Category: Television (Page 76 of 84)

Breaking Bad 4.5 – “Go ahead, kid. Smoke up.”

This week’s adventures of Walt and the gang kicked off like they were trying to emulate a classic “Starsky and Hutch” episode. I mean, seriously, all it was missing was the classic Lalo Schifrin theme song, and even then…well, maybe it’s just my imagination, but damned if it didn’t sound like they were trying to offer a little bit of a Schifrin vibe with the music that was playing behind Walt as he made his frantic phone call to Saul and the slightly less frantic follow-up to Skyler.

The beats were still rockin’ when we came back, but once Walt parked and popped into Los Pollos Hermanos, it was time to ratchet up the tension. Is Gus there? Is he watching Walt on the surveillance cameras? Is he going to try and slip out of his office, into his car, and away from harm? Or is Gus going to stay safely ensconced in the back of the restaurant and send a bunch of hired goons (hired goons?) to whack Walt? We don’t find out the score right away, thanks to the ear-damaged yet ever sarcastic Mike calling up and confirming Jesse’s safety…well, more or less, anyway. It’s a hilariously frustrating conversation for Walt, and it doesn’t really offer us much more in the way of clarification than the last moments of last week. Yes, Jesse’s with Mike, but where are they going? The lack of answers coupled with the additional news that he’s going to have to cook a batch of meth without his usual assistant finally sends Walt over the edge and behind the counter, only to learn that – well, what do you know? – Gus’s right-hand woman was telling the truth all along: he really wasn’t back there. Still, give Walt credit for having the cajones to bust back there and find out for himself.

So, seriously, what the hell is Mike going to do with Jesse? When we last left Jesse, he didn’t seem to care. Now, though, he’s a little more interested, which seems to bemuse Mike a bit. I’d be surprised if any of us really thought that the drive was going to end with Mike popping Jesse – I mean, Vince Gilligan might not be afraid to blow his viewers’ minds, but he’s not going to take out one of the show’s main characters a mere five episodes into this new season – but I did start theorizing what the situation might be, and after their first stop, I found myself wondering, “Is it possible that Mike’s seeing a bit of himself in Jesse?” It hadn’t occurred to me prior to when Mike started digging up the booty, but at the moment he told him how many more stops they had to make, I thought, “Maybe he’s working his way up to telling Jesse, ‘Look, I’ve killed people, too, and it never gets any easier.'” Jesse, however, just looked confused…and I’m sure I looked the same way when Mike blew my theory out of the water a few scenes later.

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Entourage 8.3 – One Last Shot

If there was ever any doubt that Vince would be able to kick his drug habit without relapsing even once, then tonight’s episode surely put an end to that debate, as it’s hard to imagine him even thinking about cocaine after what he witnessed. Though everyone warned him not to trust producer Carl Ertz (who, in addition to screwing him out of a movie a few years ago, didn’t appear nearly as drug-free as he claimed), Vince was all too willing to give him a second chance.

And though it looked like his faith in Ertz was actually going to pay off after CBS agreed to produce Vince’s TV movie with Drama attached, it all came tumbling down when he realized that Ertz was only doing him a favor so that he could pitch him some crappy action thriller called “Tax Man.” Turtle knew right away that something wasn’t right, but Vince was determined to stay and help Ertz get through his latest drug bender without anyone getting harmed. I kept telling myself that it wasn’t going to end well, and sure enough, Ertz ended up locking himself in his bathroom and shooting himself in the head. Talk about scaring someone straight. I’ve never seen Vince that shaken up before, and that includes his recent brush with death on that Nick Cassavetes movie.

While Vince tried to play sponsor to Ertz, Eric and Scotty were busy making sure that Drama didn’t shoot himself in the foot by siding with Dice over his contract demands. Though Drama wasn’t exactly opposed to the idea of making more money, after Phil reminded him of a past gig he had (a ‘90s cop show called “Concrete Heat”) that tested through the roof only to last a single week on the air, Drama agreed that it probably wasn’t worth the risk. Unfortunately, Dice refused to budge, and though Eric told him that the network would just fire him if he threatened to walk off the show, Dice decided to take his chances. As it turns out, it was a lose-lose situation for everyone involved. Dice got the boot, and in trying to replace him with an impersonator (played by Jamie Kennedy), Phil may have just ruined the only good thing that “Johnny’s Bananas” had going for it. Drama definitely didn’t look too happy about his new castmate, while Billy Walsh threw a king-sized hissy fit and stormed out of the building in classic fashion.

