Category: Television (Page 49 of 84)

Sons of Anarchy 5.01: Sovereign

SPOILER WARNING: This post will appear every Wednesday following a new episode of “Sons of Anarchy.” It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects and events that have occurred up to and including the episode discussed are fair game. 

The Lion Declawed

After nine long months, SAMCRO is finally back. “Sovereign” began with Jax writing in a manner that seems to be addressing his sons when they come of age, just as his own father did. Although his father died when he was 15, Jax has more of JT in him than Clay. The prodigal son now sits at the head of the table with Chibs to his right as the new sergeant-at-arms. Bobby Munson will be on his the other side, having been made the new VP in the premiere, and Opie will be taking an extended leave of absence from the club. It’s great when tiny details in something like wardrobe can portray significant changes in the characters. We saw that in “Sovereign,” as Jax and Chibs’ new position patches were a freshly sewn white. In contrast, you could still see the remnants of the word “president” stitched into Clay’s cut. It served as a subtle reminder of Jax’s recent coup and just how far the once mighty Clay has fallen.

Almost more interesting than the things that have changed however are those that have stayed the same. Namely the fact that Clay’s still breathing (or trying to anyway). The former president’s non-death last season still seems like a bit of a cop out. Remember Jax needs his step-dad around to keep the Irish happy, a plot choice that fails to live up to the real-world reasoning that those in charge aren’t ready for Ron Perlman to leave the show. After doing so much work to build Clay up as a villain last season, the writers had better have some tricks up their sleeves if they want viewers to continue accepting his sticking around. That started last night, and how.

Anyone who thought Clay would accept defeat and move quietly out of the limelight was sadly mistaken. His physical ailments have caught up with him, and it’s no coincidence that he now bears significant resemblance to Piney, who he killed last season. After Clay’s talk with Gemma, my first guess was that he’d undergo yet another role reversal and be made into a sympathetic character again. That notion was quickly discarded, Clay’s still up to his old tricks, only now he’s got only his wits to work with and none of his former brawn.

Clay’s trickiest move was coming clean about killing Piney, right at the table during “chapel.” Well, sort of. The bare facts were there, but he twisted the tale to make his actions seem justified and himself more sympathetic. This was not a repentant man struggling to explain things to his club, it was a con artist making the best play he could, bluffing a shit hand. Clay’s faux explanation has neutered any plans Jax might have had to use the truth to turn the club against him after he’d served his purpose. If Jax tries to tell the real story now, the guys will think he’s doing exactly what Clay actually did: lying to get his way. All that said, some element of making Clay likable again survives due to his leafing through a photo album even though Gemma specifically told him not to make any pictures. Maybe he really is sorry? Maybe, but I doubt it.

Villain vs. Anti-Heroes 

After Opie shot Clay last season, the rest of the club was told the One-Niners were responsible. In a tumult of rage and guilt, Tig sought vengeance by attempting to kill the enemy gang’s leader, Laroy. Instead, it was Laroy’s girlfriend, one Veronica Pope, who ended up dead. The woman was the daughter of Damon Pope (played by Harold Perrineau of “Lost”), a Gus Fring type: powerful businessman with criminal ties. From his ordering the repeated killing of the gang’s leaders, we learned that the One-Niners are really just a street-level arm of Pope’s operation. This time around, it won’t just be the Niners the Sons are dealing with, but Pope, a man of unknown motivation, power, and yes, responsibility. Unlike that gangster in his employ, Pope is in fact a “Spider-Man nigga.”

The first step for SAMCRO’s newest antagonist was retaliation against Tig. But this was no simple vengeance. There’s an eye for an eye and then there’s burning a man’s daughter alive as he stands there chained and helpless. It’s clear that watching that flung the affably unstable Tig right off the deep end. Let’s see, Tig kills a woman because he thought he was avenging Clay. It turns out that was a lie, and Tig’s actions (which were entirely unprovoked in the eyes of Pope and the Niners) led to his own daughter’s horrific death. I wonder who he’ll blame for that? Trouble is, as badly as Jax wants Clay dead himself, it will be up to him to rein Tig in.

