SPOILER WARNING: Whether you’ve read all five books or only watch the series this post is for you. I have read the books (multiple times) but I will not go beyond the scope of the TV series (save a wink or a nod every now and then that only my fellow readers will catch on to). All events that have occurred in the TV show up to and including yesterday’s episode are fair game.  You’ve been warned.

Note: With the biggest cast in television it can be hard to keep all the names and faces straight. Thus the first mention of each character contains a link to a picture of them which will open in a new tab.

I just want to note that George R.R. Martin, author of the books that make up Game of Thrones’ source material, also wrote this week’s episode. Not much to say beyond that, but it’s always worth pointing out that the man most familiar with the characters writes the episode.

But First We’ll Live

Perhaps the most straightforward theme in this week’s episode was that of love, the way it comes about and the way it ends, loves meant to be and those between the star-crossed. It remains to be seen which of those categories Jon and Ygritte fall into, and “The Bear and the Maiden Fair” spent a good amount of time essentially wondering the question aloud.

The episode opens with Jon and the Wildlings marching towards Castle Black. Ygritte takes pleasure in mocking the customs of Westerosi warfare: marching down roads while holding banners and banging drums to let the enemy know you’re coming. When she sarcastically asserts they won’t be banging any drums when they attack Castle Black, Jon retorts that instead, Mance will “light the biggest fire the North’s ever seen.” Ygritte counters in the same way she always does: “You know nothing, Jon Snow.” That’s when Orell wanders over to put some real bite behind her words. Giving Jon some sage romantic advice while spelling out the episode’s theme: “People work together when it suits them, they’re loyal when it suits them, they love each other when it suits them, and they kill each other when it suits them. She knows it, you don’t, which is why you’ll never hold onto her.”

Of course, later on we discover that Orell may not be as wise as his words indicated, he simply wants in Ygritte’s pants too. Orell steps up to tell her as much, and to warn her that Jon isn’t as loyal to their cause as he appears. But in doing so, he proves to be affording Ygritte way less credit than she deserves. As we learned last week, she’s more in touch with their position than anyone: She knows Jon is still loyal to the Night’s Watch, and it doesn’t factor into her decision to be with him because she’s realistic about the odds of their survival.

The tables of mockery are turned when they come upon a windmill and Ygritte asks Jon if it’s a palace. But as was the case in their earlier discussion of drums and marching, the talk turns serious. Jon mentions that he’d like to take Ygritte to see Winterfell, and she responds that maybe she’ll take him, once they’ve “taken their land back.” The conversation brings to the forefront a fact they’ve both been trying to forget, that they’re on different sides of the war, and their visions of what life will be like afterwards are highly disparate. That’s when Jon tells her that Kings beyond the Wall have tried to reclaim the North six times in the past thousand years, and six times they’ve been turned away. He insists that the seventh will be the same, pushing the point even after Ygritte claims that Mance is different than those that came before him, saying that “all of you will die.” Ygritte reminds him that it’s “all of us,” but like her talk of Mance she’s simply posturing. That’s when she lets us in on her true vision of the future: “You’re mine, and I’m yours. And if we die, we die. But first we’ll live.” Jon agrees.

Love is the Death of Duty

In the first season, Maester Aemon told Jon that “love is the death of duty,” and while the idea is clearly written all over Jon’s storyline, his brother Robb’s may be an even better example. Love is the cause of all the King in the North’s problems, and the reason he’s losing the war despite having won every battle.

It’s not only Robb’s love that’s hurting the war effort. Catelyn’s love of her daughters led her to free Jaime Lannister, which in turn led to Lord Karstark’s betrayal and subsequent beheading. That’s why Robb and his army are on their way to the Twins to attend the marriage between his uncle, Edmure Tully, and one of Lord Walder Frey’s daughers. The match was necessitated, of course, by Robb’s double-crossing his own marriage pact with Lord Walder, but also by the fact that he needs the Frey armies more than ever with the Karstark’s gone.

