Category: Entertainment (Page 132 of 277)

Movie Review: “The Secret Life of Walter Mitty”

Starring
Ben Stiller, Kristen Wiig, Adam Scott, Shirley MacLaine, Kathryn Hahn, Patton Oswalt, Sean Penn
Director
Ben Stiller

Hollywood has been actively trying to remake “The Secret Life of Walter Mitty” for nearly two decades, with names like Steven Spielberg, Ron Howard, Gore Verbinski, Jim Carrey, Mike Myers and Sacha Baron Cohen all attached at some point in one capacity or another. It’s curious, then, that the way the movie finally ended up getting made was to not remake it all. Directed by and starring Ben Stiller, “The Secret Life of Walter Mitty” doesn’t really resemble James Thurber’s 1939 short story (or the 1947 film version with Danny Kaye) that much apart from its daydreaming title character, although that was probably for the best. While Stiller has retained the core spirit of the original story, he’s produced a more modernized, feel-good road movie that’s got a bit of a “Forrest Gump” vibe to it without quite the same heavy-handedness.

Stiller stars as Walter Mitty, a timid photo editor at Life Magazine who has a tendency to zone out, getting lost in elaborate daydreams where he’s as adventurous and brave as he wishes he could be in real life. Walter can’t even muster up the courage to speak with office crush Cheryl (Kristin Wiig), and he’s running out of time after it’s revealed that the magazine is transitioning from print to a digital-only publication, with layoffs imminent. When a new film roll from renowned photographer Sean O’Connell (Sean Penn) arrives at the office one day, Walter discovers that negative #25 – the one intended for the cover of Life’s final issue – is missing. With his condescending boss (Adam Scott) breathing down his neck, Walter embarks on the first adventure of his life to track down Sean, and hopefully, the missing photo too.

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Movie Review: “Grudge Match”

Starring
Sylvester Stallone, Robert De Niro, Kim Basinger, Alan Arkin, Kevin Hart
Director
Peter Segal

Holiday week release schedules are about counterprogramming – hit your rivals where they ain’t. “They’re releasing an animated movie? Yes, well, we’re putting out an action flick.” “Hey, cool, that’s when we’re releasing our rom-com with that adorable actress who is actually hell on wheels behind the scenes.” The key is that every demographic is represented by at least one of the movies opening in wide release, and rarely is one demo targeted with such focus by more than one movie. But look at that, the boxing comedy “Grudge Match” and “Anchorman 2: The Legend Continues” are opening within a week of each other, and are vying for the same audience. (Yes, one skews older, but not that much older.) This is like the makers of “Kick-Ass” deciding to open against a Marvel movie. Who would do that?

And yet, Warners might be crazy like a fox here. The older demographics may not be sexy, but they draw well, and if my colleague Jason Zingale’s assessment of “Anchorman 2” is any indication, the movies are a draw in terms of quality. “Grudge Match” is funny, at times explosively so, but also uneven and flawed. They even do something that previously seemed impossible: they use Alan Arkin too much. Well, maybe not too much, but they don’t use him appropriately.

Henry “Razor” Sharp (Sylvester Stallone) and Billy “The Kid” McDonnen (Robert De Niro) were both light heavyweight contenders from Pittsburgh who couldn’t stand each other. They fought twice, with each knocking out the other (their only losses). Before they could schedule a third match to settle the score, Razor retired from boxing, much to the Kid’s dismay. Thirty years later, Dante (Kevin Hart), the son of Razor’s former promoter, convinces him to perform in motion capture gear for a video game that will feature him and the Kid. Against Razor’s wishes, the Kid shows up at the same time. The two scuffle, the video of the scuffle goes viral, and suddenly there is a demand for the two to have their long-overdue grudge match. Between Razor’s money issues and the Kid’s lust for victory, they agree, but there are several things complicating the fight besides their age, namely the woman they once shared (Kim Basinger) and her son B.J. (Jon Bernthal), who only recently discovered whom his father was.

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App of the Week: Republique

Developer: Camouflaj LLC

Compatible with: iPhone, iPad, iPod Touch

Requires: iOS 7.0

Price: $4.99

Available: Here 

Tune an ear to the going ons of the gaming world, and you might hear two things. A drop in half-thought jokes aimed at mobile gaming, and a buzz surrounding “Republique.” The two are most certainly related.

