Month: September 2012 (Page 8 of 13)

A chat with #1 UFC Middleweight Contender Chris Weidman

The hottest name in the UFC’s middleweight division belongs to Chris Weidman. Fresh off a beat down of leading middleweight contender Mark Munoz, it was just announced this week that he will next fight Tim Boetsch on December 29th for the right to face Anderson “The Spider” Silva with the belt on the line.

His ascension to legitimate middleweight contender has been quick thanks to his willingness to fight (five fights in a year and a half) and a commitment to discipline, including a 32 pound weight loss in 11 days prior to fighting Damian Maia.

“I had to cut 32 pounds in 10 days on top of not being in great shape. I pretty much came right off the couch and took that fight. It definitely wasn’t a great idea for me and was probably the worst experience I ever had. So, I wouldn’t recommend anyone else doing that and I would never do it again myself.

“But it was a huge opportunity for me and I found a way to win against a guy who was top five in the world at the time. I was fighting at about 10% of what I generally feel like I fight at, but it did more for my confidence than any other fights, even the ones I’ve finished in the first round. After that fight I got a lot of criticism because it wasn’t a very exciting fight and I looked tired but it did a lot for my confidence regardless.”

What has created so much buzz about Weidman is his overall multifaceted skill set, and his ability to finish fights in different ways. In the course of going undefeated in his first five UFC fights, Weidman has collected both “Submission of the Night” and “Knockout of the Night” honors, an incredibly rare feat.

“I don’t really have a preferred way to end a fight, I just want to end it and win, “said Weidman. “It’s always a good feeling to knock someone out, but I don’t want to be one of those guys who only looks for knockouts and get caught because that’s what I’m looking for exclusively.

These days, Weidman’s name has been increasingly linked with middleweight champ Anderson Silva. Thanks to the way Silva has torn through every one the UFC has put in front of him, and the quick rise and exciting fights Weidman has fast become known for, it’s a fight the fans want to see.  But Silva’s camp has been reluctant to accept.

“It’s frustrating,” said Weidman about trying to orchestrate a fight for the title. “Since I got into the sport anytime I’d tell people I was doing MMA they’d ask what weight class and I’d say middle weight and they’d say “Isn’t that Anderson Silva’s weight class? Oh, you’re screwed. You better change weight classes, pal.” That motivated me and he deserves that type of respect ‘cause he’s earned it, but it motivated me to take risks like fighting on short notice and I’ve worked really hard to be the #1 contender and for him to just kind of downplay me, more his managers, it’s kind of frustrating. So I hope the UFC makes the fight happens but if not, I will fight someone else.

Currently Chris is a member of “Team Edge” shaving gel and is in the running to become the next “Face of Edge.”

“Basically it’s a contest,” said Chris. “There are four guys in the running to be the face of Team Edge Shaving Gel from the beginning of July to the end of September. The winner becomes the next “Face of Edge” so basically the winner will have their face on a couple million cans of edge shaving gel cans. I’m trying to win but I’m in second place and I’m down by a lot, these numbers are weird man. I think there’s some cheating going on (laughing).”

To listen to the full audio interview click here.

Follow Chris on Twitter at ChrisWeidmanUFC

Check out Edge Shaving Gel and vote for Chris at Edgeshave.com/ufc

Emily Blunt on the red carpet for ‘Looper’ premiere

Emily Blunt on the red carpet for Looper premiere

Here’s the beautiful Emily Blunt in Toronto for the red carpet premiere of “Looper.” We have to say that she looks pretty amazing in that tight red dress.

Check out the trailer below and a preview of the film from Jason’s September movie preview.

Images courtesy of Sony Pictures

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Weekly Web Series Review: H+

Taking modern technological paranoia to its logical next step, the Bryan Singer-produced digital series “H+” takes an interesting, non-linear approach to its apocalyptic future storytelling. Created by John Cabrera, best known for his work as an actor on the popular television series “Gilmore Girls,” the series takes place in a near future in which 33 per cent of the world’s population has opted to have a device implanted into their bodies that connects their minds to the internet 24 hours a day. When a mysterious virus crashes the system, large portions of the world dies instantly, and the series primarily follows a few desperate survivors in an airport parking garage, while simultaneously cutting back and forth in time to various points before and after “it happened.”

“H+” is designed to be watched in any order, as each episode takes place in a different time and space, allowing viewers to stick with the main storyline in the parking garage first if they choose. This storyline begins with Julie Martin (Nikki Crawford) and her husband driving to the airport “5 minutes before it happened.” As they are making their way out of the parking lot, all hell breaks loose as the system crashes and people begin dropping like flies, cars and planes crash, and the automated sprinkler system goes off all over the garage. Only Kenneth Lubahn (David Clayton Rogers) seems to know what’s going on, telling the others they should be safe so long as they remain on the lower level of the garage where the signal is out. Med student Francesca Rossi (Lela Loren) works with him to save Julie’s husband, who has also fallen victim to the virus despite being in the same underground area as the rest of the survivors.

