A Chat with Neil Strauss

Neil Strauss may have had pop culture street-cred for his work as a journalist for Rolling Stone and The New York Times, but it wasn’t until he wrote The Game: Penetrating the Secret Society of Pickup Artists, that he became perceived as a “guy’s guy” journalist…for better or worse. Now, with the help of collaborator Adam Kornblum, The Game has been turned into a game itself. Strauss talked with Bullz-Eye about the unique entity that is Who’s Got Game? while taking additional time to discuss some of his other literary endeavors as well.

Bullz-Eye: So The Game is now officially a game.

Neil Strauss: Yes. In a matter of speaking. [Laughs.]

How weird was that? Was it an idea that you came up with, or did someone else pitch it to you?

Yeah, I don’t think I ever would’ve come up with that on my own. [Laughs.] But now I’m really into it. Now I really love it. There’s two elements. One, it’s really fun – Adam (Kornblum) made a game, and I made it into more of a game that I’d want to play with my friends – and, two, it’s just kind of fun to have a game. It’s kind of a childhood dream. It’s not just Monopoly or Sorry! or Mousetrap or Chutes and Ladders or…there’s this game 221B Baker Street, which is, like, a better Clue. [Laughs.] But all those games…I’d always wanted to do a game, but what I think really motivated me to want to do it was that Adam contacted me, and…I didn’t know him at all, but sometimes in the deluge there’s a compelling email where we sit around and think, “Maybe we should contact this guy.” And he had done a game for Hasbro, so he had some credibility there. He said he had made a game based on the books I’d done already that he’d been, like, taking out to bars and playing there just to meet women. So I thought, okay, this guy’s field-tested his idea, he’s not just writing about an idea that he’s come up with while he’s sitting in front of his email. I guess he’s now engaged, so obviously it worked to some degree. [Laughs.] Anyway, I thought, “Okay, let’s kind of entertain this and take it seriously.” And he sent it over, and I kept just playing it with different friends and then adding tweaks and changing it and adding new types of cards. Like, I really wanted the game to be something that you play in bars but, like, for example, when I’d go out, I’d end up bringing people back to my house and I’d be, like, “Fuck, now what do I do with them?” And the game’s kind of like social lubrication, a way to get to know people and having everybody having fun and laughing and bonding without any awkwardness.

You said Adam got the ball rolling, but when someone’s playing the game of The Game, what’s something that you personally added to the game?

I think a couple of my favorite things are the Neg cards, where, like, whoever has the worst driver’s license picture or the most wrinkled shirt loses points. [Laughs.] It’s, like, I thought, what’s fun is people laughing at themselves and their own foibles in a non-malicious way, where you’re teasing someone like they’re friends might tease them. Another favorite is the Secret cards, which are basically…it’s a secret social mission to pull off over the course of the game. For example, if you make up something conversationally and someone else in the group believes it’s true, you get two points. So all through the game there are these two layers: the game itself, and the social mission. And it’s a fun layer. It’s a fun form of manipulation, because you’re, like, “How can I get everyone to believe this and get my points?” The social dynamics part is something that, as far as I know, hasn’t been seen in a game yet. There are games with fun challenges, tests, points giving and taking, but where you’re actually trying to execute a social mission within the group…? That’s where it becomes unique.

It definitely seems that you don’t have to be single or on the market, as it were, to enjoy the game.

Oh, definitely not. In fact, we had a dinner party a few nights ago, it was about 12 people, and I’d say about eight of them were couples in serious relationships. So, no, it doesn’t matter at all. Either it’s good to get to know someone or it’s just fun to play with friends. But, I mean, my girlfriend and I play it all the time. It’s fun to go to a party and bring your own game. By the way, you only do that at parties with really good friends who are proud of you and can appreciate that you have your own game, and not with casual acquaintances who are, like, “Why is this asshole bringing his game to our party?” [Laughs.]

Having brought up the fact that you have a girlfriend begs a question about the original book: how quickly did you admit to her that you were the guy behind The Game? Or did she know from the get-go?

Uh, yeah, at this point, I think I’m kind of screwed. I kind of have to say it up front, because if I don’t, one of these things happens: they know the book already, their friends are going to tell them, or they’re going to Google me and find out. Better that I be the bearer of the news. [Laughs.] It can definitely make it more difficult as far as getting people to trust anything you’re saying. I think my only recourse is to be as sincere as possible, because everything is tainted with suspicion.

