Month: April 2013 (Page 8 of 13)

Game of Thrones 3.03: Walk of Punishment

SPOILER WARNING: Whether you’ve read all five books or only watch the series this post is for you. I have read the books (multiple times) but I will not go beyond the scope of the TV series (save a wink or a nod every now and then that only my fellow readers will catch on to). All events that have occurred in the TV show up to and including yesterday’s episode are fair game.  You’ve been warned.

Note: With the biggest cast in television it can be hard to keep all the names and faces straight. Thus the first mention of each character contains a link to a picture of them which will open in a new tab.

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You’re nothing without your daddy and your daddy ain’t here. 

We’ve been joking for a while now that Jaime and Brienne’s road-trip buddy comedy would bring them closer together. These two polar opposites would begin to think maybe they’re not so different, underneath it all. But how? Their final scene in last week’s episode seemed to offer the simplest possible answer to that question: introduce a common enemy, force them to work together.They were captured by Locke, one of Roose Bolton’s loyal soldiers.

Wait a minute, you say, Jaime and Brienne aren’t banding together to escape their captivity. Far from it. They remain as boorish and brusque in their interactions as ever. Jaime tries to use his father’s influence to win Locke over, telling him to look at things rationally: the North doesn’t have the manpower or the gold to win the war, switch to the winning side and Tywin Lannister will reward you with lands, gold, women, and perhaps some golden women. Locke’s not hearing any of it though, and his response is the closest thing this episode has to a unifying theme: “You’re nothing without your daddy and your daddy ain’t here.” And then? Boom goes the dynamite! I mean, off comes the hand! I spoke last week about the feeling of wholeness that was clear in Jaime’s eyes and body language as soon as he got Brienne’s sword in his hands (almost like I knew something like this was coming). “He moves about and casually swings the sword like it’s a part of his arm. It’s been ages since he held a sword, meaning it’s been ages since he felt whole.” And now he’s lost the appendage that allows him this feeling permanently. Jaime may be nothing without his daddy, but he’s even less without his sword hand.

Alright, you’re saying, but what does any of that have to do with Jaime and Brienne banding together in the long-term? Well, Jaime got his punishment despite his fancy words. Brienne did not, and while her daddy rescuing her would surely sound like a good idea, it is not Selwyn Tarth who saves her but Jaime’s fancy words. He convinces Locke that his cause would be better served if Brienne’s honor remains “unbesmirched,” because Brienne is from Tarth, which they call the “Sapphire Isle.” He assures him that returning Brienne safely will net Locke her weight in sapphires. He does all this before he makes his play, before it fails, he’s still working under the assumption that just saying the name Tywin Lannister will get him what he wants. That means Jaime tried to save Brienne for no other reason than—dare I say it—compassion. Could it be? Character development! Hurrah! Next week, Jaime will be the one in pain, the one unable to defend himself. Will Brienne leap to his aide? Could this be the beginning of a beautiful friendship?

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App of the Week: Status Board

Developer: Panic Inc.

Compatible with: iPad

Requires: iOS 5.0 or later

Price: $9.99

Available here

I think that if someone from, say, 60 years in the past got the chance to visit the world of today, the most shocking thing might not be the technology available, but how we use it.

Think about the power of your iPad for instance. Its impressive abilities as a computer are only bested by its incredible mobility, creating a device that has the potential to access near infinite amounts of knowledge and complete an incalculable amount of tasks at any point in the world. Yet most people probably use it to watch Youtube, play “Fruit Ninja,” and check on the latest mock draft.

If that’s you, and you’ve been thinking of using your iPad for something more productive, consider the new Status Board app.

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Status Board takes all of the data you commonly use, and organizes it all nicely onto a single screen format, until your iPad resembles one of those little data pads they used to carry around on “Star Trek.” The default data feeds include things like your e-mail, twitter, the weather, constantly updating headlines from your favorite sites, and more, but that is just the surface of what Status Board offers. The real value of this app comes from its deep customization options.

While this of course includes features like the ability to re-size and re-arrange every information panel, Status Board goes deeper with functions like the ability to upload almost any data type (allowing for custom charts and graphs), as well use the  built-in HTML programming feature to create nearly any type of panel you can think of. Already, people are coming up with some amazing custom uses for the device.

