Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.
WHAT: In a near-future Johannesburg overrun by crime, a mechanized police force has been introduced to clean up the streets. When the droids’ creator (Dev Patel) steals a decommissioned unit and reprograms the A.I. so it can think for itself, the newly named Chappie (Sharlto Copley) falls into the hands of a trio of criminals who want to exploit him for their own profit.
WHY: Neill Blomkamp’s “Elysium” was a disappointment on a number of levels, and there was a lot of pressure on the director to bounce back with “Chappie.” Unfortunately, while his third sci-fi outing has plenty to admire, much like “Elysium,” it’s a fantastic concept that’s hindered by a messy execution. It’s as if Blomkamp wanted to cram so many ideas into the film that he was unable to edit the material into a more cohesive story. Casting South African rap duo Die Antwoord as the gangsters who “raise” Chappie was certainly an interesting choice, but while the sweet-voiced Yo-Landi Visser fares well in her first acting role, her male counterpart, Ninja, is pretty awful. The movie also spends too much time with their characters, leaving Dev Patel and Hugh Jackman (playing against type as the villain and sporting a glorious mullet) little to do. Thankfully, Sharlto Copley’s mo-cap performance as the titular robot is too good to ignore. Not only is it a remarkable piece of acting that perfectly captures the innocence and impressionability of a child, but the visual effects are flawless, seamlessly inserting Chappie into the world as if there’s an actual robot interacting with the actors. It’s truly next-level stuff, and it’s ultimately what saves “Chappie” in spite of the film’s many flaws.
EXTRAS: The Blu-ray release includes nine featurettes – covering a range of topics like the cast, stunts, visual effects, production design, location shooting in Johannesburg and A.I – as well as an alternate ending, an extended scene and a concept art gallery.
FINAL VERDICT: RENT
WHAT: After law-abiding limo driver Michael Conlon (Joel Kinnaman) witnesses the murder of some clients by the sleazebag son of local crime boss Shawn Maguire (Ed Harris), Shawn sends childhood friend/mob enforcer Jimmy “The Gravedigger” Conlon (Liam Neeson) to prevent Michael from going to the police. But when Jimmy shoots Shawn’s son in order to protect his own, Shawn swears to kill them both as retribution, forcing the estranged father/son duo to go on the run until they can clear Michael’s name.
WHY: It’s a shame that director Jaume Collet-Serra and Liam Neeson already made a movie called “Non-Stop,” because while “Run All Night” is a fitting title, the former more appropriately describes the overall tone of the duo’s third collaboration. There’s quite a bit of setup in the opening act, but once Jimmy and Michael are marked for death, it barely takes a minute to stop and catch its breath, jam-packed with wall-to-wall action featuring a cornucopia of fist fights, gunfights and car chases. Collet-Serra does a great job of keeping the story moving along, and though it’s entertaining at first, the non-stop action becomes such a sensory overload that it all starts to blend together. Because of this action-first mentality, there isn’t much room for anything else, although Collet-Serra does try to shoehorn in some clichéd father-son drama. The only reason the relationship works at all is because it has two strong actors in the roles. Neeson does his thing as the tough-as-nails hitman, bringing gravitas to an otherwise stock character, while Kinnaman delivers some of his best work to date as the angry son who wants nothing to do with the family business. “Run All Night” will surely entertain those who walk into a Liam Neeson movie these days knowing exactly what to expect, but it’s so incredibly predictable and formulaic that it sucks out all trace of suspense.
EXTRAS: There’s a pair of featurettes and some deleted scenes.
FINAL VERDICT: RENT