Category: Entertainment (Page 143 of 277)

The Light from the TV Shows: A Chat with Tamala Jones (‘Castle’)

When “Castle” first premiered on ABC in March 2009, there was a running joke amongst TV critics about whether or not it would prove to be yet another addition to Nathan Fillion’s growing list of one-and-done series, but now that we’re into the sixth season of novelist Richard Castle’s crimesolving collaboration with the NYPD, it’s hard to believe anyone ever thought it wouldn’t last. Recently, Bullz-Eye was presented with the opportunity to chat with Tamala Jones, better known to viewers as medical examiner Lanie Parish, so we naturally took advantage of it, asking about her experiences on the series, finding out how she got into acting in the first place, and, yes, even getting a few teases about what we can expect to see in upcoming episodes.

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Bullz-Eye: I’m glad we were finally able to make this happen, since you got called to the set early on the day we were originally supposed to talk.

Tamala Jones: Yes! It’s been crazy! But it’s for a good reason: that Lanie-centric episode that everybody’s been asking for, that happened last week.

BE: That is a good reason to be busy.

TJ: Yeah! [Laughs.]

BE: I guess the big question, then, is what took so long.

TJ: What took so long…um… [Starts to laugh.] I don’t know. You know, I honestly… Andrew (W. Marlowe) is like a mad scientist, and there’s a method to his madness. He’s been talking about doing the Lanie-centric episode, and I think what he was trying to do – which I really appreciate – was to find something beyond just the Esposito and Lanie relationship that also kind of included it, too. And he executed that very well.

BE: So it lived up to the long wait, then?

TJ: Yes! [Laughs.] It definitely did!

BE: Well, now that you’ve started out by teasing everyone with what’s on the horizon, let’s jump back to the beginning: how did you find your way onto “Castle” in the first place? Was it a standard audition, or did they reach out to you specifically?

TJ: It was a standard audition. We actually… My team actually reached out to the casting lady, Donna Rosenstein. It was right after the writer’s strike, there was nothing going on, and if you weren’t already previously on a show, you were out looking for one. And she was casting for “Castle,” and I was, like, “Just ask her if I can come in,” because the role was not written for an African-American actress. And she checked, and they said, “Yes, we’ll see her.” It was literally three lines – Lanie was a guest star, possibly recurring – and as soon as I walked out of there, 15 minutes later they were, like, “You got it!” I was screaming, jumping up and down. You’d’ve thought I’d won the lottery. [Laughs.]

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So we shot the pilot in New York, and once the pilot got picked up…well, of course, I was out testing for other pilots, and once we heard it got picked up, we let ABC know, “Well, she’s got a test today. Is she still going to be recurring? Because we have to let them know.” And they were, like, “Tell her not to go in for the test. We’re going to make her a series regular here.” And I was just… [Shrieks.] “Really? Well, that was the easiest series-regular job I’ve ever gotten!” [Laughs.] So there’s where the story begins!

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Blu Tuesday: R.I.P.D. and Byzantium

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“R.I.P.D.”

WHAT: When Nick Walker (Ryan Reynolds), a dirty Boston cop with a guilty conscience, is killed during a major drug bust, he’s given the chance to redeem himself by joining the Rest in Peace Department – a group of deceased lawmen from throughout history who protect the living world from those who have escaped Hell.

WHY: As much as I wanted to like this movie, “R.I.P.D.” just isn’t very good. Though it’s based on a comic book of the same name, the film feels eerily like the “Men in Black” series, both in tone and the dynamic between its lead characters. Unfortunately, it doesn’t work nearly as well as its high-concept premise suggests, despite a cast that includes Reynolds, Jeff Bridges, Kevin Bacon and Mary-Louise Parker. Bridges, in particular, is the only reason the movie is even remotely watchable, camping it up as a hootin’ and hollerin’ Western lawman that’s partnered with Reynolds’ morose cop. Parker has a few bright moments as their boss, but for the most part, “R.I.P.D.” represents a pretty big waste of talent on several fronts. It’s also incredibly corny, formulaic and features some awful special effects for a summer blockbuster. Still, at a brisk 96 minutes, the movie is almost worth suffering through just to see Bridges do his thing. Almost.

