Movie Review: “Godzilla”

Starring
Aaron Taylor-Johnson, Bryan Cranston, Ken Watanabe, Elizabeth Olsen, Sally Hawkins, David Strathairn
Director
Gareth Edwards

How can a movie about giant monsters be so boring? That’s the biggest question surrounding Hollywood’s latest attempt to bring the King of the Monsters stateside. Though not quite as bad as Roland Emmerich’s farcical 1998 version, “Godzilla” is a bewildering piece of blockbuster filmmaking, stuck somewhere between an old-school monster extravaganza and a po-faced thriller that’s almost afraid to have too much fun. Gareth Edwards may have seemed like the perfect director to revive the scaly beast on the big screen – especially for anyone who saw his 2010 indie, “Monsters” – but it’s possible that he was a little too right for the job, because what worked so well in that movie doesn’t have the same effect here. Of course, it doesn’t take a nuclear physicist to realize that a Godzilla film should probably have more, you know, Godzilla.

The film opens with a lengthy prologue set in 1999 detailing how a mining company in the Philippines inadvertently awakened something deep underground, prompting the massive creature to leave its hiding spot for Japan, where it leveled a nuclear power plant that killed hundreds, including the wife of American scientist Joe Brody (Bryan Cranston). 15 years later, Joe is still obsessing about what happened that day, convinced that it was more than just an earthquake. After he’s arrested for trespassing in the quarantine zone, his military son Ford (Aaron Taylor-Johnson) travels to Tokyo to bail him out of jail.

Joe is adamant that he’s uncovered more evidence that not only confirms his original claim, but proves that it’s about to happen again, and before he can say “I told you so,” a pair of insect-like MUTOs (Massive Unidentified Terrestrial Organisms) burst from their cocoons and begin to wreak havoc. The military plans to lure the radiation-fueled MUTOs to a single location (tough luck, San Francisco) using a nuclear missile in the hope that they’ll be destroyed in the blast, but when the long-dormant Godzilla rises from the Pacific Ocean, Japanese scientist Dr. Ichiro Serizawa (Ken Watanabe) believes that nature has already provided them with all the firepower they need to stop the monsters. After all, Godzilla is a nice dude, and he’s more than willing to help.

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Breaking Bad 5.16 – “Felina”

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“My name is Walter Hartwell White. I live at 308 Negra Arroyo Lane, Albuquerque, New Mexico. 87104. To all law enforcement entities, this is not an admission of guilt. I am speaking to the AMC viewers now. There are… there are going to be some things, things that you’ll come to learn about me in the next five seasons. I just want you to know that, no matter how it may look, I only had you in my heart. Goodbye.”

Okay, so maybe that’s not exactly what Walt said in the opening moments of the first episode of “Breaking Bad,” but as I sat down to write this, my review of the last episode of “Breaking Bad,” the paraphrasing seemed like as apropos a way to kick things off as any.

I’ll be honest: as much as I wanted to just let the events of the series finale wash over me and accept whatever Vince Gilligan wanted to give me, it was impossible to walk into the proceedings without feeling like a kid at Christmas, giggling and wondering, “What am I gonna get?” We knew the big-ass gun in Walt’s trunk and the ricin he’d retrieved from his house were both going to come into play, but we didn’t know how. Well, not really, anyway. The two big theories I kept hearing about the ricin were that he was going to slip it into Lydia’s tea or drink it himself, but I’d also heard convincing dismissals of both theories, so I really didn’t have any clue how things would play out. Besides, I’ve said more times than I can count that this is a series that never fails to zig when you think it’s going to zag, so there’s just no point in trying to guess. But that doesn’t mean you can’t get really, really excited about the prospect of finding out.

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The Light from the TV Shows: Saying Goodbye to the Best ‘Bad’ Ever

I don’t know if you know this about me, but…I kinda like “Breaking Bad.” I realize this is probably the first you’re hearing of it, because I’m usually pretty closed-mouthed about it, rarely hyping the series to anyone and almost never mentioning that I watch it, but, yeah, I guess it’s a pretty all-right show, y’know?

