Is America ready for Howard Stern in prime time? “America’s Got Talent” kicks off a new season on May 14th with Howard as one of the new judges. I miss listening to him on the radio. I was hooked for years but I don’t drive any more in the mornings.

There’s no doubt in my mind that Howard will be a huge hit on this show, and it’s a great opportunity for him to be exposed again to a huge audience as his satellite radio show doesn’t have the reach of his syndicated radio show. Of course, he’ll still pocket $15 million per year even if he bombs, but I wouldn’t bet on it.

The video above is classic Howard, as he gets Letterman to discuss his feud with Jay Leno. Hopefully Howard can parley success with this new show into an interview show in the future. Nobody gets celebrities to open up more and address personal and hilarious topics like Howard.

You may remember – or you may not, given how long it’s been – that way back in December I offered a sneak preview of an upcoming USA Network series called “Common Law,” the set of which I’d just returned from. Almost immediately after posting the story, however, I was forced to add the following post-script:

I’ve just gotten word that the show’s premiere date is being shifted. Instead of January 26th, USA has decided to hold off the premiere of “Common Law” until the summer, as they believe it’ll draw a bigger audience then. Sometimes you get skeptical about the reasons behind schedule changes like these, but given that everyone on the junket seemed to enjoy the pilot, I’ll buy what they’re selling as the real deal. Sorry about the additional wait. Let’s hope it’s worth it.

Well, the time has finally come for the show’s premiere. “Common Law” arrives this Friday night, which makes this a perfect time to revisit that trip to New Orleans and give you a few comments offered up to us at the time from the show’s stars about their characters and the show itself.

Michael Ealy: I think we definitely try to keep up the energy off-camera similar to the energy that’s on camera.  Like, just today we were about to do a scene, and we like to pencil-fight in between takes, so we tried to incorporate that into the scene because it’s something that we do. And now it’s something Travis and Wes. We can’t help it. We spend every day together, every day.

Warren Kole:  I’m very thankful that I’m working with an actor like Michael. He’s easy to work with every day. So we don’t end up killing each other.

ME:  I think, this whole process has felt completely unique because of the therapy component of the show.  When you get into therapy and you start talking about how we make each other feel and stuff like that…I mean, I’ve just never seen that before. Yes, we are a buddy/cop show.  That’s a component, as you can tell. That’s because we’re buddies and we’re cops. But the minute we get into therapy, I think we’re going into uncharted waters in terms of the buddy/cop dynamic.

WK: The dynamic in couples therapy, not that I’m speaking from experience, is often “I’m okay, but he or she has issues. “ There’s that, but there’s often a recognition of, y’know, “Maybe I have something to work on…”

ME:  That’s coming slowly. We’re starting to identify with our own flaws, if you want to call them that.

WK:  It’s like a sibling relationship in that way, because there’s a feeling of you’ve been so together with someone for so long and they don’t appreciate what you do and it’s their fault that they don’t appreciate what you’re doing for them. “And if you’d just respect me and recognize how much I do for you, then maybe I would swallow my pride and say the same thing back.” But we never really get there. Yet.  Haven’t got there yet.

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I’ll admit that I wasn’t very eager to write my column this week due to the lack of quality new releases, but because I had to skip doing one last Tuesday for personal reasons, it seemed irresponsible to miss another week without a better excuse. Unfortunately, that doesn’t really make these movies any better, so let’s just get on with it, shall we?

As a fan of the first “Underworld” movie, I really wish that Screen Gems would stop making these horrible sequels already and just let the franchise die a quiet death. While it was natural for the studio to want to continue the story after the breakout success of the original, every successive installment has been shoddier than the last, and “Underworld: Awakening” is no exception. Not even the spandex-clad return of Kate Beckinsale can save the film from being as bad as it is, because it simply has too many problems to overcome. Although I enjoyed the addition of series newcomers Charles Dance and Theo James as a father/son pair of vampires with conflicting ideas on how to save their race, the story is generic, the dialogue isn’t much better, and the CGI is incredibly inconsistent. But above all else, “Awakening” is just plain dull, and that’s probably the worst thing you could say about any action film.

Blu-ray Highlight: There’s quite a bit of bonus material packed onto the disc, but as you might imagine, the standout extra is creature related. By far the most detailed of the included featurettes, “Building a Better Lycan” covers how the suits were designed, the performers that wore them, and the improvements made from the previous three films.