That’s what all this means for the club, but Pope’s actions and demeanor say something different entirely about the show. Early in the first season, my main problem with “Sons of Anarchy” was that it showed a bunch of interesting but ultimately uber-violent “bad guys” doing a bunch of horrible things and laughing about it afterwards with little to no character development. That changed as I came to understand the characters and their motivations. One way the show tried to justify the viewer rooting for the Sons was making them the gang that does everything except deal drugs. That excuse I found cheap, but I respected that they wanted to maintain Charming’s small-town, well, charm. They kept corporations out so small businesses could succeed, stopped developers from building “McMansions,” and the like. Plus, there was the simple idea that no matter how bad the Sons got, their enemy was usually a whole lot worse.

After all the forward movement of the past four seasons, introducing Pope as a sociopath, a man who won’t shy away from burning your daughter alive before your eyes, seemed almost as convenient as drugs=bad, Sons don’t sell drugs, therefore Sons=good. This isn’t to say bringing in Pope was a bad move or that the show won’t handle the move with grace, anything can be done well if it’s done right. But the character should not simply be a way to distract from or delay further exploration of the Sons’ moral complexities. While the characters might look in the mirror and see righteous outlaws, the viewer should be given a more objective perspective and be allowed to decide for themselves what they see. If Pope only sets up SAMCRO as the lesser of two evils, the show is giving up on all that, at least for the time being, which would mean, well, I wouldn’t give up on the show, but I’d be disappointed.

One Last Thing

Early into the season premiere, Lieutenant Roosevelt showed up at Teller-Morrow to ask the members if they knew anything about a couple of recent break-ins, one at the home of a club groupie (or “crow eater”) and the other at that of a Teller-Morrow mechanic. Roosevelt guesses the crimes were retaliation for the killing of Veronica Pope. The episode ended with Wayne Unzer, former chief of Charming P.D. and friend of the club, having his home invaded. Somewhere in between, SAMCRO inducts a couple of Nomads into their chapter. One of them was “Greg the Peg,” who has a prosthetic leg and joked about having “somewhere to put his feet up.” Turns out one of the guys who broke into Unzer’s house was wearing the same shoes. Oh, and a prosthetic leg to boot (check out these screenshots provided by a user of the “SoA” subreddit). My guess: the Nomads are all working for Pope, who’s now got three different inside perspectives on SAMCRO. Strap on your helmets and throw on your cuts, we’re in for a hell of a ride this season.

Watch Kurt Sutter and the cast discuss “Sovereign” and answer fan questions below. Be sure to follow the writer on Twitter @NateKreichman.

Watch live streaming video from sonsofanarchy at livestream.com

Blu Tuesday: Gladiators and Fairy Tales

There are some pretty big Blu-ray releases coming up over the next few weeks, but unfortunately, that only makes this week’s offerings look lackluster in comparison. To be fair, the pickings would be slim regardless, but there are a couple titles that should help pass the time until you can dig into the awesomeness that September holds.

“Spartacus: Vengeance – The Complete Second Season”

The bloody, sweaty and sex-drenched historical drama “Spartacus” may be unlike anything else on TV, but no one could have anticipated the roller coaster journey that the show has taken over the last few years. After Starz delayed production on a second season (filling its place with the prequel miniseries “Gods of the Arena”) in order for star Andy Whitfield to recover from leukemia, the lead role was ultimately recast after Whitfield sadly passed away. Newcomer Liam McIntyre does his best to make you forget that a different actor is playing the title character, but while his version of Spartacus isn’t necessarily bad, it just doesn’t feel like the same show. The absence of John Hannah’s Quintus Batiatus is perhaps felt even more strongly than the loss of Whitfield, while Lucy Lawless’ Lucretia isn’t nearly as interesting without her better half. Though Season Two gets off to a pretty rocky start, it eventually finds its groove midway through as the war between the rebel slaves and Roman army heats up. But while the action scenes are bigger and better this time around, “Spartacus” is no longer the pulpy guilty pleasure that it used to be.

