Category: Movies (Page 166 of 191)

Blu Tuesday: Arnie Goes to Mars and More

It’s probably a good thing that the Summer Olympics are going on right now, because this week’s new releases don’t offer a whole lot to get excited about. While horror fans will find a few titles worth digging into, the only real Blu-ray of note is the reissue of the Arnold Schwarzenegger sci-fi classic, “Total Recall” – unless you love Marilyn Monroe, in which case Fox’s seven-movie “Forever Marilyn” box set is an absolute must-have.

“Total Recall”

With a new version of “Total Recall” arriving in theaters this weekend, it was inevitable that Lionsgate would reissue Paul Verhoeven’s 1990 original on Blu-ray in conjunction with its release. It’s been a long time since I’ve seen the movie, and the first thing that crossed my mind upon revisiting the film was that I couldn’t believe my parents actually let me watch this at such a young age. Though not nearly as violent as Verhoeven’s other sci-fi cult classics “RoboCop” and “Starship Troopers,” “Total Recall” has its share of graphic gore, not to mention the grotesque (but brilliant) special effects by Rob Bottin. For as beloved as the movie is in certain circles, however, it hasn’t held up particularly well, with many of the futuristic props and production design coming off even cheesier and more dated than before. Of course, that’s the danger of the sci-fi genre, but it doesn’t change the fact that “Total Recall” is still a fun slice of escapist entertainment that, depending on which side of the “Was it real or a dream?” argument you fall on, is also a lot smarter than it looks.

Blu-ray Highlight: The audio commentary by director Paul Verhoeven and star Arnold Schwarzenegger is a great listen if you never got around to checking it out on previous releases, but the disc’s all-new interview with Verhoeven is a much more interesting retrospective on the film’s production process, with the director offering details on the script and its troublesome third act, working with Arnold, the visual effects and more.

“Detention”

Joseph Kahn’s bizarre genre mash-up is one those movies that will likely earn a small cult following who swear that it’s a misunderstood masterpiece, but they’d be wrong. Those same people might even say that it deserves to be admired for its originality, and while that’s true to a certain extent, the entire plot is dependent on paying homage to a medley of films including “Scream,” “The Breakfast Club,” “Back to the Future,” “Heathers, “Donnie Darko,” and every Gregg Araki movie ever made. Though it shows some real promise early on (the opening sequence, in particular, is a hilarious meta-satire of teen slasher films), “Detention” gradually gets worse as the story begins to lose focus amid its scattershot collection of ideas – some good, some bad, and some just poorly executed. The movie is all over the place, and despite Kahn’s attempts to make sense of everything by introducing time travel to the equation, he only ends up creating an even bigger mess. There are some brief moments of comic brilliance scattered throughout, but why waste your time when you could just watch the far superior “Cabin in the Woods” instead?

Blu-ray Highlight: Regardless of how you feel about the movie, the picture-in-picture commentary track “Cheat Mode: The Unbelievably Mind Melting Making of ‘Detention’” is the kind of extra that I’d like to see on more Blu-ray releases. Unlike Universal’s similar U-Control feature, “Cheat Mode” runs the entire length of the film and includes interviews with the cast and crew, behind-the-scenes footage, photos and much more.

“4321”

I don’t know what it is about the British and their obsession with crime films, but credit to “4.3.2.1” for at least trying to do something different with the genre. Unfortunately, Noel Clarke’s follow-up to his directorial debut, “Adulthood,” is a simple case of a good idea ruined by terrible execution. Presenting the film as a series of interconnecting stories is a difficult undertaking on its own, but organizing it in such a confusing manner (with each part of the tale told in its entirety, one after the other) causes a disconnect with the audience early on, as it’s difficult not to feel completely lost. Granted, by the time all four stories have unraveled, everything starts to make sense, but apart from the “ah-ha” moment that it provides, it’s wholly unnecessary. Most of the acting is solid, and the movie features some fun cameos from the likes of Kevin Smith and Mandy Patinkin (the former of which is the highlight of the whole film), but “4.3.2.1” gambles so much on its gimmicky plot device that Clarke has no one other than himself to blame when it doesn’t work out.

Blu-ray Highlight: The only included extra is a pretty standard making-of featurette comprised of interviews with writer/co-director Noel Clarke and the cast. It’s hardly must-see material, but fans of the movie won’t be completely disappointed either.

