Month: May 2013 (Page 7 of 13)

Drink of the Week: The White Elephant (a la Wondrich)

the White Elephant.I sing now, for the umpteenth time, of the raw egg white, feared by many, adored by classic cocktail aficionados, and a sure way to get me to sit up and pay attention to almost any cocktail.

That’s a good thing, because this week’s drink could definitely use a little love. I stumbled over it at the massive bevatorium assembled by David Wondrich for Esquire and was immediately grabbed by the drink’s eggy simplicity. I was also struck by the immense terseness of the usually voluble Wondrich’s eight-word take: “A wet martini with a head; see the Hearst.”

What could a drink do to be both worthy of inclusion, yet apparently unworthy of sufficient verbiage — or even a reasonably accurate graphic? Was both Wondrich and the Esquire art department tired and on deadline? Was he forced to grudgingly submit to pressure to include this drink from the vast and shadowy gin-sweet vermouth-and-egg-white-industrial-complex?

Finally, why was every other cocktail I could find on line called “White Elephant” a completely different concoction that usually involved ingredients like coconut milk, white creme de cacao, heavy cream, white rum, and other things that are very, very white and nothing but white? This drink, as my brilliant photographic work reveals, is not precisely white, as elephants go. What gives? Who knows, but clearly the first thing to do is try the damn drink.

The White Elephant a la Wondrich

2 ounces gin
1 ounce sweet vermouth
1 egg white
1 cherry (garnish)

The drill is basically the same as for every cocktail involving egg whites or eggs. Combine the gin, vermouth, and egg white in a cocktail shaker, but with no ice. Shake well to emulsify the egg, then add ice and really shake well. Strain into a chilled cocktail glass or reasonable facsimile. Add a cherry for a bit of extra sweetness and color, and toast the pachyderm of your choice.

******

I have to say that while I thoroughly enjoy this drink and find it nicely refreshing yet neither too sweet nor too anything else, I can see what it maybe hasn’t taken off and has become, yes, a white elephant of a mixed drink. It’s not really sweet enough for the sweets lovers, nor is it boozy, complex, bitter, or tart enough for many a cocktail snob. It’s nevertheless got plenty of booze in it, and the combination of egg white, liquid, and ice guarantees it all goes down in the most delightful way. A wet martini not only with a head, but with a wonderfully comfy ova cushion.

I did try messing around a bit with ingredients and proportions. Lowering the amount of gin by half an ounce didn’t really hurt the drink, but the increase in sweetness turned out to be minimal. The results using both of my two fall back sweet vermouths, Noilly-Pratt and Carpano Antica, were just fine, though this time I leaned ever so slightly towards the lighter touch of Noilly-Pratt. Still, the only really wrong move I made was adding bitters. So often, bitters can really save a drink; sometimes, however, it’s just the reverse.

So, why is the White Elephant so benighted that even a chatty cocktail historian has almost nothing to say about it? I think it’s the name. Not only is it unflattering, it’s inaccurate. This elephant is not white. It’s another color entirely.

Toyota Aims for Better Design

Toyota is seeking to reinvent itself after a disastrous few years when trade collapsed due to the global financial crisis and Toyota experienced its greatest ever loss, production was impeded after the earthquake and tsunami in Tōhoku in 2011, and the company mounted the world’s largest recall campaign in 2009 which blemished the company’s once-immaculate safety record.

One solution

For decades, Toyota emphasized its staid reliability, which is oft-mentioned by motoring.com.au, a leading source of automotive news. In 2012, however, it announced that it wanted to be one of the cool kids. The largest automaker in Japan said it would re-jig its development system to grant engineers greater freedom to experiment with designs that were bolder and more daring. Chief executive, Akio Toyoda, the grandson of the company’s founder, declared, “We want to take more risks.”

Previously, as many as 100 executives could review design changes, but the process is no longer democratic, and less executives are now involved. More research and development work will be devolved to teams in emerging economy nations so that models can be tailored to local needs. Engineers will be constrained by pressure to reduce costs by employ standard parts.

The Camry – a boring, beige appliance

The Camry is an eminently sensible means of obtaining groceries and the best-selling car in North America, but its design has long been mocked. A 2011 article by Motor Trend magazine stated that terms such as “boring,” “appliance,” and “beige” were often used to describe it. Tokuo Fukuichi, who became Toyota’s chief designer in 2011, said this was the result of a consensus-driven process that attempted to please everybody but consequently excited nobody. Fukuichi said that if people are to be passionate about a design, some people are going to hate it. He knows of what he speaks, having designed the first generation Previa – the “egg van” – which is among Toyota’s most love-it-or-hate-it vehicles.

The Kluger is now more masculine

toyota kluger

One example that shows that Toyota is achieving its goal is the Kluger, which is sold in the United States as the Highlander. It was a favorite of busy mothers but was made more masculine to increase its appeal to males. It’s now longer and marginally wider than its predecessor and features improved aerodynamics, sculptured side-door panels, and a progressive silhouette. Toyota hopes that this auto’s increased sophistication and dynamism will tilt the Kluger’s balance more to yang than yin, and Toyota Kluger reviews will attest to its success in this venture.

Designer were given free reign with the Avalon

Then, there is the Avalon, for which U.S. designers were given free rein in its re-styling. Reviewers acknowledged that wraparound taillights and a trapezoidal grille had changed the way the vehicle feels to a great degree. When Toyoda first clapped eyes on the revised vehicle, he is said to have exclaimed, “Cool! Don’t change a thing.”

