Category: Television (Page 28 of 84)

Blu Tuesday: Olympus Has Fallen, Girls and More

August 13, 2013 / Jason Zingale

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Olympus Has Fallen”

WHAT: When former Secret Service agent Mike Banning (Gerard Butler) gets trapped inside the White House following a terrorist attack, he must rely on his special skills to rescue the President (Aaron Eckhart) from his captors before they detonate the country’s entire nuclear stockpile on domestic soil.

WHY: Antoine Fuqua may have beat Roland Emmerich’s “White House Down” to the punch by being the first Presidential action flick out of the gate, but not without the final product suffering as a result. The special effects, in particular, look a little unpolished (undoubtedly due to its tight post-production schedule), and although it features an excellent cast, many of the actors are wasted, perhaps none more so than Eckhart, who’s given very little to but grimace and grit his teeth. It’s also completely ridiculous in just about every way, from an unidentified Black Hawk flying straight into Washington, D.C. (when it would have been shot down as soon as it entered U.S. airspace), to North Korean terrorists overtaking one of the country’s most heavily guarded buildings in a matter of minutes. The film takes a while to get going, but once Banning gets into full stealth mode, “Olympus Has Fallen” becomes quite enjoyable – a poor man’s “Die Hard” in the best sense possible.

EXTRAS: In addition to a making-of featurette titled “Under Surveillance,” there are four more featurettes on the cast, special effects, stunts and the Black Hawk sequence, as well as a short blooper reel.

FINAL VERDICT: RENT

“Girls: Season Two”

WHAT: The further adventures of Hannah Horvath (Lena Dunham) and her group of twenty-something friends – Marnie (Allison Williams), Shoshanna (Zosia Mamet) and Jessa (Jemima Kirke) – as they traverse the ups and downs of adulthood in New York City.

WHY: I had a very love-hate relationship with the first season of “Girls,” but Season Two is such a complete train wreck that it made me want to stop watching the show altogether. Dunham has created one of the most unlikable protagonists on TV (between her coke-fueled meltdown and the Patrick Wilson episode, she hits an all-time low), and Williams’ laughably insecure Marnie isn’t too far behind. In fact, the female characters have so few redeeming qualities – even Mamet’s lively Shoshanna resorts to some bad behavior this season – that it’s a wonder how the audience is supposed to keep rooting for them. Thankfully, their male co-stars at least make “Girls” tolerable. Season One standout Adam Driver continues his strange but endearing performance as Hannah’s on-again-off-again boyfriend, while Alex Karpovsky seizes his expanded role with aplomb. Unfortunately, the show isn’t called “Boys,” although as far as spinoff ideas go, giving Driver and Karpovsky their own series sounds infinitely better than whatever Dunham cooks up next.

EXTRAS: There’s certainly no shortage of bonus material here, highlighted by cast and crew audio commentaries on seven episodes. Also included is a series of deleted scenes, Inside the Episode featurettes, a table read for Episode 5, a Charlie Rose interview with Lena Dunham, a making-of featurette, a roundtable discussion with the show’s male co-stars, and if you can believe it, much more.

FINAL VERDICT: SKIP

Entertainment, Movies, Television

Blu Tuesday Emperor Girls: Season Two new Blu-rays Olympus Has Fallen The Big Wedding The Company You Keep What Maisie Knew

“Doomsday Castle” ready for Armageddon on Nat Geo Channel

August 12, 2013 / Bullz-Eye Staff

“When the world is in chaos and consumes the world, our family will survive….” This is Brent Sr.’s best quote, and that sums up his plan. Nestled high in the Carolina Mountains, Brett and his family have constructed a foreboding medieval castle to ward of the baddies in the event of an Electro Magnetic Pulse (EMP) from the sun. In doomsday prepper lore, an EMP will plunge the country and then the world into chaos by wiping out the power grid. Our good friends at the National Geographic Channel invited us up to this wildly remote fortress to see the family and their doomsday plans in action and it was a trip unlike any other!

