Given how much media attention has been drawn by the upcoming Alfred Hitchcock biopic starring Anthony Hopkins, it’s no wonder that some may see HBO’s upcoming movie, “The Girl,” which debuts on Oct. 20, to be a pretender to the throne. In fact, they’re both perfectly viable entities in their own right, each covering a different aspect of the director’s career. Hopkins will be playing Hitchcock as he’s in the throes of making “Psycho,” whereas “The Girl” finds Toby Jones’s version of Hitch as he’s obsessing over Tippi Hedren (played by Sienna Miller) during the filming of “The Birds” and “Marnie.” Bullz-Eye caught up with Julian Jarrold, director of “The Girl,” just before a panel for the film at the summer Television Critics Association press tour, during which time he chatted not only about his look into the darker side of Hitchcock but also some of the other films and television efforts he’s tackled in his career to date.
Bullz-Eye: How did “The Girl” land in your lap? Or did you go looking for “The Girl”?
Julian Jarrold: No, it was sent to me ages ago, and…it was a little bit more based around the making “The Birds” and “Marnie,” but obviously it was still an exploration of this relationship. The writer (Gwyneth Hughes) had done quite a lot of research and come over here and met Jim Brown, the assistant director, and Rita Riggs (wardrobe supervisor), and Tippi, obviously. So he’d kind of pieced together this sort of fascinating script, and I loved Hitchcock, but I didn’t know this at all, so it was a bit of a shock, actually, to read it. [Laughs.] I knew he was odd, but I didn’t know he was that odd. Yeah, it totally changed my view of Hitchcock. Actually, what was fascinating was…I knew “The Birds” and “Marnie” and “Vertigo,” and they’re strange films. You kind of wonder where they’re coming from. And then finding out about this story, you certainly go, “Ah, I see where he was coming from…and where his personal obsessions are and his attitude to women and everything.” So it sort of illuminated all that. Which was very interesting.
BE: Tippi Hedren is here at the TCA tour, so presumably she’s supportive of the film, but how interactive was she you were making it? Did you speak with her in advance?
JJ: Well, no. I mean, she obviously spoke at length with the writer, and Sienna met her. But she didn’t come on set. I think she read the script. It’s obviously difficult when someone’s making a film like this. How do you compute that? Because it’s 90 minutes revolving around her life. But she said she saw it recently, and she seemed to love it. She saw it with her kids, Melanie (Griffith) and everybody, and it seemed to go down okay. But it’s difficult. It must be a painful, difficult thing to look at. You know, she had such a complex relationship with Hitchcock. It was daunting, because you mustn’t judge that. I wanted to show the sunny side of the relationship, where there was a sort of optimism at the beginning and he was such a fantastic teacher, but then how it changed and darkened and was abusive, really.
Tags: Alfred Hitchcock, Anonymous Rex, Anthony Hopkins, Appropriate Adult, Boy George, Brideshead Revisited, Crime and Punishment, Crispin Glover, Culture Club, David Peace, Dominic West, Fred West, Gwyneth Hughes, Infamous, James Marsh, Jim Brown, Julian Jarrald, King Lear, Kinky Boots, Mad About the Boy, Marnie, Melanie Griffith, Menahem Golan, Neil McKay, Psycho, Red Riding, Rita Riggs, Sienna Miller, Steven Spielberg, The Birds, The Girl, The Light from the TV Shows, Thomas Hardy, Tippi Hedren, Toby Jones, Vertigo, Will Harris