Status Board isn’t an app for everyone, and I honestly don’t know if I’d have a use for it myself. But for small business owners, website gurus, the hyper-productive, or really anyone in an office environment, it is invaluable. All of the information you could ever want is readily available to be viewed with a glance, or interacted with via a touch. It turns you iPad from potential workplace distraction, to ready source of constant knowledge for yourself and, if you choose to purchase the optional TV hookup feature, everyone else around you.

The current form of this app may not maximize its potential, but even “out of the box,” it instantly maximizes the professional potential of your iPad. A quick scan of the apps description should tell you right away if you have use for it or not, and even if that answer is no, you still have to respect the technical prowess it wields. It’s the kind of app Apple probably had in mind when building the app store, and with the right amount of developer and user support, could prove to be a valuable tool in every major office worldwide.

And yes, it will probably garner the approval of your theoretical time traveling ancestors. That alone secures it my app of the week.

A chat with Ashley Tisdale and Simon Rex (“Scary Movie 5”)

Ashley Tisdale and Simon Rex in Scary Movie 5

Ashley Tisdale and Simon Rex have different credits to their comedic resumes, but both seem ideal for the latest incarnation of “Scary Movie.” While Tisdale is the idol of kids, tweens, and more than a few adults with her weekly portrayal of Candace Flynn on the Disney Channel animated series “Phineas and Ferb,” Simon is a veteran of the franchise, having starred in the last two installments. The pair recently sat down with Bullz-Eye to discuss “Scary Movie 5,” the latest chapter of the comedy series, featuring parodies of films like “Mama” and “Paranormal Activity,” as well as non-horror movies like “Rise of the Planet of the Apes” and “Black Swan.”

BULLZ-EYE: When did you guys get to see “Mama,” which is the main plot of the movie?

ASHLEY TISDALE: I saw it opening weekend, just because I wanted to go see the movie.

SIMON REX: Then, we went and saw it together.

ASHLEY TISDALE: I came out of the theaters and texted the producers and said, “We should be spoofing ‘Mama’ because it works so well.” Then, Phil [Beauman] said, “We’re actually going to spoof ‘Mama’.”

BE: How much did the additional “Mama” shooting entail?

ASHLEY TISDALE: A lot. About 60 percent (laughs).

SIMON REX: We shot for about a 10-day reshoot when we got back to L.A.

ASHLEY TISDALE: It was a lot of work with really long days.

SIMON REX: We had to update it. The movies we spoofed were already a year or two old. “Black Swan” wasn’t really a horror movie. “Rise of the Planet of the Apes” wasn’t really a horror movie, so it needed some current horror stuff. With “Evil Dead,” which isn’t even out yet, we spoofed the trailer.

BE: Are either of you horror fans?

SIMON REX: I’m more of a fan of the comedy genre or spoofs like this, from Mel Brooks to all of David Zucker’s movies. I am a fan of what we did more than horror movies.

ASHLEY TISDALE: I’ve always been scared of scary movies, because I live by myself. Seeing something and having a big imagination, I’ll think someone is there. It’s funny — this movie has made me like them. Now, I’ll go see “Mama,” because now I’ll see things and think, “That is so spoofable.”

BE: Ashley, when you’re humping the microwave, are you thinking, “This is comedy gold”?

ASHLEY TISDALE: No. (laughs) That was part of the reshoots. I had already humped a potted plant and that was nerve-wracking. There was only one camera guy and they kept it really quiet. When it got to the point with the chair and the microwave, I was like, “Oh, I’ve got this. It’s fine that everybody’s watching.” I do remember the hardwood chair hitting me from behind and I looked from behind like I was all into it. Simon was like, “You’re getting slammed by a chair right now.” And I just started hysterically laughing. It was one of those moments where you never think you’re going to be in that position.

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Drink of the Week: The Tipperary

The Tippeary. If you’ve heard of the Irish town of Tipperary, and you’re not from Ireland or the UK, odds are it isn’t because of this cocktail but because of the song, “It’s a Long Way to Tipperary.” Gary Regan surmises that the drink is actually older than the song, but in my opinion the drink has aged at least as well as the somewhat treacly yet lovable English music hall ditty of World War I vintage.

