Tag: Happy Hour (Page 47 of 81)

Drink of the Week: The Maiden’s Prayer

The Maiden's Prayer

C. K. Dexter Haven: The moon is also a goddess, chaste and virginal.
Tracy Lord: Stop using those foul words. – “The Philadelphia Story” (1940)

Let’s face it. Sex sells, now and forever. If anything, it sold even more so in the earlyish 20th century when there wasn’t quite such a glut on the market. In those days, the idea of visions of actual coupling — and tripling and quadrupling — of every imaginable sort being but a few mouse clicks and keystrokes away was beyond the imagination. Way beyond.

In those days even the absence of sex could be read as hot, hot, hot because, of course, it implied the theoretical presence of sex.  Then as now, of course, a drink or two or three was often a prelude to the actuality of carnal knowledge. Birth control might not have been as widely available back then but, well, there’s a good chance that going back a generation you — who knows, maybe even I — might owe our very existence to that fact. (Great-Grandma, how could you??) In an era when alcohol had more of a forbidden frisson than it might today, all the more so.

In any case, this is all a long winded way of delaying my admission that I’m actually not all that wild about today’s Drink of the Week, though you might feel differently. For one thing, time simply didn’t permit me to try out something different before my deadline on account of my current hectic schedule and the fact that one or two drinks a night is my limit most of the time. (There are times when not being more of hardcore boozer is an absolute handicap in this here booze blogging game.)

Also, it’s hard to ignore the name and the fact that the Maiden’s Prayer was apparently positioned ironically as a possible corrupter of young ladies of virtue. This is a men’s magazine blog after all. It’s certainly a simple enough concoction and all the ingredients separately are quite nice, I just don’t find it particularly seductive. On the other hand, the art of love and the craft of cocktails have a thousand pathways.

The Maiden’s Prayer

1 1/2 ounces gin
1/2 ounce Cointreau or triple sec
1/2 ounce fresh squeezed lemon juice
1/2 ounce fresh squeezed orange juice

Combine all the ingredients in a cocktail shaker. Work out your frustrations by shaking the drink as vigorously as you can manage. Pour it into a chilled cocktail shaker and give to the nearest corruptible member of the opposite sex who isn’t too fussy about cocktails.

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The provenance of this one is apparently related to a now obscure song hit about the virtues of not doing what comes naturally. Fine, but all I know is that, if I were the maiden in question, I’d be praying for a swain with better taste in drinks. It’s just kind of overly simple, even using Cointreau was only a very slight improvement over triple sec.  Better, I think, to be corrupted by a Manhattan or a Bronx or a swoon-worthy Mary Pickford.

Whatever you do, if you are serving this to an actual maiden who knows the name of the drink, I would be careful about garnishing this one with a cherry. Safer to stick with a lemon or orange twist.

Friday Video: Dave Grohl, Elvis Costello, Bruce Springsteen and Steve Van Zandt cover The Clash

In a tribute to Joe Strummer and The Clash, Dave Grohl, Elvis Costello, Bruce Springsteen and Steve Van Zandt got together at The Grammy Awards in 2003 to perform The Clash’s “London Calling.” Pete Thomas joined them on drums and No Doubt’s Tony Kanal is also there playing bass. It’s a pretty incredible performance.

It also created the inevitable flame war in the YouTube comments, with some youngsters taking shots at “dad rock” some punk fans expressing outrage that traditional rockers like Springsteen would cover The Clash. More knowledgeable fans then pointed out that Joe Strummer always admired Bruce, and once said, “Bruce is great. If you don’t agree with that, you’re a pretentious martian.”

Enjoy the video.

Drink of the Week: The Corpse Reviver #2

The Corpse Reviver #2What we have here, my friends, is a failure to be creative. In my ongoing quest to deplete my liquor supplies in advance of an impending move, while also trying to keep my cocktails simple on account of my current hectic schedule, I attempted my favorite vermouth-heavy martini variation; unfortunately, it seemed that  my home supply of Noilly Prat had gone slightly off due to old age. Then I tried making up my own simple drink using an awful lot of Lillet Blanc — an underrated type of fortified wine that’s like a sweeter version of dry vermouth — and gin. The result was not so good.

Finally, I happened upon this week’s tasty yet macabre selection, but forgot to include one key ingredient. Was this the sort of accident which could lead to the creation of an entirely new drink? Alas, no. Sans fresh lemon juice, the Corpse Reviver #2 is more of a coma inducer. Fortunately, with lemon juice, this certified cocktail classic‘s certainly good enough for any living being. I just can’t claim any credit for it.

The Corpse Reviver No. 2

1 ounce gin
1 ounce Lillet Blanc
1 ounce Cointreau or triple sec
1 ounce fresh lemon juice
1-3 drops absinthe (you might be able to substitute other anise flavored liqueurs such as Pernod, Anisette, or pastis)
cocktail cherry or lemon twist (pretty optional garnish)

Combine your ingredients in a cocktail shaker with plenty of ice. Shake loudly enough to raise the dead and strain into a cocktail glass that itself is as cold as death. Add the cherry or lemon twist, if you like. Toast the resurrection of your own choosing. (Fellow nonbelievers may feel free to apply the concept to their favorite sports team or political candidate.)