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Breaking Bad 4.4 – My Star, My Perfect Silence

Tonight’s episode opened with a major shoot-‘em-up sequence, offering further proof that what other gunmen need a hail of gunfire to accomplish, Mike only requires one or two well-placed bullets. What can you say? Dude’s a badass, and now being in possession of a slightly damaged right ear doesn’t change that one bit. The only question left by this scene was, who was doing the shooting? Or am I already supposed to know that?

It’s 3:01 AM, and Skyler’s having a restless night’s sleep. Why? Is it because her mind is filled with ideas on how to take advantage of this new business situation in which she’s found herself? No, it’s because she’s so concerned about the web of lies that she’s involved in spinning and wants to be damned sure she can cover her ass at every turn. Take, for instance, the story she told Marie about how Walt made all of these ill-begotten gains through gambling: time to back that up with making Walt attend Gamblers Anonymous meetings and display a mastery of Blackjack. Unfortunately, in addition to his consistent refusal to concede that he’s wrong about anything ever, Walt seems to be getting a trifle annoyed with Skyler’s continual attempts to maintain the reigns of command…though in fairness, it’s hard to imagine anyone not getting annoyed with Skyler, giving how anal she’s being about following the incredible in-depth script she’s composed for the impending fake admission to Hank about Walt’s gambling and the buying of the car wash. Great scene in principle, but it went on so long, with Skyler getting so increasingly specific with her plan, that it’s hard to imagine anyone making it to the end without thinking at least once, “There’s no way everything’s going to go according to plan.” And it didn’t…though it wasn’t because of the script. (Again, a classic case of “Breaking Bad” zigging when any other show would’ve zagged.)

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Entourage 8.2 – Out with a Bang

After focusing pretty heavily on Vince’s return from rehab this week, the actor was stuck in the background for most of tonight’s episode, leading me to wonder whether he’ll even get the chance to mount another comeback before the end of the season. Sure, there was a tiny subplot involving him writing the script to that Romanian miner movie he wants Drama to star in, but apart from getting Billy to read the outline and agree to help flesh it out, Vince was surprisingly MIA this week.

He mostly just followed the rest of the gang around like he was part of Drama’s entourage – a scary thought, I know, but things are once again looking up for Vince’s older brother. Despite my personal feelings about “Johnny’s Bananas,” the guys seem to think it has the potential to become a runaway hit, even if Andrew Dice Clay has reservations about it performing well with the public. So when Phil drops by the recording studio to inform Drama and Dice that the show is being screened for a test audience, Dice practically begs him to tag along.

Unfortunately, that may not have been the best decision, because as soon as the Dice Man hears that “Johnny’s Bananas” tested through the roof, he immediately starts planning a mutiny to walk from the show. That’s pretty amateur behavior on his part, no matter how much he thinks they’re being underpaid. After all, the cartoon isn’t even on the air yet, and as Jerry Seinfeld (whose own show famously scored terribly with test audiences) can probably attest to, those scores mean very little in the grand scheme of things. Drama would be wise to keep his cool and not let Dice get into his head, because if he screws this opportunity up, it could very well be his last.

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Breaking Bad 4.3 – Peas and Ice and One Bottle of Champagne

This episode might’ve been called “Open House,” but when it first began, it seemed as though it should’ve been called “Dead Man Walking,” so dour was Walt’s expression when he first entered the SuperLab. But then he poured himself a cup of coffee and found a smile…which, within moments, had turned into something between a frown and a snarl. Yep, Walt’s going through some emotional turmoil at the moment, unable to enjoy his “victory” over Gale because he’s convinced that a final battle between himself and Gus is inevitable, and the addition of security cameras which literally follow him wherever he goes in the lab…well, that’s just the cherry of on top of his seething sundae of hatred for his employer.

But that’s not what this episode is about. Not really, anyway. It’s much more about the two husband-and-wife relationships of the series – Walt & Skyler and Hank & Marie – and, to a lesser extent, poor Jesse, who’s never seemed quite so alone and adrift as he does this week.

Skyler wants to talk about the car wash. Walt doesn’t. Given her persistence to get him to come to the door in the first place, it’s fair to suspect that she would’ve shoved her way past him in annoyance eventually, but once she spotted his bruised eye, it’s notable that her first reaction was concern…not for what it might mean to her and the kids, but simply for Walt. Further confirmation that no matter what kind of ass Walt might be, she still loves and cares for him. Unfortunately, as far as Walt’s concerned, she cares a little too much, dismissing her suggestions to go to the police, then getting grouchy and accusing her of undue passive-aggression. Even when she makes him swear that he’ll go to the police if things get really, really bad, his response of “absolutely!” is utterly devoid of any ring of truth.

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