Author: Will Harris (Page 26 of 41)

The Light from the TV Shows: 11 Series (give or take) That Should’ve Survived 2011

As 2011 rapidly winds to a close, it’s easy to fall back on lists as a way to fill columns – indeed, as a TV critic, it’s my God-given right – but HBO’s announcement this week that it was cleaning house and cancelling “Hung,” “Bored to Death,” and “How to Make It in America” served to convince me that I needed to discuss a number of now-defunct series that lost their bid for continued existence during the course of this year. I’m not talking about shows like “Friday Night Lights,” which had an end-game in sight and wrapped on their own terms. I’m talking about series that effectively had the rug ripped out from under their feet. Believe me, there were a bunch…and I’m still kind of pissed about quite a few of them.

11. Medium (CBS)


After seven seasons on the air and surviving a switch between networks (from NBC to CBS), it’s hard to say that “Medium” didn’t live a good, long life. With that said, however, the show had continued to find new ways to keep things interesting, and with the trio of DuBois daughters growing up and getting their own storylines almost as often as their mom. As such, Allison, Joe, and the gang could’ve easily kept going for another few seasons without any complaints from me.

10. Outsourced (NBC)


Am I going to try to defend my enjoyment of this show? No, I am not, because there’s no point in wasting your time or mine. You may not have thought it was very funny, and if you didn’t, that would be your right. I, however, did. And I still miss it.

9. Law & Order: Los Angeles (NBC)


There’s nothing I dislike more than a series that doesn’t know when to leave good enough alone, and for my part, I don’t know why they felt the need to change the formula and kick Skeet Ulrich‘s character to the curb. Sorry, did I say “curb”? I meant “grave,” of course. Not that there’s anything wrong with giving an actor of Alfred Molina’s caliber a more substantial role, but to do so in midseason can’t have pleased the existing viewership very much. Truth be told, I’d rather they’d just kept the original “Law & Order” around, but in its absence, this was a nice substitute, and it sucks that it never had a chance to really spread its wings.

8. The Event (NBC) / V (ABC)


When it comes to casualties in the alien-invasion field, I can accept the cancellation of “V” a bit more than that of “The Event,” if only because it was a minor surprise that it made it to a second season in the first place. And if I’m to be honest, I’m not really surprised that NBC couldn’t be bothered to give “The Event” a shot at a sophomore year, since they probably figured it’d only let them down the way “Heroes” did. But whereas “Heroes” really dropped the ball in its second year, I felt like “The Event” had a better chance of upping the ante. Guess I’ll never know for sure.

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DVD Review: The Love We Make

Although described on its cover as “a chronicle of Paul McCartney’s cathartic journey through New York City in the aftermath of 9/11,” one doesn’t necessarily see a great deal of catharsis going on in “The Love We Make,” which originally aired on Showtime earlier this year. Granted, it’s easily arguable that the effects are internal, but the truth of the matter is that the majority of what we see can best be classified in two ways: the bits where McCartney hangs out with famous people, and the bits where average Americans are beside themselves about the fact that they’ve just had a close encounter with an actual, honest to God Beatle.

There’s nothing intrinsically wrong with either of these things: it’s kind of amusing to see someone walking down the street and suddenly realize that they’re looking at Paul McCartney, and, truth be told, it’s also entertaining to be a fly on the wall when celebrities are in conversation with each other, particularly if – as is the case here – they slip into a casual familiarity that’s rarely on display when they’re being interviewed. But the film’s co-director, Albert Maysles, suggests that McCartney’s intent with “The Love You Make” was to use music to bring relief to those who were impacted by the 9/11 attacks and honor those who lost their lives in their efforts to save lives, and while that’s fair enough, the end result would be a lot more entertaining if it wasn’t presented in such a pretentious fashion. I mean, a photo of the State of Liberty on the cover? Really, Paul…? No one’s trying to suggest that you didn’t have good intentions by sticking around NYC in the wake of the attacks and trying to raise people’s spirits, but c’mon…

Although “The Love We Make” isn’t nearly as profound as its presentation tries to make you think it is, McCartney fans will still enjoy the film if they take it simply as – Beatles reference utterly intentional – a day in the life of their hero. We see him practice with his band and watch him do a few interviews, including an appearance on Howard Stern’s show. (Pre-interview, he encounters fellow Stern guest Ozzy Osbourne for what is, amazingly enough, the first meeting between the two rock icons; post-interview, McCartney seems shocked that Stern asked him if he’d ever had sex with a black woman, confirming conclusively that, although he may have been aware of Stern, he clearly hadn’t listened to him very much.) Later, we see Sir Paul dismiss a passerby who tries to get plane fare out of him and watch him get annoyed by autograph seekers who refuse to stop following his limo. There’s also a great moment when McCartney is clearly in no way as excited to hear about the Beatles cover band The Fab Faux as one of its members, Will Lee, is to tell him about it.

Is “The Love We Make” worth seeing? It is if you’re a fan of Paul McCartney. Even then, though, keep your expectations realistic. Just because the man has good intentions doesn’t mean that the end result is always going to be a career highlight…and if you don’t believe me, you need only listen to his song “Freedom,” which he offers up as the grand finale of his performance at the Concert for New York. God bless him for trying to raise everyone’s spirits, but the song’s pretty terrible.

