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Blu Tuesday: Dexter Gets Biblical and More

It’s been awhile since Blu-ray fans have had one of those weeks where you could drop an entire paycheck on new releases, so hopefully you’ve been saving up since then, because there are several must-own titles on tap this week, including the new season of Showtime’s flagship series, the Blu-ray debut of the original summer blockbuster, and one of the best action movies of the last decade. And let’s not forget about “The Hunger Games” or Criterion’s release of “The Royal Tenenbaums,” neither of which were available for review, but are definitely films that would complement any collection.

“Dexter: The Sixth Season”

By the time that most TV series reach their sixth season, it’s only inevitable that a few cracks begin to show, and that’s certainly the case with Showtime’s flagship drama “Dexter,” which would be wise to start planning its swan song sooner than later. Though the show’s latest season isn’t bad by any means, it does mark a considerable drop in quality compared to previous years. Certain characters get a lot less face time (although I wish LaGuerta was written off the show entirely), while others don’t act like themselves – especially Dexter, who’s surprisingly reckless for someone that lives by such a strict set of rules. Even the guest stars aren’t as great as usual. Mos Def turns in a solid performance in a multi-episode arc as a reformed criminal who becomes a religious mentor of sorts to Dexter, but the season’s main antagonists (played by Colin Hanks and Edward James Olmos) fail to make a lasting impression. The religion angle is interesting, though not quite enough to drive an entire season, and the finale’s many cliffhangers show promise, but it’s hard to deny that while “Dexter” isn’t running on fumes just yet, it’s the beginning of the end.

Blu-ray Highlight: The sole bonus material on the three-disc box set is a collection of interviews with the cast, but because it can only be accessed via BD-Live (a stupid system that plagues most Showtime series), they weren’t available in time for review.

“Jaws”

It seems fitting that Universal planned the release of its digitally remastered and fully restored version of “Jaws” for the summer of the studio’s 100th anniversary, because the film is not only worthy of the celebration, but it’s widely considered to be the original summer blockbuster. The movie also holds up really well, and that’s largely thanks to the fact that director Steven Spielberg was unable to show as much of his man-eating shark – which he referred to as the “great white turd” due to the constant mechanical breakdowns throughout production – as originally planned. That shark prop looks pretty cheesy by today’s standards, so it was a bit of a blessing in disguise that he was forced to leave so much to the audience’s imagination, because it only intensified the suspense. But while the shark got most of the attention when it scared an entire generation of moviegoers out of the water back in 1975, the film’s legacy owes a lot to the performances of its stars – Roy Scheider, Richard Dreyfuss and Robert Shaw – who turned what could have been a standard monster movie into the funny and thrilling classic that everyone remembers so well.

Blu-ray Highlight: In addition to Laurent Bouzereau’s excellent 1995 documentary on the making of “Jaws,” the disc contains a brand new documentary titled “The Shark is Still Working” about the impact and legacy of the film. Narrated by Roy Scheider and featuring interviews with the cast, crew and other filmmakers, the documentary is divided into sections on the production (including casting, shooting on the open sea and ad-libbing on set), the marketing campaign and theatrical release, its international success, merchandising, John Williams’ theme, and of course, the mechanical shark.

“The Raid: Redemption”

There had already been a lot of praise heaped upon director Gareth Evans’ Indonesian action film “The Raid: Redemption” before I’d even had the chance to see it at this year’s SXSW, but it deserved every word, because movies don’t get much cooler or more exhilarating than this. A bone-crunching, testosterone-pumping freight train of destruction that barely lets the audience catch its breath once it gets going, “The Raid” delivers the closest thing to non-stop, wall-to-wall action that I’ve ever seen, and a big part of what makes it so jaw-droppingly awesome is the amazing fight choreography, including what is easily some of the best close-quarters combat committed to film. Every fight is more inventive, more complex and more intense than the last, and just when you think you’ve seen it all, Evans launches into yet another bloody battle. Being exposed to this much action would normally get tiresome after a while, but the director shoots each sequence with such visual flair (with the camera itself becoming a part of the choreography) that it’s like watching a ballet being performed – only, you know, with machine guns and machetes.

Blu-ray Highlight: There’s a lot of great stuff on the disc (including a funny Claymation short parodying the film), but the audio commentary by Gareth Evans is entertaining and extremely informative, with the writer/director talking about the movie’s inception, its various influences, and the challenges in filming many of the action sequences.

Breaking Bad 5.05: Dead Freight

SPOILER WARNING: This post will appear every Monday following a new episode of “Breaking Bad.” It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects and events that have occurred up to and including the episode discussed are fair game. 