National Geographic Channel’s new summer series “Doomsday Castle,” their first spin off series after the hugely popular “Doomsday Preppers,” premieres Tuesday night, August 13th, at 10 pm ET/PT. Their cameras follow every step of the process behind the family’s adventure, from Brent Sr. summoning his family to see if they have what it takes to survive the upcoming apocalypse to the family finishing the construction on the enormous half built castle. Along the way we’ll see his near-maniacal military-driven crash course in survival, be it in tactical response to real invasion scenarios, survivalist training for substance and nourishment and fortification construction and defenses.

After a grueling ride in an ex-Army issued troop transport vehicle of some kind, we made it to the most remote part of the Carolina mountains that I thought every existed. Brent Sr. had scouted out and bought 500 acres here just for the placement and construction of this family fortress to battle the eventual rush of the population to find food and more in the event of Armageddon. Spectacular views greeted us there along with the castle itself. The family members were waiting to give us tours and instruction on various skills and techniques their father and his side kick, ex-Army Ranger (and complete bad ass) Military Mike, had given them over the course of the series filming. This included rappelling off the castle walls, zip lining to safety off the castle parapets, Viet Cong style booby trap construction, cross bow practice (to zombie targets with exploding heads), catapult defense demos and remote listening post construction and usage.

The family included a remarkable group of characters, with three attractive daughters in their early to mid-20s – Ashley, Lindsey and Dawn-Marie. Elder son Brent II was the rebel of the group and younger son Michael was already an experienced prepper and avid hunter. The three daughters were amazing troopers to survive this doomsday scenario crash course all in the remote Carolina mountains for four months and did it all with spunk and moxie. Look for individual “Doomsday Castle Girl” profiles in upcoming weeks here on Bullz-Eye.com for exclusive photo pictorials of the girls in action with weaponry and more!

“Doomsday Castle” offers a fascinating look at a family embracing the prepper movement and has plenty of action, weapons and adventure scenarios to entertain all sorts of viewers. Check it out on Tuesday night!

Entertainment, Television

Armageddon cross bow Doomsday Castle Doomsday Castle Girls Doomsday Preppers Electro Magnetic Pulse EMP Military Mike Nat Geo Channel National Geographic Channel prepper movement survivalist movement survivalist training weapons

Breaking Bad 5.9 – “Blood Money”

August 11, 2013 / Will Harris

“Breaking Bad” has always had a way with an opening shot, and the first image of the series’ final eight episodes is no exception, offering a slow, gradual pull-out from a bunch of skate rats to reveal that their choice of locate is the decidedly empty and apparently long-dormant White house. Moments later, when a heavily haired Walter White pulls up, it’s clarified that we’re back in the timeline established in the early moments of the first half of Season Five, when Walt purchased some serious firepower from his now-regular weapons guy (played by Jim Beaver). And, oh, what a dark timeline it must be, based not only on Walt’s haggard look, but on the graffiti he finds when he’s forced to break into his own house. If things are destined to reach a point where the world at large has not only identified him as Heisenberg but, indeed, has had his identify spray-painted across his living room wall…well, let’s just say these are going to be the longest eight episodes viewers have seen in a very long time.

Wandering through the wreckage that once was his house, Walt manages to confirm that, despite all the carnage surrounding him, one of his hiding places has remained secure: underneath the electrical outlet. I couldn’t quite see what he retrieved – was it the vial of ricin? – but I’m sure we’ll find out soon enough…much as we’ll find out exactly what the hell happened to make his poor neighbor Carol react in such a horrified fashion to the mere sight of Walt. Clearly, it’s no fun living next door to Heisenberg.

Post-credits, it’s back into Walt’s bedroom, except we’ve flashed back to where we were when we last left “Breaking Bad.” It’s impossible to get completely inside Hank’s head, but we come pretty damned close with the help of director…Bryan Cranston? True. The man’s come a long way behind the camera, clearly learning as much as possible from the folks who’ve helmed past episodes of the series, because he nails the panic, anxiety, and horror in Hank’s gradual realization of what his brother-in-law has been doing for the past five seasons.