Like most of the episode, Robb’s story wasn’t big on plot advancement. Much like Jon and Ygritte, it served to underline both the true love between the King and Queen in the North and the black cloud hanging over it as a result of the war effort, of duty. As such, the revelation of Talisa’s pregnancy seems a dire symbol. When has any good deed (or good news) gone unpunished in Game of Thrones?

The Impchelor 

In our first glimpse into King’s Landing this week, we see Sansa talking to Margaery Tyrell of the woe that is her impending marriage to Tyrion. He’s a Lannister, she complains, and as if that wasn’t enough he’s the scarred, dwarf Lannister. Margaery attempts to cheer her up, pointing out that he’s been kind to her, the scar makes him more attractive, and that he’s experienced in the bedroom, which is a good thing because women are hard to please (her mother told her so). What’s unfortunate is that although Sansa explicitly bemoans the ignorance that led her to dram of the capital and her southern Prince Charming, she’s still not entirely able to recognize that she’s still being ignorant. Tyrion isn’t Loras, that’s for sure, but as Margaery points out he is good looking and he’s been more kind to her than anyone in King’s Landing. What’s more, she complains about all this to the woman betrothed to Joffrey. Come on, Sansa, get your head in the game.

But we know Sansa’s unhappy, nothing’s changed there. What’s more interesting is that Tyrion is just as miserable as she is. He’s had this marriage thrust upon him too, and he’s kind of already in love with Shae. As Margaery does for Sansa, Bronn points out how silly it is for him to be complaining: He’s a lord and she’s a lady, it’s what they’re supposed to do, and it’s not like he has no sexual attraction to Sansa, young as she may be. What’s more, he’s a man, as long as he does his duty in wedding Sansa and getting her pregnant, he can bed Shae on the side for as long as he cares to. Of course, that idea doesn’t go over too well with Shae, who asks him what it will be like. Tyrion responds that he’ll buy her a good home, with guards and clothes and servants, and that any hypothetical children will be well provided for. Shae rightfully snaps back that she has no interest in having children who will never see their father and would likely be killed if their grandfather found out about them. Like so many characters, love is getting in the way of Tyrion doing his duty, and as always, “it will all turn out alright” is never a good bet on this show.

The Bear and the Maiden Fair

Then there’s Jaime and Brienne, a match no one and everyone saw coming. It’s hard to say whether their feelings for one another go beyond the platonic, but they certainly care deeply for, and perhaps even love each other, in their own way. Losing a hand has changed Jaime, sure, but no more than Brienne has. Would pre-Brienne Jaime have even bothered to go to her chambers and insist that even though there is nothing commanding him to return the Stark girls to their mother, save honor, he will. Brienne has reminded him that honor is enough, and Jaime’s travels with her have revealed to us that despite all he’s done and the opinion we may have held of him before, that’s something he knew well enough at one point. In his talk with Qyburn, Jaime condemns the immorality of killing people for research. But when Qyburn snaps back by asking how many lives Jaime has taken (“countless”) and how many he’s saved, he gets an unexpected answer: half a million, the population of King’s Landing. In much the way some people rediscover religion, Jaime is a reborn honorable man, and that’s what leads him to command that he and the part of Bolton men return to Harrenhal, where he leaps into a bear pit to save his maiden fair.

Check out the preview for next week’s episode below and follow the writer on Twitter @NateKreichman.

SPOILER WARNING: Whether you’ve read all five books or only watch the series this post is for you. I have read the books (multiple times) but I will not go beyond the scope of the TV series (save a wink or a nod every now and then that only my fellow readers will catch on to). All events that have occurred in the TV show up to and including yesterday’s episode are fair game.  You’ve been warned.

Note: With the biggest cast in television it can be hard to keep all the names and faces straight. Thus the first mention of each character contains a link to a picture of them which will open in a new tab.