I’m not as crazy about Joe Dante’s “Gremlins” as most people my age, but the movie is still an amusing, family-friendly spin on the classic creature feature that holds some nostalgic value. Believe it or not, it took Warner Bros. six years to release the inevitable sequel, and although it contains a handful of laughs, “The New Batch” is mostly a campy cash-in that goes way too far with its wackiness. The idea to transport the titular creatures to New York City definitely had potential, but the movie quickly devolves into a hodgepodge of random ideas that feels more like than an excuse to dress up a bunch of Gremlins in different costumes than anything else. Dante does have a bit of fun satirizing movie sequels as well as the original “Gremlins” with some clever references that are sprinkled throughout, but despite trying to avoid rehashing the events of the first film, “The New Batch” feels oddly familiar. Plus, it’s surprisingly short on screen time for its furry star Gizmo, and that’s just not cool.

Blu-ray Highlight: The audio commentary with director Joe Dante, star Zach Galligan, writer Charlie Haas and producer Michael Finnell isn’t particularly entertaining, but there’s enough good information here about the making of the movie to interest fans.

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The stars and creative folks behind “Sons of Anarchy” don’t just make the popular FX television series. They live up the lifestyle to the fullest. Most of the cast are dedicated riders, while embracing the whole image of the Harley-Davidson, cruiser riding biker culture.

Their moods are intense. Their humor is edgy. They toss around f-bombs at press events as easy as they feather the left-hand clutch. Their wardrobes are streetwise. While other events celebrating top TV series at the 2012 PaleyFest featured actors and actress in suits and gowns, the “Sons of Anarchy” crew rolled in with t-shirts and boots. And their viewers out in the seats at the Saban Theater in Los Angeles sported the same.

During the fan-friendly media event, show creator and executive producer Kurt Sutter joined his wife and series star Katey Sagal (Sutter’s wife), Theo Rossi, Tommy Flanagan, David La Brava, Michael Marisi-Ornstein and others to talk about where “Sons of Anarchy” – essentially a V-Twin-powered Shakespearian political tragedy – is rolling to in the future.

Season Four ended with big changes, with Jax finally taking on the roll of the young king at the head of SAMCRO’s ornately carved table. Fans were immediately interested in how Sutter and company would tackle that this season.

“I’ve always wanted to play this idea of putting Jax in charge and explore how he handled the power,” Sutter said. “I also wanted to explore how those around him respond to having him in charge – the ripple effect of (Jax’s power) on the gang and the loyalties of it and where people land.”

“The interesting dynamic to play out this season is seeing Jax at the head of that table and the struggle that he has of being king. How can he be the leader of a motorcycle gang – an organized crime syndicate – and not become Clay?”

“And if you choose not to become Clay, are you doomed to the fate of John Teller?”

Sutter never made any secret of the fact that he’s recreating a sort of modern day Hamlet with “Sons of Anarchy.” The same tense standoff between The Prince of Denmark and his mother is playing out between Jax and Gemma (Sagal). Jax is at the head of the table now, but the matriarch really seems to want that job.

“I could really see Gemma sitting at the head of that table with the gavel in her hand,” Segal said. “And I think she should be a great head of the gang. It’d be interesting to explore how a woman could be this queen in such a world. I want to see her sitting there at the head of the table.”

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You’d think there wouldn’t be much new to see on TV during the month of May, since most series have either hit their season finales or are on the verge of delivering them. Thinking that, however, would be very, very wrong. Here’s a round-up of the new shows that’ll be hitting the airwaves during the course of this month, along with info from their press releases and video previews wherever available. Keep that TiVo warm!

My Momma Throws Down (TV One) – An original food competition show where the only thing that matters in the end is taste. But, along with healthy portions of food, these contestants and their families will be serving up a serious side-order of attitude as family dynamics becomes as important as the competition itself.

This is an entertainment show first—and a dynamic cooking show second. At its core, it is a true celebration of the Matriarch of the Family, placing her passion, humor, down-home expertise, and reputation on the line for all of America to witness.

Goldfathers: Race for Gold (NGC) – Its a modern-day gold rush! The new series follows three gold-mining operations as they battle nature, machines and each other in a brutal race against time to get as much gold from the ground as possible before the icy cold of winter returns to shut them down.

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We’ve been huge fans of the stunning Megan Fox since she first appeared in “Transformers,” so we’re definitely on board with the decision by Sharper Image to make Megan their new spokesperson. Given the sexy photo their using, they definitely know what they’re doing . . .

The really fun part of setting up an interview with John Cusack is telling people about it and getting their reaction. The still boyish star of such classics like “Say Anything,” “Grosse Pointe Blank,” “Bullets Over Broadway,” “The Grifters,” “Being John Malkovich,” and recent ‘plex-fare like “2012” and “Hot Tub Time Machine,” is one popular guy, and not only with women.

