it doesn’t change the fact that it’s essentially a badly executed experimental film disguised as a mainstream crime drama. The female characters are excruciatingly one-dimensional (and whether or not that’s the point doesn’t make them any more engaging), and the constant repetition of certain scenes and lines of dialogue is incredibly grating. Sure, the movie looks great, but it’s also really boring – that is, until Franco shows up midway through and completely steals the show with one of the best performances of his career. His rapper-cum-gangster is immensely entertaining, almost hypnotically so, and it’s the only reason why anyone should consider seeking this movie out.
EXTRAS: In addition to a three-part making-of documentary, there’s a commentary with writer/director Harmony Korine, a music featurette, deleted and extended scenes, and a pair of VICE featurettes on the ATL Twins and party culture in Panama City Beach.
FINAL VERDICT: RENT
Developer: HeroCraft Ltd.
Compatible with: Android Devices
Requires: Android 2.3 and Up
Price: $2.99
Available: here
I set out to find a productive app this week. Truly I did.
Though there were a couple of worthy candidates (the lively note taking app mem:0 and the resume creating app resume designer both warrant a look), one app peaked my interest more than any other this week, and kept me from being productive entirely.
In the spirit of trying to bring the best of the best in apps then, I’ve got to tell you about “Tiny Token Empires”.
If you’ve ever played “Puzzle Quest” or its sequel, you’ve already got an idea of what to expect from “Empires.” The difference is that while “Puzzle Quest” was an RPG that used matching puzzles in place of traditional combat, “Empires” is a world conquest sim with a similar puzzle battle formula.
You’d expect the world sim aspect to be the focus of this game then to separate itself, but you’d be wrong. That part is essentially an extremely watered down version of the “Civilization” games, as you build your resources and expand your empire by conquering the towns of nearby nations. While elements of that series like unit types, special characters and troop movements are present in “Empires,” all political aspects, or anything unrelated to military movements are not.
It’s a simplified style that only works as well as it does by playing second to what is an excellent puzzle system. Whenever combat is initiated, whether it be with rival armies or mythical creatures, a puzzle board is shown with all units involved displayed on both sides. To attack, you have to combine three of the same puzzle tiles (think “Bejeweled”) that match the color of one of your units. Defeat all enemy units, and victory is yours.
The combat element adds an incredibly welcome depth to the otherwise standard system, as you’ll have to always consider the colors you need, as well as your opponent to attempt to counter their best attacks. Similarly, getting the right combo chain can turn the tide of the battle entirely, as the right one can win you a battle instantly, or lose you everything. It brings an element of urgency to an otherwise casual game, and ironically leads to more strategy than the strategy element.
Like so many other noteworthy gaming apps, where “Empires” stands out is its style. Don’t be turned off by the cartoon looks, as they’re just used to enhance the game’s tongue-in-cheek approach to history. It’s not the type of humor that’ll have you laughing out loud, but it makes the game feel lively and spirited helping to combat the redundancy even the best of mobile games can fall victim too.
“Empires” is just the perfect example of a mobile gaming experience. At its heart it’s a pick up and play anytime puzzle game that everyone should have one of on their device, but the combat and five unique strategy campaigns, along with the well implemented art style, give it the kind longevity and depth not usually present in puzzle games. It all leads to a game that’s hard to put down, and impossible to forget.
“Tiny Token Empires” didn’t exactly invent its core concept, but it does execute it in a way that stands out from anything of its kind, and provides your next mobile game addiction without apology. So join me and put productivity off until next week (maybe) by trying “Tiny Token Empires,” my app of the week.
There was a time when Ted Nugent was known only for his contributions to rock ‘n’ roll (one of the greatest of which, of course, is giving the world a song entitled “Wang Dang Sweet Poontang”), but that time has long since passed. These days, Nugent is certainly still well regarded as a rocker, but he’s at least as readily identified by his political stances and his profound enjoyment of hunting. Believe it or not…and I couldn’t believe it, so I looked it up, but, yep, it’s true…Nugent has been hosting his own outdoor series for 25 years now, and the series in question – “Spirit of the Wild” – is now back on the Outdoor Channel for another season. Bullz-Eye had the opportunity to chat with Nugent in conjunction with the series’ return, and you will not be surprised to hear that he had a great deal to say.
Bullz-Eye: Well, I’m sure you’re thrilled that “Spirit of the Wild” is back again, but it’s almost incomprehensible that this is its 25th season.
Ted Nugent: How ‘bout that? Am I adorable or what? [Laughs.] Isn’t there an award for being the most precious, adorable bow hunter in the world?
BE: Yes, I believe it’s called the Nugent.
TN: I believe you’re right! [Laughs.]
BE: I’m curious about the origins of the show, since the math makes it clear that it’s been around longer than the Outdoor Channel. How did it first come about? And how did it come to end up on the Outdoor Channel?
TN: Well, you know, this is a story that… I’m shocked. Well, I guess I’m not shocked. Barack Obama’s the President. [Laughs.] How much shock can we handle? Our Attorney General runs guns to Mexican drug gangs! Is there any shock left? Our government picks out people to harass with the tax agency! I guess my shock cup runneth over. But I’m equally shocked, I’ve gotta tell you, that this story has not been pursued.
Johnny Depp, Armie Hammer, William Fichtner, Tom Wilkinson, Ruth Wilson, James Badge Dale, Barry Pepper
Gore Verbinski
It’s no secret that the key to the success of the “Pirates of the Caribbean” movies was Johnny Depp as Captain Jack Sparrow, so you can understand why Disney would be so eager to build another potential franchise around the actor. They’ve even brought back director Gore Verbinski and screenwriters Ted Elliot and Terry Rossio in an attempt to recapture the success of those films. As a result, some people might be tempted to describe “The Lone Ranger” as “Pirates of the Caribbean” meets the Wild West, and quite frankly, they wouldn’t be too far off. Disney’s big screen adaptation of the classic radio serial is like the “Pirates” movies in many ways, and unfortunately, that includes the bad along with the good.
The year is 1869 and the first transcontinental railroad is nearing completion. As Texas-born attorney John Reid (Armie Hammer) travels home from college, his train is attacked by a band of outlaws who have come to break their cannibalistic leader Butch Cavendish (William Fichtner) out of custody. John joins his brother Dan (James Badge Dale) and the rest of the Texas Rangers to track him down, only to be ambushed by Cavendish in the desert and slaughtered like cattle. Left for dead, John is nursed back to life by a Comanche Indian named Tonto (Depp) – whose life he saved earlier on the train – at the behest of a white spirit horse. Both men want to bring Cavendish to justice for their own reasons, so they decide to team up, with John donning a mask to hide his identity. But on their quest to take down Cavendish and his men, the pair uncovers a larger plot involving railroad tycoon Latham Cole (Tom Wilkinson) that could spell trouble for the native tribes.
FOLLOW US!
CATEGORIES
© 2026 Bullz-Eye Blog
Theme by Anders Noren — Up ↑