Sometimes, I have to work really hard to find a theme that unifies all (or most, or even just a couple) of the storylines in a given episode of Game of Thrones. Sometimes, I don’t bother, because the writers and directors  make it clear that a particular episodes various plots have no cohesive theme, and are instead linked by, say, graceful editing. That was the case in the second episode of this season, “Dark Wings, Dark Words,” an onscreen character would bring up another, and we’d be whisked off to the named character’s far-away land and disparate plotline. But every once in a while there comes an episode which makes its theme quite explicit, and no hard work is required. “The Climb” is one of those episodes, as we got the title, a literal climb, and even a monologue from Littlefinger to fully explain the subtext for those that still hadn’t caught on.

Chaos isn’t a pit. Chaos is a ladder. Many who try to climb it fail, and never get to try again. The fall breaks them. And some are given a chance to climb, but they refuse. They cling to the realm, or the gods, or love. Illusions. Only the ladder is real. The climb is all there is.

In Game of Thrones, whether literally or figuratively, characters climb and fall, and if they survive, they get right back up and keep on climbing. Alternatively, they climb and reach the top, only to realize there’s still plenty of climbing to be done. As Lord Baelish so eloquently put it, “The climb is all there is.”

The Literal Climb

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Developer: Star Command LLC.

Compatible with: iPhone 3GS and up (optimized for iPhone 5), iPod touch 3rd gen and up, iPad

Requires: iOS 4.3 or later

Price: $2.99

Available here

Captain’s Log Stardate 90946.8

After years in development following a successful Kickstarter campaign, “Star Command” is now available for the app store, and provides a universe spanning strategy title, that offers the chance to chart the unknown and boldly go where no game has gone before.

Well…ok that’s an exaggeration.

In fact, “Star Command” has a lot in common with the PC indie hit “FTL,” right down to the Kickstarter origins, as both games task you with the same objective of traversing different galaxies and defeating some of the toughest scum in the galaxy through ship to ship battles, and onboard scuffles, all as captain of your very own space ship.

While the games may share a similar product description, where “Star Command” differs, and ultimately shines, is in the number of little things.

For instance, the graphics are exceptional. Whereas “FTL” was all about minimalism, “Star Command” looks similar to old PC games like “XCOM” or “Syndicate” and gets the most out of its perspective thanks to a bright and detailed style. The cutscenes are also straight out of a Lucasarts adventure game, and really drive home the humor, danger, and even frights of the game based on the current situation.

As for the gameplay, there is a lot of it. After you’ve customized your captain, you are now responsible for hiring a crew, and assigning them to three different job classes, as well as building and customizing your ships weapons and systems, which are all acquired by using tokens that are earned along the way. Once everything is eventually in place, the game mostly revolves around combat, for which you are responsible for the command of every single aspect of the ship. When it’s time to fire the plasma beams, that’s up to you. When a team needs to be organized to fend off a boarding party, that’s up to you. And when all hell is breaking loose and no hope seems to be available, it’s again down to you.

That last one is important, as things can get out of control very easily. This is not an easy game by any means, as “Star Command” requires your complete concentration, and the ability to multitask like a machine, if you are ever going to have a chance of surviving. Your survival is the key too, as once the captain goes down, the game is over.

Don’t let the doom and gloom keep you away though, as even at its most frustrating “Star Command” is an ambitious and extremely entertaining title that does a great job at promoting an atmosphere where anything can happen at any turn. Exploring the universe truly feels like you’re doing just that, since the variety of enemies and scenarios present at each location rarely, if ever, repeats, making each new adventure feel like some lost episode of “Star Trek.”

In fact it’s probably no coincidence that this game is coming out so close to the new “Star Trek” movie, as if you are a fan of that series, or of anything sci-fi, this app is a beam down from the heavens. It’s a complex, yet accessible and rewarding, adventure that requires several levels of active and passive strategies. Every effort proves worth it though, as it all contributes to a title that lets you experience what it’s like to be at the helm of your own sci-fi ship.

“Star Command” is the perfect type of strategy game for your phone, and with any luck will be the start of a franchise that will live long and prosper. For now though, this game proudly serves as my app of the week.

