The Light from the TV Shows: A Chat with Laura Fraser (‘Breaking Bad’)

As “Breaking Bad” began winding down toward its inevitable conclusion with its fifth and final season, the series introduced a new character who has gone on to make a surprising impact for someone who started off all but shivering in fear at the prospect of what the future might hold for her. Laura Fraser may not be a familiar face to those who prefer their TV to be wholly American, but she’s done quite a bit of small-screen work in the UK, and you may recognize her from some of her big-screen performances as well…like, say, playing against Heath Ledger in “A Knight’s Tale.” Bullz-Eye chatted with Fraser about her current gig as well as some of her earlier roles, including a gig she was hired for but was subsequently replaced…and if she hadn’t ended up on “Breaking Bad,” she’d probably still be miserable about it.

Laura Fraser Breaking Bad 1

BE: So how did you first find your way onto “Breaking Bad”?

LF: Just a regular audition. I got sent a scene that wasn’t from the show, but it was, like, similar to the scene in the diner with Mike in the episode “Magical.” I had to make a tape, which I did, and I sent it to the casting director, who sent it to Vince Gilligan, who said it was great. And then Vince gave us a note and a real scene from episode 2 of Season 5. So I did that, and I got it from that. And I never met anyone! It was all on tape. So it was as if by magic. [Laughs.]

Read the rest of this entry »

  

You can follow us on Twitter and Facebook for content updates. Also, sign up for our email list for weekly updates and check us out on Google+ as well.

The Light from the TV Shows: A Chat with Melissa George (Cinemax’s “Hunted”)

Those with a soft spot for Australian soap operas may forever think of Melissa George as Angel from “Home and Away,” but they’re doing both her and themselves a disservice by maintaining that mindset, because George has handily proven over and over again that she’s a far cry from being just another soap opera actress, be it by her Golden Globe nominated performance on HBO’s “In Treatment,” her work with David Lynch (“Mulholland Drive”) and Steven Soderbergh (“The Limey”), or her despicable turn as Lauren Reed on ABC’s “Alias.” With her latest small-screen endeavor, Cinemax’s “Hunted,” George is returning to the spy side of things, but trust Bullz-Eye when we tell you that “Hunted” is on a completely different level of television than “Alias.” We talked to her in conjunction with the series’ premiere – 10 PM tonight and every Friday night for the next several weeks – while also quizzing her about a few other past endeavors, including working with Heath Ledger on “Roar,” getting the shaft on “Grey’s Anatomy,” and just barely missing out on being part of one of the most notorious sitcom flops in NBC history.

Bullz-Eye: To begin at the beginning, how did you find your way into “Hunted”? Was it an audition situation, or did they come looking for you specifically?

Melissa George: They were very strict about making people read. Some jobs, not so much, they know who they want. But “Hunted” is (being produced by) HBO and BBC together, and they were both having to choose and decide, so we had the English with the Americans, so that’s why the audition process was so long.

Image ALT text goes here.

I was walking on the West Side Highway in New York, and my phone rang. It was my agent saying, “I’ve just read the most dynamic role for a woman, it’s as complex as what you played on ‘In Treatment,’ with a bit of action, which you’ve done before. It’s shooting in Europe, it’s really good, it’s written by Frank Spotnitz, it’s an English and American production…you’ve got to get it.” That’s kind of what he said. And I hate when they say that, ‘cause that means no sleep for me. Because, y’know, of course if it’s that great I want to play it. And I was then shooting a movie with Julia Stiles in Los Angeles (“Between Us”) and I was busy with that, and I had a video camera set up in the hotel room, and I put together a scene. They asked me to do three scenes, but I just did one. It was the one where she confronts her ex in the apartment. Very emotional. And I remember I was just so choked up…and I was recording myself, not speaking to anybody, because I didn’t have an actor reading with me. And I was, like, “Oh, my God, I really love this part…” And I cut, printed, and sent it. I couldn’t do any more scenes because I was really upset. I felt really strongly about this woman. And I waited. I didn’t care, because I was shooting a movie.

Then I got a call saying, “They want you to meet with Frank and read a scene.” I was, like, “Oh, my God…” There were so many freaking people in this room. [Laughs.] So many people! I thought it was just going to be me. Every actor thinks that when you’re asked to read, it’s just gonna be you. But it was a lot of people, and I was on my own. But I met Frank, and he said to me later on, once I’d gotten the role, that he knew from when I put myself on tape, and when I went in to read, he said, “I just feel really connected to her.” But that was it. I didn’t hear for awhile after that, so I was, like, “Ugh, this is gonna be one of those jobs…” And then S.J. (Clarkson), who’s directing, got onboard, and…the director has a big say, so Frank’s got his choice made, BBC and HBO made theirs, but now I have to wait for S.J. to make hers. So I had to meet her. They fly me from New York to L.A. to have lunch, and all we do is talk about film, and then…I was the only girl, but I had to read with lots of guys. And none of the guys I read with got it. [Laughs.] But I was the only girl they were using, and yet still hadn’t told me that I’d got it! And I was, like, “What’s going on here?”

Read the rest of this entry »

Pages: 1 2 3