The Cold Open

The cold open for “Dead Freight,” the latest episode of “Breaking Bad,” was a strange one at first glance. It showed a young boy riding a dirt bike through the desert before stopping to scoop a tarantula into a glass jar. Then bam! All of a sudden, well, that was it. At first glance. It was a surprising and seemingly dull way to begin an episode that had been the subject of a great deal of hype, including Aaron Paul (who plays Jesse) tweeting that “On tonight’s episode of Breaking Bad shit gets crazy.”

Of course, by now we all know that “dull” opening set up the first real “whoa” moment of the show’s fifth and final season, but we’ll get to that later. For now, let’s consider that just before cutting to the title sequence, a train whistle could be heard in the background, foreshadowing the arrival of the episode’s all-important locomotive. Not to mention that the scene included point of view shots of the dirt bike’s handlebars, later echoed by similar shots of the oncoming train just prior to the robbery (like the one seen above). That’s just damn good directing. And how crazy is it that “Breaking Bad” has so warped my mind that as soon as I saw that innocent child I was positive he would die or be the victim of some horrible fate? I know I’m not alone in that.

Say What You Will Mike, Walt (and Jesse) Might Just be Jesse James

When the commercial break ended, the first scene of the episode showed Walt strolling into DEA headquarters, ostensibly to discuss his marital troubles with Hank. Of course, the truth is that the man we knew as Walter White (you know, this guy) is all but dead. The criminal mastermind Heisenberg is now occupying his body, and it was he who took a page out of Gus Fring’s playbook by walking into the office of the very man hell-bent on finding him out.

Mike may not be giving Heisenberg enough credit. Walt knew that if he shed a few fake tears, Hank would duck out to avoid the perceived awkwardness of a man displaying outward emotion. As soon as he’s out of the room, Walt’s pushing wires into Hank’s computer. Then, in another moment of foreshadowing, he’s still struggling to plant a bug behind a photograph as Hank’s walking through the doorway, completing the task just in time to make it look as if he’s studying the picture—a symbol of Hank’s “perfect” marriage—and yearning for better days with his own wife. Heisenberg is a man who refuses to let the unforeseen hiccups of reality disturb his perfectly thought out plans, whether that means planting the bug in the nick of time or refusing to stop the train robbery before he gets exactly the 1,000 gallons he set out to obtain. Ah yes, the 1,000 gallons of methylamine, that whole train robbery thing, let’s talk about that.

We’ve heard the name Jesse James thrown around more than a few times this season. So when our favorite meth-making trio make the decision to rob a train, it’s almost expected. Almost. I mean, of course that’s what Heisenberg would do. After all, he fancies himself quite the criminal mastermind. He’s Don Vito, Jesse James, and a Nobel-level chemist all wrapped into one. He’s invincible, or so he thinks. Last week, he made it clear that nothing would stop the train that is their production and distribution of methamphetamine, and this week, we found out that meant not even literally stopping a train.

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App of the Week: Organ Trail – Director’s Cut

Developer:
The Men Who Wear Many Hats LLC

Compatible with:
iPhone
iPad
iPod Touch

Android Systems

Requires:
iOS 3.1.3 or later

Android 2.1

Price:
$2.99

Available here (for iOS) and here (for Android)

“You have Died of Dysentery”

Nothing was worse than seeing this message pop up on the Apple screen at the library we used to play “The Oregon Trail” at in grade school. Maybe the first couple of people to fall to it got away without too much ridicule, but as soon as one of us discovered what dysentery was, we became unstoppable forces of mocking nature. There were many ways to die on the “Oregon Trail”, but the only one you truly feared was the dreaded dysentery. It’s not like it was ever your fault either. If there was a “wash your hands after using the bathroom” button, we would have used it.

If you can’t relate to what I’m talking about then I truly pity you, because you missed out on one of the greatest gaming experiences of all time. What made “The Oregon Trail” so great was the many gameplay options and features, and how even playing the game right wasn’t a guarantee for survival. Even better, the vaguely historical setting meant that it was a game you could play at school, and at the aforementioned libraries. It’s one of those games where you can tell right away if someone grew up with it or not, because if they did, all it takes is a mere screenshot to bring a grin to their face, and set them off on a bombastic recollection of nostalgic memories.

Well if you did, in fact, never get to share that experience, then developer The Men Who Wear Many Hats has your back, thanks to some funding by Kickstarter. Because they are bringing back the old school gameplay of “The Oregon Trail” but infusing it with the harsh reality of the zombie apocalypse. Now truthfully, I’m getting a little tired of the zombie genre, but every now and then something will pop up that resurrects the style much in the same manner as the decaying dead that populate those titles.

“The Organ Trail” (huh…clever) is one of those instances. From the menus, to the basic gameplay, to the perfectly recreated graphics and sounds, “The Organ Trail” shamelessly apes “The Oregon Trail” with admirable accuracy. The basic goal is the same. You and yours traverse the country in search of a better home, while battling the dangers of the untamed world. But rather than just throw a couple of undead sprites your way and port “The Oregon Trail,” the developers have completely re-imagined the experience of that classic as it stands in this new world, and along the way have managed to perfectly recreate the experience of the original, while still making sure that anyone who grew up on the original game enjoys the near flawless ratio of nostalgia to the joy of a fresh game experience.