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All right, enough pretending: obviously, I think “Breaking Bad” is basically the best show in the history of television, which is what I tell anyone who asks me what I think of it. You may disagree with my position, and that would be your right, but no series has ever captured my attention and proven so fascinating to me in quite the same fashion as this one, and when it ends its run on Sunday evening, I’ll be glad that it went out on the terms established by its creator, Vince Gilligan, but it’s going to leave a hole in my TV viewing habits that I’m going to have a very hard time filling.

With the show wrapping up, I decided it’d be fun to offer up a retrospective of all of the folks affiliated with “Breaking Bad” that I’ve talked to over the course of its run. If you’ve followed my coverage of the series over the years, you probably won’t be surprised to see just how many conversations I’ve had since Bullz-Eye first started spotlighting the show in 2009, but they’ve been a uniformly wonderful bunch, all of whom regularly made a point of expressing their gratitude for the coverage and praise that we gave the show. In turn, I’ve always tried to thank them for the gift they’ve given us.

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Goodbye, “Breaking Bad.” Thanks for the meth, but most of all, thanks for the memories. You’ve given me plenty of great ones over the course of these five seasons, and they won’t soon be forgotten…especially not now that I’ve got all of ‘em in one place! Mind you, when I say that, I’m actually speaking of these interviews, but it could also be said of the upcoming complete-series set – seen above – which, in addition to all of the episodes, includes a ridiculous amount of bonus stuff, both on the discs (most notably “No Half Measures,” a two-hour documentary about the making of the final eight episodes) and off (a Los Pollos Hermanos apron!), that no self-respecting fan should be expected to live without.

But enough of my yakkin’. On with the interviews!

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Breaking Bad 5.15 – “Granite State”

After hearing about Saul’s “guy” for quite some time without ever getting the slightest hint about the identity of this individual that could, for a price, make you disappear, it seemed reasonable to presume that we might never actually catch a glimpse of him. Surprisingly, however, we were finally introduced to him this week, and the casting couldn’t have been any better: ladies and gentlemen, Mr. Robert Forster. I don’t want to hurt anybody’s feelings, but, dammit, he might well go down in history as my favorite Breaking Bad guest star of all time. Blame it on my love of Jackie Brown and a youthful obsession with Alligator if you wish, but for my money, you just don’t get much cooler than Robert Forster.

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As it turns out, Saul’s also taking advantage of his “guy,” and with good reason, given that he’s arguably the only one in the mix with a higher profile than Walter White at the moment. Soon, he’ll be living in Nebraska and – fingers crossed! – maybe even managing a Cinnabon. First, though, he’s got to escape from the clutches of his temporary bunkmate. Despite seeing him hop into the van and drive away at the end of last week’s episode, Walt’s departure from ABQ has yet to take place, due to the fact that, as implied a moment ago, he’s a pretty hot commodity that just about every law enforcement agency in America wants to get a piece of. Not that that’s stopped him from spending his time in the basement of the vacuum-repair place figuring out how to extract his revenge on Todd’s uncle and his neo-Nazi pals.

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Breaking Bad 5.14 – “Ozymandias”

Vince Gilligan might be a man who avoids spoilers at all costs, but by naming this week’s episode “Ozymandias,” he tipped his hand at least a little bit…if, that is, you’re familiar with a certain poem by Percy Bysshe Shelley. I won’t waste your time or mine by quoting it – you’re free to read it here at your discretion – but suffice it to say that there was little question that we’d be seeing Walt’s downfall continuing in earnest.

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Rather than leaping right back into the fray where things left off last week, we’re instead treated to a flashback to Walt and Jesse’s first cook. If this were another show, you might call it a sentimental gesture, given that it ties in to the fact that the big battle is taking place in the very same location, but it’s actually a scene that’s designed to spotlight the precise moment when Walt first began lying to Skyler.

Oh, sure, it’s also nice to see Walt and Jesse during happier times, to get the back story on how “Holly” came into contention as a name for the White’s daughter, and to hear the name “Bogdan” uttered again. (It also reminded me just how long it’s been since I watched the first season of the show: I’d completely forgotten that, at the very beginning, Skyler was also selling stuff to bring in extra income.) But it’s the lie that really matters. If it hadn’t been for that lie, which set up a scenario that necessitated more lies, then Walt might still have a family.

Instead, he has nothing.

Well, you know, except for about 11 million dollars. But that’s hardly a substitute for a wife and kids, now, is it?

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