Blu-ray Highlight: Anchor Bay may have chosen quantity over quality in the special features department, but there are a few extras worth watching, including a featurette on the “Legend of Spartacus” with the show’s historical consultants, and another one aptly titled “Famous Last Words” where the actors talk about their characters’ deaths.

“Snow White and the Huntsman”

All the commotion surrounding Hollywood’s dueling Snow White movies seems to have been all for naught, because the two films couldn’t be more different. Whereas Tarsem Singh’s “Mirror Mirror” was a light and comical take on the classic fairy tale, “Snow White and the Huntsman” is a much darker adaptation with some revisionist twists. Unfortunately, the movie doesn’t work quite as well as you’d hope. Though Charlize Theron delivers a great performance as the Evil Queen, playing the iconic villain as a raging psychopath, she goes missing for large portions of the film, while Chris Hemsworth’s Huntsman isn’t given enough to do to warrant his top billing. And then there’s Kristen Stewart, who’s not only a terrible choice to play Snow White, but fails to prove that she has the talent to carry such a big movie, especially one as disjointed as this. The troupe of British character actors that play the dwarfs inject some much-needed humor and energy into the story, and there’s some truly stunning visuals on display, but the sum is quite equal to the parts.

Blu-ray Highlight: The making-of featurette “A New Legend is Born” contains some good bits about the film’s production (including Colleen Atwood’s fantastic costumes), although it’s a little awkward to listen to Kristen Stewart fawn over director Rupert Sanders in light of recent events. There’s also a great featurette on the dwarfs that covers everything from casting to the visual effects used to make the actors look small.

Sons of Anarchy: Season Five Preview

Last season of “Sons of Anarchy” was a pretty big transitional year for the FX drama, and it doesn’t take very long for the effects of those changes to show in the first two episodes of Season Five. After Clay’s cold-blooded murder of Piney created a domino effect of bad decisions and more dead bodies, by the time the dust cleared, Jax was sitting at the head of SAMCRO’s table. But the season didn’t exactly end on the happiest of terms, with Clay nearly shot to death, Opie’s future with the club left undecided, and a potential gang war ignited with the One-Niners after Tig accidentally killed the daughter of ex-drug kingpin Damon Pope.

The fallout of her death plays a major part in the new season as the Niners look to retaliate, and viewers will finally be introduced to Pope himself, played by “Lost” alum Harold Perrineau. Though I was openly critical of the actor during his time on the island drama, and was pretty concerned when I heard that he had been cast in the pivotal role, Perrineau brings an intimidating calmness to Pope that makes him a completely different kind of threat compared to past foils like Ethan Zobelle and June Stahl. He’s more of a gentleman’s gangster, but ruthless when needed, as Tig is unfortunate to witness in the 90-minute premiere.

The other new addition this season is Jimmy Smits’ Nero Padilla, a former gangbanger who’s since built a lucrative career as a pimp… or as he likes to refer to himself, a “companionator.” Smits is another actor that I didn’t used to be particularly fond of, but he’s done some great work in recent years (like his season-long guest role on “Dexter”), and from what I’ve seen of his “Sons of Anarchy” character so far, he’s likely going to be the standout of the season. You can already tell that Smits and Charlie Hunnam have excellent chemistry, and it’s going to be interesting to see how Clay reacts to Jax getting a new mentor, especially since that’s not the only department in which Nero is replacing Clay. I’ll let you guys figure out what that means on your own.

Though it’s still unclear as to how much the other characters are going to factor into the new season, here are a few things you can expect to see in the first two episodes:

1) With the RICO case still hanging over SAMCRO’s head, Danny Trejo and Benito Martinez’s CIA agents are still very much involved in the club’s Irish gun deal…

2) And more importantly, Jax tells one of his fellow Sons all about it.

3) The body count gets pretty high in the premiere, including one very gruesome death.