As Hank and Marie drive away from the White house, Walt, Skyler, Junior, and Holly look like the perfect little family, don’t they? But then, the whole “appearances can be deceiving” has been Walt’s stock and trade since the beginning of his meth-making operation, and one could argue that the same premise applies to Hank as well. He started out as a loudmouth blowhard who seemed more like a former high school quarterback who kept his ego intact when he entered the work force, but we’ve seen several different sides of the guy now, and it’s never been more evident than it is in this episode that he’s a great goddamned detective. It’s hard to say that he’s applying Occam’s razor here, since the idea of Walt being the mastermind behind a major meth operation is the simplest explanation, but it’s a thing of both beauty and sadness to watch him work out everything that Walt’s been responsible for. It’s clear that he still doesn’t fully accept it ‘til the very end of the episode, but when that chilling exchange in the garage takes place…

Oh, but I’m getting ahead of myself.

Entertainment, News, Television

Aaron Paul Anna Gunn Bob Odenkirk Breaking Bad Breaking Bad blog Bryan Cranston Dean Norris Hank Schrader Jesse Pinkman Saul Goodman Skyler White Walter White Will Harris

The Light from the TV Shows: A Chat with Greg Mottola (“Clear History”)

August 7, 2013 / Will Harris

Greg Mottola first came to prominence as the director of the indie comedy “The Daytrippers,” but he began a much quicker rise in mainstream recognition when he helmed the comedies “Superbad” and “Adventureland.” Currently, Mottola is making the rounds to support his work as the director of Larry David’s new HBO movie, “Clear History,” but he’s not entirely confident if the word “director” really sums up his efforts on the film. Bullz-Eye chatted with Mottola during the TCA press tour, and we talked about how surprisingly easy David is to work with, how he came to appear in a couple of Woody Allen films as an actor, and what a hassle – and what fun – it was to make “Paul.”

Bullz-Eye: So directing Larry David has got to be at least somewhat of a challenge.

Greg Mottola: Um…

BE: I’m not saying good or bad, just…challenging.

GM: It’s… Well, I mean, the process was so specific. I don’t even know if my job title should be called “director” on this movie. [Laughs.] “Associate collaborator” is probably closer to it. But that’s the way it should be. I’m not sure if, in the press notes, they talk so much about how we made it, but essentially it’s the same way Larry does “Curb Your Enthusiasm,” with some key differences. But Larry writes a script-ment, they call it, so this was about 35 pages of paragraphs of what happens in this scene, with an occasional line of dialogue or joke that Larry or his co-writers thought, “Oh, we should definitely get that in.” So they write that in, but, really, no other dialogue.

And we get to the set, we walk through the scene, and we’ll just sort of block it very generally. Like, “You’re gonna enter from that door, you’re gonna be sitting here, you’re gonna come over here, talk about this, you’re gonna leave.” Y’know, just sort of walk through all the little bits of blocking, but never rehearse it at all. So the first time anyone is acting, the cameras are rolling. And it’s usually two cameras, sometimes three if we can squeeze another one in there. And Larry by and large never does the same thing twice. [Laughs.] So as a director, you’re constantly strategizing, “Okay, we did that one time, I’d like to try and get something like that line, maybe in a tighter size, so…let’s switch lenses right now while we’re in the zone, and we’ll swap back and do wide shots again.” So you’re constantly just sort of improvising the directing style as everyone’s improvising the lines.

So directing Larry is just sort of endless conferences between takes about, “We’d like this from that, we didn’t like that,” just sort of honing in on what worked, sometimes stopping entirely and saying, “This doesn’t work at all, let’s start from scratch and just approach it completely differently and do a different version of the scene.” And that happened a few times. We’d have two completely different versions of the same scene…and usually the one that ends up in the movie is the second one. You know, the one thing about Larry is that he’s an absolute pleasure to work with. Despite his sort of screen persona and his point of view about human nature, which—between “Seinfeld” and “Curb”—is pretty clear… [Laughs.] He’s a really happy guy! He’s a guy who walks around whistling and practicing his golf swing. He’s, like, in a good mood 99% of the time. So it’s great to work with him.

