Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Michael Rooker, Karen Gillan, Kurt Russell, Pom Klementieff, Elizabeth Debicki

James Gunn

It’s hard to believe that most people had never even heard of the Guardians of the Galaxy prior to 2014, because in the three years since the release of the first movie, they’ve become some of the most popular characters in the entire MCU. While there was certainly an immense amount of pressure on returning director James Gunn to create a worthy follow-up, you wouldn’t know it from the self-assured confidence that the film exudes. Admittedly, “Guardians of the Galaxy Vol. 2” isn’t as fresh as its predecessor, but it’s almost as much as fun, and that’s to the credit of Gunn and his excellent cast, who have once again delivered an offbeat, action-packed space opera (with yet another killer soundtrack) that doesn’t skimp on humor or heart.

After saving the universe from Kree fanatic Ronan the Accuser, Peter Quill (Chris Pratt) and the rest of the Guardians have parlayed their newfound fame into a lucrative career as mercenaries. But when they’re hired by a race of pretentious, gold-skinned beings called the Sovereign to kill an interdimensional beast in exchange for Gamora’s captured half-sister Nebula (Karen Gillan), the Guardians manage to piss off their employers by stealing some of the valuable batteries they were charged with protecting. Outnumbered and outgunned, the Guardians are rescued at the last minute by an ancient celestial entity called Ego the Living Planet (Kurt Russell), who claims to be Peter’s long-lost father. Though Peter is thrilled to finally meet his dad and learn more about his secret heritage, Gamora (Zoe Saldana) is suspicious of Ego’s true motives. Meanwhile, Yondu (Michael Rooker) is recruited by the Sovereign’s High Priestess Ayesha (Elizabeth Debicki) to track down and apprehend the Guardians for punishment, leading to a mutiny among his crew when he refuses to turn them over.

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Ben Affleck, Zoe Saldana, Elle Fanning, Chris Messina, Chris Cooper, Brendan Gleeson, Sienna Miller, Scott Eastwood

Ben Affleck

Ben Affleck’s adaptation of Dennis Lehane’s 2012 novel “Live by Night” is apparently getting savaged by the coastal press. “Makes ‘Black Mass’ look like ‘The Godfather’” is a quote that my colleague Jason repeated (but the source of said insult won’t be credited here). To be fair, the final 10 minutes are kind of awful (though faithful to the source material), but everything that comes before it is handled competently enough that putting it beneath “Black Mass” feels like the kind of thing an angry lover says. “You’re dumping me? Well, you’re nowhere near as good as ‘Black Mass’!” “You take that back!” “Never!” Silly, silly, silly.

As Ben Affleck directorial efforts go, though, “Live by Night” is easily his weakest. It’s stylish but a bit too familiar, lacking the intensity of Affleck’s best work. It doesn’t help matters that it’s a Prohibition-era film that takes place mostly in Florida, inviting comparisons to “The Untouchables” and “Scarface” whether Affleck wants them or not.

Joe Coughlin (Affleck), a Boston-bred, disillusioned soldier from the Great War and son of a proud Irish police captain (Brendan Gleeson), is a petty thief who runs under the protection of a local crime boss but doesn’t think of himself as a gangster. He draws the ire of his boss’ rival when he is caught having an affair with the rival’s mistress Emma (Sienna Miller), so when Joe is popped in a bank robbery, he and his father seek the protection of Italian boss Maso Pescatore (Remo Girone) to make sure Joe isn’t killed while in jail. Upon his release, Joe agrees to work as Maso’s point man in Tampa, overseeing the rum shipments. He encounters a whole new set of problems (racism of a different stripe, mainly), but does a great job expanding the Pescatore business down south. And for his efforts, he is still treated like a second-class citizen, because he’s the son of an Irish man working for Italians.

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Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Simon Pegg, Anton Yelchin, John Cho, Idris Elba, Sofia Boutella, Joe Taslim

Justin Lin

In 2009, director J.J. Abrams helped to successfully relaunch the “Star Trek” franchise, and his reboot remains an immensely entertaining adventure movie. Although its sequel, “Star Trek Into Darkness,” is not without its moments, it’s a disappointing follow-up that’s held back by some unfortunate twists and a misjudged villain. The film hardly slowed down this now 50-year-old franchise, however, which returns to the big screen with “Star Trek Beyond.” The Justin Lin-directed sequel quickly gets the crew back on track by delivering a very entertaining and often kind-hearted summer movie.

