Movie Review: “The Hangover Part III”

Starring
Bradley Cooper, Ed Helms, Zach Galifianakis, Ken Jeong, John Goodman
Director
Todd Phillips

After the last “Hangover” film left most people with a sour taste in their mouth, it was no secret that director Todd Phillips would have to change up the formula if he ever made another sequel. Unfortunately, despite heeding that advice on the latest installment, “The Hangover Part III” is a really bad movie (like, worst film of the year bad) – a joyless and humorless cash-in that bears little resemblance to the 2009 original except by name. Say what you will about the first sequel, but at least that one actually felt like a “Hangover” movie. I’m still not even sure if “Part III” is supposed to be a comedy, but the shocking lack of laughter would suggest otherwise.

The film opens with a silly gag involving Alan (Zach Galifianakis) buying and subsequently killing a giraffe while transporting it home, and it only goes downhill from there. (Sadly, that’s also just the start of the movie’s streak of animal cruelty.) When his latest antics cause his father (Jeffrey Tambor) to have a heart attack and die, it puts Alan in a bit of tailspin. Concerned about his well-being, the guys (Bradley Cooper, Ed Helms and Justin Bartha) stage an intervention and convince him to get help at a mental health clinic in Arizona. On the way there, however, they’re kidnapped by a surly gangster named Marshall (John Goodman), who blames them for introducing Leslie Chow (Ken Jeong) into his life. Apparently, Chow stole a lot of money from Marshall and has evaded him ever since, so he tasks the Wolfpack (minus Doug of course, who’s kept as collateral) to track him down, taking them from Tijuana to Las Vegas, the city where it all began.

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Trailer Alert: “The Hangover Part III”

The epic finale to the “Hangover” trilogy hits theaters May 24th, and although there’s no wedding or bachelor party this time around, the new trailer for the third installment promises plenty of crazy hijinks are still in store for the Wolfpack. Check it out below and let us know what you think.

  

The Light from the TV Shows: Failed Pilots with All-Star Casts

As the new TV season rolls out, let’s take a look back at a few series that never actually made it on the air. Not that there aren’t plenty such series every single year, but sometimes you look back and wonder, “How could a show with all of these talented people not get on the schedule?” Not that we have an answer to that question, you understand, but at least we can all be mystified and annoyed together.

Next! (2001)

Starring: Bob Odenkirk, Fred Armisen, Zach Galifianakis, Brian Posehn, Nick Swardson
What you missed out on: After Bob Odenkirk and David Cross decided to put a bullet in their HBO sketch comedy series, “Mr. Show” (that’s right, it was their decision, not the network’s), the guys attempted to go their separate ways, with Odenkirk setting up shop at Fox with a pilot for a new sketch comedy series. If you think the above names are impressive, consider that several other “Mr. Show” alumni were in tow as well, including Jerry Minor, Jay Johnston, and Jill Talley, with Patton Oswalt also participating in some capacity or other. And, yes, if you’re wondering, Cross made an appearance in the pilot, too. So what happened? Apparently, Fox basically flipped a coin to decide which new sketch comedy series they’d add to their lineup, and “Cedric the Entertainer Presents” won the toss. Oh, what might’ve been…

North Hollywood (2001)

Starring: Jason Segel, Amy Poehler, Kevin Hart, and Judge Reinhold as himself
What you missed out on: Judd Apatow has never been ashamed to admit that the only reason that this pilot ever came into existence is that Fox refused to let him cast Jason Segel as his lead in the short-lived but highly-regarded “Undeclared,” but you can’t say he didn’t do his best to surround Segel with top-notch talent. Segel, Amy Poehler, and Kevin Hart played roommates, with Segel a struggling actor, Hart a struggling actor/comedian, and Poehler serving as Judge Reinhold’s personal assistant. There’s a more detailed look at the pilot here, but the long and the short of it is that, although Apatow admits that he really didn’t know if there was a decent series to be had in “North Hollywood,” he thinks the pilot’s pretty decent, but its tone didn’t match the sitcoms filling ABC’s lineup at the time, so they took a pass on it.

Saddle Rash (2002)


Starring: H. Jon Benjamin, Sarah Silverman, Todd Barry, Mitch Hedberg
What you missed out on: Created by Loren Bouchard, best known to animation fans as one of the creative forces behind “Home Movies,” “Saddle Rash” seemed to have all the elements necessary for a successful Adult Swim series, so why didn’t it make it beyond the pilot stage? Was it that westerns weren’t exactly in vogue at the time? Was there some sort of stigma attached to the project because they brought in country artists to continued voice work (including Waylon Jennings as a very special guest in the pilot)? Whatever the case, the pilot got aired – no doubt mostly because Adult Swim has a tendency to air just about every pilot it orders, whether it actually ends up going to series or not – but that was the end of the trail for the series.

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Weekly Web Series Review: Between Two Ferns

Hosted by Zach Galifianakis at his most awkward, “Between Two Ferns” represents what television talk shows might actually be like in a much more interesting world. Filmed to look like a low-budget public access show, but with big-name celebrity guests, the series mines uncomfortable humor to the fullest. Galifianakis frequently mispronounces the names of his guests and openly insults them, creating an environment of hostility that often feels almost too real. When not blatantly mispronouncing names, he is prone to making intentionally terrible puns out of them, like when he asks Jon Hamm if his middle name is “Honey-Baked,” or if he has considered changing his name to something like “Stewart Turkey-Link.”