With its combination of base spirit, sweet vermouth, and a small portion of the flavorful ringer that, in this case, is green Chartreuse — and its lack of bitters — it’s a fairly close relative of last week’s original Corpse Reviver. It’s also worth noting as being another of the very small but apparently growing group of cocktails to be made with Irish whiskey.

A few years ago, I found myself in an Irish pub in San Diego and I asked the bartender if he knew any Irish whiskey cocktails aside from Irish coffee. He had no idea. Well, now if you find yourself in an Irish bar, here’s another suggestion (assuming they’ve got some green chartreuse on hand).

The Tipperary

2 oz. Irish whiskey
3/4 oz. sweet vermouth
1/2 oz. green Chartreuse
Lemon twist (garnish)

Combine the ingredients, stir, and strain into a chilled cocktail glass. (A wine glass may also do for this one.) Add the lemon twist, sip, and salute the sweetest girl you know.

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I can’t explain why, but I just couldn’t bring myself to try this one shaken, but I can’t stop you from doing so. As for brands, I tried both the classic Bushmills and the two less familiar brands that we’ve been playing with here in recent weeks, Concannon and Kilbeggan. While Bushmills is my actual favorite of the three — none of them are remotely bad — I was surprised to see that it was the darkhorse Concannon that held up most formidably among the onslaught of sweet vermouth and Chartreuse.

As for the vermouth, Carpano Antica, once again, beautifully dominated the drink, but Noilly Pratt, as usual, produced a nice harmony as well. If you feel tempted to try other proportions, feel free. There are numerous variations of this drink online that I wish I had time to play with. Gary Regan’s involves rinsing the glass with Chartreuse and then dumping the remains, which sounds a bit wasteful but might well be worth giving a try.

I could go on a bit more about this drink, but there’s really not that much to say. It’s been a sad and bittersweet week for those of us in the writing and media game as Roger Ebert’s death still hangs heavy in the air. Roger had stopped drinking before he became as world famous as he was destined to be and I’m not sure if it’s even right to mention him here. At the same time, it doesn’t seem right not to mention him here, and he did enjoy spending time in a good bar even after he stopped actually drinking.

It’s even odder to post a clip from a classic TV show rather than a classic movie — except, of course, that Roger was also part of a truly great TV show — but this is the best usage of the most famous song about Tipperary that I know. It’s also about the ending of something wonderful.

Movie Review: “42”

Starring
Chadwick Boseman, Harrison Ford, Nicole Beharie, Andre Holland
Director
Brian Helgeland

Every time Hollywood releases another civil rights sports movie, it calls to mind comedian Bill Burr’s funny bit about white guilt, because audiences have been inundated with so many of these films recently that they’ve begun to lose the potency of their message. Of course, if you are going to make another civil rights sports movie, the story of Jackie Robinson is pretty much the definitive version, so it’s surprising that only one other film (“The Jackie Robinson Story”) has been made on the subject, and that movie starred the famous baseball player as himself. It’s probably because no matter how inspiring Robinson’s tale may be, he’s not a particularly interesting figure apart from his contribution to history, and that’s something that director Brian Helgeland constantly wrestles with in “42.”

Unlike most biopics, the film only covers three years of Robinson’s life, beginning in 1945 when he was still playing in the Negro league after serving in World War II. Spring training has just begun and Brooklyn Dodgers general manager Branch Rickey (Harrison Ford) has decided to make the bold move to break the color line and bring the first black player into the National League. Initially assigned to the Dodgers’ minor league team in Montreal, Jackie (Chadwick Boseman) must overcome immense racism from both the fans and his teammates, much to the concern of his wife Rachel (Nicole Beharie) and black sports journalist Wendell Smith (Andre Holland), who’s aware that there’s much more at stake than Jackie realizes. But instead of lashing out against his detractors like everyone is expecting, Robinson lets his talent do the talking on the baseball field, eventually earning a spot with the Dodgers and leading them to the pennant in his first year.

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