Jack Davenport may not formally qualify for the descriptor “television staple” in the U.S, given that the majority of his Stateside series have lasted a single season or less, but between “Swingtown” in 2008 and “FlashForward” during the 2009-2010 season, he’s made enough headway on the airwaves that, when coupled with a U.K. success like “Coupling” and a recurring role in Disney’s “Pirates of the Caribbean” films, he’s at least in possession of a face that inspires people to wonder, “Wait, why do I know that guy?” Davenport creeps ever closer to a more immediate recognition level as he continues onward with the season season of NBC’s “Smash.” I was fortunate enough to chat with him for a bit during the January edition of the Television Critics Association press tour, and although we didn’t get into too much detail about his current work on “Smash” (mostly because the interview took place before I’d seen any of Season 2), we still ended up discussing a fair amount of his small-screen work, along with a few stops on his cinematic efforts.
Bullz-Eye: Your character on “Smash” is regularly described in reviews as “difficult but brilliant,” and even on the NBC website they sum him up in a single sentence by calling him “one of Broadway’s most brilliant, yet arrogant, director-choreographers.” Did you have to pay people off to get the word “brilliant” out there so prominently?
Jack Davenport: Probably, yeah. [Laughs.] You know, the way the character’s written is the way people generally refer to him, and you are to believe that the man has half a dozen Tonys, probably two musicals that are international franchises, but that also makes you cocky. Also, in the real world of show business, no one refers to anybody as talented or brilliant. But when you’re doing a show about show business, weirdly, you do have to point that out on occasion. Not too often, but it’s sort of… Otherwise, you’re not really setting the scene properly, I don’t think.
BE: True enough. A few adjectives can save the writers from having to come up with a complete back story right off the bat.
JD: Oh, yeah. And as for “difficult,” I think that one speaks for itself. [Laughs.]
The competition: NCIS (CBS), The Biggest Loser (NBC), Glee (Fox), 90210 (The CW) Starring: Tim Allen, Nancy Travis, Kaitlyn Dever, Molly Ephraim, Alexandra Krosney, Christoph Sanders, Hector Elizondo
Executive producers: JackBurditt, Tim Allen, Marty Adelstein, Becky Clements, Shawn Levy, Richard Baker and Rick Messina
What the network says: “You can’t get manlier than Mike Baxter. He loves to have adventures while he’s traveling for work and, of course, he drives a pick-up truck. But Mike is about to find out that it’s not a man’s world anymore. While he might be king of the hill at work at an iconic outdoor sporting goods store, he’s the odd man out in a home dominated by his wife and three daughters. Today it’s a woman’s world, and this man’s man is on a mission to get men back to their rightful place in society. After being a stay-at-home mom for years, Mike’s wife, Vanessa, recently returned to the workplace and was quickly promoted — much to the dismay of her primarily male co-workers. Now that Vanessa’s work load has increased, Mike is pulled into more hands-on parenting than ever before. With things turned upside down at home, Mike’s last bastion of sanity – work – gets hit by change as well; his long-time boss and friend, Ed, announces that he’s grounding Mike from their catalogue’s international photo shoots and putting him in charge of the company’s webpage. But while adjusting to this new role, Mike discovers that the Internet might actually provide him just the outlet he needs, a platform that gives him a voice to appeal to those who agree that manliness is under assault, and a pulpit for his opinions about feeling like the last real man in a woman’s world. After all, men built civilizations, invented the locomotive and created ESPN, and Mike Baxter is determined to do what he must to reclaim his manly place in his home and at his job.”
What we say: It’s kind of hard to criticize “Last Man Standing” for having almost exactly the same mainstream manly-man tone as “Home Improvement” when Tim Allen freely admits that it’s something he’s making a conscious effort to re-stake his old territory. You can, however, criticize the series for not being very funny. Sure, it’s funny in a Tim Allen kind of way, but…oh, this way lies madness, so let’s just cut to the chase: basically, if you like broad comedy about a guy’s guy who’s annoyed with the fact that his brand of man is a dying breed, then you’ll like this show. I laughed a couple of times, but as I am not now nor have I ever been a guy’s guy, I walked away with little or no interest in ever watching another episode…which, come to think of it, is almost exactly the way I’ve always felt about “Home Improvement.” Based on this info, you can probably make your own judgement call as to whether or not you’ll have any interest in tuning in.
(8:30 – 9 PM, Oct. 18)
The competition: NCIS (CBS), The Biggest Loser (NBC), Glee (Fox), 90210 (The CW)
Starring: Mather Zickel, Dan Fogler, Christopher Moynihan, Teri Polo, Amanda Detmer, Henry Simmons, Jake Johnson, Charlotte Labadie
Executive producers: Christopher Moynihan, Victor Fresco (“Better Off Ted”), and Ron West and Kelly Kulchak
What the network says: “Three modern male archetypes struggle as they search for their identities and try to prove that ‘real men’ really can use hazelnut creamer. Meet Will. Will’s grandfather fought in WWII. Will’s father fought in Vietnam. Will plays Call of Duty on his PS3 and drinks non-dairy hazelnut creamer. So what happened to all the real men? They’re still here — they just smell like pomegranate body wash now. Will’s evolved, sensitive nature is why his awesome wife, Theresa, married him. But he and his friends find themselves wondering… In a world of Axe ads and manscaping, what does it really mean to be a guy anymore? Will is more interested in finding the perfect gift for his son Nathan’s 13th birthday than in doing his job selling insurance; sensitive soul Craig still pines for his college ex, Lisa; and Kenny clamps down on his anger and asks himself, ‘What would Tobey Maguire do?,’ when his ex, Bridgette, starts seeing a guy who is everything he’s not and much better looking. After Craig crashes Lisa’s wedding to try to win her back, all three are faced with an opportunity to ‘man up’ and be like their forefathers.”
What we say: I swear it’s not because the lead character’s name is Will, but…I actually like this better than “Last Man Standing,” even though it’s ultimately covering a certain amount of the same ground. I think you can probably attribute that to executive producer Victor Fresco, whose presence always guarantees that the series won’t be 100% commercial. Speaking of ground that’s already been trod upon, there’s also an undeniable similarity between “Man Up” and Fox’s late, lamented mid-season series “Traffic Light.” (That’s not a bad thing for me, though, as I loved the series.) As for the cast, there are really only two matinee names: Teri Polo, of the “Meet the Parents” franchise, and Dan Fogler, who’s one of those guys who can take things so far over the top that he presents a major love-him-or-hate-him vibe. It must be said, though, that he pulls the majority of the biggest laughs in the pilot. As far as putting this alongside “Last Man Standing,” I don’t know if that’s a great move or not, since the similar premises will likely viewers to suspect that if they don’t like one, then they won’t like the other, but it’s not true: “Man Up” may not be spectacular, but it’s ten times funnier than its lead-in.