Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.
WHAT: After falling into debt with a pair of dangerous men, college English professor and degenerate gambler Jim Bennett (Mark Wahlberg) is given seven days to pay or else. When his mother (Jessica Lange) gives him the money to clear his debt, only to blow it at the casino instead, Jim is put in a precarious position when one of the loan sharks (Michael K. Williams) threatens the lives of his two students.
WHY: Rupert Wyatt’s “The Gambler” is a curious beast. It’s based on a film that’s just obscure enough that a remake wouldn’t ruffle too many feathers, yet is well-regarded by those who have seen it. In other words, the 1974 original starring James Caan isn’t exactly holy ground, but there’s not much to improve on either, which makes this Mark Wahlberg vanity project feel every bit as irrelevant as the story it’s trying to tell. Wahlberg’s character is such a miserable asshole that it’s very difficult to identify with him, despite some punchy dialogue from writer William Monahan, and to make matters worse, the actor is terribly miscast in the role. At least the gambling scenes are handled with style and verve, dripping in tension and absolutely painful to watch. But while the movie does a great job of illustrating Jim’s self-destructive nature, it never digs any deeper into the root of the problem, which makes it seem fairly hollow as a result. “The Gambler” had all the right ingredients – a great cast, a talented director and source material that’s already proven to work – but it’s a disappointing misfire that fails to capitalize on its intriguing premise.
EXTRAS: There’s a collection of featurettes covering the production process (including the differences between the 1974 original and Rupert Wyatt’s remake, location shooting and costumes), as well as six deleted scenes.
FINAL VERDICT: RENT
WHAT: Pothead private investigator Doc Sportello (Joaquin Phoenix) investigates the disappearance of his free-spirited ex-girlfriend (Katherine Waterson) and her real estate mogul boyfriend, Mickey (Eric Roberts), which may be connected to a series of other cases involving a presumed-dead musician (Owen Wilson), the murder of one of Mickey’s bodyguards and a mysterious Indo-Chinese drug syndicate called the Golden Fang.
WHY: After years of toying with my patience, Paul Thomas Anderson has finally made a movie that’s almost impossible to defend. Fans of the director will make excuses for the film’s myriad problems anyway, but the fact that they find it necessary at all only confirms what a giant mess “Inherent Vice” really is. Based on the 2009 novel by Thomas Pynchon, the so-called inherent vice of Anderson’s slacker noir is the narrative itself. It’s as if the movie, like many of its characters, is in a constant state of a drug-addled high, unable to remain focused or make sense of anything that’s going on. And while that may be the film’s big joke, it’s not a very funny one. It feels complicated for the sake of being complicated, eventually becoming so mired in all the twists and pointless subplots that it doesn’t even know what it’s about anymore. Even worse than the gaps in logic is the punishingly long runtime, which is filled with dense, drawn-out conversations that go nowhere except lead to another similarly long-winded exchange. Joaquin Phoenix nearly holds the whole thing together with his amusingly daffy performance, but he’s the only bright spot in a movie that really should have been a lot more enjoyable.
EXTRAS: There’s a deleted scene and some fluffy promotional material, but that’s all.
FINAL VERDICT: SKIP
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