James Bond and the Specter of SPECTRE


James Bond #24 officially hits U.S. theaters this Friday and old-school Bond fans are chomping at the bit. For starters, the end of 2012’s “Skyfall” essentially brought the old band back together. It reunited everyone’s favorite oversexed, functionally alcoholic spy/professional assassin with a new M (Ralph Fiennes, stepping into Bernard Lee and Judy Dench’s shoes), a younger Moneypenny (Naomie Harris, stepping into the very big pumps of the great Lois Maxwell), and a vastly younger Q (in reality, super-youthful 35-year-old Ben Whishaw, taking the part that once belonged to Desmond Llewelyn, who was pretty much born craggy).

All that’s missing is just the right super-nemesis, but never fear: “Spectre” will be our first chance to see the reassembled team in action against its most famous opponent, a stateless organization bent on world domination for profit and for the sheer fun of being really, really evil.

The Face of Evil

But what will today’s SPECTRE be like? The original Special Executive for Counter-intelligence, Terrorism, Revenge and Extortion and it’s leader, Ernst Stavro Blofeld, was alluded to in the first Bond movie, “Dr. No” (1962), and haunted the series for years afterward. Even so, at first, Blofeld was just a disembodied voice and a hand stroking an unusually compliant white cat. It wasn’t until 1967’s “You Only Live Twice” that we finally saw the face of the man behind the international organization dedicated to world domination at any cost.

That face changed considerably as he was played three times by three very different actors, beginning with the diminutive, creepy and bald Donald Pleasance as the original Dr. Evil. He would morph into the much more testosterone-driven Telly Savalas (later TV’s “Kojak”) in 1969’s “On Her Majesty’s Secret Service” and would then grow a full head of hair to be played by the imposing Charles Gray in 1971’s “Diamonds are Forever.” As much as this might be an artifact of the lack of concern with continuity that was standard before the comic book geek takeover of Hollywood, it actually lines up somewhat with the Blofeld of Ian Fleming’s original novels, who lost and gained large amounts of weight and underwent major plastic surgery to elude detection.

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007 One by One: Live and Let Die

Bullz-Eye continues its look back at every James Bond film, 007 One by One, as part of our James Bond Fan Hub that we’ve created to celebrate the 50th anniversary of the first Bond film.

Pimpmobiles. Alligators. A trip through Harlem. Voodoo. Cigars. Blaxploitation. George Martin. Bourbon and water. Tarot Cards. Snakes. The City of New Orleans. Paul McCartney and Wings.

“That’s just as bad as listening to the Beatles without earmuffs.” – 007 in “Goldfinger”

Somebody’s out to prove Roger Moore ain’t your daddy’s James Bond.

On the calendar, 007 entered the ‘70s with Sean Connery’s last official entry, “Diamonds are Forever”, but it wasn’t until two years later in 1973 that the shift of the decade really affected cinema’s most popular secret agent.

The Plot: Three MI6 agents are killed – one each in New York, New Orleans, and the fictitious Caribbean island of San Monique. M (Bernard Lee) assigns Bond (Moore) to the case. He follows the trail of bodies, only to discover an elaborate heroin producing, smuggling and selling operation, masterminded by the ruthless San Monique dictator Kananga (Yaphet Kotto), who operates under heavy makeup stateside as Mr. Big, where the goods are dispersed through a chain of soul food restaurant/bars called Fillet of Soul. But faux voodoo and mysticism surround Bond from the word go, as does the hypnotic spell cast over him by Kananga’s delicately beautiful reader of cards and seer of visions, Solitaire (Jane Seymour).

The Girls: Nabbing the role of lead Bond girl must seem exciting for an unknown actress, but as has been proven repeatedly, it rarely leads to a big time career. Seymour is one of a handful of actresses to buck that trend and with good reason: Solitaire ranks high on the list of Bond’s classiest ladies, and her story is arguably the heart of the picture. The character isn’t necessarily written with a huge amount of depth, yet that very simplicity makes her complex. In a movie full of charlatanistic voodoo, she stands out as the lone figure possessing the psychic ability to see into the future. Additionally, she differs from the Bond girl flock by sporting ornate, body-covering costumes that contrast with the oft-expected “Bond girl in a bikini” mold. And she’s a virgin, until James enters her, um, life.