Don’t worry, though: “The Love We Make” is better. At least a bit, anyway.

The Light from the TV Shows: “Impractical Jokers” and Other Hidden-Camera Shenanigans

I’ve always been of the belief that a little bit of a hidden-camera series goes a long way, and TruTV’s latest addition to the popular genre – “Impractical Jokers” – doesn’t offer anything to change that particular rule of thumb. That’s not to say that the show isn’t in possession of a few funny moments here and there, though.

Brian “Q” Quinn, James “Murr” Murray, Joe Gatto, and Sal Vulcano have been friends since they were kids, and they’ve spent a lot of their long friendship challenging each other to do stupid stuff…or, at least, that’s how the press release for “Impractical Jokers” spins it, anyway. And, hey, it might even be true, given the way the guys react to and act around each other on the show. Each episode pits the pals against each other in a competition to see who can pull off the most outrageous foolishness, with one wearing an earpiece and going into some public situation (in the first episode, they work at a White Castle and a Costco as well as stand in the heart of Times Square answering questions and asking people to sign petitions) while the others throw them random things to say. If they actually have the balls to say them, then they get a point. No balls, no points.

It’s clear that they want to play up this whole friends-for-life angle amongst Q, Murr, Joe, and Sal, but I can tell you this right now: if they don’t tone down the audio on the other three while their buddy is busy making an ass of himself, I’ll only be tuning in whenever I get good word of mouth about a particular segment. It’s annoying as hell, and I don’t think I was even five minutes into the screener before I first thought, “Geez, these guys are obnoxious.” In their defense, if they weren’t so obnoxious, they almost certainly wouldn’t end up getting as many laughs. But I can barely hear my own laughter over their constant giggling.

Here’s a quick clip to tide you over until the show makes it debut on Dec. 15 with back-to-back episodes at 10 and 10:30 PM (EST / PST):

But, hey, let’s not pretend that “Impractical Jokers” are the first people to hide a camera and film crazy shenanigans. As long as I’m talking about these guys, the least I can do is offer up a few clips from some of the other shows that have helped blaze the trail for them.

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The Light from the TV Shows: Sneaking a Look at USA’s “Common Law”

When you’re a TV critic, sometimes the coolest opportunities come up at the very last second, and you’re put in a position where you have to scramble to take advantage of them. Such was the case on Monday of last week, when the boss-man of Bullz-Eye forwarded me an email and asked, “Is this something you would be interested in?”

In this instance, I was being offered the opportunity to fly to New Orleans, visit the set of the upcoming new USA series, “Common Law,” be among the first people to view the pilot for the series, and meet and participate in roundtable interviews with a few of the cast members. The only catch: the trip was taking place on Thursday.

Rationalizing that I could surely finish up all of the assignments on my plate before my departure, I said, “Sign me up!”

Common Law 1

As it turned out, I could not finish up all of the assignments on my plate before my departure. In fact, I didn’t even come close. I ended up having to finish one of them late on Thursday night, after having had a couple of Abitas, a couple of glasses of wine, a bourbon and ginger ale, and a Pimm’s Cup. That was possibly not my best work. Then I woke up Friday morning and finished two more assignments. And in the midst of the set visit, between roundtable interviews, I finished the last of the deadlines that had to be completed before the weekend. Of course, I still had two more that had to be finished by Sunday night, but I finally just had to say, “Screw it, I’m in New Orleans, that shit’s gonna have to wait ‘til I get home on Saturday.”

But I digress.

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A Roundtable Chat with Colin Firth (“Tinker, Tailor, Soldier, Spy”)

When Focus Features drops you a line and asks you if you’d like to head to New York City for an overnight stay at the Waldorf Astoria in order to attend a screening and press junket for “Tinker Tailor Soldier Spy,” based on the novel by John le Carré, you don’t think about it. You just say, “Yes.” And so I did. After catching a screening of the film on a Friday night, I got up on Saturday morning to begin the interviews of the day. After a roundtable with director Tomas Alfredson and screenwriter Peter Straughan, the two gentlemen left the room, to be replaced a few minutes later by one of the stars of the film, Colin Firth.

One word of warning: the potential for spoilers exists within the piece…like, to the point where Firth asks during one of his answers “not to turn this into spoilers when you write about it.” But, look, if you don’t want to know, then don’t read it. But given that the original novel was published in 1974, followed by the TV miniseries in 1979, it’s not as if you haven’t had plenty of time to absorb this information already…

Journalist: Are you a fan of the espionage and spy films?

Colin Firth: I like the good ones, yeah.

J: Do you have any favorites?

CF: No, not really. [Gesturing toward the journalist sitting next to him.] We talked about this, actually, him and I. He had to help me out. [Laughs.] No, I’m one of those people where, if you say, “Tell me what your favorite music is,” I can’t think of any music in the world. So that’s a difficult question. You throw something at me, I’ll tell you whether I like it or not. But, yeah, I’m a fan.

J: Well, we’re all like that. You ask me, and I’d do the same thing.

CF: Yeah, I know. Nothing is more guaranteed to draw a blank, I’m afraid.

J: In the film, we were trying to figure out exactly who the people up in that big office were.

CF: [Uncertainly] Oh, I hope I can help…

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