You know, maybe the world will survive without the White Stripes after all.
This clip of a song from their as-yet-untitled second album, due out next year, doesn’t make much sense – why is the producer so upset, to the point where he needed to bust out the dope kung fu moves? – but it’s entertaining enough, and the song packs a whallop. All of a sudden, 2012 – which is the end of the world, you know – can’t come quickly enough.
For eight miles, everything was perfect. For the next 18.2 miles, nothing went right.
I came through the first mile marker of the 2011 Chicago Marathon at about 8:05 and comfortably held a steady pace for the next seven, soaking in the energy from the incredible crowd, taking in the view of the city and thoroughly enjoying the start of my first marathon. It was a pristine morning, with the race’s 45,000 participants treated to 64-degree temperatures and a gorgeous blue sky, and my goal of savoring the moment early on instead of obsessing about my time had thus far unfolded as planned.
I crossed the eight-mile marker in just about 64 minutes and prepared to settle in for the next 12 miles, hoping to start shaving some time off my pace before hitting the final six-mile stretch. I knew I’d need to have something left in the tank to finish strong, having topped out four weeks earlier with a 21.5-mile training run, so I was planning on listening to my body to see just how much I could safely push the pace.
I didn’t like what my body had to say.
The good news? My shoulder felt fine. Actually, it felt great. I had a case of subscapular bursitis crop up the previous weekend (NOTE: the injury has since been diagnosed as nerve compression), and while it was a painful injury, I learned during a six-mile run on Thursday and a slow two miler Saturday morning that it actually felt better while running. Hoping to prevent any late-race soreness, I slapped Icy Hot medicated strips onto three different spots of my back, just to be safe. That may very well have been my first mistake of the day.
The bad news? My legs weren’t feeling nearly as good as my shoulder. At a time when I should have been finding a mid-race groove, my legs were tired. Too tired. Certainly too tired for mile 8 of a 26.2-mile race. I knew I would be pushing my body to an extreme that day, but I wasn’t ready to do it yet. Okay, I thought, I’ll just maintain pace for now and hope my legs recover in time for a strong finish. They didn’t.
We recently featured the beautiful Krystle Lina in a Bullz-Eye slideshow. Among her many talents, Krystle is also a photographer, and this week we’re featuring a slideshow of her photos of the lovely Sydney Barlette.
Check out more photos of Sydney and more of Krystle’s photography at her web site at KrystleLina.com, and you can follow Krystle on Twitter @KrystleLina.
ALSO: Check out our Season Two preview, as well interviews with actor Jon Bernthal and executive producer Robert Kirkman.
Bullz-Eye: I know you won’t remember me, but we met fleetingly at the New York Comic Con, during the press roundtables.
Norman Reedus: Oh, right on. (Laughs) The craziness that is Comic-Con…
BE: Yeah, there’s no way you’d remember me in the middle of all that. But it was a good time nonetheless, so it’s good to talk to you again. And I’ve had a chance to check out the first episode of the new season…
NR: Oh, yeah? What’d you think?
BE: I think I should’ve gone straight on to the second episode.
NR: (Laughs) Awesome!
BE: So when you leapt into Season 2, how enthused were you to get back to work? It seems like it’d be a lot of fun to do.
NR: It’s a blast. I wanted to go a month early and just wait for everybody to show up. It’s such a fun job. It’s by far my favorite job I’ve ever done. The crew and the cast, everyone is so tight there. We’re all just one big family, for real. I just wanted to get back to it. I’ve never really had an acting experience that’s just so…fun. It’s so engaging. I’m really into it.
BE: Do you get used to the humidity down in Atlanta pretty quickly?
NR: You know, you kind of just suffer for the show. The heat and the surroundings are definitely a character on the show, so we’re out there surviving for our lives already. But, you know, I…I’m in Los Angeles right now, getting ready to go back to George to finish the season. But it started getting cold the last night we were there, and I shot ‘til about 4:30 in the morning and took an 8 AM flight to California, so I was exhausted. But it was freezing. It didn’t feel right. I prefer the heat.