Content - Jane Seymour as Solitaire with James Bond in Live and Let Die

Also on hand is Gloria Hendry’s Rosie Carver (see photo above), marking Bond’s first filmic foray into the wilds of jungle fever. Unfortunately for double-agent Carver, that’s about all she was good for, as she not only betrays James, but also does little more than scream until somebody shuts her up. At the start of the movie, there’s the adorable Miss Caruso (Madeline Smith), an Italian agent James worked with in an offscreen adventure, and is now bedding back home in his flat.

Content - Madeline Smith as Miss Caruso in Live and Let Die

The Nemeses: If a Bond movie is only as strong as its villains, then “Live and Let Die” is one of the strongest, with a half a dozen characters worthy of mention. Yaphet Kotto’s double act of Kananga & Mr. Big was quite a departure for a Bond baddie — after a decade of destruction by SMERSH, SPECTRE and Blofeld, here’s a guy who isn’t out to take over the world, only to keep his vast opium operation afloat whilst continuing his duties as dictator of San Monique. His fatal flaw is his mistaken belief in Solitaire’s ultimate devotion, and when the issue sidetracks his attention, it costs him his life.

Content - Kananga Live and Let Die

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007 One by One: “Diamonds are Forever”

Bullz-Eye continues its look back at every James Bond film, 007 One by One, as part of our James Bond Fan Hub that we’ve created to celebrate the 50th anniversary of the first Bond film.

It’s Vegas, baby, for James Bond, and he’s played by Sean Connery for the last time (until 1983). The jokiest and the most violent of the Bond films up to that point, it’s no one’s favorite 007 entry – and it’s a lot of people’s least favorite – but we still think it’s got way more panache than many of the films that followed. It’s…

“Diamonds are Forever” (1971)

The Plot

Diamond smuggling turns out to be, naturally, only the tip of the iceberg as a graying Bond (Sean Connery) unravels a chain of deception that leads him to a Las Vegas-based ultra-reclusive mega-tycoon (Jimmy Dean), and then onto 007’s not-actually-dead arch nemesis, Ernst Stavro Blofeld (Charles Gray). It turns out that killing Bond’s wife simply isn’t enough for the social climbing super-villain; he’s once again making 007’s life hellish while also having the bad manners to peddle thermonuclear supremacy on the world market. Bond, meanwhile, is nearly wearing out his license to kill.

The Backstory

Though it’s an underrated film and beloved of many serious Bond fans, 1969’s “On Her Majesty’s Secret Service” with George Lazenby was deemed insufficient as a blockbuster. It did well enough abroad, but it’s all-important American grosses was about half that of earlier Bond entries. By 1970, Lazenby was already one for the “where are they now?” columns.

A replacement was needed, and so was a big hit. Stolid American heartthrob John Gavin (“Psycho“) had been contracted as a fall-back Bond, but moguls Albert R. “Cubby” Broccoli and Harry Saltzman set their sights on the one actor alive least interested in stepping into the very big shoes of Sean Connery – Sean Connery. While the Scottish unknown-turned-superstar has always insisted he was very grateful for his Bond stardom, to all appearances, Connery was over James Bond — now and forever.

On the other hand, we all have our price. Connery’s was £1.2 million – quite a lot of money in 1970 and enough cash for the actor to start his own charity, the Scottish International Education Trust. To sweeten the deal, United Artists also allowed Connery the chance to take the creative lead on two of his own movies. The understanding was, however, very clear that Connery would never again play Bond…for the Broccoli and Saltzman’s EON team, at least, that turned out to be true.

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007 One by One: On Her Majesty’s Secret Service

Bullz-Eye continues its look back at every James Bond film, 007 One by One, as part of our James Bond Fan Hub that we’ve created to celebrate the 50th anniversary of the first Bond film.

You’ve seen “Skyfall,” now how about taking a look at the other best James Bond movie you’ve never seen?

Ask a hardcore Bond aficionado what his favorite 007 entry is, and there’s a very good chance the answer will be “On Her Majesty’s Secret Service.”

We don’t necessarily want to make bold claims as to what the best Bond movie is, as it differs from person to person, but “Majesty’s” should be Top Five material for any die-hard fan of the franchise. The film is littered with all kinds of “firsts” and “onlys” — both in front of and behind the camera — but the most obvious is of course its lead, George Lazenby, and it’s with Lazenby that, for better or worse, most talk of the film begins (but should by no means end).