Alternatively, you can set the absinthe aside and add the drops of anise-flavored bitterness directly to the glass for a somewhat more pungent beverage.

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Despite the name — we’ll eventually get around to Corpse Reviver #1, I’m sure — this is a simple, sturdy, and pleasurable drink. The absinthe, which is not a personal favorite of mine, nevertheless acts as a very solid alternative to bitters and opens up the drink while the lemon juice balances out the sweetness of the Cointreau/triple sec and the Lillet Blanc. The fresh citrus might not actually bring anyone back from the grave, or even do anything for a common cold, but it is healthy and 100% guaranteed to prevent scurvy, of course.

By the way, the Corpse Reviver’s name actually comes from the fact that this was considered a “morning after” drink and/or a great a.m. pick-me-up. No comment. The first to widely document and popularize the drink was booze pioneer Harry Craddock and a key name in its more recent history is revivalist Ted Haigh, aka “Dr. Cocktail.”

If you’re looking for someone to raise to your corpse reviving glass to, one person whose done his share of onscreen corpse revival — and much more corpse creation — is the great character actor and eternal heavy Christopher Lee of “Horror of Dracula,” “The Wicker Man,” “Lord of the Rings,” and “The Man With the Golden Gun” to name only a very few. Having recently turned a still-going-strong 90, he’s in no need of revival. On the other hand, this does seem like an ideal time to give him his say on the topic of cocktails.

Drink of the Week: The Lucien Gaudin

The Lucien Gaudin Last week, I decided it was time to finish off my Campari bottle in preparation for my upcoming move. I have now completed what I started — not the move, but the Campari bottle — with a really tasty classic cocktail featuring three other somewhat more common cocktail ingredients. Made correctly, this simple yet exacting cocktail named for a once world-famous fencer can parry the tastiest thrusts of all but the sharpest competitors.

The Lucien Gaudin

1 once gin
1/2 ounce Campari
1/2 ounce Cointreau or triple sec
1/2 ounce dry vermouth
Lemon twist (garnish)

Combine ingredients in a cocktail shaker with plenty of ice, preferably crushed or cracked, and stir — stir, I tell you — vigorously. Strain into a chilled cocktail glass. Add lemon twist. En garde!

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According to some older hands at the cocktail blogging game, not to mention Encyclopedia Brittanica, the late Mr. Gaudin apparently suffered from a much too sensitive ego. The story goes that the 1928 Olympic French gold medalist committed suicide in 1934 after receiving a presumably not so grievous thumb wound from a non-fencer in the course of a duel.

How much more would the champion’s ego have been hurt to find that the relatively obscure drink named after him seems to be the subject of vastly more Internet posts that his actual life or accomplishments? To be fair, it is also rumored that Gaudin, who was a banker by trade, suffered some financial reversals during those middle years of the worldwide great depression. Even so, it’s a shame he couldn’t have pulled it all back together somehow, if only for the cocktail’s sake.

Well, at least the Lucien Gaudin is a dandy drink. Just be sure to be as accurate with your measurements as a duelist needs to be with his thrusts. When I strayed even slightly and by accident from the proportions listed above, the cocktail was nowhere near as refreshing.

Oddly, I also found that, while the common reasoning given for stirring rather than shaking the drink is strictly aesthetic, it also seemed to taste a lot better without the “clouding” that so bothers boozy aesthetes. I’ve no idea why that would be, though I suppose the emphasis on presentation in cocktails has some solid psychological underpinnings. I did find, however, that while Cointreau yielded the more interesting flavor,  a version made with far cheaper Bols Triple Sec was also extremely nice. So, there’s that much leeway, at least.

In any event, even if the late Mr. Gaudin has gotten the short of the stick both from himself and from sporting history, we at least remember him here.

Friday Video – Kenna, “Freetime”

Click here to listen to Kenna’s New Sacred Cow on Spotify

A true rarity in music video these days: an entire story, told from the knees down.

Kenna isn’t asking for anyone’s sympathies, but it’s awfully hard to not feel sorry for the guy. His debut album New Sacred Cow was scoring massive advance buzz thanks to an eye-opening video for the song “Hellbent.” DreamWorks (remember when they were a record label, too?) seemed to have a big hit on their hands…and then the album never came out. Another year went by, and it still hadn’t come out. Eventually, Sony jumped in to rescue New Sacred Cow from purgatory and did everything they could to recreate the momentum that Kenna had two years earlier – case in point: we saw Kenna play Schuba’s in Chicago, and the label picked up the bar tab for the attendees, NICE – but the album just never found the mainstream audience that seemed well within its grasp.

Come on, take a look at this video, and tell us it isn’t a work of art. You get the full cycle of the fight, the misguided decisions that came in its wake, and the final, sweet, make-up kiss…along with a nice final revelation in the last shot, and not once do we see even a glimpse of anyone from their thighs to their eyes. Kenna makes an appearance in the clip, though it’s on a poster.

Happy Friday, everyone. Don’t steal any bicycles after fighting with your girl. It will only lead to trouble.

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