So what was the original impetus for writing The Game? You’d written in the medium of pop culture quite a bit prior to that, certainly, but…

I think the initial impetus was being a rock critic at Rolling Stone and The New York Times and going to all these shows, which are carnivals of flesh and sexuality, really. But that’s rock ‘n’ roll. [Laughs.] And I’m just the lonely guy with the notepad watching everybody else have all the fun, hoping that maybe some girl’s going to come up and talk to me because I’m writing something in my notepad. And then I’d say, “Oh, yeah, I’m going to this show next week and these other shows the following week, if you want to come with me,” and I assumed that was going to be a date, and…I remember once I met this girl at one, and she ended up making out with the guy sitting next to me. And I was, like, “What the fuck…? What’s wrong with me?” So it really came not from a desire to go underground and assume an identity and be an investigative journalist or even to write a book but, rather, to help get over my own problems with women. [Laughs.]

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Mötley Crüe hits Las Vegas for extended run

Well, this seems like a pretty good fit!

Mötley Crüe is one of the few bands that can actually add to the decadence of Sin City, so kudos to The Joint at the Hard Rock for landing the gang for an extended run in 2012. I can’t imagine a better venue for Tommy Lee, Vince Neil, Nikki Sixx and Mick Mars and the fans should love it. Now they can go from a wild concert to a wild party just by walking a few steps out of The Joint and into the Hard Rock casino.

Here’s a list of the scheduled dates:

Friday, February 3
Saturday, February 4
Sunday, February 5
Wednesday, February 8
Friday, February 10
Saturday, February 11
Sunday, February 12
Tuesday, February 14
Wednesday, February 15
Friday, February 17
Saturday, February 18
Sunday, February 19

The highlight has to be Super Bowl Sunday, and then they’re playing on Valentine’s Day and President’s Day as well. can you imagine partying all day for the Super Bowl in Vegas and then topping it off with a Mötley Crüe concert?

Tickets, starting at $45 (plus applicable service fees) will be available Saturday at 10am at the Hard Rock Box Office, Motley.com, TheJointLasVegas.com, Ticketmaster.com. Hard Rock Hotel & Casino is also offering ticket and room bundles via Hardrockhotel.com.

Also, check out our recent interview with Nikki Sixx where he discusses his recent book. He also talks about the band:

I love being in Mötley Crüe. I love Mötley Crüe. I’m so grateful to Mötley Crüe. There’s something magic that happens when the four of us get together. You know, we have had such highs and we’ve had lows. It’s, like, I get to live and breathe every fantasy I’ve ever had because of those other three men being with me, and all of us foraging the fucking road together and creating all of this amazing music. And being a creative person, when I’m not doing Mötley Crüe, I’m doing something else creative. You know, I’m in this other band, Sixx:A.M. James (Michael) and DJ (Ashba) are two of my best friends, and we create all of this amazing music. And I do the radio show. And I’ve got a great partner with Kelly Gray and our clothing line, Royal Underground. That’s doing fantastic. And it’s all positive energy. I mean, I feel like I can infect everybody around me with positive energy. And I do. ‘Cause I want everybody to be successful.

These guys should put on some incredible shows so head to Vegas and check them out.

  

Friday Video – Motley Crue, “Kickstart My Heart”

While we didn’t think the ’90s sucked the way Randy “The Ram” Robinson, Mickey Rourke’s battle-tested character in “The Wrestler,” thought they did, we have to admit taking more than a little joy laughing when Randy and his stripper love interest Cassidy extol the virtues of ’80s rock (“Like there’s something wrong with just wanting to have a good time,” indeed) while laying the blame for its death squarely at the feet of the late Kurt Cobain. And calling him a pussy for good measure.

Now, we like Nirvana, but there is more than a kernel of truth to what Randy is saying. Rock music, at least the music that cluttered the airwaves, wasn’t anywhere near as fun after grunge exploded, which has caused us to re-examine some of the bands from the ‘still allowed to enjoy yourself’ period of rock and see if our feelings have changed any about the quality of their work. The big winner, as it were: Motley Crue, and particularly “Kickstart My Heart.”

Sure, they stole the opening riff (the bit that comes after the sound of the guitar changing gears like a sports car) from Sweet and their song “Hell Raiser,” but no one outside of the UK (where “Hell Raiser” peaked at #2), knew or cared, and everything that followed that little bit of thievery was a full-blown adrenaline shot to, well, the heart, hence the title. Happy Friday, gents. Stay away from the zombie dust.

  

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