EXTRAS: There’s a making-of featurette, deleted scenes, two alternate openings, a gag reel and several Blu-ray exclusive featurettes, including “Anatomy of a Shootout.”

FINAL VERDICT: SKIP

“Byzantium”

WHAT: Mother-daughter vampires Clara (Gemma Arterton) and Eleanor (Saorise Ronan) are forced to flee to an English coastal town when they attract some unwanted attention from their own kind. After years of keeping her story a secret, Eleanor finds solace in a sulky teenager named Frank (Caleb Landry Jones), unaware of the grave consequences that doing so will have.

WHY: Neil Jordan may be responsible for adapting one of the most popular vampire stories of the modern age (“Interview with a Vampire”), but that doesn’t give him license to ruin the genre with a film that completely rewrites the classic mythology. That’s because no matter how hard he tries, “Byzantium” doesn’t feel like a vampire movie at all. Fangs have been replaced by a sharp nail that extends to puncture victims’ necks, sunlight is fair game (though they don’t sparkle), and the method of turning into a vampire is terribly unsexy, unfrightening and anticlimactic. More than anything else, though, the film is just really boring. None of the characters are particularly interesting, and the brief flashbacks explaining Clara and Eleanor’s transformation feels like an afterthought. It’s a shame to see actors like Saorsie Ronan and Johnny Lee Miller trapped in such a dull movie, because “Let the Right One In” proved that it’s possible to make a great vampire film that defies conventions; “Byzantium” just isn’t one of them.

EXTRAS: There’s over an hour of interviews with various members of the cast and crew, but that’s the extent of the bonus material.

FINAL VERDICT: SKIP

Coming Soon: A Moviegoer’s Guide to November

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Last month may have been pretty uncharacteristic with the quality of films on display, featuring several Best Picture contenders, but if you thought that it would somehow affect the November release slate, think again. Though audiences will sadly have to wait a little longer to see Martin Scorsese’s “The Wolf of Wall Street” after the director failed to meet the original date, there are still plenty of great movies on tap, including a few award hopefuls, a pair of blockbuster sequels and more.

“ENDER’S GAME”

Who: Asa Butterfield, Harrison Ford, Hailee Steinfeld and Ben Kingsley
What: The International Military recruits and trains a brilliant young boy named Ender Wiggin to lead his fellow soldiers against an alien attack.
When: November 1st
Why: Though “Ender’s Game” has been mired in controversy due to author Orson Scott Card’s recent anti-gay marriage rant, the fact of the matter is that his opinions have nothing to do with the actual movie. Of course, that’s not to say that the film still isn’t fighting an uphill battle. Director Gavin Hood has some making up to do after the disappointment of “X-Men Origins: Wolverine,” but despite some concerns from fans, this big screen adaptation of the beloved sci-fi novel (previously thought to be unfilmable) looks like it could be his ticket to redemption. While it’s surprising that he’d follow up “Wolverine” with another effects-heavy film, it shows that Hood is adamant about proving his critics wrong. And with actors like Harrison Ford, Ben Kingsley and Viola Davis in supporting roles, he certainly has the right tools to do just that.

“LAST VEGAS”

Who: Robert De Niro, Michael Douglas, Morgan Freeman and Kevin Kline
What: Three sixty-something friends take a break from their day-to-day lives to throw a bachelor party in Las Vegas for their last remaining single pal.
When: November 1st
Why: A lot of people are already referring to “Last Vegas” as the geriatric version of “The Hangover,” but apparently, Dan Fogelman’s script was floating around Hollywood years before the Todd Phillips comedy became a box office hit. Nevertheless, it’s hard to imagine that the success of the “Hangover” films didn’t play some part in getting the movie greenlit, and as goofy as the concept sounds (expect plenty of cheap jokes at the expense of its elderly characters), it actually looks pretty fun. The fact that director Jon Turteltaub was able to recruit such accomplished actors like De Niro, Douglas, Freeman and Kline (the latter of whom we haven’t seen much of recently) only helps sell the comedy even more, because if we’re going to watch four old guys make fools of themselves, you’d be hard-pressed to find a better quartet.

