Will Smith, Margot Robbie, Rodrigo Santoro, Gerald McRaney
Glenn Ficarra & John Requa
Movies about con artists are almost as difficult to pull off as an actual con. They need to be clever enough to outsmart and entertain the audience without being overly complex or resorting to narrative cheats. “Focus” is definitely entertaining at times, a flashy crime drama highlighted by a pair of movie star performances from Will Smith and Margot Robbie, but it also commits the aforementioned offenses in order to get to its twist ending… by way of several other twists, naturally. That’s not its biggest problem, however, because most con films break those rules at some point. Instead, it’s the fact that “Focus” is basically two movies stitched together by the same connective tissue, and only one of the halves is any good.
The film begins with a gorgeous woman named Jess (Robbie) picking up the charismatic Nicky (Smith) at a hotel bar, eventually taking their soiree upstairs to her room where her angry boyfriend kicks down the door and threatens to shoot Nicky unless he hands over his wallet. It’s a classic con, and one that Nicky knows all too well as a seasoned grifter himself. But Jess shows promise, so Nicky invites her to join his large-scale operation, hitting big events like the Super Bowl that are packed with crowds of easy marks (read: drunks and cheating husbands) for them to rob, swindle and shake down on the streets. After Jess gets burned by Nicky at the end of the job, the two go their separate ways until they cross paths again three years later when Nicky is hired by the wealthy owner (Rodrigo Santoro) of a Formula One racing team to help ruin a fellow competitor using his powers of persuasion. Everything is going according to plan when Nicky discovers that Jess is dating his new employer, and though he wants to make amends after the way he left things, Jess is unable to trust him, convinced that Nicky must to be working some kind of angle. The real question is whether Jess is too.
The Oscars got plenty of buzz as usual last night with “Birdman” taking top honors. Of course the red carpet got just as much attention, which isn’t surprising when you see photos like this of the stunning Margot Robbie and the elegant and beautiful Emma Stone.
Both were wearing some impressive gold jewelry, with presenter Margot Robbie looking amazing in vintage gold Van Cleef & Arpels “Zip Antique Colombine” necklace featuring diamonds and sapphires set in 18K yellow gold.
In giving “The Wolf of Wall Street” an excellent review, our own Jason Zingale described it as “loud, flashy and totally obscene.” You can get a glimpse of what to expect with this new red band clip courtesy of Paramount. Here we have Jordan Belfort, played by Leonardo DiCaprio, arguing with his new trophy wife, played by the stunning Margot Robbie who should be on her way to becoming a star. This gorgeous blonde bombshell sizzles next to DiCaprio in this film as you can see in this clip and from the photos above. We’re pretty confident you’ll be seeing much more of her in the years to come.
Photos by Mary Cybulski courtesy of Paramount Pictures
Leonardo DiCaprio, Jonah Hill, Margot Robbie, Kyle Chandler, Rob Reiner, Jon Bernthal, Cristin Milioti
It’s been a while since Martin Scorsese’s last truly great film, but it’s good to see that the director hasn’t lost his touch, because “The Wolf of Wall Street” is another cinematic triumph that works almost like a companion piece, at least thematically, to earlier movies like “Goodfellas” and “Casino.” But while those crime films were about actual gangsters, “The Wolf of Wall Street” is about a different kind of criminal altogether: a Gordon Gekko-like stockbroker whose own greed and hard-partying lifestyle ultimately led to his downfall. The fact that it’s based on a true story only makes it that much more captivating to watch unfold, and between Leonardo DiCaprio’s brilliant lead performance and Terrence Winter’s excellent script, it’s without a doubt the funniest movie that Scorsese has ever directed.
The film opens in 1987 as go-getter Jordan Belfort (DiCaprio) moves to New York City with his wife Teresa (Cristin Milioti) to pursue his dream of working on Wall Street. When the market crashes shortly after starting his new job at a big firm, however, Jordan accepts what appears to be a lowly position selling penny stocks at a strip-mall storefront. But he soon discovers that he can make big bucks selling desperate, blue-collar workers on the promise of instant riches, eventually leaving the company to open his own firm with friend and business partner Donnie Azoff (Jonah Hill). Before long, the newly dubbed Stratton Oakmont is selling those very same penny stocks to the wealthy, turning Jordan and his closest pals into millionaires virtually overnight. Living the high life with a gorgeous new wife (Margot Robbie), more money than he knows what to do with, and enough drugs to tranquilize an entire zoo, Jordan feels invincible – that is, until he catches wind that the FBI has launched an investigation into the firm (and him in particular) for stock market manipulation and other related crimes.