BE: I think it was Steven (Yeun) who was telling the story about how he actually passed out his first day of filming.
NR: Yeah, he did. He had a long running scene, and he just sort of fainted. It was pretty crazy. Of course, we all teased him uncontrollably forever after that. (Laughs)
BE: So do you have to get into a Daryl mindset when you go back to work?
NR: Yeah, you know, it’s interesting, ‘cause last season, it was all ‘fuck you, I hate you,’ and this season you sort of see Daryl form alliances with certain members you wouldn’t necessarily expect. Damaged people recognize other damaged people, so they have a kindred spirit going on. It’s not just so one-noted this season. He really kind of bounces all over the place, and it’s really interesting. It’s like he needs a hug, but if you tried to hug him, he’d stab you. He’s really fragile, like a little kid in a lot of ways. You see certain members of the group trying to tell him his worth, that he’s worth more than he thinks about himself, and you find a little bit about his back story, his family history, and you see how truly damaged this guy is. It’s interesting to play all those levels. It really makes for an interesting day of work.
BE: Yeah, I mean, I wouldn’t call him a delicate flower or anything, but even in the first episode of Season 2, he feels like a slightly different Daryl than we saw last season.
NR: Yeah, but, you know, even last season, I tried to tear up between squirrel throws and whatnot, just to make him still be, like, he lost his big brother. Even assholes have big brothers. I tried to make him more than just an angry guy. It was, like, show some reasons why he’s so angry and damaged.
ALSO: Check out our Season Two preview, as well as interviews with actor Norman Reedus and executive producer Robert Kirkman.
BE: I’ve seen the Season 2 premiere, and from what I can tell, it seems like you guys are still playing at the same level that you were in the first season.
Jon Bernthal: Aw, thanks, man, I appreciate you saying so.
BE: So you guys got to play the love triangle in Season 1, and it’s obviously still ongoing in Season 2. Is it a challenge to play something like that in the middle of a zombie thriller?
JB: I don’t really look at it so much as a love triangle. I look at it more as a family that…these horrible circumstances, this disease that’s turned the world into this apocalyptic state, I look at it more as a family that’s been severely fractured by it. I think that it’s not as simple as two guys in love with the same girl. I think Shane is very much in love with Lori, but I think he loves his best friend, too, as well as their little boy, Carl. I think these are relationships that are immensely important to him, and unfortunately, they’re forever tainted and they’ll never quite be the same. In this world that we’re trying to create, all of these characters have lost so many people. I think what’s very interesting for Shane is that the people in the world who mean the most to him are still alive. It’s just that their relationships will never be the same because of what’s gone down.
BE: Shane is a pretty complex character because of his situation. Do you find it hard to find that balance of personality when you’re playing the part?
JB: No, man, I love it. As an actor, it’s the kind of part you look for. When I first talked with Frank (Darabont) about this, our goal was to not just make him sort of this one-dimensional villain straight out of the comic. We wanted him to be a layered, nuanced character that wasn’t a good guy, wasn’t a bad guy, but was a real guy. I think he’s just operating from a place of being a loyal friend and trying to do what’s best, trying to protect these people that he loves so much. I think he’s always coming from a place of trying to do the right thing, but it’s fractured. It’s just such a different, cold, brutal world now. Also, what’s very interesting about the character is that he’s the first one in the series, I think, to just sort of recognize the lawlessness of this world they’re living in now. He does it when he beats down Ed by the water in Season 1, and also when he trains the gun on Rick in Season 1. I think he recognizes that there are no real circumstances for your actions in this world, and I think Season 2 is very much about Rick and Shane splitting on how they feel the best way to go forward in this world is. I think Shane feels that, to survive, you have to make very brutal, very harsh decisions, and you really have to abandon emotion and morality and just do what’s best for survival, whereas Rick, I think, is kind of plagued by trying to do the right thing. They really become at odds with each other over those philosophies.
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