As mentioned in last week’s column, things are finally starting to get back to normal for Blu-ray fans, with several great options arriving in stores today, including an Academy Award winner, a pair of Barbara Streisand films, and the latest from David Chase.

Leave it to David O. Russell to create a romantic comedy as quirky, dark, funny and surprisingly touching as “Silver Linings Playbook,” because the movie is almost as crazy as its two leads. One minute a fiercely honest character study about a man coping with bipolar disorder, and the next minute a charming rom-com revolving around an amateur dancing competition, the film performs such an amazing tightrope act that it’s really to Russell’s credit that it doesn’t come crashing down like a house of cards. The movie wouldn’t be nearly as enjoyable if it weren’t for the risks it takes thematically, but none of that would matter without its incredible cast. Bradley Cooper finally gets the chance to show what he’s fully capable of in the best role of his career, and Robert De Niro has some great moments as Cooper’s superstitious father, but it’s Jennifer Lawrence (already so good at such a young age) who steals the show with a phenomenal performance fully deserving of her recent Oscar win.

Blu-ray Highlight: The making-of featurette, “The Film That Became a Movement,” does a great job of balancing the usual behind the scenes footage with cast and crew interviews promoting mental health awareness, while the Q&A highlights are worth watching for those who want to know more about the film’s production. And though most of the deleted scenes can be easily skipped, the alternate ending is a must-see for any fan of the movie.

You wouldn’t think that it’d be very hard for someone like David Chase – who helped reinvent the TV drama with “The Sopranos” – to get his feature film debut off the ground, but then again, “Not Fade Away” feels so hastily thrown together that it’s not surprising it took five years to do so. A good idea in need of a better script, Chase’s 1960s’set story about a kid trying to follow in the footsteps of The Beatles and The Rolling Stones to make it big as a rock n’ roll star doesn’t feature a single likable character. That makes enjoying its anticlimactic story even more difficult, because it’s hard to care what happens to anyone in the film when they’re as naïve, selfish and just plain boring as the characters here. James Gandolfini’s overbearing father is probably the most interesting (and levelheaded) of the bunch, and yet he’s portrayed almost like a villain. The music is good and the tale of failed stardom is more believable than most rock band movies, but that’s also what makes “Not Fade Away” so forgettable.

Blu-ray Highlight: Divided into three sections, “The Basement Tapes” offers a look at various aspects of the filmmaking process, including training the actors to play their respective instruments (with the help of Steven Van Zandt, no less), the 1960s setting and costumes, and the similarities between the story and David Chase’s teen years.

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When I’m cleaning my face, I want a system. I don’t want to approach the situation haphazardly, like the parents on MTV’s hit TV show “Teen Mom.”

Let’s be frank — and yes, you “can still be Garth.” Your face skin is essentially your billboard to the world. And what does this billboard promote? The business of You, Incorporated.

If your face looks blotchy, dry, flaky, weird, or any other adjective that would describe a rabid Russian dog, scrounging the public subway system for scraps, you probably don’t want to look like that. You probably don’t want to look like Gorbachev, either.

You, Incorporated is coming off of another great fiscal quarter, but how do you maintain the momentum and feed all the families who depend on your face? By trusting a known commodity when it comes to building the brand of You. If you’re breathing, you’re branding, and if you’re washing your face and the rest of your body, you better be using the new cleansing system that is the 2013 Dove Men + Care line.

In a word, the Dove Men + Care line is stout. Dove has really covered all aspects, from shaving, to cleansing, and everything in between. Check out the list of products I received:

 - Cool Silver Deodorant

- Anti-Dandruff Shampoo

- Aqua Impact Body + Face Bar

- Aqua Impact Body And Face Wash

- Hydrate + Post Shave Balm

- Hydrate + Face Wash

- Sensitive + Shave Gel

- Sensitive + Post Shave Balm

- Sensitive + Face Lotion

My inclination when I started writing this review was to mention my favorite product, and then spend equal time on the one I liked the least. But honestly, I liked them all. Plus, it’s impossible to single them out, because they are all pieces of the same entity.

