Blu Tuesday: Mother Green and Her Killing Machine

It’s another slow week in terms of major releases, but for those looking to update a few older movies in your collection, there are quite a few catalog titles making their Blu-ray debut, not to mention yet another reissue of a Stanley Kubrick classic. And although most of the big TV shows won’t begin hitting stores until next week, there is one series getting a head start on the competition that action fans will definitely want to check out.

“Full Metal Jacket”

It’s amazing to think that “Full Metal Jacket” is considered one of Stanley Kubrick’s weaker films, because it’s still pretty damn good. In fact, the first half of the movie is just about perfect, thanks mostly to a pair of memorable performances by R. Lee Ermey and Vincent D’Onofrio, both making their feature film debuts. Ermey, in particular, deserves a lot of credit for helping craft what is arguably one of the best opening scenes in cinematic history, and it’s difficult to imagine anyone else in the role, despite a different actor being originally cast to play the hard-ass drill sergeant. That might even be why the latter half of the movie feels so disjointed, because Matthew Modine and Arliss Howard’s characters just aren’t as interesting without those other guys to play off. Though the Vietnam War portion does have its moments (like the introduction of Adam Baldwin’s Animal Mother), it’s what ultimately stands in the way of “Full Metal Jacket” being the definitive film on the subject, even if some people might tell you otherwise.

Blu-ray Highlight: The 30-minute documentary “Between Good and Evil” is an excellent retrospective on making the movie, featuring interviews with various cast and crew, as well as a few Kubrick experts, about everything from the casting process, to filming in East London, to the director’s notoriously long shooting schedules and much more.

“Strike Back: Cinemax Season One”

Cinemax’s first foray into original scripted programming isn’t spectacular by any means, but for those still trying to fill the hole left by the conclusion of “24,” “Strike Back” is a pretty decent substitute. Similar to the Fox drama in many ways (not the least of which includes demanding a total suspension of disbelief), it’s a little surprising that “Strike Back” didn’t gain more attention when it premiered in the U.S. last year. A co-production with UK network Sky, this release technically represents the show’s second season, even though Season One never aired over here. Luckily, you don’t need to have seen those episodes to follow along, because the series was essentially rebooted with new characters. It also has a fairly unique format, with each mission divided into two-episode arcs, and a bigger story that serves as the connective tissue. The acting isn’t that great, and the amount of gratuitous violence and sex on display is only bested by Starz’s “Spartacus,” but the two leads have great chemistry and the action is really well done. Not every show on TV needs to be taken seriously, and “Strike Back” is a fun slice of escapist entertainment.

Blu-ray Highlight: There are audio commentaries for five of the ten episodes with executive producer Daniel Percival and actors Sullivan Stapleton, Philip Winchester, Amanda Mealing and Liam Cunningham, and although they offer some decent insight into making the show, it’s something that will most likely only interest diehard fans.


Moviegoers have been complaining about Hollywood’s lack of originality for years now, especially with popular toys like Transformers and Battleship being adapted into big summer blockbusters, but everyone seems to forget that Paramount made a film based on the Parker Brothers board game “Clue” nearly three decades earlier. Though it’s one of the few toy properties in which a movie version actually makes sense, director Jonathan Lynn’s comedic murder mystery is a complete mess. Not only does “Clue” fail to make the most of its talented ensemble cast (including Tim Curry, Christopher Lloyd, Michael McKean and Madeline Kahn), but with the exception of the always amusing Curry, the actors don’t seem all that interested. The film’s madcap tone certainly doesn’t help matters either, because although there’s some clever wordplay sprinkled throughout, it’s a little too goofy for its own good. Granted, the movie has become somewhat of a cult classic since its release in 1985, but I’d rather play the real thing than ever watch this again.

Blu-ray Highlight: The only bonus material on the disc – if you can even call it that – is the option to watch all three of the film’s surprise endings back-to-back or individually.


A Chat with John Landis (“¡Three Amigos!”)

There’s no point in writing an intro for our conversation with John Landis when we’ve already given a perfectly serviceable synopsis of the man’s life and times on his page within Bullz-Eye’s Directors Hall of Fame – which you can find right here – but we will say that we’ve been looking forward to chatting with Landis for quite some time. Although his publicist regretfully informed us that he didn’t have time to talk when we were pulling together the Hall of Fame, we’d kept our fingers crossed that we’d get an opportunity to talk to him one of these days, and at last that time has come, courtesy of the Blu-ray release of “¡Three Amigos!,” which hits shelves on Nov. 22nd.

Bullz-Eye: First of all, in case you haven’t heard, I should let you know that we put you into our Director’s Hall of Fame last year.

John Landis: Oh, thank you very much!

BE: Our pleasure. After all, we’re a guy-centric site, and it would be fair to say that you’ve made a few movies that have been appreciated by many a man over the years…including, of course, “¡Three Amigos!”

JL: [Laughs.] So did you get a chance to watch the Blu-ray, then?

BE: I did. It looks fantastic.

JL: Yeah, I was able to restore it to the way it’s supposed to be seen. I’m very pleased with the way it looks.

BE: I was actually going to ask you about that process. I presume there’s at least a little bit of difference when it comes to restoring a comedy for Blu-ray versus, say, a full-on special effects extravaganza.

JL: Actually, no. [Laughs.] That would be an untrue presumption. I mean, every picture’s individual, and it depends on the look you were going for with that particular movie. When they made the Blu-ray for “Animal House,” I was upset. I thought they made it much too bright and clean. “Animal House” is supposed to look dirty and funky. [Laughs.] I remember the technician, when I had to check it, he kept writing on his chart, “Image degraded per director.” But every movie you make, you try – or at least I do, anyway – for a different kind of look. On “¡Three Amigos!” I was really trying to go for those beautiful westerns that Hollywood used to make in the ‘50s. The Technicolor pictures. We wanted the colors to be incredibly vibrant. You know, the old DVD wasn’t even the correct aspect ratio. So I’m happy that I got the chance to restore it.

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