4) Jax finally names his Vice President, and it’s not who you’d expect.

5) Jax also gets rid of his “SO” and “NS” rings, perhaps for good.

6) Though he may effectively be the club’s new Piney (omnipresent oxygen tank and all), Clay still has a few tricks up his sleeve.

Check out the promos below for a taste of what’s to come this season (including your first look at Jimmy Smits and Harold Perrineau), and then be sure to tune into “Sons of Anarchy” when it premieres September 11th at 10 p.m. on FX.

The Light from the TV Shows: A Chat with Giancarlo Esposito (“Revolution”)

It’s a matter of public record that I’ve interviewed a huge-ass number of people over the years, but given that most of those interviews tend to be on the phone, it never fails to give me a warm feeling inside when someone actually remembers me from an in-person encounter. Then again, one presumes that the cast of “Breaking Bad” doesn’t sit down and break bread with journalists on their home turf of Albuquerque all that often, so maybe that makes it a little easier to remember such an occasion.

Either way, it was still nice to see the warm glow of recognition in Giancarlo Esposito’s eyes when I came up to him at the Television Critics Association press tour this summer. I mean, it’s certainly better to see that than the steely anger we came to expect from him in his final appearances as Gustavo Fring, right? Sadly, it was a short chat, so we didn’t even get a chance to talk about Gus’s last days (except in passing reference) or even his Best Supporting Actor Emmy nod, but you can still look back at the far lengthier conversation we had a few years ago to get a bit more insight into his feelings about Gus and his career as it stood prior to “Breaking Bad.” For now, though, Esposito is all about looking forward…really, really intensely.

Giancarlo Esposito: Hi, Will! Oh, my goodness, I remember that evening in Albuquerque. I totally remember that evening!

Bullz-Eye: I’m glad I’m not the only one!

GE: How are you? It’s good to see you again.

BE: It’s mutual, of course. So I’m curious: with “Revolution,” you’ve taken on another supporting role. Not that you don’t do them well, but do you have an active desire to kick it up to leading-man status, or do you just enjoy the challenge of making the most out of a smaller part.

GE: You know what? I always have a desire to make it to the big time. [Laughs.] But the more I’m able to put my heart and soul into a role and the fuller that character that is, then the more screen time it has, and for me that’s a plus. But I love doing what I do as a character actor, and I think that’s also important, because that enables me to strengthen my craft. And in this case, that supporting role is with some of the best folks in television. So to me, it’s a journey. I feel like there is a moment in time when there’ll be that moment to step up into films where I’m doing the lead and carrying everything, but right now I think that all is well.

I’m coming off this time with “Breaking Bad” and that’s been very special for me, and it’s a nice way to decompress and play a character that’s a heavy but probably a little more of a loose cannon, a little more psychotic. He’d love to think he’s always in control, but he does lose it. And he’s a guy who’s a little bit different than the last guy, but…audiences just love the bad guy! [Laughs.] And they love the character actor that can play him in a fuller way. So I’m all in. I’m all in with this “Revolution.” I think the show itself is about evolution of human beings, and on a grand scale. I mean, this is an epic show. I don’t know what people expect, but some seem to think that they may be seeing something they’ve seen before. They’re not. It’s a big show to do, a big show to produce…it’s a big, wide canvas of a show, but I think it’s not only a grand action/adventure series but it’s also a very dramatic, character-driven show as well.

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Blu Tuesday: HBO’s Unlucky Three and More

I was unable to write my column last week because I was still recovering from knee surgery, but hopefully that didn’t cause you to miss out on all the great new releases, because there were several titles worth checking out, including the latest seasons of “Sons of Anarchy,” “The Walking Dead,” “Boardwalk Empire” and “Homeland,” as well as Peter Berg’s big, dumb and fun “Battleship.” This week is almost as good, with a variety of new movies and several more TV series to get you ready for the fall season.