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Leah Gibson may not have a deep background in American television, but she’s breaking into the field in a big way as one of the stars of DirecTV’s first original series, “Rogue.” Bullz-Eye chatted with Gibson during the January 2013 Television Critics Association press tour, where we got some details about the show, including how she found her way into her character, as well as her reflection on being a part, albeit a small one, of the “Twilight” franchise.

Bullz-Eye: So how are you enjoying “Rogue”?

Leah Gibson: It’s great! I’ve never done anything on this scale before. I’m from the west coast of Canada, so I’ve lived in Vancouver for the last five or six years and worked on different TV shows…guest stars, recurrings, whatever…and had some small roles in some big features, like “Twilight” and “Rise of the Planet of the Apes.” But being a part of this show feels very different. It’s a very wonderfully written series that’s been an absolute joy to be a part of. The characters are very in-depth, and the intricacies between their relationships are just a joy to explore from script to script. Being a part of it has felt very much like being part of a 10-hour film, in a way, and I certainly have never seen anything of the like in Vancouver while I’ve been there. So being the token “foreigner” with all these Brits… [Laughs.] It’s been a whole different vibe on set and everything than I’ve been used to!

BE: Can you talk a bit about your character, Cathy Laszlo?

LG: Yes! Cathy Laszlo is…I’m the devoted wife to a hot-headed gangster, Alec Laszlo (Joshua Sasse), who’s the eldest son of Jimmy (Marton Csokas), who’s basically a crimelord. The Laszlos in general are a very infamous crime family, and my husband is very sort of… [Hesitates.] A lot of muscle, not so much brain. He often creates a mess for others to clean up, and my character sort of represents his foundation, his support network, the thought behind his action. I come to influence him in taking advantage of certain opportunities and claiming the status that goes along with those things at what turns out to be at a very high cost to our family.

BE: How much of the character was already on the page when you came to the role, and how much were you able to bring to her? Were there any aspects that were added?

LG: That’s an interesting question. You know, I went through a handful of auditions before I was booked on this job, and initially the sides for my character were sort of…I could tell that there was more being alluded to than was on the page, and as an actor with limited knowledge of where the show is going to go, you don’t want to make any really solid choices and, y’know, sort of make the wrong decision. I heard at some point that I was no longer being considered for the role, but then I got a phone call saying they’d like me for a chemistry reading with Joshua. So I went in and met Josh, and we did our thing, and we workshopped a couple of scenes with Nick Hamm, the executive producer, and…it was only then that I started to realize where they were really going with Cathy.

And then I showed up on set and, really, to be honest, I was very much informed by the wardrobe, the hair, and the makeup. It was a total transformation for this character. I’d never physically played a role like this before, so it was kind of a joy to embrace the character in a physical sense and be informed by the wardrobe, and the specific choices about the hair and makeup. She’s decked out to the nines, long nails, long, big hair, heavy makeup. I’m, like, “Okay, I get it.” So I would step onto set and just feel a different energy. And I had a few comments from…y’know, I’d worked with some of the crew members before on various different productions in Vancouver, and they’re, like, “Oh, my God, I didn’t even recognize you!” So it’s such a joy to play something like that, and to really physically feel it that way.

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Here’s an excellent slideshow courtesy of exotic model Adella Pasos who looks amazing in these photos. We start of the slideshow with a beautiful sunset photo as Adella sports a red bikini as she shows off her 36-24-36 figure, and then we see her in a Miami Dolphins bikini and hat as well. The we have some pics with Adella posed on a motorcycle and next to some muscle cars. Yeah – every man’s fantasy! Adella has an exotic and sultry look that jumps off the screen.