Captain James T. Kirk (Chris Pine) is tired of his five-year mission to seek out new life and explore new worlds. While on a diplomatic assignment with fellow crew members Spock (Zachary Quinto), Uhura (Zoe Saldana), Doctor “Bones” McCoy (Karl Urban), Sulu (John Cho), Chekov (Anton Yelchin) and Montgomery Scott (Simon Pegg), Kirk presents an alien species with a peace offering from the Federation. The gift is part of a deadly ancient weapon called the Abronath, but he has no clue what it is or what it’s capable of. Krall (Idris Elba), on the other hand, knows exactly what it can do. The face-changing villain is against everything the Federation stands for, so he dupes the Enterprise crew into going on a “rescue mission” to a distant planet, where he attacks them, leaving the crew completely torn apart. Even though they’re outnumbered and outmatched, Kirk and the gang are not alone in their fight against Krall, joining forces with an alien warrior named Jaylah (Sofia Boutella, who turns out to be a great addition to the series) to stop him from unleashing the Abronath.

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Channing Tatum, Diego Luna, Zoe Saldana, Ron Perlman, Kate del Castillo, Ice Cube, Christina Applegate

Jorge R. Gutierrez

Does Pixar have a spy within its ranks? In 2008, the studio announced a project titled “Newt,” which involved two amphibians that were the last of their kind on Earth. Three years later, 20th Century Fox released “Rio,” which featured two birds that are the last of their kind. (Pixar scrapped “Newt” in 2010, citing an inability to get the story right, while acknowledging that Fox was going to beat them to the market.) Shortly after Lee Unkrich won an Oscar for directing “Toy Story 3,” Pixar announced that his next project would be about the Mexican holiday Dia de los Muertos (Day of the Dead). Cut to the present, where Fox once again beats Pixar to the market with the similarly themed “The Book of Life.” Don’t be surprised if Pixar is more tight-lipped in the future when it comes to non-sequel projects.

Of the two ‘stolen Pixar’ movies, “The Book of Life” is hands down the better movie. The animation is spectacular (executive producer Guillermo Del Toro’s influence, for sure), the story is breezy but smart (well, smart-ish), and it teaches valuable lessons about family, honor and being true to oneself. It also raises the stakes on pop music drop-ins (having a character sing a modern-day pop song in an out-of-context time period) by having the guts to use a Radiohead song. The movie gets a star for that moment alone.

A group of children are taken to a museum, and their tour guide Mary Beth (Christina Applegate) tells them the story of La Muerte (Kate del Castillo), ruler of the Land of the Remembered, agreeing to a wager with Xibalba (Ron Perlman), ruler of the Land of the Forgotten. The wager concerns best friends Manolo and Joaquin, and which one of them will win the heart of their friend Maria. Maria is sent to Spain to study, and when she returns years later, Manolo (Diego Luna) is a bullfighter who’d rather be a musician, and Joaquin (Channing Tatum) is a brave, powerful soldier. Xibalba, who has already interfered with the bet, senses that Manolo has the upper hand, and begins a chain of events that will send Manolo searching both netherworlds for Maria (Zoe Saldana), where he will learn a lot about his family history, and therefore himself, than he ever knew.

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Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Lee Pace, Karen Gillan, Benicio Del Toro, Djimon Hounsou, Michael Rooker

James Gunn

Marvel Studios has a history of taking some big risks, from the men behind the camera to those in front of it, and “Guardians of the Galaxy” is perhaps their biggest one yet. Not only is the comic book on which it’s based an unknown quantity to most moviegoers (if Iron Man used to be considered a B-list character, then the Guardians are on the D-list), but James Gunn isn’t exactly the first person you’d think of to direct a big-budget comic book movie. Despite his lack of experience, the bigwigs at Marvel clearly saw something in his earlier work (the horror comedy “Slither” and the superhero satire “Super”) that suggested he was the right man for the job, and Gunn has definitely repaid their faith in him by producing the best possible version of a “Guardians of the Galaxy” film and one of the most purely fun Marvel movies to date.

Chris Pratt stars as Peter Quill, a member of an intergalactic group of thieves and smugglers who was kidnapped from Earth as a young boy. When he’s sent by his boss Yondu (Michael Rooker) to steal a mysterious orb, only to double-cross him in order to keep the artifact for himself, Quill becomes the target of a power-hungry alien named Ronan the Accuser (Lee Pace), who’s made a deal with the Mad Titan Thanos (the purple-skinned figure teased at the end of “The Avengers”) to give him the orb in exchange for destroying his enemy’s home planet. After he’s captured and thrown into prison, Quill teams up with a quartet of fellow misfits – deadly assassin Gamora (Zoe Saldana), revenge-driven bruiser Drax the Destroyer (Dave Bautista), gun-toting raccoon Rocket (Bradley Cooper) and tree-like humanoid Groot (Vin Diesel) – to mount an escape. But when the group discovers the true power of the orb, they agree to stick together a little longer in order to prevent it from falling into the wrong hands.

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