“Hung,” “Bored to Death” and “How to Make It in America”

HBO has never been as trigger happy as most networks when it comes to cancelling shows, so it was a bit surprising when the pay cable channel axed three series in one fell swoop at the end of last year. Though “Hung,” “Bored to Death” and “How to Make It in America” may not have brought in the same kind of ratings as HBO’s bigger hits, but they were all quality shows with solid fanbases. “Hung” was probably the best of the bunch, and although the dark comedy had its share of highs and lows throughout its three-season run, Thomas Jane (who was once again nominated for a Golden Globe) made it immensely watchable. The same goes for Ted Danson on the more inconsistent but nonetheless entertaining “Bored to Death,” perhaps the most shocking of the three cancellations considering Zach Galifianakis’ recent rise to fame. “How to Make It in America,” meanwhile, was the kind of series that seemed tailor-made for the HBO viewer based on the success of the likeminded “Entourage,” and yet it was the worst performer of the three. You can’t really blame HBO for not giving each show the chance to reach a larger audience, because they did. It’s just upsetting that more people didn’t watch when it mattered, because they deserved a better ending than this.

Blu-ray Highlight: HBO could have easily dumped these onto Blu-ray without any bonus material, so it’s nice to see that they’ve included a decent collection of extras on all three sets. While fans of audio commentaries will find several tracks with various cast and crew members on each release, there are some great featurettes as well. Creators Dmitry Lipkin and Colette Burson discuss the new characters and story arcs that make up “Hung: The Complete Third Season”; author Jonathan Ames records a series of mini-interviews for all eight Season Three episodes of “Bored to Death”; and the cast of “How to Make It in America” talk about filming the show’s second season.

“The Five-Year Engagement”

Beginning where most romantic comedies usually end, you can’t fault “The Five-Year Engagement” for trying to deliver a fresh take on the genre. But although it boasts some great laughs throughout (including a Muppets-inspired bit that is probably the most honest moment in the entire film), the movie doesn’t know when enough is enough. The constant shifts in tone also prevent it from ever finding its groove, particularly when the film gets really dark and gloomy in the second act. It would be one thing if Jason Segel’s character was just depressed, but he becomes borderline crazy, devolving into a grizzly mountain man. Though the theme of resentment plays a big part in the story, Segel’s emotional transformation is taken a little too far, to the point that you’re not even sure if you like the main characters anymore. Thankfully, director Nicholas Stoller surrounds his two leads with an excellent supporting cast that helps keep the mood light, especially Chris Pratt, who absolutely steals the show as Segel’s idiotic best friend. The movie could have done with more of him and Alison Brie, because the pair earns more laughs in their limited screen time than the rest of the cast combined.

Blu-ray Highlight: Fans of the film will no doubt enjoy the included audio commentary by co-writer/director Nicholas Stoller and stars Jason Segel, Emily Blunt and Chris Pratt, but the disc’s real standout is the fantastic making-of featurette, which offers a refreshingly transparent behind-the-scenes look at the complete production process.

“Safe”

Director Boaz Yakin’s first foray into the action genre may look eerily similar to every other film to come out of the Jason Statham Factory of Ass-Kicking, but Statham’s movies are rarely dull, and that has a lot to do with the actor’s seemingly endless supply of charisma. He’s probably the most entertaining action star working today, and although “Safe” isn’t much better than his previous direct-to-video efforts, it delivers some pretty awesome action beats along the way. The rest of the movie is a giant mess, fueled by an overly complicated plot that fails to make much use of its carousel of B-movie villains, and it takes way too long to get going. Once it does, however, “Safe” never looks back, transforming into a speeding train wreck of violence where the various parties (Statham, some crooked cops and feuding Chinese and Russian gangsters) open fire on one another with such reckless abandon that it eliminates any plausibility. Don’t get me wrong, it’s fun to watch, but “Safe” is ridiculous even for a Jason Statham movie, and that’s saying something.

Blu-ray Highlight: As you might expect from a movie like “Safe,” the coolest piece of bonus material is a 10-minute featurette called “The Art of the Gunfight” that takes a look at the action choreography in the film, focusing on three sequences in particular.

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