LeBron James introduces the all-new Nike LEBRON 12 sneakers
Lebron James has had a very eventful summer as he decided to right a serious wrong by returning home to Cleveland to play with the Cavaliers. The season is coming up soon, and Lebron is capping off the summer by introducing his new Nike LEBRON 12 sneakers.
You can see from the photos above that they’re going with a bold and colorful design. Miami Dolphins fans will love the color choices! With bold colors dominating the sneaker and athletic gear markets, this will probably go over very well.
The LEBRON 12 is designed to enhance James’s explosiveness while combining three key benefits: superior cushioning, harnessed support and natural flexibility. It’s hard not to be impressed with the advances in sneaker technology, and Nike has been leading the way for years.
So if you’re looking for a bold, new look for the fall, you might want to check these out. Just don’t wear them with your LeBron/Cavs gear — unless, of course, you like colors that clash!
Movie Review: “This Is Where I Leave You”
Jason Bateman, Tina Fey, Adam Driver, Corey Stoll, Jane Fonda, Rose Byrne, Timothy Olyphant, Connie Britton
Shawn Levy wants a do-over. The man who carved out a very successful career as a director that, as the Onion A/V Club once joked, you didn’t know you hated, now wants people to take him seriously. Levy actually turned some heads with the underrated “Real Steel” (his best movie by a country mile), but then followed that with last year’s “The Internship” (you had already forgotten about that one, didn’t you?), and in two months, he unleashes a third “Night at the Museum” film upon a public that thought two “Night at the Museum” films was more than enough, thank you. He’s typecast, and he doesn’t like it one bit. In other words, he now knows how it feels to be nearly every actor or actress who’s ever appeared in one of his films.
Levy’s latest attempt to rebrand himself is “This Is Where I Leave You,” a dysfunctional family dramedy that is filled with rapid-fire jokes (funny ones, too) and boasts a pitch-perfect cast. The biggest problem with the movie, sadly, is Levy himself. He seems out of his depth, and derails the momentum at odd times, lingering too long on a shot here and overdoing the camera work there. A director more experienced with the genre would have fared only marginally better, yes, but Levy had a chance to prove himself here, and he comes up short.
Judd Altman (Jason Bateman) is not having a good year. Not long after walking in on his wife cheating on him with his boss (Dax Shepard), his sister Wendy (Tina Fey) calls to inform him that their father has died. The family isn’t close – their mother Hilary (Jane Fonda) aired the kids’ dirty laundry in the form of a best-selling novel – so the news that their father’s dying wish was for the family to sit Shiva, keeping all four siblings and their significant others in the same house for seven days, is not warmly received. In those seven days, hearts mend, hearts are broken, sibling rivalries both real and imagined rear their ugly heads, and Hilary talks way too openly about, well, everything.
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Movie Review: “A Walk Among the Tombstones”
Liam Neeson, Dan Stevens, David Harbour, Adam David Thompson
It’s not often that there’s a movie set at the turn of the millennium or a truly engaging film released during the limbo months between blockbuster seasons, but Scott Frank’s “A Walk Among the Tombstones” delivers on both counts.
Liam Neeson Stars as Matt Scudder, a former NYPD detective who used to have a very unhealthy habit of chasing booze with as much passion as he chased bad guys. The two intersected with tragic results when he took a booth at his favorite dive just as two thugs were robbing the place, blowing away the bartender in the process. What follows is a shootout that grabs you by the throat and leaves Scudder reexamining his life.
Flash forward to 1999, where we find a clean and sober Scudder. He’s traded in his police title (but still holds on to the badge) for a private eye shingle. Fresh out of an AA meeting, Scudder is approached by drug trafficker Kenny Kristo (Dan Stevens) whose wife was recently kidnapped and murdered. Scudder is a bit conflicted working with the yuppie junior drug kingpin, but forty grand helps ease his inner turmoil. Just as he’s had enough of Kristo and his business, a young girl (Danielle Rose Russell) is abducted by the kidnappers and Scudder goes all-in on finding them and making sure no one is taken again.