Adella was born and raised in Chicago and has been modeling since 2006, working with a wide variety of talented photographers. As she gained exposure, she branched out to organizing promotional modeling events, hosting for celebrity parties, and branding her name as a spokes model. Next, she’ll be working on her acting career. Her interests include football, cars, video games, MMA, modeling, fitness and dance.

You can follow Adella on Twitter @adellapasos and check out her Facebook page as well and website as well.

Okay, we admit that St. Patrick’s Day is nearly a fortnight away, but the tireless promoters of the alcoholic industrial complex have been hard at work plying me with bottles of top-quality hooch and some intriguing holiday themed recipes to go with them. In this case, we’re talking about my personal favorite member of the Jim Beam Small batch family, Basil Hayden’s. Yes, it’s only 80 proof and therefore less overtly flavoriffic than a typical high quality bourbon, but it mixes so harmoniously, I really can’t say anything bad about it. It’s definitely one bourbon that’s worth trying with just a bit of cold water or maybe some ice cubes. Sort of like a sweeter version of a very nice Scotch.

Nor do I have anything but nice things to say about the Shamrock Sour, a lively variation on a timeless tonic developed by New York mixologist and proprietor, Julie Reiner, who appears to be something of a budding superstar in the bar game. I can’t think of a better final chapter to wrap up the quartet of delicious sours I’ve been featuring in recent weeks.

Now, I would agree with naysayers that the Irish/St. Patrick’s Day bonafides of any bourbon-based beverage are very seriously in doubt — it’s not like Kentucky is any kind of Irish-American enclave. On a more superficial level, the Shamrock Sour isn’t even particularly emerald colored, a bit of very expensive but worth it green chartreuse notwithstanding. Still, if the choice is between good taste and thematic consistency, I have to go with the taste. On the other hand, we’ll be trying out another drink using actual Irish whiskey as the big boozing day approaches. For now, however, I wholly endorse the Shamrock Sour for St. Patrick’s Day, or any other day. Authenticity, be darned.

The Shamrock Sour

2 ounces bourbon (preferably Basil Hayden’s®, naturally)
1/2 ounce green chartreuse
1/2 ounce fresh lemon juice
1/2 ounce grapefruit juice, preferably fresh
1/4 ounce agave nectar
1/4 ounce water (to mix with the agave nectar)
1/4 ounce egg white
1 lemon wheel (highly desirable garnish)
1 sprig of fresh mint (even more desirable garnish)

Combine bourbon, chartreuse — a highly distinctive a-little-goes-a-long-way liqueur whose complete formula is known only to a pair of monks in France’s Chartreuse Mountains — and juice in a cocktail shaker. Mix the agave nectar with an equal amount of water to make 1/2 ounce of agave syrup. Add the egg white and, as usual with egg cocktails, shake vigorously before you have added ice.

Then, add ice, shake again very vigorously and pour over fresh ice into a fairly good size rocks glass. Add a lemon wheel and mint sprigs, which I think is actually an important part of the flavor here, particularly the mint. Toast the people of Ireland (who gave us James Joyce), the people of Kentucky (who gave us two of my favorite character of recent pop culture, Raylan Givens and Abraham Lincoln), and why not throw in those Carthusian monks and Julie Reiner while you’re at. I know I’m grateful to all of them.

****

This really is an especially well-balanced whiskey sour variation. Aside from the good booze, the agave, and the all important (though viscous and therefore tricky to measure out), egg white, the secret ingredient in here is the grapefruit. In fact, I have to credit this drink for dispelling my childish dislike of the bittersweet citrus fruit with legendarily healthy properties. I hated the stuff as a child and always remembered it as just bitter and ultra tart. I’m embarrassed to say that I haven’t tried eating the stuff in years. Apart from this drink, I find I now am increasingly tolerant of the stuff. It’s actually about as sweet as it is bitter, sorta kinda like the citrus equivalent of Campari or Aperol.

It’s healthy too. In fact, now I understand that grapefruit might actually help fight type 2 diabetes, an illness genetics — and my outsize enjoyment of food and drink — suggest I might fall prey to. Is it possible this is a drink that could save my life? Well, I’m definitely going to use that excuse the next time I make it.

