Category: Videos (Page 10 of 52)

Weekly Web Series Review: Between Two Ferns

Hosted by Zach Galifianakis at his most awkward, “Between Two Ferns” represents what television talk shows might actually be like in a much more interesting world. Filmed to look like a low-budget public access show, but with big-name celebrity guests, the series mines uncomfortable humor to the fullest. Galifianakis frequently mispronounces the names of his guests and openly insults them, creating an environment of hostility that often feels almost too real. When not blatantly mispronouncing names, he is prone to making intentionally terrible puns out of them, like when he asks Jon Hamm if his middle name is “Honey-Baked,” or if he has considered changing his name to something like “Stewart Turkey-Link.”

The discomfort starts strong right out of the gate in the first episode, in which Galifianakis basically molests Michael Cera. There is a common thread of one-sided sexual tension in many of the episodes, and certainly not just with the female guests, though it may be strongest in the episode featuring Natalie Portman. It is a testament to her skill as an “acteress” that this episode is one of the most authentic, as if she were actually just in the midst of a nightmarish interview set up by the most incompetent agent imaginable. Other episodes are more clearly staged, and perhaps the weakest is the one with Will Ferrell, if only because the two are generally too chummy with each other, at least until the end.

The series is at its best when Galifianakis is openly hostile to his guests, like the episodes featuring Ben Stiller and “Brad Lee Cooper.” Though this hostility is common throughout the series, only “Conan O. Brien” gets an explanation, which is that Galifianakis thought he had a shot at “The Tonight Show.” Another especially convincing episode features Galifianakis’ “twin brother,” Seth, interviewing a wooden-faced Sean Penn, who really seems like he might haul off and punch Galifianakis at any moment. As with Portman, it is Penn’s acting skill that pulls off the joke so well.

A pitch-perfect spoof of bad, desperate public access talk shows, “Between Two Ferns” is easily one of the best offerings from the always enjoyable Funny or Die. Even the opening and closing theme music feels authentic, though it is actually lifted from Bernard Herrmann‘s “Taxi Driver” score, which adds to Galifianakis’ creepy, angry vibe. I’m not sure how well it would work as a full-length show on television, but in the small segments available online, it is hilarious.

He dances better than he can box

The lesson here is simple – don’t dance like a buffoon before entering into the boxing ring! Now, this is taken from two different fights, so keep that in mind, but we suspect his dancing moves are pretty typical for all his fights.

Weekly Web Series Review: Jan

The WIGS channel on YouTube could unkindly be called the online equivalent of television’s Lifetime network, specializing in stories of the lives of women that are, ironically, primarily created by men. The first of these web series is “Jan,” created, written and directed by Jon Avnet, who is probably best known for producing hit ’80s and ’90s films like “Risky Business” and “Fried Green Tomatoes,” the latter of which he also directed. Like the superior “Blue,” “Jan” is simply named after its lead character, Jan (Caitlin Gerard), an aspiring photographer who has just gotten what might be her big break, so long as her life doesn’t get in the way.

Jan works as an assistant to Mel (Virginia Madsen), an established photographer whose latest project is a book called “Afterglow,” which is a collection of shots of women immediately after the completion of sexual encounters. The first session features British movie star couple Gery (Stephen Moyer, best known as Bill Compton on HBO’s “True Blood”) and Andie (Jaime Murray, best known as Lila Tournay on the second season of Showtime’s “Dexter”). Gery seems to immediately like Jan and, when Mel is preoccupied with a phone call at the crucial moment, he convinces her to take the shots instead, which leads to Jan being fired. Luckily for her, deadline pressures from the magazine Mel works for causes her to rehire Jan, though Mel takes the credit for the photographs and warns Jan that she is on thin ice.

Jan also has a junkie boyfriend, Robbie (Kyle Gallner), who is constantly pestering her and her roommate, Vanessa (Laura Spencer), and complicating their lives. This subplot should make the series more interesting, but what it mainly does instead is make everything feel less focused. The tone of the entire series is very uneven, and quirks like Jan’s initial clumsiness and her habit of getting the hiccups when she’s nervous come and go without ever really going anywhere interesting. Likewise, the late addition of a new boyfriend for Jan feels inconsequential and tacked on, despite the conflict it would seem likely to create with Robbie, the ex, and Gery, who flirts openly with Jan and drops by her place to take showers (another contrived quirk that feels less than genuine). All in all, the stakes are never really high enough, nor is Jan a compelling enough character to make this series particularly worthwhile. Check out “Blue” instead, if you want to see what the WIGS channel is like.

