Movie Review: “Rules Don’t Apply”
Warren Beatty, Alden Ehrenreich, Lily Collins, Matthew Broderick
Warren Beatty has reportedly been developing a film about reclusive billionaire Howard Hughes since the 1970s, but the passion project didn’t really begin to take shape until a few years ago when Beatty, who has lately become a bit of a recluse himself, teamed up with Oscar-winning screenwriter Bo Goldman to work on the script. Marking Beatty’s first directorial effort since 1998’s “Bulworth” and his first acting role since 2001’s “Town & Country,” “Rules Don’t Apply” is a clumsy and tonally uneven period piece that was likely spoiled by years of tinkering during its lengthy development process. Although it won’t harm his reputation too badly, it’s nonetheless a disappointing comeback that suggests Beatty should have stuck to retirement.
The year is 1959, and small-town beauty queen Marla Mabrey (Lily Collins) has arrived in Los Angeles with her devoted mother (Annette Bening) after she’s invited by Hollywood producer Howard Hughes (Beatty) to audition for his upcoming movie. What they don’t realize is that Marla is only one of many young women that Hughes has under contract for the unknown role, with each wannabe actress provided their own house and chauffeured around town to acting and dancing classes while they await their opportunity to meet the enigmatic figure. Marla’s assigned driver, aspiring real estate developer Frank Forbes (Alden Ehrenreich), hasn’t even met his boss yet, but they’re both captivated by Hughes and realize what working for him can do for their careers. Despite a rule prohibiting any employee from becoming intimate with one of Hughes’ contract actresses, Marla and Frank begin to form an attraction, only to see their budding relationship threatened when they’re welcomed into Hughes’ inner circle and get caught up in the excitement and drama that it brings.
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007 One by One: “Diamonds are Forever”
Bullz-Eye continues its look back at every James Bond film, 007 One by One, as part of our James Bond Fan Hub that we’ve created to celebrate the 50th anniversary of the first Bond film.
It’s Vegas, baby, for James Bond, and he’s played by Sean Connery for the last time (until 1983). The jokiest and the most violent of the Bond films up to that point, it’s no one’s favorite 007 entry – and it’s a lot of people’s least favorite – but we still think it’s got way more panache than many of the films that followed. It’s…
“Diamonds are Forever” (1971)
Diamond smuggling turns out to be, naturally, only the tip of the iceberg as a graying Bond (Sean Connery) unravels a chain of deception that leads him to a Las Vegas-based ultra-reclusive mega-tycoon (Jimmy Dean), and then onto 007’s not-actually-dead arch nemesis, Ernst Stavro Blofeld (Charles Gray). It turns out that killing Bond’s wife simply isn’t enough for the social climbing super-villain; he’s once again making 007’s life hellish while also having the bad manners to peddle thermonuclear supremacy on the world market. Bond, meanwhile, is nearly wearing out his license to kill.
Though it’s an underrated film and beloved of many serious Bond fans, 1969’s “On Her Majesty’s Secret Service” with George Lazenby was deemed insufficient as a blockbuster. It did well enough abroad, but it’s all-important American grosses was about half that of earlier Bond entries. By 1970, Lazenby was already one for the “where are they now?” columns.
A replacement was needed, and so was a big hit. Stolid American heartthrob John Gavin (“Psycho“) had been contracted as a fall-back Bond, but moguls Albert R. “Cubby” Broccoli and Harry Saltzman set their sights on the one actor alive least interested in stepping into the very big shoes of Sean Connery – Sean Connery. While the Scottish unknown-turned-superstar has always insisted he was very grateful for his Bond stardom, to all appearances, Connery was over James Bond — now and forever.
On the other hand, we all have our price. Connery’s was £1.2 million – quite a lot of money in 1970 and enough cash for the actor to start his own charity, the Scottish International Education Trust. To sweeten the deal, United Artists also allowed Connery the chance to take the creative lead on two of his own movies. The understanding was, however, very clear that Connery would never again play Bond…for the Broccoli and Saltzman’s EON team, at least, that turned out to be true.
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