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Hidden Netflix Gems: ‘Oldboy’

This week’s Hidden Netflix Gem: “Oldboy” (2003)

Here in the States, it’s entirely likely you haven’t seen or even heard about the 2003  film “Oldboy.” If that’s the case, you’ve been missing out on what’s generally considered one of the greatest films of all time. Directed by Park Chan-wook, one of South Korea’s most popular and critically acclaimed filmmakers, “Oldboy” won the Grand Prix at the 2004 Cannes Film Festival, it’s been certified fresh with an 81 percent rating on the Tomatometer, and with its 8.4 rating on IMDb, the film sits at 87th on the site’s Top 250 movies of all-time. As a result, Spike Lee is set to direct an American remake and subsequently ruin an awesome film which deserves all the acclaim that’s been heaped upon it.

When “Oldboy” begins, its main character, Oh Dae-su (played by Choi Min-sik), is more than a bit too drunk on his daughter’s birthday. Dae-su is kidnapped and locked in a hotel room for 15 years, never knowing the identity nor the motives of his captors. Fed nothing but fried dumplings, a television is his only contact with the outside world. It is through his TV screen that Dae-su learns that his wife has been murdered and he has been made to look like the culprit. As he slowly loses grip on his sanity, Dae-su spends his days honing his fighting skills, waiting to be released and obsessing over the vengeance he plans to take on those who imprisoned him. Then, one day, completely without explanation, Dae-su is released. A beggar hands him a cell phone and a wallet filled with money, the phone rings, and the voice on the other end challenges him to uncover the reasons behind his imprisonment. Dae-su embarks on a quest for vengeance, finding himself caught in a web of conspiracy and violence, and perhaps more surprisingly, he finds himself in love.

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Drink of the Week: The Boulevardier

The BoulevardierIf you’re reading “The Sun Also Rises” right now, this may be the drink you want to put you in the apposite booze addled/jaundiced frame of mind. In fact, it was actually invented at the famed Hemingway hang, Harry’s Bar. If you’re going to overdo it the way the characters in the book do, you could do a lot worse.

Moreover, if today’s beverage  reminds you a little bit of the Negroni, then count yourself among the cocktail elect as this drink basically is that cocktail classic, but substituting whiskey — usually bourbon but some recipes say you can do it with rye and possibly even Canadian — which makes it also a bit like a Manhattan.

Still, while some writers have wondered out loud why this semi-forgotten prohibition era beverage is less well known than those undisputed classic beverages, I can see why it hasn’t become a household name. While I find the Negroni and the Manhattan difficult to mess up and nearly always amazing, the Boulevardier is more elusive. On the other hand, if you manage to get it really right, it can be pretty darn nifty — especially if you like whiskey and the powerful bitter-sweetness/sweet bitterness of Campari as I much as I do.

The Boulevardier

1 1/2 ounces bourbon
1 ounce Campari
1 ounce sweet vermouth

Combine the ingredients in a cocktail shaker. Stir if you must be a classicist, but I say you should shake this drink, damnit. Whichever you choose, strain into our old friend, the chilled cocktail glass or — especially if it’s as hot where you are as it is right now at DOTW Central — into an ice-filled rocks glass. Imbibe this beverage sure in the knowledge that you don’t really have to watch the rather turgid 1957 film version of Hemingway’s aforementioned novel with Tyrone Power and an all middle-aged-ish cast, which is dead wrong considering that “The Sun Also Rises” is kind of a higher quality early draft of “Less Than Zero” with booze, booze, and more booze substituting for booze, coke, Quaaludes, and more booze and a higher species of jerkwads for characters. Where was I? Oh, yeah, cocktail blog.

****

The earliest version of this drink actually calls for equal parts bourbon, Campari, and vermouth. While I’ve found it works just dandy for a Negroni, that wasn’t the case here. Even using my go-to 100 proof Old Fitzgerald’s bourbon, I found the sweetness a bit overpowering despite the bitter Campari comeback, especially when I tried this one stirred. Things were much improved when I went with a more contemporary version which upped the proportion of bourbon.

I was concerned that the merely 80 proof Basil Hayden’s Kentucky Straight Bourbon Whiskey featured here just last week would prove too delicate to stand up to the Campari and vermouth. However, I once again badly underestimated this subtle yet powerfully flavorful Jim Beam high end brew. The resulting Boulevardier was subtly complex, with just the right level of sweetness to bitterness and with a few of the more savory-ish notes of the Basil Hayden mellowing things out.

I’m going to try this one with rye pretty soon, but that brings us awfully close to another drink, the Whiskey Rebellion inspired 1794, which I’m saving for another occasion.

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