Given the astounding success that History Channel found with its previous based-on-stuff-that-really-happened dramatic effort, “Hatfields and McCoys,” it’s no wonder that the network is throwing such a profound promotional push behind its latest endeavor, “Vikings.” Granted, the cast of this one can’t quite compare with headline names like Kevin Costner and Bill Paxton, but don’t be so hasty to dismiss it just because you don’t know as many of the actors off the top of your head. After all, at the very least, it’s got Gabriel Byrne, who’s quite good (as anyone who’s watched him on HBO’s “In Treatment” or any number of his many cinematic efforts can handily testify), but, seriously, there’s a lot of other solid actors in the ensemble as well…like, say, Clive Standen, for instance. Bullz-Eye had a chance to chat with Standen about his work on “Vikings,” but we also managed to chat a bit about his work on “Camelot“  and “Doctor Who“ as well as a slightly less fondly remembered effort called “Heroes and Villains.”

Bullz-Eye: To start with the inevitable, how did you find your way into “Vikings“ in the first place? Presumably it didn’t hurt that you’d already worked with the creators.

Clive Standen: It was a long process for me. I was fighting them, kicking and screaming, to try and get seen for this. [Laughs.] I was filming with one of the producers of Vikings, Morgan O’Sullivan, when I did “Camelot,” and I remember him and Michael Hirst talking about it quite a lot then as a new, exciting project they’d been working on for ages. Michael had been invested in the Viking saga for a long time. Right from the beginning, I think they were looking for big names, and they had their kind of wish list, with people like Viggo Mortensen and…well, it was a completely different breed. And I was stuck in “Camelot,” and I was just so jealous. When “Camelot” was finished, I was writing letters and, as I say, kicking and screaming, saying, “Can I get seen for it?” And they wanted to see me for Rollo, which is the part that I played, but for some reason I went on this whole journey of doing screen tests and things for the part of Ragnar. At the very end, though, they offered me Rollo, which was the part that I wanted in the first place, so I must say it made me very happy.

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Kevin Michael Connolly first came to prominence as a result of winning a silver medal at the X Games, an impressive achievement in and of itself, but one which was deemed decidedly more media-worthy as a result of Connolly having been born without legs. Using his X Games winnings to fund a trip across 15 countries in 2007, Connolly took photos along the way, publishing the results on a website called The Rolling Exhibition, and he subsequently wrote a memoir entitled “Double Take,” which has been optioned for a possible film. Now, as if the writing-photography combo isn’t enough in and of itself to keep most people busy, the guy’s gonna be hosting his own series on Travel Channel called – wait for it – “Armed & Ready.” Somehow, Connolly found the time in his schedule to chat with Bullz-Eye about what viewers can expect from his show, also filling us in as best he could about the status of the movie adaptation of his book, the wealth of limb-related puns in his repertoire, and how the words “all over the map” in no way come close to clarifying the depth of his tastes in music.

Bullz-Eye: I feel like we’re practically best friends now that we’ve Tweeted back and forth.

Kevin Michael Connolly: I know! Exactly! It’s, like, one step away from exchanging bodily fluids! [Hesitates.] Okay, maybe not that close. But it’s in the ballpark. Six degrees from…

BE: Yeah, we can probably just agree that we’re very close.

KMC: Got it. [Laughs.]

BE: Thanks to the Travel Channel, I’ve been able to check out the advance screeners of the first two episodes of “Armed and Ready.”

KMC: Oh, cool!

BE: I would say the same. So you’re a guy who’s gone from winning a medal in the X Games to being recognized for your photography to writing a book to now hosting a show for Travel Channel. That’d be a pretty amazing road to travel for anybody, let alone somebody who’s had to tackle these things from, shall we say, a different vantage point.

KMC: And to do it all by the time I’m 27! [Laughs.] It’s pretty crazy, man.

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