Now in his mid-40s, the former teen rom-com leading man is also something of a paradox in that he’s been able to keep the details of his private life private while also being unafraid of a little controversy. He maintains a direct connection with his fans via his well-known Twitter feed that often touches bluntly on his strongly left-of-center politics. We interviewed Mr. Cusack back in 2008 about his somewhat underrated satirical broadside, “War, Inc.,” and he makes some revealing comments about its production below. He has nevertheless avoided becoming a Sean Penn-style right wing whipping boy, though his recent election-year bashing of the Obama administration’s civil liberties failings on “CBS This Morning” attracted some attention from conservative outlets.

The fact of the matter is that Cusack, still best remembered by many as idealistic aspiring kickboxer Lloyd Dobler, is the closest thing modern audiences have to a Jimmy Stewart. He’s a low-key, yet charismatic and highly energetic actor who never seems to act at all. That’s high praise, but it does make him a slightly counterintuitive choice for the role of Edgar Allen Poe, the flamboyant, floridly romantic author who largely invented modern horror and crime fiction.

Directed by James McTeigue of “V for Vendetta,” “The Raven” has the master of the macabre trying to solve a “Se7en”-style killing spree inspired by his own stories. Critics have not been impressed by the film and the crowded opening weekend box office returns have been kind of dismal, but that won’t have been for any lack of effort on John Cusack’s part. The actor spent weeks promoting the film everywhere from “The View” to our humble selves. He did, however, take a moment to receive a very special Hollywood honor.

Bullz-Eye: It’s been a good day for you; you just got your star on the Hollywood Walk of Fame.

JC: Yeah man, thanks.

BE: What’s that like at your relatively young age?

JC: I don’t know. I’ve never got one before so I don’t know. It was pretty surreal; pretty cool. I liked that I was right next to the Singing Cowboy, Gene Autry. That was pretty cool.

BE: That is cool.

JC: I was right across from Musso and Frank’s, so I thought that was pretty damn cool. That’s such a great place. I’m also next to this great book store, so I’m well represented. I liked it.

BE: Speaking of books — a great segue there — I know that one of the reasons that you took on “The Raven” is it gave you an excuse to read up on Edgar Allan Poe. Why do you think he has remained kind of contemporary all of these years?

JC: I think he’s this classic sort of archetype for all of the shadow parts of ourselves that we don’t want to admit out loud or you’re not supposed to admit in polite company or society. You know, all of these terrors and fears and phobias and anguishes and torments, and also this kind of grave, deep love of language and poetry. I think he’s a genuine genius and he spoke to the language of the subconscious and he was a great poet and artist. A great storyteller; a wild creator of different genres and hybrids of genres and mash-ups of genres. He was a pretty talented man, and he was also just wired way too tight, so it was a volatile mix.

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I remember a simpler time when May was still considered part of spring, but these days, the studios are so eager to beat the competition to the punch with the first big blockbuster of the season that it’s now widely accepted as the start of summer. That’s all fine and well, but by extending the season by an additional month, it also increases the chance of disappointment, which is looking pretty likely based on the May release schedule, despite the fact that a certain superhero film will be kicking off the festivities.

Who: Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Cobie Smulders and Samuel L. Jackson
What: Nick Fury of S.H.I.E.L.D. brings together a team of super humans to form The Avengers in order to save the Earth from Loki and his invading army.
When: May 4th
Why: The idea of an Avengers movie may not sound like much of a gamble today as it did four years ago when Marvel first announced its ambitious master plan, but it’s a risk that certainly seems to have paid off. Anyone that considers themselves a fan of comics or the recent Marvel solo films has undoubtedly placed this movie at the top of their must-see list. After all, the prospect of Iron Man, Thor, Captain America and the rest of the Avengers sharing the screen is simply too awesome to ignore, and the decision to bring back Loki as the main villain (hands down the most interesting of the Marvel film baddies) only makes things that much more exciting. Sure, Joss Whedon has never taken on a project of this scale before, but as a self-professed geek with a great track record of managing ensemble casts, there’s no one more qualified for the job than him.

Who: Judi Dench, Bill Nighy, Tom Wilkinson, Maggie Smith and Dev Patel
What: British retirees travel to India to take up residence in what they believe is a newly restored hotel, only to find that it’s less luxurious than its advertisements.
When: May 4th
Why: It’s hard to imagine a better piece of counterprogramming to “The Avengers” than this John Madden dramedy, because although studios have typically put a chick flick up against a surefire blockbuster to lure female moviegoers in the past, “The Best Exotic Marigold Hotel” is a film that both sexes can enjoy. And the best part is that it actually looks pretty good, although that shouldn’t come as much of a surprise considering the cast includes four of the most respected British actors working today. While the movie could have easily come across as being too schmaltzy in the hands of another director, Madden appears to have struck the right balance between comedy and sentimentality.