BE: I…can’t really wrap my head around that.

GM: [Laughs.] It is hard to believe.

Entertainment, Interviews, Movies, News, Television

Celebrity Clear History Curb Your Enthusiasm Doug McGrath Greg Mottola HBO Hollywood Enmding Jon Hamm Larry David Louis C.K.Melanie Griffith Paul Philip Baker Hall Seinfeld Sidney Lumet Simon Pegg The Daytrippers The Light from the TV Shows W.C. Fields Will Harris Woody Allen

Blu Tuesday: Oblivion, The Place Beyond the Pines and More

August 6, 2013 / Jason Zingale

“Oblivion”

WHAT: Jack Harper (Tom Cruise) is one of the last remaining humans on Earth – a drone repairman that’s part of an operation to extract vital resources from the planet after a decades-long war with an alien race known as Scavengers. But when Jack rescues the literal woman of his dreams (Olga Kurylenko) from a crashed spacecraft, her arrival triggers a series of events that forces him to rethink everything he knows about the world.

WHY: Following the massive disappointment of “TRON: Legacy,” Joseph Kosinski’s sophomore effort looked like it would just be more of the same, but much to my surprise, his latest sci-fi project is a lot better than expected. Unlike the “TRON” sequel, Kosinski created the world of “Oblivion” from the ground up, and it really shows, from the rich mythology to the Apple-inspired production design. Kosinski’s outstanding visuals are still front and center, but this time around, he’s also delivered an engaging story in addition to the effects-driven spectacle. Though genre fans will notice that “Oblivion” borrows pretty heavily from a recent sci-fi movie that will remain unnamed (not to mention other classics), it’s still a really great concept that, while not exactly original, is cool to see realized on a grander scale. The final act isn’t handled quite as gracefully as its indie counterpart, but between Kosinski’s visuals and Tom Cruise’s commanding performance, “Oblivion” is still one of the better sci-fi flicks of the past few years.

EXTRAS: There’s a good deal of bonus material here, including an audio commentary with star Tom Cruise and director Joseph Kosinski, a making-of featurette, four additional production featurettes on things like stunts, visual effects, the bubble ship and scoring the film, some deleted scenes, and the ability to watch the entire movie accompanied by M83’s isolated score.

FINAL VERDICT: RENT

“The Place Beyond the Pines”

WHAT: When motorcycle stunt rider Luke Glanton (Ryan Gosling) discovers that he has a son, he turns to robbing banks as a way to provide for him and his mother (Eva Mendes). But Luke’s actions place him on a collision course with a rookie policeman (Bradley Cooper) who gets caught up in an investigation involving some dirty cops.

WHY: Derek Cianfrance’s multi-generational crime drama is an incredibly ambitious piece of work, though he seems to have bitten off more than he can chew. Divided into three interconnected stories, there’s not much to each one, but they’re all necessary to telling the larger narrative, and that’s what makes the movie so frustrating. Cianfrance deals with some familiar themes of fatherhood, consequences and destiny, but it’s such an epic undertaking that it ultimately becomes too much movie for its own good. The opening segment is the standout, mainly thanks to some great performances by Gosling, Mendes and character actor Ben Mendelsohn, and although the other two stories aren’t bad, they’re noticeable weaker, causing the film to feel a bit lopsided. “The Place Beyond the Pines” isn’t perfect (the first hour makes up for some of the more unflattering heavy-handedness that Cianfrance resorts to in the latter half), but it’s a movie that demands a lot of respect for not only taking big risks, but the way that it resonates emotionally.

EXTRAS: There’s an audio commentary with director/co-writer Derek Cianfrance, a short but sweet making-of featurette and four deleted/extended scenes.

FINAL VERDICT: RENT

Entertainment, Movies, Television

Aftershock Blu Tuesday Mud new Blu-rays Oblivion Strike Back: Cinemax Season Two The Place Beyond the Pines The Sapphires