Coming Soon: A Moviegoer’s Guide to August

August has never been the most exciting part of the summer movie season, but the studios have treated it like a warm-down of sorts in recent years, taking the opportunity to discard their misfit films with seemingly no interest in how they perform. That may change this year, however, as there are a number of high-profile movies (including several targeted at action fans) that could end up doing some pretty big business. In fact, with the somewhat disappointing summer that we’ve had so far, it’s not entirely unreasonable to suggest that August might end up being the highlight of the season.

“TOTAL RECALL”

Who: Colin Farrell, Jessica Biel, Kate Beckinsale, Bryan Cranston and Bill Nighy
What: Factory worker Douglas Quaid begins to suspect that he’s a spy after visiting Rekall, a company that provides its clients with implanted fake memories.
When: August 3rd
Why: While not exactly a remake in the conventional sense, director Len Wiseman’s adaptation of the Philip K. Dick short story “We Can Remember It for You Wholesale” has nonetheless caused diehard fans of Paul Verhoeven’s 1990 original to scream blasphemy. But just like that movie was forced to get creative and expand upon Dick’s story, so too has Wiseman’s version, seemingly sticking closer to its source material by keeping the action on Earth. Colin Farrell is definitely an inspired choice to play Quaid (and just like Adrian Brody in “Predators,” it should help to limit the comparisons to Arnold Schwarzenegger), while Bryan Cranston is on such a hot streak right now that it’s hard to imagine anyone else as Cohaagen. Whether Jessica Biel, Kate Beckinsale or the special effects provide the film’s best eye candy, however, is still up for debate.

“CELESTE AND JESSE FOREVER”

Who: Rashida Jones, Andy Samberg, Elijah Wood, Emma Roberts and Ari Graynor
What: A divorcing couple tries to maintain their friendship while pursuing other people.
When: August 3rd
Why: In addition to being a smart piece of counterprogramming to “Total Recall,” the indie dramedy has been riding a wave of strong buzz since its premiere at Sundance earlier this year, where most critics praised the excellent chemistry between its two stars. Though I’m not entirely sold on the idea of Andy Samberg as a romantic lead (or a serious actor, for that matter), I’ll see just about anything that Rashida Jones does these days, especially if it leads to more high-profile roles for the “Parks and Rec” actress. Jones also co-wrote the screenplay, which boasts an interesting premise that practically guarantees it won’t be anything like the typical Hollywood rom-com, with a more dramatic streak reminiscent of movies like “Annie Hall” and “(500) Days of Summer.” And if it’s even half as good as those films, we’re in for a pleasant surprise.

“HOPE SPRINGS”

Who: Meryl Streep, Tommy Lee Jones, Steve Carell and Jean Smart
What: After 30 years of marriage, a middle-aged couple attends an intense, week-long counseling session to work on their relationship.
When: August 8th
Why: There are usually a few movies every summer targeted explicitly towards adult audiences, and more often than not, one of them stars Meryl Streep. That’s the case once again with this geriatric twist on the traditional rom-com, which reunites Streep with her “The Devil Wears Prada” director David Frankel. Unfortunately, “Hope Springs” doesn’t look nearly as good, instead hewing closer to the vibe of “It’s Complicated,” at least where Streep’s overly giggly character is concerned. The actress appears to be trying too hard to get a laugh, while Steve Carell doesn’t seem to have that much to do. The wild card is Tommy Lee Jones, who isn’t the first person you’d think of for this kind of role, but that’s exactly why it’s such a brilliant piece of casting. And if the three actors work as well together as you’d expect, “Hope Springs” might not be that bad after all.

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Hidden Netflix Gems: ‘Tim and Eric’s Billion Dollar Movie’

This week’s Hidden Netflix Gem: “Tim and Eric’s Billion Dollar Movie” (2012)

Everyone who’s kept up with Cartoon Network’s Adult Swim comedy block over the past few years has heard of Tim Heidecker and Eric Wareheim, the masterminds behind “Tim and Eric Awesome Show, Great Job!” And everyone who’s watched the show knows that after seeing it you’ll a) never be able to watch commercials the same way again, and b) notice how much influence these two fellas have had over what is now considered “mainstream” comedy.