Meanwhile, the series flashes back to Helsinki, Finland, “7 years before it happened,” where Digital Crime Unit officer Topi Kuusela (Samuel Vauramo) begins to fall for Manta (Hannah Herzsprung), a mysterious target he has been assigned to follow. It is unclear so far what exactly her connection is to H+ Nano Teoranta, the company that manufactures the implants, but with an estimated 48-episode run, it is clearly just getting started. The first 14 episodes are available now on YouTube, with new ones premiering on Wednesdays. It’s hard to tell so far if “H+” will live up to the promise of its premise, but its high production values, mysterious time-jumping narrative style and intriguing, multinational subplots make it seem well worth watching to find out.

The Light from the TV Shows: 10 new series which *MIGHT* end up on Bullz-Eye’s next TV Power Rankings

If you’re a regular reader of Bullz-Eye, then you’re well familiar with a recurring feature that we like to call our TV Power Rankings. Back in the day, we used to offer up a list of our top 25 TV series every six months, but those who caught our most recent Rankings – we posted it back in February – know that we’re only doing it once a year now. As this is the first fall season to come around since we’ve scaled back, however, we thought it might be a good idea to take a look at the new programs that are slowly but surely making their debuts on the broadcast networks and give your our thoughts on which ones seem to have the potential to make their way onto the next Power Rankings…but with that said, you will please note the way we’ve made a point of clarifying above that this is in no way a formal declaration that they will end up on there. As we all know, shows can start strong, turn on a dime, and become craptacular within the span of only a few episodes. In short, it’s all very wait-and-see at this stage of the game, but if a show is on this list, that means that we at least think that it’s worthy of giving it a shot

Revolution (NBC)

At first glance, “Revolution” may seem to be a little bit like “Terra Nova” without the dinosaurs, given that it’s more or less about humanity trying to recover from a nasty situation (in this case, a sudden and seemingly total absence of electricity), but the pilot – directed by Jon Favreau – sets up the premise nicely, establishes the new power-free world, and gives stars Billy Burke and Giancarlo Esposito a chance to shine as the good guy and bad guy, respectively. The truth of the matter is that I’ll give anything with J.J. Abrams’ name on it a shot, but after the debacle that was “Undercovers,” I’m still going to enter with hesitation until “Revolution” proves itself.

Nashville (ABC)

As I’ve said elsewhere on Bullz-Eye, I didn’t even know I had a three-strike rule until I tried and failed on three separate occasions to get a decent interview out of Hayden Panitierre, so it’s a testament to how much I enjoyed the pilot for the country-music drama “Nashville” that I included it in this list. (Admittedly, it doesn’t hurt that she’s playing a complete bitch in the series.) There’s a very real possibility that the show could leave music-industry reality behind so quickly that I bail out well before mid-season, but with Connie Britton and Powers Boothe in the cast, it’s going to have to get pretty ridiculous for me to give up the ghost.

Vegas (CBS)

I’m a sucker for a good-looking period piece, so “Vegas” has already got me in its clutches by premise alone, focusing as it does on the growth of Las Vegas in the early 1960s, but it certainly doesn’t hurt that the show is headlined by Dennis Quaid and Michael Chiklis, then rounded out by Carrie Ann Moss and Jason O’Mara. I’m as excited about the possibilities of this series as I am just about anything premiering this fall…so don’t let me down, CBS!

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Sons of Anarchy 5.01: Sovereign

SPOILER WARNING: This post will appear every Wednesday following a new episode of “Sons of Anarchy.” It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects and events that have occurred up to and including the episode discussed are fair game. 

The Lion Declawed

After nine long months, SAMCRO is finally back. “Sovereign” began with Jax writing in a manner that seems to be addressing his sons when they come of age, just as his own father did. Although his father died when he was 15, Jax has more of JT in him than Clay. The prodigal son now sits at the head of the table with Chibs to his right as the new sergeant-at-arms. Bobby Munson will be on his the other side, having been made the new VP in the premiere, and Opie will be taking an extended leave of absence from the club. It’s great when tiny details in something like wardrobe can portray significant changes in the characters. We saw that in “Sovereign,” as Jax and Chibs’ new position patches were a freshly sewn white. In contrast, you could still see the remnants of the word “president” stitched into Clay’s cut. It served as a subtle reminder of Jax’s recent coup and just how far the once mighty Clay has fallen.

Almost more interesting than the things that have changed however are those that have stayed the same. Namely the fact that Clay’s still breathing (or trying to anyway). The former president’s non-death last season still seems like a bit of a cop out. Remember Jax needs his step-dad around to keep the Irish happy, a plot choice that fails to live up to the real-world reasoning that those in charge aren’t ready for Ron Perlman to leave the show. After doing so much work to build Clay up as a villain last season, the writers had better have some tricks up their sleeves if they want viewers to continue accepting his sticking around. That started last night, and how.