Weekly Web Series Review: The Handlers

Be sure to check out our most recent interview with Bryan Cranston, the star of “Breaking Bad,” where he discusses “The Handlers” and a host of other topics!

The absurdity of political maneuvering is ripe for comedic satire, and the Comedy Central original web series “The Handlers” takes full advantage of this. our most recent interview with Bryan Cranston, star of TV’s best show, “Breaking Bad,” plays Jack Power, a state senate hopeful with a team of spin doctors (or “handlers”) watching his every move in order to spin his blunders to the campaign’s advantage. Sarah (Andrea Cansler), Miles (Matt Braunger), Tim (Josh Dean) and Goodman (Gary Anthony Williams) are experts in the field of bullshit, and when they’re not busy covering Jack’s ass, they’re twice as hard at work covering their own.

The series starts strong with its first episode, “The Focus Group,” in which Jack’s boring speech delivery style is hurting his poll numbers as well as his team of handlers watching the speech from campaign headquarters. However, when Jack experiences a slip of the tongue pronouncing a certain state name, his polls soar, and the handlers land on a brilliant strategy for the campaign. Ending with a jaunty theme song briefly introduced at the beginning, this episode nicely sets the tone for what’s to come, and the series continues strongly with a similar idea in its second episode, “Prostitute.” An innocent mistake in which Jack tries to help a woman in need, only to be railroaded by the media when she turns out to be a hooker. Perhaps the best moment of the episode comes when Jack asks his handlers, “Is a good person helping out a stranger so hard to believe?” and the answers comes back as a resounding “Yes!”

After the third episode, “Poster,” which features a really well-done sight gag at the end, the series takes a slight dip in quality. The fourth episode, “Mustache,” is well-played but basically just builds to a very predictable joke, and the same could be said of the fifth episode, “The Announcement,” which is even weaker. This is sort of the problem with the web series format, at least for this series; the characters and situation are strong enough to build an actual, full-length sitcom from, but the two-to-four minute episode format of the web series only leaves room for essentially one joke per episode. Some of the jokes work better than others, but Cranston and company always give it their best, and “The Handlers” is worth a look, especially in its first three episodes.

Weekly Web Series Review: Baby Cakes

Brad Neely, perhaps best known for his hilarious “George Washington” and “JFK” music videos, has built an empire of off animatics (still images edited together with dialogue and sound effects). The creator of “Creased Comics” also invented a fictional town called China, Illinois, in which several strange characters reside, including a huge, baby-faced man named Mark “Baby” Cakes. In the series “Baby Cakes,” Neely explores the unique life and philosophy of this probably autistic, mostly gentle giant, and the results are very funny, always absurd, and even sort of profound and sad a surprising amount of the time.

The first six episodes of “Baby Cakes” find Baby Cakes transcribing his thoughts on a variety of subjects into his diary. The very first episode sets up a few recurring themes of the series, such as Baby Cakes’ belief that his father and his father’s professor friends are wizards, and his love of fantasy role-playing games. When one of his friends asks him if he’s a virgin, Baby Cakes’ reply is a perfect example of his strangely limited understanding of the world: “I said no, because I can’t give birth to a Jesus.” The episode also sets up Baby Cakes’ recurring songwriting, and some of the later episodes are entirely made of these songs.

The second episode introduces Baby Cakes’ grandfather and explores the relationship between the three generations, and demands a few repeat viewings in order to decipher the ridiculous bathroom graffiti Baby Cakes encounters in a gas station bathroom on the way to his grandfather’s house. The third episode is among the series’ very best, as it is the first one that really captures the sweet, oddly sad philosophy and worldview of Baby Cakes, a self-described “peaceful, sleepy giant making zero a year.” As Baby Cakes walks through the park, reflecting on the world around him, as he sees it, in a unique parlance all his own: “I have a big coat, with big pockets. Sometimes, kittens get in there. It’s cool with me as long as they keep their hook-socks curled.” The episode ends with a wonderful encapsulation of Baby Cakes’ views about life: “Even if my days don’t mean anything, I just hope that I die while hugging, and not while in a wine-drinking contest.”

The sixth episode expands on this strange but surprisingly insightful worldview, and just might be the very best episode of the entire series. It finds Baby Cakes digging up a time capsule he buried as a child, in which he placed his favorite thing and a note to his future self, in which he explains sex: “Sex is a people-spaghetti. Hairy pee-pees clash. They yell, ‘Yes! Yes!’ but their grody faces say, ‘Ouch!’” The rest of the episodes (the non-diary ones) are something of a mixed bag, but there are definitely highlights, and the whole series is only about 32 minutes long, with more brilliance scattered throughout than most full-length television series.

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