Movie Review: “Z for Zachariah”
Margot Robbie, Chris Pine, Chiwetel Ejiofor
Director Craig Zobel’s last feature film, 2012’s “Compliance,” was more than a little divisive. Nobody dismissed the quality of the filmmaking or the convincing performances, but the focus was on the story itself, which left audiences asking, “Why would someone do this?” But that was the point. What pushes people to make questionable decisions, ones that they didn’t think they were capable of making? Zobel’s newest movie, “Z for Zachariah,” poses a similar question, amongst many others in this deceptively simple post-apocalyptic tale.
The film is set in a near-future dystopia where most of humanity is gone. One of the survivors, Ann (Margot Robbie), lives on her father’s farm, managing to get by. She lives a fairly simple, lonely life, but that all changes when she meets Dr. John Loomis (Chiwetel Ejiofor). Though the man of science’s views clash with her religious beliefs, they soon develop a deep bond – one that’s interrupted by the arrival of another survivor named Caleb (Chris Pine). As they spend time together, Ann becomes torn between the two men, but this story is about much more than a love triangle.
As a love triangle, though, it’s quite challenging and brutal. There’s a scene where Dr. Loomis catches Caleb and Ann in a small moment of intimacy, and the way Ejiofor silently reacts in this scene is painful to watch. “Z for Zachariah” is a film that often plays its cards close to its chest. The biblical subtext is clear – Caleb is the snake that enters the Garden of Eden and temps Ann to sin – but it never calls too much attention to itself. A conversation about science vs. religion is secondary to the lead characters’ struggles.
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Movie Review: “Jack Ryan: Shadow Recruit”
Chris Pine, Keira Knightley, Kenneth Branagh, Kevin Costner
Chris Pine is both James T. Kirk and Jack Ryan. Has anyone ever anchored two franchises that big at the same time? That’s like being both James Bond and Luke Skywalker, and is it wrong to suspect that Paramount, which owns both the “Star Trek” and Jack Ryan franchises, might make him the next Indiana Jones? They have to know that Indy heir apparent Shia LaBeouf is box office poison at the moment, not to mention “retired.” We’d speculate about Pine becoming the new Ethan Hunt, but Tom Cruise would have him killed well before that ever happened.
All kidding aside, Pine is a good choice for Ryan. He’s handsome but not too handsome – which is helpful when you’re CIA and need to blend in – and he is believable as an action hero, an element which is ramped up considerably in the reboot “Jack Ryan: Shadow Recruit.” This is without question the most action-packed Jack Ryan movie to date. It’s a bit formulaic, but that seems acceptable if it means that the end result is less dull than “Patriot Games.” From this vantage point, that’s a win.
Inspired by the terrorist attack on 9/11, a young John Ryan (Pine) enlists in the Marines to serve his country. Two years later, on an assignment in Afghanistan, Jack’s helicopter is attacked, and during his lengthy recovery, he attracts the attention of Navy Commander William Harper (Kevin Costner), also a CIA operative. Jack is brought in to the group as an analyst, putting his skills to work on Wall Street. Fast forward 10 years, where Jack works for a large firm and discovers that his employer has lost access to billions of dollars in accounts that are owned by a large Russian client. Jack gets approval to travel to Moscow and audit the now-missing accounts. Jack suspects something isn’t right, and his suspicion is confirmed from the moment he arrives, and an attempt is made on his life. Run, Marine, run!
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Movie Review: “Star Trek Into Darkness”
Chris Pine, Zachary Quinto, Zoe Saldana, Benedict Cumberbatch, Karl Urban, Simon Pegg, John Cho, Anton Yelchin
To look back on the controversy circling around J.J. Abrams’ reboot of the “Star Trek” franchise is like trying to remember a distant dream: you vaguely recall that the fans of the long-running sci-fi franchise were freaking out about the idea of new actors slipping on the uniforms of James T. Kirk and the crew of the U.S.S. Enterprise, but so many Trekkies came to embrace Abrams’ “Star Trek” so quickly that it’s almost like the controversy never happened. Y’know, like pretty much everything that ever happened in the original “Star Trek” series and movies. Or have you forgotten how Nero (Eric Bana), the villain in the 2009 film, went back in time on a mission of vengeance and proceeded to change the course of history?
Of course you haven’t forgotten. And you can be damned sure the Trekkies haven’t, either. Ever since Abrams’ film effectively wiped the slate clean on “Trek” history, theories have been flying by at warp speed about whether the next film would find Kirk and company on an all-new voyage or if the storyline might feature new takes on more classic characters. The answer? A little from Column A and a little from Column B. Thing is, we can’t really tell you much about the bits from Column B. Or, rather, we could, but we don’t want to spoil the fun…even if at least one of those fun bits has been bandied about as a plot possibility for the sequel from the very beginning.
Like its predecessor, “Star Trek Into Darkness” more or less starts off at full throttle, with the crew of the Enterprise in the midst of a mission to a strange new world which hasn’t yet reached the level of technology as the worlds within the United Federation of Planets, putting it under protection of the so-called Prime Directive. If you’re unfamiliar with the “Trek” mythos, this basically means that the planet is supposed to be left alone to develop at its own pace, but even if you barely know “Trek” at all, you still probably know that Kirk’s never been a big fan of following the rules, and as a comparative youngster in Starfleet, he’s still learning that there are significant consequences when the rules are broken. What he’s also learning is that not every officer is cut from the same cloth as Christopher Pike (Bruce Greenwood); some tend toward the hard-ass method of command, like Admiral Marcus (Peter Weller).
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