Will Arnett, Michael Cera, Rosario Dawson, Ralph Fiennes, Zach Galifianakis, Jenny Slate
When “The LEGO Movie” was first announced, it was met with a fair amount of skepticism that it was going to be a cynical promotional tool to sell toys. And it may have been that in a way, but it was also smart, funny and far better than it had the right to be. “The LEGO Batman Movie,” meanwhile, is absolutely a tool designed to promote the “LEGO Dimensions” platform system, working no less than seven of their licensed intellectual properties into the story. Fortunately, it manages to be a highly entertaining film despite the shameless sales pitch. The absence of Phil Lord and Christopher Miller in the writing and directing chairs is noticeable (they are executive producers only this time around), but this is a very fun, if a bit more predictable, ride.
Batman, a.k.a. billionaire Bruce Wayne (Will Arnett), has gotten used to fighting crime on his own, but his world is shattered when Jim Gordon steps down as police commissioner and his daughter Barbara (Rosario Dawson) assumes the helm. Barbara would like Batman to work together with the police, rather than as a vigilante, but Batman, with his litany of attachment issues, resists. Worse, the Joker (Zach Galifianakis) is hurt when Batman tells him that he means nothing to him, so the Joker hatches an unusual plan, which begins with his surrender. Batman cannot stand that he wasn’t responsible for the Joker’s capture, so he devises a scheme to steal a weapon from Superman (Channing Tatum) in order to send the Joker to the Phantom Zone, the same place where Superman dispatched General Zod. The plan works, but with disastrous consequences.
Bradley Cooper, Ed Helms, Zach Galifianakis, Ken Jeong, John Goodman
After the last “Hangover” film left most people with a sour taste in their mouth, it was no secret that director Todd Phillips would have to change up the formula if he ever made another sequel. Unfortunately, despite heeding that advice on the latest installment, “The Hangover Part III” is a really bad movie (like, worst film of the year bad) – a joyless and humorless cash-in that bears little resemblance to the 2009 original except by name. Say what you will about the first sequel, but at least that one actually felt like a “Hangover” movie. I’m still not even sure if “Part III” is supposed to be a comedy, but the shocking lack of laughter would suggest otherwise.
The film opens with a silly gag involving Alan (Zach Galifianakis) buying and subsequently killing a giraffe while transporting it home, and it only goes downhill from there. (Sadly, that’s also just the start of the movie’s streak of animal cruelty.) When his latest antics cause his father (Jeffrey Tambor) to have a heart attack and die, it puts Alan in a bit of tailspin. Concerned about his well-being, the guys (Bradley Cooper, Ed Helms and Justin Bartha) stage an intervention and convince him to get help at a mental health clinic in Arizona. On the way there, however, they’re kidnapped by a surly gangster named Marshall (John Goodman), who blames them for introducing Leslie Chow (Ken Jeong) into his life. Apparently, Chow stole a lot of money from Marshall and has evaded him ever since, so he tasks the Wolfpack (minus Doug of course, who’s kept as collateral) to track him down, taking them from Tijuana to Las Vegas, the city where it all began.
The epic finale to the “Hangover” trilogy hits theaters May 24th, and although there’s no wedding or bachelor party this time around, the new trailer for the third installment promises plenty of crazy hijinks are still in store for the Wolfpack. Check it out below and let us know what you think.
As the new TV season rolls out, let’s take a look back at a few series that never actually made it on the air. Not that there aren’t plenty such series every single year, but sometimes you look back and wonder, “How could a show with all of these talented people not get on the schedule?” Not that we have an answer to that question, you understand, but at least we can all be mystified and annoyed together.