“ABOUT TIME”

Who: Domhnall Gleeson, Rachel McAdams, Bill Nighy and Lydia Wilson
What: At the age of 21, Tim discovers he can time travel. His decision to make his world a better place by getting a girlfriend turns out not to be as easy as you might think.
When: November 1st
Why: Richard Curtis is responsible for making my favorite romantic comedy of all-time (“Love, Actually”), so to say that I’m excited about his latest (and hopefully not last, if reports are to be believed) directorial effort is a bit of an understatement. For starters, it’s a brilliant approach to the time travel gimmick, eschewing all the usual sci-fi mumbo jumbo in place of a simpler explanation, which allows Curtis to focus on the characters instead of getting wrapped up in the how of Tim’s magical ability. The father/son storyline also appears to be more important than the trailers suggest, and between rising star Domhnall Gleeson and the always dependable Bill Nighy, it’s that relationship (and not the one between Gleeson and Rachel McAdams) that will likely provide the careful balance of laughter and tears that Curtis has perfected so well.

App(s) of the Week: Dead Trigger 2 and Indigo Lake

Dead Trigger 2

Developer: Madfinger Games

Compatible with: iPhone, iPad, iPod Touch, Android Devices

Requires: iOS 7.0, Android 4.0

Price: Free

Available: here (for iOS) and here (for Android)

Indigo Lake

Developer: 3 Cubes Research

Compatible with: iPhone 4 and up, iPad 2 and up, iPod Touch 4th gen and up

Requires: iOS 5.0

Price: $1.99

Available: here

Perhaps it is my lifelong fondness for horror movies, or the strange joy of sharing scares with your fellow man, but I’ve always loved Halloween to the point where it runs neck and neck with Christmas for my favorite holiday of the year. Naturally then I sought out the best horror app I could find to honor the holiday, but ran into a bit of a problem when I ran across two worthy candidates. Rather than just give one a mention and highlight the other, I’ve decided to break the format a bit and present two horror gaming apps of different styles, but equal worth.

“Dead Trigger 2” is the sequel to the notorious mobile zombie FPS game “Dead Trigger,” and as the title may suggest, does little to stray from the template that series established. In other words, you’re still shooting a variety of zombies with a plethora of weapons, all while gawking at some of the best mobile graphics this side of “Infinity Blade.” There are some changes to be found here, including an optional button free control schematic (it works pretty well actually), and a much more varied mission structure, but for the most part you’re still just wandering around and mowing down zombies.

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That may sound like a knock, but it’s actually far from it. The original “Dead Trigger” found a niche in the mobile market by being a shooter that didn’t feel too far removed from its larger and more technically capable console brethren. It’s a role carried on by “Dead Trigger 2” which may make a host of technical and gameplay improvements implemented to make the game a smoother experience all around, but do nothing to hamper the core mechanics which made this game so much fun in the first place. The brilliant thing about the action in this game is that it’s the one place that actually acknowledges any sort of need to be limited by the mobile platform. It resorts, then, to a more classical style FPS which was all action, all the time, and feels like a breath of fresh air in a genre that’s becoming more and more tactical and cinematic based. There’s a cinematic quality to “Dead Trigger 2” to be sure, but it only serves to provide a loose justification and reasoning for shooting everything in sight.

“Dead Trigger 2” strikes a rare balance in mimicking the benefits of console gaming while taking advantage of mobile gaming’s capabilities to provide an experience that feels ambitious yet simple, and never fails to be fun. Fun is actually the key here, as while “Dead Trigger 2” makes some tremendous strides in giving the series depth, ultimately they’re really superfluous  when weighed against the game’s true job of throwing wave after wave of horror at you, and leting you shoot your way out of it, which it does with twisted levels of joy and ease.