Who: Johnny Depp, Eva Green, Michelle Pfeiffer and Helena Bonham Carter
What: An imprisoned vampire is set free and returns to his ancestral home, where his dysfunctional descendants are in need of his protection.
When: May 11th
Why: I’ve never seen the late ‘60s TV show that serves as the inspiration for this big screen adaptation, but based solely on the early reaction to the trailer, it’s not exactly what anyone was expecting. Though it may seem strange that director Tim Burton and star Johnny Depp, both of whom claim they were massive fans of the gothic drama as kids, would re-imagine it as a comedy, their version seems to be less about damaging the show’s memory and more about embracing its campiness. While they admittedly might have taken it a little too far (cue Alice Cooper cameo), the cast is simply too good for “Dark Shadows” to be a complete disaster. At least, that’s what I keep telling myself.

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It had to happen eventually: I don’t have a column.

Well, not really, anyway. I mean, normally, I’ve got an interview or a preview of a new series or a commentary on an existing TV series, and it’s enough to fill up an entire column, but not this time. Between all the writing, transcribing, and family matters going on over the past few weeks, I’ve had precious little time to watch TV these past few weeks, and what I have watched has tended to be in short spurts, which means that I’m way behind on just about all of my favorite shows. Mind you, that’s not to say that I don’t have anything to say. I’m just going to kind of run through some of the things I’ve been watching lately – some new, some old – and offer up my thoughts about them.

First up: the same show just about everyone else was talking about this morning:

Seems like only yesterday that I walked up to Jimmy Fallon at the TCA Press Tour and asked him outright if he was scared shitless about starting his talk show. (His response: “Why, yes. Yes, I am.”) Now look at the guy: slow-jamming the news with the President of the United States. You know, I’d say “I don’t care what your politics are, that’s just awesome,” but I know Republicans better than that. I will, however, note that President Obama earned a little extra respect from me for taking the time to give a shout-out to Key & Peele. It wouldn’t surprise me if you forgot that I talked to them back in January, since the piece didn’t get so much as a single comment, but they’re a hilarious couple of guys, and they deserve all the success they’ve been getting with their Comedy Central Series. But I digress. Here’s that slow jam I mentioned, just in case you haven’t caught it yet:

If you’re a parent, I’m sure I don’t have to tell you that the addition of children to your life inevitably results in a number of changes to your lifestyle, but one of the most crucial is how it affects your TV viewing habits. It seems like it’d be easy to tell a little kid what they’re going to watch, but you’d be surprised. Battles are often fought in our living room over what I want to watch versus what my daughter calls “my shows,” a short list which includes a variety of programming that I have no interested in sitting through. As such, my wife and I regularly try to find shows that are at least somewhat of a middle ground for us all, thereby avoiding these arguments with a little lass who’s 1/4 my size, and in an effort to avoid watching “Dance Moms” at all cost, I finally asked a question I never thought would come out of my mouth: “Do you want to try ‘Dancing with the Stars’?”

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I’ve had some memorable times in Las Vegas over the years, as Sin City has always been about creating over-the-top experiences with all the gambling and wild nightlife. But on this last trip I tried something new and exhilarating that I’ll remember for years!

I was invited to check out the all-new Machine Guns Vegas (MGV), a unique attraction that will soon be on most to-do lists for guys visiting Vegas. MGV combines a VIP ultra lounge setting with the ultimate firearms experience. The selection of guns you can shoot will blow your mind, so it’s perfect for gun enthusiasts along with first-timers who want to feel the thrill of firing these powerful weapons.

I’m the latter. I’d never shot a gun before even though I’d always wanted to try it. Now I’d get my chance, but it wouldn’t be with a simple handgun. I was going to shoot three badass, fully-automatic machine guns, and I couldn’t wait to try it.

As soon as you arrive at MGV you enter into a spacious and comfortable lounge area where you can relax and get ready. The staff is very professional and you can pick all sorts of packages for your experience. Guests are matched with a shooting host who uses interactive multimedia displays on an iPad to showcase each of the shooting experiences offered. Long lines are not an issue here as you can relax in the lounge while you pick your experience and wait your turn. My experience would consist of three machine guns – the M4 5.56 (US), the MK-47 (Russian) and the HK MP5 9MM (German).

After talking to my instructor, we decided to go with the biggest gun first, the M4 5.56 carbine fully automatic machine gun. The M4 is a shorter and lighter variant of the M16A2 assault rifle, sharing 80% of the parts, but it’s still a beast. It’s used by the U.S. military and is slated to replace the M16 for many combat units in the army. The instructor explained the proper way to shoot the gun. The stance is critical, as you don’t want this thing to knock you back when you fire. Balance and leverage is important as you keep your right foot back and prepare yourself to lean forward as you press the trigger. The instructor then sent out the target and I was ready to go.

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