Starring: Bob Odenkirk, Fred Armisen, Zach Galifianakis, Brian Posehn, Nick Swardson What you missed out on: After Bob Odenkirk and David Cross decided to put a bullet in their HBO sketch comedy series, “Mr. Show” (that’s right, it was their decision, not the network’s), the guys attempted to go their separate ways, with Odenkirk setting up shop at Fox with a pilot for a new sketch comedy series. If you think the above names are impressive, consider that several other “Mr. Show” alumni were in tow as well, including Jerry Minor, Jay Johnston, and Jill Talley, with Patton Oswalt also participating in some capacity or other. And, yes, if you’re wondering, Cross made an appearance in the pilot, too. So what happened? Apparently, Fox basically flipped a coin to decide which new sketch comedy series they’d add to their lineup, and “Cedric the Entertainer Presents” won the toss. Oh, what might’ve been…
North Hollywood (2001)
Starring: Jason Segel, Amy Poehler, Kevin Hart, and Judge Reinhold as himself What you missed out on: Judd Apatow has never been ashamed to admit that the only reason that this pilot ever came into existence is that Fox refused to let him cast Jason Segel as his lead in the short-lived but highly-regarded “Undeclared,” but you can’t say he didn’t do his best to surround Segel with top-notch talent. Segel, Amy Poehler, and Kevin Hart played roommates, with Segel a struggling actor, Hart a struggling actor/comedian, and Poehler serving as Judge Reinhold’s personal assistant. There’s a more detailed look at the pilot here, but the long and the short of it is that, although Apatow admits that he really didn’t know if there was a decent series to be had in “North Hollywood,” he thinks the pilot’s pretty decent, but its tone didn’t match the sitcoms filling ABC’s lineup at the time, so they took a pass on it.
Saddle Rash (2002)
Starring: H. Jon Benjamin, Sarah Silverman, Todd Barry, Mitch Hedberg What you missed out on: Created by Loren Bouchard, best known to animation fans as one of the creative forces behind “Home Movies,” “Saddle Rash” seemed to have all the elements necessary for a successful Adult Swim series, so why didn’t it make it beyond the pilot stage? Was it that westerns weren’t exactly in vogue at the time? Was there some sort of stigma attached to the project because they brought in country artists to continued voice work (including Waylon Jennings as a very special guest in the pilot)? Whatever the case, the pilot got aired – no doubt mostly because Adult Swim has a tendency to air just about every pilot it orders, whether it actually ends up going to series or not – but that was the end of the trail for the series.
Hosted by Zach Galifianakis at his most awkward, “Between Two Ferns” represents what television talk shows might actually be like in a much more interesting world. Filmed to look like a low-budget public access show, but with big-name celebrity guests, the series mines uncomfortable humor to the fullest. Galifianakis frequently mispronounces the names of his guests and openly insults them, creating an environment of hostility that often feels almost too real. When not blatantly mispronouncing names, he is prone to making intentionally terrible puns out of them, like when he asks Jon Hamm if his middle name is “Honey-Baked,” or if he has considered changing his name to something like “Stewart Turkey-Link.”
The discomfort starts strong right out of the gate in the first episode, in which Galifianakis basically molests Michael Cera. There is a common thread of one-sided sexual tension in many of the episodes, and certainly not just with the female guests, though it may be strongest in the episode featuring Natalie Portman. It is a testament to her skill as an “acteress” that this episode is one of the most authentic, as if she were actually just in the midst of a nightmarish interview set up by the most incompetent agent imaginable. Other episodes are more clearly staged, and perhaps the weakest is the one with Will Ferrell, if only because the two are generally too chummy with each other, at least until the end.
The series is at its best when Galifianakis is openly hostile to his guests, like the episodes featuring Ben Stiller and “Brad Lee Cooper.” Though this hostility is common throughout the series, only “Conan O. Brien” gets an explanation, which is that Galifianakis thought he had a shot at “The Tonight Show.” Another especially convincing episode features Galifianakis’ “twin brother,” Seth, interviewing a wooden-faced Sean Penn, who really seems like he might haul off and punch Galifianakis at any moment. As with Portman, it is Penn’s acting skill that pulls off the joke so well.
A pitch-perfect spoof of bad, desperate public access talk shows, “Between Two Ferns” is easily one of the best offerings from the always enjoyable Funny or Die. Even the opening and closing theme music feels authentic, though it is actually lifted from Bernard Herrmann‘s “Taxi Driver” score, which adds to Galifianakis’ creepy, angry vibe. I’m not sure how well it would work as a full-length show on television, but in the small segments available online, it is hilarious.