Anyone who thought Clay would accept defeat and move quietly out of the limelight was sadly mistaken. His physical ailments have caught up with him, and it’s no coincidence that he now bears significant resemblance to Piney, who he killed last season. After Clay’s talk with Gemma, my first guess was that he’d undergo yet another role reversal and be made into a sympathetic character again. That notion was quickly discarded, Clay’s still up to his old tricks, only now he’s got only his wits to work with and none of his former brawn.

Clay’s trickiest move was coming clean about killing Piney, right at the table during “chapel.” Well, sort of. The bare facts were there, but he twisted the tale to make his actions seem justified and himself more sympathetic. This was not a repentant man struggling to explain things to his club, it was a con artist making the best play he could, bluffing a shit hand. Clay’s faux explanation has neutered any plans Jax might have had to use the truth to turn the club against him after he’d served his purpose. If Jax tries to tell the real story now, the guys will think he’s doing exactly what Clay actually did: lying to get his way. All that said, some element of making Clay likable again survives due to his leafing through a photo album even though Gemma specifically told him not to make any pictures. Maybe he really is sorry? Maybe, but I doubt it.

Villain vs. Anti-Heroes 

After Opie shot Clay last season, the rest of the club was told the One-Niners were responsible. In a tumult of rage and guilt, Tig sought vengeance by attempting to kill the enemy gang’s leader, Laroy. Instead, it was Laroy’s girlfriend, one Veronica Pope, who ended up dead. The woman was the daughter of Damon Pope (played by Harold Perrineau of “Lost”), a Gus Fring type: powerful businessman with criminal ties. From his ordering the repeated killing of the gang’s leaders, we learned that the One-Niners are really just a street-level arm of Pope’s operation. This time around, it won’t just be the Niners the Sons are dealing with, but Pope, a man of unknown motivation, power, and yes, responsibility. Unlike that gangster in his employ, Pope is in fact a “Spider-Man nigga.”

The first step for SAMCRO’s newest antagonist was retaliation against Tig. But this was no simple vengeance. There’s an eye for an eye and then there’s burning a man’s daughter alive as he stands there chained and helpless. It’s clear that watching that flung the affably unstable Tig right off the deep end. Let’s see, Tig kills a woman because he thought he was avenging Clay. It turns out that was a lie, and Tig’s actions (which were entirely unprovoked in the eyes of Pope and the Niners) led to his own daughter’s horrific death. I wonder who he’ll blame for that? Trouble is, as badly as Jax wants Clay dead himself, it will be up to him to rein Tig in.

That’s what all this means for the club, but Pope’s actions and demeanor say something different entirely about the show. Early in the first season, my main problem with “Sons of Anarchy” was that it showed a bunch of interesting but ultimately uber-violent “bad guys” doing a bunch of horrible things and laughing about it afterwards with little to no character development. That changed as I came to understand the characters and their motivations. One way the show tried to justify the viewer rooting for the Sons was making them the gang that does everything except deal drugs. That excuse I found cheap, but I respected that they wanted to maintain Charming’s small-town, well, charm. They kept corporations out so small businesses could succeed, stopped developers from building “McMansions,” and the like. Plus, there was the simple idea that no matter how bad the Sons got, their enemy was usually a whole lot worse.

After all the forward movement of the past four seasons, introducing Pope as a sociopath, a man who won’t shy away from burning your daughter alive before your eyes, seemed almost as convenient as drugs=bad, Sons don’t sell drugs, therefore Sons=good. This isn’t to say bringing in Pope was a bad move or that the show won’t handle the move with grace, anything can be done well if it’s done right. But the character should not simply be a way to distract from or delay further exploration of the Sons’ moral complexities. While the characters might look in the mirror and see righteous outlaws, the viewer should be given a more objective perspective and be allowed to decide for themselves what they see. If Pope only sets up SAMCRO as the lesser of two evils, the show is giving up on all that, at least for the time being, which would mean, well, I wouldn’t give up on the show, but I’d be disappointed.

One Last Thing

Early into the season premiere, Lieutenant Roosevelt showed up at Teller-Morrow to ask the members if they knew anything about a couple of recent break-ins, one at the home of a club groupie (or “crow eater”) and the other at that of a Teller-Morrow mechanic. Roosevelt guesses the crimes were retaliation for the killing of Veronica Pope. The episode ended with Wayne Unzer, former chief of Charming P.D. and friend of the club, having his home invaded. Somewhere in between, SAMCRO inducts a couple of Nomads into their chapter. One of them was “Greg the Peg,” who has a prosthetic leg and joked about having “somewhere to put his feet up.” Turns out one of the guys who broke into Unzer’s house was wearing the same shoes. Oh, and a prosthetic leg to boot (check out these screenshots provided by a user of the “SoA” subreddit). My guess: the Nomads are all working for Pope, who’s now got three different inside perspectives on SAMCRO. Strap on your helmets and throw on your cuts, we’re in for a hell of a ride this season.

Watch Kurt Sutter and the cast discuss “Sovereign” and answer fan questions below. Be sure to follow the writer on Twitter @NateKreichman.

Watch live streaming video from sonsofanarchy at livestream.com
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