In “Republique” you play an unspecified person assisting a young girl named Hope as she attempts to escape from the prison fortress of totalitarian over-rulers. The first part of a five part episodic series, going into any more details regarding the plot of “Republique” would not only be an inadequate effort, but would certainly ruin what is even in this extremely early going a simply gripping tale of intrigue and discovery.

Now, as Hope is devoid of any particular special abilities outside of some quick wits, a talent for hacking, and some basic thieving skills, “Republique” is very much a stealth game. That’s a genre you don’t see often in mobile gaming, for the simple reason that it’s a tricky proposition with touch controls.

Republique

“Republique’s” solution to this problem is to keep things simple. Nearly every action is completed through a single touch. That could have been the kiss of death for the title, but its executed in such a way that you always feel like you’re in control of the situation and the challenge only derives from the areas of the game it is supposed to. In fact, I’d go so far as to say this is among the most enjoyable stealth gameplay experiences to come along since the heyday of the “Thief” series. It may not reach the lofty heights of that classic franchise, but to even be judged by that measuring stick it set should tell you a lot.

As good as the game is moment to moment, though, its true value lies in its production value. While this is immediately apparent when viewing the game’s graphics, an even great love has gone into the game’s voice acting (which incredibly includes “Metal Gear Solid’s” David Hayter), writing, and scripting. The combination of these three ensure that memorable characters, moments, and dialog appear with ease and make “Republique” something of an anomaly on the mobile scene, as a game that matches (and at times exceeds) the level of production quality you get from a AAA major game release.

Again that doesn’t just apply to the graphics. We’ve seen mobile graphics of higher caliber before. “Republique” is a game that feels like big budget release from top to bottom.

That’s the goal that developer Camouflaj promised when they put “Republique” on Kickstarter and even though the series is far from over, it’s a goal they have already fulfilled in some measure with this first installment. It’s easy to get spoiled with not only the increasing quality of mobile games, but how incredibly cheap and plentiful they are in comparison to say full fledged handheld titles that you’d find on the 3DS or PSP. “Republique” is the type of game that immediately alerts you to how spoiled we’ve become with the concept, as it provides a gaming experience you can’t find anywhere else on your phone or tablet of all places.

If you want a great mobile pick up and play game that you can turn on, enjoy, and shut down with relative ease, then pick up “Ridiculous Fishing” or any number of great arcade like apps. However, if it’s a taught thriller as gripping as any Hollywood espionage tale, and as immersive as any great stealth title in gaming’s past your after, then there is no legitimate competitor to “Republique.” It’s a landmark release, and my app of the week.

Movie Review: “Her”

Starring
Joaquin Phoenix, Scarlett Johansson, Amy Adams, Rooney Mara
Director
Spike Jonze

It’s a pity that “Her” is rated R, because tweens and teens could learn a lot from it. (Note to parents: while your kids should see this movie, they shouldn’t see it with you, because it’s occasionally naughty, and you’ll both feel embarrassed watching it together.) Writer/director Spike Jonze uses a fantastical premise – a computer operating system that people can interact with like they would another human being – to deliver sharp commentary about the importance of the human touch in the Catfish era, where online relationships carry the same weight as a physical relationship. As an added bonus, he points out just how messed up we are as a species, and how lucky any of us are to make a meaningful connection with another person.

After a year-long separation, Theodore (Joaquin Phoenix) is still stinging from his impending divorce from Catherine (Rooney Mara). Eager to make some kind of emotional connection but still gun shy about getting involved with someone, he buys a new operating system for his computer that comes with an interactive, self-aware voice program. He chooses a female voice named Samantha (Scarlett Johannson). Samantha helps Theodore organize his life in ways he would never have been capable of doing himself, and she’s eager to learn more about Theodore as a person and what it’s like to be human in general. Theodore is seduced by Samantha’s thoughtfulness and reassuring voice, and finds himself turning down potential couplings with real women in favor of spending more time with Samantha. Eventually, Theodore considers Samantha his girlfriend. This makes Samantha happy and, eager to be more than just a voice in his earpiece, she decides to take things to the next level. Considering the fact that she doesn’t have a body, her efforts to consummate the relationship are curious, to say the least.

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