In the year 2013, we take for granted the changing of the lead actor within the Bond series, as we’ve now had a half a dozen different 007s, but back in the late sixties there was only one James Bond, and his name was Sean Connery. During the production of “You Only Live Twice,” Connery decided to exit the franchise that made him a household name (though as we now know today, he’d return to the character not once, but twice), however, quite understandably, the producers of the series weren’t finished telling their stories, and the public seemed far from tired of 007’s adventures.

So there was really only one option and that was to recast. The search was extensive, but in the end Bond producers decided on a complete unknown – Lazenby – a model with virtually zero acting experience. Regardless, Albert Broccoli was certain he could transform the man into his new James Bond.

The debate has raged for over 40 years as to whether or not the recasting was successful, with many schools of thought on the matter. Having viewed “Majesty’s” numerous times, we feel confident in saying that it’s a shame Lazenby didn’t give it at least one more go in the part (the decision to not return was, amazingly, his own), because as it stands, he cannot help but be somewhat swallowed up by the richness of his surroundings. One thing is for certain: Lazenby in no way ruins it, or keeps “Majesty’s” from being the best film it can be. “On Her Majesty’s Secret Service” is a fine, fine movie, and one that deserves to stand on its own, away from the greater picture of the whole franchise, and Lazenby – as any lead would be – is at least partly responsible for its artistic success.

The Plot: “On Her Majesty’s Secret Service” relies heavily on Ian Fleming’s original text, the last Bond film to really do so until 2006’s “Casino Royale.” The story is two in one: the first is about Bond’s hunting for and eventual finding of Ernst Stavro Blofeld, and the second is about Bond falling in love and getting married (yes, you read that right) to an initially suicidal young woman named Tracy. Her father, Draco, runs a crime syndicate, and has info about Blofeld’s whereabouts, which James requires. Turns out Blofeld is posing as a high-profile allergist in Switzerland. Bond tracks him there, and infiltrates his organization by posing as a genealogist. Once the jig is up, all hell breaks loose, and Bond finds himself on the run, and only one person can help him…

The Girls: Blofeld’s mountaintop Swiss hideaway, Piz Gloria, stockpiles quite the cache of babe-alicious flesh – including a very young Joanna Lumley (“Absolutely Fabulous”) as well as the lovely Catherine Schell (“The Return of the Pink Panther”). Odd then that James zeroes in on the homeliest looking one of the bunch, Ruby Bartlett (Angela Scoular). But then again, this is also that unique Bond flick wherein James falls in love, and perhaps going for runt of the litter was the only way for him to rationalize cheating on his beloved Tracy.

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DVD REVIEW: Top Gear – 50 Years of Bond Cars

At first glance, this disc looks like a bit of throwaway fluff, but after watching it? If you are a Bond fan, you will love this 60 minute “Top Gear” special. Period. Host Richard Hammond – who so very clearly loves Bond as much as we do – takes viewers on a guided tour through Bond film history, packed with clips, stories and trivia. Now, I call myself a Bond freak, but there are probably a half-dozen different behind the scenes stories Hammond relates here that were entirely new to me. One involved the procuring of the iconic Aston Martin DB5 for use in “Goldfinger”; another detailed a stunt for “The Man with the Golden Gun” with the AMC Hornet that could have gone disastrously wrong.

A great deal of attention is paid to the DB5, but an equal amount of love is given to the Lotus Esprit from “The Spy Who Loved Me.” Surely you remember that one? It’s the sleek white job that turned into a submarine and made cinematic history. Though the tech of 1977 wouldn’t allow for the actual creation of such a vehicle, Hammond puts today’s technology to the test by attempting to make a fully functional Lotus submarine. You have got to see this. If that doesn’t do it for you (though how it couldn’t is baffling), there’s also his comical attempt at making an invisible car with the help of flatscreen TVs and cameras!

You can tell Hammond’s a take no prisoners fan, too. When the series starts to go to shit in the Brosnan era, he takes it to task for its failure to create proper vehicular thrills. The special also features Hammond chatting up directors Guy Hamilton and Vic Armstrong, Roger Moore, Daniel Craig, and producer Michael G. Wilson on the set of “Skyfall.” Speaking of “Skyfall,” if you’ve not yet ordered your copy from Amazon, this disc will nicely pad out your order so you can get free shipping.


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