The discomfort starts strong right out of the gate in the first episode, in which Galifianakis basically molests Michael Cera. There is a common thread of one-sided sexual tension in many of the episodes, and certainly not just with the female guests, though it may be strongest in the episode featuring Natalie Portman. It is a testament to her skill as an “acteress” that this episode is one of the most authentic, as if she were actually just in the midst of a nightmarish interview set up by the most incompetent agent imaginable. Other episodes are more clearly staged, and perhaps the weakest is the one with Will Ferrell, if only because the two are generally too chummy with each other, at least until the end.

The series is at its best when Galifianakis is openly hostile to his guests, like the episodes featuring Ben Stiller and “Brad Lee Cooper.” Though this hostility is common throughout the series, only “Conan O. Brien” gets an explanation, which is that Galifianakis thought he had a shot at “The Tonight Show.” Another especially convincing episode features Galifianakis’ “twin brother,” Seth, interviewing a wooden-faced Sean Penn, who really seems like he might haul off and punch Galifianakis at any moment. As with Portman, it is Penn’s acting skill that pulls off the joke so well.

A pitch-perfect spoof of bad, desperate public access talk shows, “Between Two Ferns” is easily one of the best offerings from the always enjoyable Funny or Die. Even the opening and closing theme music feels authentic, though it is actually lifted from Bernard Herrmann‘s “Taxi Driver” score, which adds to Galifianakis’ creepy, angry vibe. I’m not sure how well it would work as a full-length show on television, but in the small segments available online, it is hilarious.

  

Hidden Netflix Gems: ‘Tim and Eric’s Billion Dollar Movie’

It’s Saturday night and you need something to watch. Never fear, Hidden Netflix Gems is a new weekly feature designed to help you decide just what it should be, and all without having to scroll through endless pages of crap or even leave the house. Each choice will be available for streaming on Netflix Instant, and the link below will take you to its page on the site. Look for a new suggestion here every Saturday. 

This week’s Hidden Netflix Gem: “Tim and Eric’s Billion Dollar Movie” (2012)

Everyone who’s kept up with Cartoon Network’s Adult Swim comedy block over the past few years has heard of Tim Heidecker and Eric Wareheim, the masterminds behind “Tim and Eric Awesome Show, Great Job!” And everyone who’s watched the show knows that after seeing it you’ll a) never be able to watch commercials the same way again, and b) notice how much influence these two fellas have had over what is now considered “mainstream” comedy.

“Tim and Eric Awesome Show, Great Job!” was a sketch show that ran from 2007 to 2010. It was freakin’ weird, to say the least, and its surrealistic, satirical humor mocking advertisements, public-access television, and everything in between has since spawned a spin-off, “Check It Out with Dr. Steve Brule,” which stars John C. Reilly, and the full-length feature “Tim and Eric’s Billion Dollar Movie” (B$M).

Here’s the thing about Tim and Eric: you seriously don’t understand what I mean when I say “weird” until you’ve seen their work for yourself. Their brand of humor takes some getting used to, and there’s a reason each episode of the show only ran for 11 minutes. I’m about to wow you with a brand new saying, but sometimes, less is more. As a result, I’m somewhat skeptical of recommending “B$M” as your first dip into the T+E pool. You really should get your feet wet first with sketches like “Griddleman,” “Prices,” “Free House for You, Jim,” Tairy Greene’s Acting Seminars for Children, and some of Brule’s Rules, and maybe even watch a few full episodes of the show (there are always a couple streaming on the Adult Swim website) before committing yourself to 94 minutes of this stuff. That said, there’s a reason Tim and Eric were the best kept secret in American comedy for so long. And a lot of the best-known names in the genre, guys like Ben Stiller, Paul RuddWill Ferrell, John C. Reilly and, Zach Galifianakis, made appearances on the show (the last three went on to star in the movie). The full list of cameos is certainly jarring, you might look at it and wonder how the hell you’d never heard of a show with that many big names before.

Tim and Eric are hilarious, but certainly not for everyone, and their humor is almost unexplainable until you experience it firsthand. If you watch a few sketches and find yourself enjoying them, then check out the trailer for the “Billion Dollar Movie.” But their stuff is often hate it or love it, so don’t say I didn’t warn you if 30 minutes in you feel like you’re watching the worst film ever made. The thing is, anti-humor is part of the shtick. Tim and Eric’s work (but the film especially) is meant to provoke a strong reaction one way or the other. They were actually trying to repulse just as many people as they entertained. And in that, they’ve inarguably succeeded. Just look at the Netflix user reviews, they’re nearly all five stars or one, with very little in between.

“Tim and Eric’s Billion Dollar Movie” was released earlier this year through on-demand TV and web services—which I believe is the future of movies, why pay $10 each to sit in an uncomfortable theater when you can pool the money together without leaving the couch? But that’s a story for a different day. Anyway, I’ll give you the synopsis, but it’s really irrelevant. The fact that the guys could even string together a semi-coherent plot line to go along with their “jokes” is nothing short of amazing. What you need to know is this: It’s Tim and Eric. It’s a movie. Great job!

Tim and Eric are given a billion dollars to make a movie, but squander every dime… and the sinister Schlaaang corporation is pissed. With their lives at stake, the guys skip town in search of a way to pay the money back. When they happen upon a chance to rehabilitate a bankrupt mall full of vagrants, bizarre stores and a man-eating wolf that stalks the food court, they see dollar signs-a billion of them.

Follow the writer on Twitter @NateKreichman.

  

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