The competition: NCIS (CBS), The Biggest Loser (NBC), Glee (Fox), 90210 (The CW) Starring: Tim Allen, Nancy Travis, Kaitlyn Dever, Molly Ephraim, Alexandra Krosney, Christoph Sanders, Hector Elizondo
Executive producers: JackBurditt, Tim Allen, Marty Adelstein, Becky Clements, Shawn Levy, Richard Baker and Rick Messina
What the network says: “You can’t get manlier than Mike Baxter. He loves to have adventures while he’s traveling for work and, of course, he drives a pick-up truck. But Mike is about to find out that it’s not a man’s world anymore. While he might be king of the hill at work at an iconic outdoor sporting goods store, he’s the odd man out in a home dominated by his wife and three daughters. Today it’s a woman’s world, and this man’s man is on a mission to get men back to their rightful place in society. After being a stay-at-home mom for years, Mike’s wife, Vanessa, recently returned to the workplace and was quickly promoted — much to the dismay of her primarily male co-workers. Now that Vanessa’s work load has increased, Mike is pulled into more hands-on parenting than ever before. With things turned upside down at home, Mike’s last bastion of sanity – work – gets hit by change as well; his long-time boss and friend, Ed, announces that he’s grounding Mike from their catalogue’s international photo shoots and putting him in charge of the company’s webpage. But while adjusting to this new role, Mike discovers that the Internet might actually provide him just the outlet he needs, a platform that gives him a voice to appeal to those who agree that manliness is under assault, and a pulpit for his opinions about feeling like the last real man in a woman’s world. After all, men built civilizations, invented the locomotive and created ESPN, and Mike Baxter is determined to do what he must to reclaim his manly place in his home and at his job.”
What we say: It’s kind of hard to criticize “Last Man Standing” for having almost exactly the same mainstream manly-man tone as “Home Improvement” when Tim Allen freely admits that it’s something he’s making a conscious effort to re-stake his old territory. You can, however, criticize the series for not being very funny. Sure, it’s funny in a Tim Allen kind of way, but…oh, this way lies madness, so let’s just cut to the chase: basically, if you like broad comedy about a guy’s guy who’s annoyed with the fact that his brand of man is a dying breed, then you’ll like this show. I laughed a couple of times, but as I am not now nor have I ever been a guy’s guy, I walked away with little or no interest in ever watching another episode…which, come to think of it, is almost exactly the way I’ve always felt about “Home Improvement.” Based on this info, you can probably make your own judgement call as to whether or not you’ll have any interest in tuning in.
(8:30 – 9 PM, Oct. 18)
The competition: NCIS (CBS), The Biggest Loser (NBC), Glee (Fox), 90210 (The CW)
Starring: Mather Zickel, Dan Fogler, Christopher Moynihan, Teri Polo, Amanda Detmer, Henry Simmons, Jake Johnson, Charlotte Labadie
Executive producers: Christopher Moynihan, Victor Fresco (“Better Off Ted”), and Ron West and Kelly Kulchak
What the network says: “Three modern male archetypes struggle as they search for their identities and try to prove that ‘real men’ really can use hazelnut creamer. Meet Will. Will’s grandfather fought in WWII. Will’s father fought in Vietnam. Will plays Call of Duty on his PS3 and drinks non-dairy hazelnut creamer. So what happened to all the real men? They’re still here — they just smell like pomegranate body wash now. Will’s evolved, sensitive nature is why his awesome wife, Theresa, married him. But he and his friends find themselves wondering… In a world of Axe ads and manscaping, what does it really mean to be a guy anymore? Will is more interested in finding the perfect gift for his son Nathan’s 13th birthday than in doing his job selling insurance; sensitive soul Craig still pines for his college ex, Lisa; and Kenny clamps down on his anger and asks himself, ‘What would Tobey Maguire do?,’ when his ex, Bridgette, starts seeing a guy who is everything he’s not and much better looking. After Craig crashes Lisa’s wedding to try to win her back, all three are faced with an opportunity to ‘man up’ and be like their forefathers.”
What we say: I swear it’s not because the lead character’s name is Will, but…I actually like this better than “Last Man Standing,” even though it’s ultimately covering a certain amount of the same ground. I think you can probably attribute that to executive producer Victor Fresco, whose presence always guarantees that the series won’t be 100% commercial. Speaking of ground that’s already been trod upon, there’s also an undeniable similarity between “Man Up” and Fox’s late, lamented mid-season series “Traffic Light.” (That’s not a bad thing for me, though, as I loved the series.) As for the cast, there are really only two matinee names: Teri Polo, of the “Meet the Parents” franchise, and Dan Fogler, who’s one of those guys who can take things so far over the top that he presents a major love-him-or-hate-him vibe. It must be said, though, that he pulls the majority of the biggest laughs in the pilot. As far as putting this alongside “Last Man Standing,” I don’t know if that’s a great move or not, since the similar premises will likely viewers to suspect that if they don’t like one, then they won’t like the other, but it’s not true: “Man Up” may not be spectacular, but it’s ten times funnier than its lead-in.