And, finally…

Toyota’s engineering and production was once driven by kaizen, the making of continual, incremental improvements rather than radical changes. Fukuichi said that this could produce a fashion model but not an actress who was unforgettable even if her figure were less attractive and her face unusual.

When asked if Toyota’s design process could soon emulate that of Apple, which is famed for eschewing market research and going with its designers’ tastes, Toyoda said his company was “headed more in that direction” and needed to be “more visionary.”

Movie Review: “Star Trek Into Darkness”

Starring
Chris Pine, Zachary Quinto, Zoe Saldana, Benedict Cumberbatch, Karl Urban, Simon Pegg, John Cho, Anton Yelchin
Director
J.J. Abrams

To look back on the controversy circling around J.J. Abrams’ reboot of the “Star Trek” franchise is like trying to remember a distant dream: you vaguely recall that the fans of the long-running sci-fi franchise were freaking out about the idea of new actors slipping on the uniforms of James T. Kirk and the crew of the U.S.S. Enterprise, but so many Trekkies came to embrace Abrams’ “Star Trek” so quickly that it’s almost like the controversy never happened. Y’know, like pretty much everything that ever happened in the original “Star Trek” series and movies. Or have you forgotten how Nero (Eric Bana), the villain in the 2009 film, went back in time on a mission of vengeance and proceeded to change the course of history?

Of course you haven’t forgotten. And you can be damned sure the Trekkies haven’t, either. Ever since Abrams’ film effectively wiped the slate clean on “Trek” history, theories have been flying by at warp speed about whether the next film would find Kirk and company on an all-new voyage or if the storyline might feature new takes on more classic characters. The answer? A little from Column A and a little from Column B. Thing is, we can’t really tell you much about the bits from Column B. Or, rather, we could, but we don’t want to spoil the fun…even if at least one of those fun bits has been bandied about as a plot possibility for the sequel from the very beginning.

Like its predecessor, “Star Trek Into Darkness” more or less starts off at full throttle, with the crew of the Enterprise in the midst of a mission to a strange new world which hasn’t yet reached the level of technology as the worlds within the United Federation of Planets, putting it under protection of the so-called Prime Directive. If you’re unfamiliar with the “Trek” mythos, this basically means that the planet is supposed to be left alone to develop at its own pace, but even if you barely know “Trek” at all, you still probably know that Kirk’s never been a big fan of following the rules, and as a comparative youngster in Starfleet, he’s still learning that there are significant consequences when the rules are broken. What he’s also learning is that not every officer is cut from the same cloth as Christopher Pike (Bruce Greenwood); some tend toward the hard-ass method of command, like Admiral Marcus (Peter Weller).

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Product Review: Sumo Lounge Emperor

sumo

We were fortunate to review a Sumo Lounge Emperor urban lounge chair, and let me tell you, this is no ordinary chair. The Sumo measures 55” x 25” and is the perfect chair to snuggle up with your partner and watch a movie or read your favorite book! The Sumo Emperor is made of a material called Ballistic nylon, which is PVC-coated nylon that is super durable but smooth. I noticed right away that after a family or friend sat in the Emperor for the first time, it was damn near impossible to get them to sit on anything else in the room. Be careful, as things can get heated when deciding who gets the Sumo when watching a ball game with pals. Our test model was a bright red and it really lights up a room with positive energy.

You can purchase the Sumo Emperor directly on the Sumo website, and it will run you around $249 shipped airtight through FedEx.

The Light from the TV Shows: A Chat with Theresa Russell (“Liz & Dick”)

Theresa Russell has spent far more of her career on the silver screen than the small screen, so when she takes on a TV role, it’s a pretty big deal. Of course, “Liz & Dick” was already destined to be a big deal whether Russell had been cast as Elizabeth Taylor’s mother or not, simply by virtue of Lindsay Lohan playing Liz, but that doesn’t make it any less lovely to see Russell turn up.

With “Liz & Dick” now available on DVD, Russell kindly set about doing a bit of press for the production, and in chatting with Bullz-Eye, she discussed how working alongside Lohan caused her maternal instincts to kick in, revealed how serious funnyman Bill Murray can be, and detailed the good and the bad about her short-lived stint as a series regular on The WB’s “Glory Days.”

TheresaRussell1

Bullz-Eye: I feel like I’m the only TV critic who didn’t get a chance to watch “Liz & Dick” when it originally aired, so I’m glad they sent me a copy of the DVD release in time to watch it before you and I talked.

Theresa Russell: And…? [Laughs.] What did you think?

BE: I enjoyed it well enough.

TR: It’s entertaining, I think.

BE: Well, I tend to enjoy bio-pics in general, if only just to see how a cast and crew decide to tackle the challenge of bringing someone’s life story to the screen.

TR: Yeah. I think Lindsay did a good job. And I didn’t realize that (Elizabeth Taylor’s) mom was so involved her life, either, until doing that, so I thought it was interesting. I actually met Liz. My former husband, Nicolas Roeg, did…I think it was for CBS, but it was Tennessee Williams’ “Sweet Bird of Youth” with her. She was just a wonderful woman. I even tried on that damned diamond. [Laughs.] She goes, “Here, try it on!” I was, like, “Oh, my God…” We were standing around her pool. I put it on, and the thing was…I’m not a big jewelry person, so I thought it would look like a hunk of glass, but it didn’t. It was beautiful. I mean, looking into it was like looking into infinity. It was unbelievably beautiful. She was a trip, though. She was an amazing woman. She really was special. A special creature.

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