Three Days in LA: A 2013 ESPY Awards adventure

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I knew it was going to be an interesting trip to Los Angeles when I met actor Colin Farrell at LAX baggage claim upon arrival. Minutes later, I bumped my shoulder into Olympic legend Michael Phelps’ tightly toned torso while wildly retrieving my luggage from the baggage carousel.

Here is the actual transcript of our meeting:

“Whoa. Hi Michael, excuse me. That bag kinda got away from me there for a second.”

“No problem, how are you?”

“I am good, nice to see you.”

Turning my attention, and body, towards the exit, I again saw Farrell, this time attempting to lay low in the shadows as people began to recognize him as “that one guy from ‘SWAT.’”

Suddenly, five punky paparazzo exploded off the elevator and surged towards the helpless Farrell, who was now pacing back and forth, alone, waiting for his luggage, while having a conversation on his cell phone that was going nowhere. He was adamant about needing a ride immediately, but his urgency was neither acknowledged nor reciprocated.

A pair of 50-something (but don’t tell them that) Latinas spotted him, exclaiming with glee to everyone within earshot that Farrell was, in fact, “right by them.”

The ladies bum rushed him and made their jerky husband take several pictures while they posed, Farrell maintaining a state of disinterest throughout the experience. 30 people stood around and watched, mouths agape.

Metaphorically, Farrell was naked in front of his high school assembly, with no publicist or agent in sight to deflect or protect, and the verbal potshots began to pile up.

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A chat with Colin Farrell (“Dead Man Down”)

Colin Farrell was first introduced to American audiences in Joel Schumacher’s “Tigerland” in 2000, and he’s managed to leave a lasting impression in each film he’s done. With leading man good looks and acting chops to match, the former bad boy’s onscreen intensity is sometimes enough to make up for some questionable script choices. Whether giving life to an underrated supervillain in “Daredevil,” or starring in the 2012 reboot of the iconic “Total Recall,” Farrell is as talented as he is fearless.

In almost an extension of “Total Recall,” where the main character Douglas Quaid is trying to remember his past, his latest role as Victor in “Dead Man Down” is about a man using revenge to come to grips with his. We recently had a chance to speak to Colin about his preparation for the role, working with co-star Noomi Rapace (“Girl with the Dragon Tattoo”), and his upcoming slate of films, including the animated film “Epic,” featuring the voices of Amanda Seyfried and Beyonce, and “Saving Mr. Banks,” where he plays the father of “Mary Poppins” author P.L. Travers.

BE: The film raises the interesting question of “How far would you go?” So how far would you go?

COLIN FARRELL: I have no idea. It’s never good to answer in “what ifs.” I think it’s horseshit. I don’t think any of us have an iota of how we’d really respond to most situations.

BE: Do you ever leave the set wondering what you would do in a character’s situation?

COLIN FARRELL: When you’re doing a film, once you start asking “What would I do?” you start getting the distance greater between yourself and the character or you’re bringing the character to you, which is self-serving in the wrong way. I think it seems that the idea is to bring yourself to the character.

BE: Were you able to relate to the character?

COLIN FARRELL: Well, you know, it’s fiction. I don’t even have to do that. It’s in you already. You just treat the fiction as reality, kind of. Ideally, you read a script so often and you think about the context of the scene so much that you begin to dream. You’re in pretty good shape if you begin to dream the character and certain conventions of the story. Noomi started having earlier dreams than I did. (laughs)

BE: How are you feeling, outside of the role?

COLIN FARRELL: I’m was doing good. I’m fairly healthy. Sometimes, you come home from work and you’re just tired and you wouldn’t want to see anyone and just be on your own. Consciously, you kind of look after yourself, whatever that may be. Whether you go out for a few drinks and dinner or just hit the couch and watch TV, or go to the gym or yoga class. Just be aware that there’s the potential for you to be in it and respecting wherever you find yourself, so I was fine.

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“Dead Man Down” Trailer Starring Noomi Rapace and Colin Farrell

(Sponsored)

Watch the trailer above for a perfect combo of suspense and action. “Dead Man Down” tells the story of a New York City enforcer who becomes wrapped up in a web of violent revenge when he seeks to atone for the death of his wife and daughter. This film marks the American theatrical debut of the director behind the “Girl with the Dragon Tattoo” trilogy – Niels Arden Oplev – and co-stars Academy Award nominee Terrence Howard and Dominic Cooper.

“Dead Man Down” hits theaters March 8th, 2013. Check out Facebook.com/DeadManDown and DeadManDownMovie.com for more info.

  

Blu-ray Review: Cosmopolis

On paper, the marriage of cult film director David Cronenberg and cult novelist Don DeLillo is no doubt an ideal one, but movies require bringing dozens or even hundreds of other random factors into the mix, and it’s the director’s job to bring all of it together into one cohesive vision. “Cosmopolis” should have been a masterpiece, and bubbling away beneath its immensely flawed surface, one can see that masterpiece lurking. Unfortunately, the film is painted wall to wall with an uninspired, thoughtless and flat performance from Robert Pattinson that drags the entire affair down to nearly unwatchable. He is in every scene and the entire picture revolves around him. Understand, I’ve nothing against Pattinson. Being largely unfamiliar with his work, I went into “Cosmopolis” assuming that Cronenberg would work cinematic legerdemain with the actor, as he has done countless times before with dozens of players. He did not.

People will argue that Pattinson’s billionaire Eric Packer is supposed to be dreary and lifeless, jaded about life as he is, and desperately keen to feel something – anything – as he takes his epic limo ride from one side of the city to the other just to get a haircut. I would argue back that it takes an actor with far greater chops and insight into his craft to achieve the performance necessary to make this movie work. It needed a young James Spader perhaps, or a Christian Bale, who already played a version of Packer in “American Psycho.” Allegedly, Colin Farrell was cast as Packer, but had to drop out due to conflicts with “Total Recall,” which is a big shame for film as an art form. It’s too bad, too, because “Cosmopolis” surrounds Pattinson with people like Juliette Binoche, Samantha Morton and Paul Giamatti, all of whom attempt brave, inspired work that’s ultimately all for naught, since Pattinson’s like a giant pillow suffocating everyone and everything he comes into contact with. Sadly, there is no movie for this writer to review or discuss beyond this massive, fatal flaw. Perhaps you will be able to see it differently than I, and with all due reverence to both Cronenberg and DeLillo, I urge you to at least give it a shot.

The Blu-ray includes a commentary track from Cronenberg, a featurette on the film, and interviews with the cast and crew.

  

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