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Movie Review: “The Zero Theorem”
Christoph Waltz, Melanie Thierry, David Thewlis, Lucas Hedge, Matt Damon
As someone who’s been a disciple of all things Terry Gilliam for the better part of 30 years, it seems pretty obvious that his most innovative filmmaking days are probably behind him. Those of us that continue to return to his well keep our expectations firmly in check. We don’t expect mind blowing “Brazil”-level satirical explorations, or profound science fiction trips such as “12 Monkeys,” but we are happy to indulge our favorite mad uncle when he unveils something a little less groundbreaking, from somewhere in between, and that’s more or less what “The Zero Theorem” is.
Set in some nearby hazy nether-future – a grotesque exaggeration of our own reality – the film revolves around hypochondriacal misanthrope Qohen Leth (Christoph Waltz, looking like Bob Geldof after he shaved all his hair off in “The Wall”), a number-crunching programmer working for a soul-sucking mega-corporation called Mancom. He appears to be more than adept at his job, but awful at the rest of life. With virtually no social skills to speak of, Qohen (pronounced “Cohen”), when he isn’t at work, keeps himself holed up in a dilapidated mansion in a sketchy part of town, waiting for a mysterious phone call that he hopes will bring change. His sole desire is to be allowed to work from home, so he can be close to the phone and away from people.
He begrudgingly attends a party thrown by his obnoxious, clueless supervisor Joby (David Thewlis), where a chance encounter with Management (Matt Damon playing over 50) allows him to plead his case, only to seemingly fall on deaf ears. Later, he’s saved from choking by a comely partygoer named Bainsley (Mélanie Thierry). Curiously, not long after the party, his request to work from home is inexplicably granted, only there’s a catch: He must try to crack the zero theorem, a mathematical formula that when solved could reveal the meaning of life. To aid him in his work, Management sends his teenage son Bob (Lucas Hedges) to assist, and before long, Bainsley reappears as well.
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First Drive: 2015 Lexus RC F
There’s something about straight-line acceleration that’s exhilarating when you’re driving a car with balls, so the memory of flooring the Lexus RC F on the straightaway at the track at the Monticello Motor Club is seared into my brain. This all-new sport coupe from Lexus has some serious power with 467 horsepower that can go from 0-60 in 4.4 seconds. The engine also produces a memorable growl that’s sure to put a smile on your face as you gain speed through the straightaway.
Lexus gave us the opportunity to test the RC F along with the RC F Sport at the picturesque Monticello track that features 18 turns per lap, so we got to test much more than the straight-line speed. For our safety, however, they added some cones and an S curve in the middle of the straightaway so we wouldn’t get too carried away with speeds we couldn’t handle going into the hard right curve.
As for those curves, the handling of the RC F was pretty amazing as it gripped the corners effortlessly at high speeds. Lexus has built a car that’s fun to drive regardless of your skill level. I pushed the F as hard as I could around that track and frankly had a blast.
The RC F is the most powerful Lexus V8 performance car ever and is a worthy successor to the 416 horsepower Lexus IS F launched in 2007 and the LFA carbon-fiber supercar that featured a V10 engine with 552 horsepower. If you’re looking for a performance coupe you have to check this one out.
In addition to the F model Lexus is also introducing the RC 350 featuring a 306 horsepower V6 along with an F SPORT model with Electronic Suspension Damping and Rear-Wheel Steering. We had the opportunity to drive the F SPORT at the Monticello track as well, and while it obviously can’t match the more powerful and more expensive RC F in terms of performance, it’s still an impressive vehicle that was quite fun to drive on the track.
Both the RC F and the RC 350 feature the signature Lexus spindle grille, with the F and F SPORT models looking more aggressive in a black mesh pattern. I love this new look for Lexus and it’s definitely changed the image of the brand. Also, the F SPORT models are bringing younger buyers to Lexus. As you can see from the photos above this is a beautiful coupe that will get plenty of attention.
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