“Indigo Lake” is a horror game of a different tune. While “Dead Trigger 2” used it’s horror as a backdrop for some classic shoot em’ up gameplay, “Indigo Lake” is a more pure horror game that ventures into the rarely successfully explored area of psychological horror. In it you play a paranormal investigator sent to solve a string of suicides in a small town. Fairly ambitiously, you do this in an open world setting which you’re able to explore on foot and in-vehicle. You’re objectives in this environment are pre-defined, but the manner and order in which you approach them is yours to decide.

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Many horror games require intense structure to place their scares in, which “Indigo Lake” abandons in favor of a more open, yet carefully restrained experience. While you do have a gun in the game, it’s used sparingly as instead you’ll spend most of your time solving puzzles and trying not to jump out of your skin as you slowly unravel the specifics of what is going on. The way the game never reveals it’s full hand at once turns out to be one of its great attributes, as you spend more time waiting on the big scares to happen, as opposed to experiencing them. This lends the rest of the game an intense feeling of dread and unease which is absolutely perfect for a murder mystery, as you never really feel comfortable or confident while playing until you reach your next big break (even then the empowerment is usually momentary). “Indigo Lake” is a horror game for the patient user then, making it the polar opposite of “Dead Trigger 2,” and an interesting companion piece as well.

To go much further into the game would run the risk of spoiling it, so I’ll stop by saying that those who are both patient and brave enough to stick with it despite the well played series of scares implemented to ward you off will find a game that manages to serve as a rare example of physiological horror done well, and therefore a unique horror game not just on the mobile scene, but in all of gaming.

There you have it. Two horror games which may take wildly different paths within the genre, but find an equal level of success in their endeavors. For the people that want to feel like Rambo in the middle of the zombie apocalypse, there is “Dead Trigger 2.” For those who want something closer to an episode of the “X-Files,” there is the brilliant “Indigo Lake.” If you’re a true horror fan though, I highly recommend both as they not only serve as the perfect primers for Halloween, but exhibit enough quality to be worth a play any time of the year, and are therefore equally worthy of being recognized as app of the week.

Movie Review: “12 Years a Slave”

Starring
Chiwetel Ejiofor, Michael Fassbender, Lupita Nyong’o, Sarah Paulson
Director
Steve McQueen

If the critics at this year’s Toronto International Film Festival had their way, “12 Years a Slave” would win the Academy Award for Best Picture, despite the fact that there are still plenty of Oscar hopefuls yet to be released. That kind of short-sightedness and hyperbolic mentality is exactly what’s wrong with the dog and pony show we call awards season, because while Steve McQueen’s historical drama may tick several of the requisite boxes for a typical Oscar-winning movie, it’s far too early to make that call. You can praise the film’s realistic depiction of slavery all you like, but just because “12 Years a Slave” is hard to watch doesn’t necessarily mean that it’s deserving of the top prize.

Based on the 1853 memoir of the same name, the film recounts the tale of Solomon Northup (Chiwetel Ejiofor), a free black man living with his wife and children in Saratoga, New York in 1841. Well-educated and a talented violinist, Solomon is invited to Washington, D.C. by a pair of circus promoters who offer him a lucrative job playing at one of their shows. Upon arriving in the capital city, Solomon is wined and dined by the two men, only to awaken the next morning to find himself shackled and charged as a fugitive slave from Georgia. Despite his claims that he’s a free man, Solomon is wrangled up with other “fugitives” and shipped to a slave trader in the South, who then sells him to a kindly plantation owner named William Ford (Benedict Cumberbatch). But when Solomon causes trouble with one of Ford’s white employees, he’s sold again, this time to Edwin Epps (Michael Fassbender), a decidedly more malicious owner with a reputation for breaking the spirits of any slave under his rule.

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