“Tim and Eric Awesome Show, Great Job!” was a sketch show that ran from 2007 to 2010. It was freakin’ weird, to say the least, and its surrealistic, satirical humor mocking advertisements, public-access television, and everything in between has since spawned a spin-off, “Check It Out with Dr. Steve Brule,” which stars John C. Reilly, and the full-length feature “Tim and Eric’s Billion Dollar Movie” (B$M).

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Blu Tuesday: King Frasier, Broken Promises and High Society

There’s not as much variety this week compared to the rest of July, nor are there any titles that can be deemed must-see material, but today’s batch of new releases still boast a few Blu-rays that movie and TV fans should at least consider checking out, including Starz’s latest original series and yet another gem from the guys at Criterion.

“Boss: Season One”

Unless you’re really interested in politics, you likely won’t find much to enjoy about the Starz drama “Boss,” because while the show is a good idea in theory (it’s essentially a modern-day take on “King Lear” with a dash of “Citizen Kane”), it never amounts to more than a low-rent version of much better TV series. The storylines feel stale and melodramatic, the characters are mostly one-dimensional, and the shooting style is so distracting (with lots of extreme close-ups and bad camera work) that it takes you out of the story. Kelsey Grammer does some solid work as the crooked mayor struggling with a debilitating brain disorder, but it hardly warrants the Golden Globe that he won over more deserving actors like Bryan Cranston. And while the audience is asked to empathize with his character, he’s such a scumbag that you find yourself rooting against him more often than not. You don’t have to be a good guy to be engaging (see: “The Shield” or “Breaking Bad”), but it helps if your characters are at least likeable, and that’s something that “Boss” is really lacking.

Blu-ray Highlight: The two audio commentaries by creator Farhad Safinia are worth a listen, but the included featurette “The Mayor and His Maker” is even better, because it pairs Kelsey Grammer with Safinia for an interesting discussion about the show’s origins, how the monologues serve as the centerpieces for each episode and more.

“Silent House”

If the psychological thriller “Silent House” had actually been filmed in one continuous take like the directors originally claimed, it definitely would have earned a little bit of my respect, even though it wouldn’t have necessarily made the movie any better. As it stands, however, this ill-fated remake of the 2010 Uruguayan import of the same name is just plain boring. The one-take gimmick loses its allure as soon as you realize it’s all a big lie (the cuts aren’t even hard to spot if you’re looking for them), while the story falls back on the same generic horror tropes that have plagued the genre for decades. Not even the twist ending is much of a surprise, and with the exception of a clever sequence later in the film where Elizabeth Olsen uses a Polaroid camera as a makeshift flashlight, it’s completely devoid of suspense. The actress just barely holds the film together thanks to another strong performance, but it’s not enough to make “Silent House” as effective as it probably could have been.

Blu-ray Highlight: Directors Chris Kentis and Laura Lau (who also penned the script) are a little more forthcoming about how they filmed the movie on the disc’s audio commentary, explaining the logistics behind shooting the extended scenes (each one about 12 minutes in length) and then piecing them together to look like one long take.

“Metropolitan”

I wasn’t aware of Whit Stillman prior to the release of his new film, “Damsels in Distress” (most likely because it’s his first movie since 1998), but Criterion has taken advantage of the writer/director’s long-awaited return by releasing two of his early features on Blu-ray for a new generation to discover. For those unfamiliar with Stillman’s debut, “Metropolitan” can be best described as a bourgeois Woody Allen comedy of manners, or even a Bret Easton Ellis novel minus all the sex, drugs and paranoia. The dialogue is sharp and witty, and although the cast is comprised of a bunch of unknown actors (most of whom never did anything else of note), they do a pretty good job considering their obvious lack of experience. And though Stillman’s own inexperience shows in his failure to give certain scenes room to breathe, the unconventional, montage-like narrative structure actually grows on you as the movie progresses. It doesn’t make its upper-crust characters any easier to relate to, but Stillman’s whip-smart script manages to hold your interest in spite of that.

Blu-ray Highlight: Though it’s a bit light on bonus material for a Criterion release, the all-new audio commentary with writer/director Whit Stillman, editor Christopher Tellefsen, and actors Christopher Eigeman and Taylor Nichols offers an interesting look back at making the movie, including casting, filming in New York City and more.

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