Movie Review: “Snowden”
Joseph Gordon-Levitt, Shailene Woodley, Zachary Quinto, Melisssa Leo, Tom Wilkinson, Joely Richardson
Oliver Stone has been more hit than miss as a filmmaker over the past few years, but even his most successful work sometimes leaves a little more to be desired. Stone is a filmmaker that likes to take big swings with his movies – the ending of “Snowden” being a perfect example – and sometimes they don’t always payoff. In the case of “Snowden,” however, most of them do, making this biopic/thriller the director’s most consistent movie he’s made since 1999’s “Any Given Sunday.”
With this true story, Stone tackles one of recent history’s most divisive figures: Edward Snowden (Joseph Gordon-Levitt), the man who exposed the NSA’s illegal surveillance of American citizens. The film opens several years before those events, when he was a proud Republican and patriot who wanted to fight in the Iraq War, only to be discharged after breaking his legs in basic training. In 2006, Edward meets and falls in love with Lindsay Mills (Shailene Woodley), and shortly thereafter, begins working in the CIA’s global communications division, where he immediately questions his orders. For a while, he keeps his mouth shut and his concerns to himself, but after working on the NSA’s massive cyberforce project, Edward can no longer keep what he’s doing a secret while unsuspecting Americans are spied on by their own government. In 2013, Edward travels to Hong Kong with a hard drive containing classified documents exposing the NSA, which he shares with Guardian journalists Glenn Greenwald (Zachary Quinto) and Ewen MacAskill (Tom Wilkinson), as well as the documentary filmmaker behind “Citizenfour,” Laura Poitras (Melissa Leo). Once the story breaks, Snowden becomes a fugitive without a home.
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Movie Review: “Star Trek Beyond”
Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Simon Pegg, Anton Yelchin, John Cho, Idris Elba, Sofia Boutella, Joe Taslim
In 2009, director J.J. Abrams helped to successfully relaunch the “Star Trek” franchise, and his reboot remains an immensely entertaining adventure movie. Although its sequel, “Star Trek Into Darkness,” is not without its moments, it’s a disappointing follow-up that’s held back by some unfortunate twists and a misjudged villain. The film hardly slowed down this now 50-year-old franchise, however, which returns to the big screen with “Star Trek Beyond.” The Justin Lin-directed sequel quickly gets the crew back on track by delivering a very entertaining and often kind-hearted summer movie.
Captain James T. Kirk (Chris Pine) is tired of his five-year mission to seek out new life and explore new worlds. While on a diplomatic assignment with fellow crew members Spock (Zachary Quinto), Uhura (Zoe Saldana), Doctor “Bones” McCoy (Karl Urban), Sulu (John Cho), Chekov (Anton Yelchin) and Montgomery Scott (Simon Pegg), Kirk presents an alien species with a peace offering from the Federation. The gift is part of a deadly ancient weapon called the Abronath, but he has no clue what it is or what it’s capable of. Krall (Idris Elba), on the other hand, knows exactly what it can do. The face-changing villain is against everything the Federation stands for, so he dupes the Enterprise crew into going on a “rescue mission” to a distant planet, where he attacks them, leaving the crew completely torn apart. Even though they’re outnumbered and outmatched, Kirk and the gang are not alone in their fight against Krall, joining forces with an alien warrior named Jaylah (Sofia Boutella, who turns out to be a great addition to the series) to stop him from unleashing the Abronath.
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Posted in: Entertainment, Movie Reviews, Movies
Tags: Anton Yelchin, Chris Pine, Idris Elba, John Cho, Karl Urban, Simon Pegg, Star Trek, Star Trek Beyond, Zachary Quinto, Zoe Saldana
Movie Review: “Star Trek Into Darkness”
Chris Pine, Zachary Quinto, Zoe Saldana, Benedict Cumberbatch, Karl Urban, Simon Pegg, John Cho, Anton Yelchin
To look back on the controversy circling around J.J. Abrams’ reboot of the “Star Trek” franchise is like trying to remember a distant dream: you vaguely recall that the fans of the long-running sci-fi franchise were freaking out about the idea of new actors slipping on the uniforms of James T. Kirk and the crew of the U.S.S. Enterprise, but so many Trekkies came to embrace Abrams’ “Star Trek” so quickly that it’s almost like the controversy never happened. Y’know, like pretty much everything that ever happened in the original “Star Trek” series and movies. Or have you forgotten how Nero (Eric Bana), the villain in the 2009 film, went back in time on a mission of vengeance and proceeded to change the course of history?
Of course you haven’t forgotten. And you can be damned sure the Trekkies haven’t, either. Ever since Abrams’ film effectively wiped the slate clean on “Trek” history, theories have been flying by at warp speed about whether the next film would find Kirk and company on an all-new voyage or if the storyline might feature new takes on more classic characters. The answer? A little from Column A and a little from Column B. Thing is, we can’t really tell you much about the bits from Column B. Or, rather, we could, but we don’t want to spoil the fun…even if at least one of those fun bits has been bandied about as a plot possibility for the sequel from the very beginning.
Like its predecessor, “Star Trek Into Darkness” more or less starts off at full throttle, with the crew of the Enterprise in the midst of a mission to a strange new world which hasn’t yet reached the level of technology as the worlds within the United Federation of Planets, putting it under protection of the so-called Prime Directive. If you’re unfamiliar with the “Trek” mythos, this basically means that the planet is supposed to be left alone to develop at its own pace, but even if you barely know “Trek” at all, you still probably know that Kirk’s never been a big fan of following the rules, and as a comparative youngster in Starfleet, he’s still learning that there are significant consequences when the rules are broken. What he’s also learning is that not every officer is cut from the same cloth as Christopher Pike (Bruce Greenwood); some tend toward the hard-ass method of command, like Admiral Marcus (Peter Weller).
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