Movie Review: “22 Jump Street”
Channing Tatum, Jonah Hill, Ice Cube, Wyatt Russell, Amber Stevens, Jillian Bell, Peter Stormare
Phil Lord & Christopher Miller
For a while, it seemed like everything that Phil Lord and Christopher Miller touched turned to gold, adapting difficult source material – from a children’s book (“Cloudy with a Chance of Meatballs”), to a cheesy ‘80s cop drama (“21 Jump Street”), to a popular toy brand (“The LEGO Movie”) – into successful comedies with a flair for visual gags. But they haven’t had quite the same luck with sequels, as evidenced with their work on “Cloudy with a Chance of Meatballs 2” (albeit only as writers and producers) and their latest film, “22 Jump Street.” Lord and Miller were reportedly so busy making “The LEGO Movie” that they didn’t have time to do script revisions on the buddy cop comedy, and that was a major oversight on their part, because “22 Jump Street” is a fitfully funny sequel that lacks the surprise factor of its predecessor.
After going undercover at their old high school to bust up a drug ring, Jenko (Channing Tatum) and Schmidt (Jonah Hill) have been assigned more grown-up police work, only to end up humiliating themselves and the department in the process. So instead, they’re shipped back to the Jump Street program (having moved to the Vietnamese church across the street, hence the address and title change) to “do exactly what [they] did the last time.” The only difference is that now they’re going undercover at the local city college to find the source of a new synthetic drug called WhyPhy (pronounced “Wi-Fi”) that resulted in the death of a student. But when Jenko becomes friends with the main suspect, football star and frat boy Zook (Wyatt Russell), his relationship with Schmidt becomes strained as they split up to investigate different leads, which threatens to derail the entire mission.
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Movie Review: “White House Down”
Channing Tatum, Jamie Foxx, Maggie Gyllenhaal, Richard Jenkins, James Woods, Jason Clarke
Twenty-five years ago, Sandra Boynton wrote a greeting card where a cat tells his or her paramour, “What I lack in finesse, I make up with raw enthusiasm.” It’s a cute sentiment, and it also serves as a shockingly good description of director Roland Emmerich’s filmography (“2012,” “The Day After Tomorrow,” “Independence Day”). His movies are not what one would call subtle, but they’re infused with a relentlessness that carries them through even the darkest plot hole and corniest joke.
None of Emmerich’s movies, though, works as hard as “White House Down.” This is a script that feels like it was born from a weekend binge session of caffeine and ‘90s-era Jerry Bruckheimer movies, capped off with about 30 minutes of Wikipedia searches on the layout of the White House and the succession of the chain of command during wartime. And yet, somehow, it (mostly) rises above its shortcomings to deliver an entertaining shoot ‘em up. Channing Tatum should get the lion’s share of the credit for this, thanks to his effortless charm, but it doesn’t hurt that he and Jamie Foxx have good chemistry as well.
Former soldier John Cale (Tatum) is trying to land a job with the Secret Service, and he brings his estranged political junkie daughter Emily (Joey King, who looks like the little sister of Alia Shawkat) with him to his interview at the White House in the hopes of buttering her up. While they are there, a group of goons infiltrates the grounds and dispatches with White House security rather quickly. John and Emily were apart when the attack takes place, and as John looks for Emily, he winds up locating and rescuing President Sawyer (Foxx), though both are still trapped inside the White House. Cale and Sawyer try to sort out why the siege is happening and who could be responsible, but more importantly for Cale, he needs to find Emily.
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